From cdr Mon Nov 25 11:52:21 1991 Return-Path: Received: by stolaf.edu (4.1/SMI-4.1) id AA23291; Mon, 25 Nov 91 11:52:21 CST Date: Mon, 25 Nov 91 11:52:21 CST From: cdr (Craig D. Rice, St. Olaf College) Message-Id: <9111251752.AA23291@stolaf.edu> To: mutex@stolaf.edu Subject: Welcome This is the first posting to MuTeX@stolaf.edu Craig From cdr@stolaf.edu Wed Nov 27 10:13:56 1991 Return-Path: Received: from sachiko.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA06223; Wed, 27 Nov 91 10:13:56 CST Received: by sachiko.acc.stolaf.edu; Wed, 27 Nov 91 10:13:34 CST Message-Id: <9111271613.AA02020@sachiko.acc.stolaf.edu> To: mutex@stolaf.edu Subject: [forwarded] multiple staves with MuTeX Date: Wed, 27 Nov 91 10:13:33 CST From: cdr@stolaf.edu ------- Forwarded Message Date: Tue, 26 Nov 91 21:11:06 -0800 From: William Vera Please add me to your mailing list. I just installed MuTeX here today and produced the 2 demo pieces which look fine. My eventual goal here is to write an X-window front end for composing multi-part scores which will output with MuTeX on a laser printer or previewer. I hear someone is already working on extensions to increase the number of allowable staves. I'm trying to track down who that is at the moment. Please pass along any other interesting development info you might hear about. Thanks, - - William Vera vera@locus.com ------- End of Forwarded Message From hudson@radar.eecs.wsu.edu Wed Nov 27 11:00:24 1991 Return-Path: Received: from radar.eecs.wsu.edu by stolaf.edu (4.1/SMI-4.1) id AA06725; Wed, 27 Nov 91 11:00:24 CST Received: by radar.eecs.wsu.edu (AIX 1.3/4.03) id AA11108; Wed, 27 Nov 91 02:55:59 -0800 Date: Wed, 27 Nov 91 02:55:59 -0800 From: hudson@radar.eecs.wsu.edu Message-Id: <9111271055.AA11108@radar.eecs.wsu.edu> To: mutex@stolaf.edu Subject: where to get it Can someone email me the most up-to-date anonymous ftp site in the US for mutex and/or musictex? I'd appreciate it very much. Scott From cdr Wed Nov 27 11:07:05 1991 Return-Path: Received: by stolaf.edu (4.1/SMI-4.1) id AA06968; Wed, 27 Nov 91 11:07:05 CST Date: Wed, 27 Nov 91 11:07:05 CST From: cdr (Craig D. Rice, St. Olaf College) Message-Id: <9111271707.AA06968@stolaf.edu> To: mutex Subject: FAQ - Frequently Asked Questions Looks like now is a good time for the initial version of FAQ. FAQ 911126: Frequently Asked Questions pertaining to MusicTeX and MuTeX ------------------------------------------------------------------------------- NOTE: This is a bare bones beginning of what will constitute a more substantial "Frequently Asked Questions" for MuTeX and MusicTeX. Please mail your contributions to this to "mutex@stolaf.edu" ------------------------------------------------------------------------------- TABLE OF CONTENTS ------------------------------------------------------------------------------- 01 What is MuTeX? 02 Where can I get MuTeX and MusicTeX? 03 Where are the archives of MuTeX mailing list? ------------------------------------------------------------------------------- 01 What is MuTeX? The MuTeX package is a set of macros allowing TeX to typeset beautiful music. It is the outcome of a Master's thesis at the Rheinische Friedrich-Wilhelms University. 01 What is MusicTeX? Here are the tools to write music with MusicTeX under TeX. The useful macros are MUSIC*.TEX. ------------------------------------------------------------------------------- 02 Where can I get MuTeX and MusicTeX? MuTeX and MusicTeX are available from many sites, including: ftp.stolaf.edu:/pub/TeX/MuTeX.tar.Z ftp.stolaf.edu:/pub/TeX/MuTeX_doc.tar.Z ftp.stolaf.edu:/pub/TeX/MusicTeX.tar.Z ccadfa.cc.adfa.oz.au:/pub/tex/MuTeX.tar.Z clouso.crim.ca:/pub/MuTeX.tar.Z alfred.ccs.carleton.ca:/pub/tex/MusicTeX.tar.Z ------------------------------------------------------------------------------- 03 Where are the archives of the MuTeX mailing list? Archives for the MuTeX mailing list are available via anonymous FTP from: ftp.stolaf.edu:/pub/mutex/archive ------------------------------------------------------------------------------- Craig -- Craig D. Rice UNIX Systems Specialist/Network Analyst cdr@stolaf.edu Academic Computing Center, St. Olaf College +1 507 663-3631 1520 St. Olaf Avenue +1 507 663-3549 FAX Northfield, MN 55057-1098 USA From MAKO@UIHEPA.HEP.UIUC.EDU Wed Nov 27 12:22:29 1991 Return-Path: Received: from uihepa.hep.uiuc.edu by stolaf.edu (4.1/SMI-4.1) id AA07715; Wed, 27 Nov 91 12:22:29 CST Received: from UIHEPA.HEP.UIUC.EDU by UIHEPA.HEP.UIUC.EDU (PMDF #12392) id <01GDFZ4AJ0M8BNJ2LH@UIHEPA.HEP.UIUC.EDU>; Wed, 27 Nov 1991 12:23 CST Date: Wed, 27 Nov 1991 12:23 CST From: "Makoto Shimojima, Univ of Tsukuba/CDF" Subject: Re: FAQ - Frequently Asked Questions To: mutex@stolaf.edu Message-Id: <01GDFZ4AJ0M8BNJ2LH@UIHEPA.HEP.UIUC.EDU> X-Organization: High Energy Physics, University of Illinois, Urbana-Champaign X-Vms-To: IN%"mutex@stolaf.edu" X-Vms-Cc: MAKO I have the following info regarding the ftp sites: mako -- Makoto Shimojima Location DECnet/ESnet Bitnet Internet UoTsukuba: UTKBP::MAKO -N/A- mako%utkbp.dnet@kekux.kek.jp KEK: KEKVAX::MAKO MAKO@JPNKEKVX mako@kekvax.kek.jp >UoIllinois: UIHEP::MAKO MAKO@UIUCHEPG mako@uihepa.hep.uiuc.edu Fermilab: FNAL::MAKO MAKO@FNAL mako@fnal.fnal.gov From: jmcn@castle.ed.ac.uk (J McNicol) Date: 15 Aug 91 16:07:24 GMT aix370.rrz.uni-koeln.de (134.95.80.1) /tex/musictex.tar.Z arisia.xerox.com (13.1.100.206) /pub/musictexdemo.PS athene.uni-paderborn.de (131.234.2.32) /pcsoft/amiga/tex/fonts/musictex.lzh bach.cs.umb.edu (192.12.26.23) /pub/tex/musictex.tar.Z cs.dal.ca (129.173.4.5) /pub/comp.archives/musictex emx.utexas.edu (128.83.1.33) /pub/mnt/source/tex/musictex.tar.Z forwiss.uni-passau.de (132.231.20.10) /pub/tex/macros/musictex.tar.Z iraun1.ira.uka.de (129.13.10.90) /tex/musictex.tar.Z kth.se (130.237.72.201)/tex/umb/musictex.tar.Z nz20.rz.uni-karlsruhe.de(129.13.96.2) /pub/pctex/texutl/macros/musictex.lzh qed.rice.edu (128.42.4.38) /pub/musictex.tar.Z sol.cs.ruu.nl (131.211.80.5) /TEX/musictex.tar.Z srawgw.sra.co.jp (133.137.4.3) /.a/sranha/arch/arch/comp.archives/musictex /.a/sranha/arch/arch/comp.archives/music/notation/musictex wraith.cs.uow.edu.au (130.130.64.1) /cache/ftp.cs.umb.edu/pub/tex/musictex.tar.Z Also, the author of MusicTeX recommends this site (presumably his home site, and most up to date): rsovax.circe.fr Username musictex, Password From: TAUPIN@FRUPS51.BITNET Date: 23 Sep 91 20:50:55 GMT Music composers/typesetters/lovers could find interesting Music macroes at ip address 130.84.128.100, user anonymous, cwd musictex. Questions and comments welcome... From: schoepf@sc.ZIB-Berlin.DE (Rainer Schoepf) Date: 19 Aug 91 13:07:50 GMT The most recent version of MuTeX (directly obtained from Bonn, the original source) is located on rusinfo.rus.uni-stuttgart.de, in directory soft/tex/mtex. From ORLANDINI@JANE.GSFC.NASA.GOV Wed Nov 27 12:53:05 1991 Return-Path: Received: from JANE.GSFC.NASA.GOV by stolaf.edu (4.1/SMI-4.1) id AA08017; Wed, 27 Nov 91 12:53:05 CST Date: Wed, 27 Nov 1991 13:54:42 EST From: ORLANDINI@JANE.GSFC.NASA.GOV (M.Orlandini - NASA/GSFC. Tel (301) 286 1128) Message-Id: <911127135442.20a0015f@JANE.GSFC.NASA.GOV> Subject: Site for Mutex and MusicTex To: mutex@stolaf.edu X-Vmsmail-To: SMTP%"mutex@stolaf.edu" From the FAQ of the comp.text.tex newsgroup > A package called MuTeX, written by Andrea Steinbach and Angelika Schofer, > aids in doing this [typeset music]. It is available via anonymous ftp from > sol.cs.ruu.nl (131.211.80.5) in pub/TEX/mtex.tar.Z and from > ymir.claremont.edu (134.173.4.23) in [anonymous.tex.music.mtex]. This > package allows you to typeset single-staff music and lyrics. > A more powerful package which allows the typesetting of orchestral and > polifonic music is MusicTeX, written by Daniel Taupin. It is also available > from ymir.claremont.edu in [anonymous.tex.music.musictex]. ---Mauro From HOLZWARTH@DHDSPRI6.BITNET Thu Nov 28 00:03:46 1991 Return-Path: Received: from vx.acs.umn.edu by stolaf.edu (4.1/SMI-4.1) id AA11829; Thu, 28 Nov 91 00:03:46 CST Received: from DHDSPRI6.bitnet by vx.acs.umn.edu; Thu, 28 Nov 91 00:05 CST Date: Thu, 28 Nov 91 07:03 N From: Frank Holzwarth Subject: Wanted: PS demofile for MuTeX/MusicTeX To: mutex@stolaf.edu Message-Id: X-Envelope-To: mutex@stolaf.edu X-Vms-To: IN%"mutex@stolaf.edu" Hello all you musical TeXers, Some time ago I saw an output of the archie facility mentioning a file like MUSICTEX_DEMO.PS Unfortunately the FTP site was dead and that interesting file was not available elsewhere. Can anybody point me to an archive where to obtain this PostScript file. As I have not yet installed MuTeX or MusicTeX the file should contain all the fonts needed in PS form. Thank you very much in advance Frank Holzwarth e-mail: HOLZWARTH@DHDSPRI6.bitnet Springer-Verlag Dept. New Technologies/Product Development Tiergartenstrasse 17 W-6900 Heidelberg FRG From icking@gmdzi.gmd.de Thu Nov 28 04:26:04 1991 Return-Path: Received: from unido.informatik.uni-dortmund.de by stolaf.edu (4.1/SMI-4.1) id AA12322; Thu, 28 Nov 91 04:26:04 CST Received: from gmdzi.gmd.de by unido.informatik.uni-dortmund.de with SMTP (5.65+/UNIDO-2.0.4.f) via EUnet for stolaf.edu id AA13131; Thu, 28 Nov 91 11:21:25 +0100 Received: by gmdzi.gmd.de id AA27826; Thu, 28 Nov 91 11:26:21 -0100 Date: Thu, 28 Nov 91 11:26:21 -0100 From: Werner Icking Message-Id: <9111281026.AA27826@gmdzi.gmd.de> To: ORLANDINI@JANE.GSFC.NASA.GOV, mutex@stolaf.edu Subject: MusicTeX vs. MuTeX >>From the FAQ of the comp.text.tex newsgroup > >> A package called MuTeX, written by Andrea Steinbach and Angelika Schofer, >> aids in doing this [typeset music]. It is available via anonymous ftp from >> sol.cs.ruu.nl (131.211.80.5) in pub/TEX/mtex.tar.Z and from >> ymir.claremont.edu (134.173.4.23) in [anonymous.tex.music.mtex]. This >> package allows you to typeset single-staff music and lyrics. >> A more powerful package which allows the typesetting of orchestral and >> polifonic music is MusicTeX, written by Daniel Taupin. It is also available >> from ymir.claremont.edu in [anonymous.tex.music.musictex]. I think that it is not correct to say that MusicTeX is more powerful. The main difference between MuTeX and MusicTeX is that - MusicTeX deals with multiple staves (staffs?) - MuTeX produces a nicer output. The reason that MuteX produces nicer output seems to be that it can handle only single-staff music and therefore can easier put glue between the notes. A second reason is that it makes "real" slurs and not some sort of rotated brackets (braces, ...). Both packages have in common, that the input language is a horrorific. Both packages show some errors which are nearly impossible to trace down or to find a circumvention (e.g. MuTeX typesets sometimes not-available characters instead of slurs; MusicTeX sometimes makes a break in the middle of a slur.). Both packages are very big and required a lot of CPU-power and a big TeX-installation. Some days (or month?) ago a new MusicTeX-version came out. And when I looked at various archives most of them had (different) outdated versions. Therefor it may be a good advice to update the archived versions (or to get MusicTeX from rsovax.circe.fr (userid: musictex password: any)) near to the author. Werner -- Werner Icking icking@gmdzi.gmd.de (+49 2241) 14-2443 Gesellschaft fuer Mathematik und Datenverarbeitung mbH (GMD) Schloss Birlinghoven, P.O.Box 1240, D-5205 Sankt Augustin 1, FRGermany "Der Dativ ist dem Genitiv sein Tod." From icking@gmdzi.gmd.de Thu Nov 28 11:59:52 1991 Return-Path: Received: from unido.informatik.uni-dortmund.de by stolaf.edu (4.1/SMI-4.1) id AA12757; Thu, 28 Nov 91 11:59:52 CST Received: from gmdzi.gmd.de by unido.informatik.uni-dortmund.de with SMTP (5.65+/UNIDO-2.0.4.f) via EUnet for stolaf.edu id AA24604; Thu, 28 Nov 91 18:55:18 +0100 Received: by gmdzi.gmd.de id AA20629; Thu, 28 Nov 91 19:00:14 -0100 Date: Thu, 28 Nov 91 19:00:14 -0100 From: Werner Icking Message-Id: <9111281800.AA20629@gmdzi.gmd.de> To: mutex@stolaf.edu Subject: MuTeX documentation - MuTeX users guide Cc: jalbert@cs.ucb.ca A lot of MuTeX users complain about the poor documentation. A reason for this may be that they DO NOT have GUIDE.TEX which was written by Francois Jalbert, because the original short users guide MTEXINFO.TEX is written in German (no problem for Francois :-) - hello Frankie, how are you?) and is very poor. GUIDE.TEX is contained in MUTEX.ARC which can be found on SIMTEL (and its mirror sites) in the directory PD1:. Another source of information about MuTeX is the master thesis (Diplomarbeit) of the MuTeX authors which can be found on most TEX-server. It is written in German. It CANNOT serve as a users guide; it tells something about music typesetting and how the principles of "Notenstich" (engraving) can be transferred to a text-processor like TeX. The basic knowledge about "Notenstich" is cited from "the" famous small book by Harder. Werner From MAKO@UIHEPA.HEP.UIUC.EDU Thu Nov 28 17:11:52 1991 Return-Path: Received: from uihepa.hep.uiuc.edu by stolaf.edu (4.1/SMI-4.1) id AA13101; Thu, 28 Nov 91 17:11:52 CST Received: from UIHEPA.HEP.UIUC.EDU by UIHEPA.HEP.UIUC.EDU (PMDF #12392) id <01GDHNIFHJTCBNJ3KJ@UIHEPA.HEP.UIUC.EDU>; Thu, 28 Nov 1991 17:12 CST Date: Thu, 28 Nov 1991 17:12 CST From: "Makoto Shimojima, Univ of Tsukuba/CDF" Subject: New MusicTeX available at rsovax.circe.fr To: mutex@stolaf.edu Message-Id: <01GDHNIFHJTCBNJ3KJ@UIHEPA.HEP.UIUC.EDU> X-Organization: High Energy Physics, University of Illinois, Urbana-Champaign X-Vms-To: IN%"mutex@stolaf.edu" From: IN%"TAUPIN@FRUPS51.BITNET" 28-NOV-1991 13:29:40.04 To: IN%"MAKO@UIHEPA.HEP.UIUC.EDU" CC: Subj: RE: Re: MusicTeX Received: from Jnet-DAEMON by UIHEPA.HEP.UIUC.EDU (PMDF #12392) id <01GDHFPURPQCBNIY8L@UIHEPA.HEP.UIUC.EDU>; Thu, 28 Nov 1991 13:29 CST Received: From FRUPS51(TAUPIN) by UIUCHEPA with Jnet id 0079 for MAKO@UIUCHEPG; Thu, 28 Nov 1991 13:29 CST Date: 28 NOV 91 19:27:33.65-GMT From: TAUPIN@FRUPS51.BITNET Subject: RE: Re: MusicTeX To: MAKO@UIHEPA.HEP.UIUC.EDU Message-id: <01GDHFPURPQCBNIY8L@UIHEPA.HEP.UIUC.EDU> New version of MusicTeX available by ftp anonymous at 130.84.128.100 (rsovax.circe.fr) Enhancements: fonts corrected according to K. Neuwirth's suggestions (except some difficult things) -- ties and slurs work better. -- repeats seem to work correctly now -- some other small defects removed -- the notice has been seriously enhanced. -- better flexibility with modes in *.mf Further projects: automatic transposition, including accidentals, small notes, nicer ties. -- latex style according to N. Brouard's suggestions. Daniel TAUPIN, Bat. 510, 91405 ORSAY (France) From @CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET Tue Dec 3 09:27:47 1991 Return-Path: <@CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA16509; Tue, 3 Dec 91 09:27:47 CST Message-Id: <9112031527.AA16509@stolaf.edu> Received: from FRUPS51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 2841; Tue, 03 Dec 91 10:26:39 EST Date: 3 DEC 91 16:23:31.78-GMT From: TAUPIN%FRUPS51.bitnet@CUNYVM.CUNY.EDU Subject: Musictex version 4.31 To: MUTEX@stolaf.edu New version 4.31 of MusicTeX available by ftp anonymous at 130.84.128.100 (rsovax.circe.fr) New: you can now write transposable music, including the transposition of accidentals. Read the notice.tex. Bugs removed in signature changes from 4.3 (november 1991) Enhancements since summer 1991: fonts corrected according to K. Neuwirth's suggestions (except some difficult things) -- ties and slurs work better. -- repeats seem to work correctly now -- some other small defects removed -- the notice has been seriously enhanced. -- better flexibility with modes in *.mf Further projects: small notes, nicer ties. -- latex style according to N. Brouard's suggestions. Daniel TAUPIN, Bat. 510, 91405 ORSAY (France) From @CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET Tue Dec 3 11:57:58 1991 Return-Path: <@CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA17892; Tue, 3 Dec 91 11:57:58 CST Message-Id: <9112031757.AA17892@stolaf.edu> Received: from FRUPS51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 6493; Tue, 03 Dec 91 12:56:53 EST Date: 3 DEC 91 18:59:44.88-GMT From: TAUPIN%FRUPS51.bitnet@CUNYVM.CUNY.EDU Subject: French MusicTeX examples To: MUTEX@stolaf.edu If you have troubles with 8bit french characters, the musicsty.tex contrain their definitions (starting from 2 minutes ago). If you have only a 7bit TeX, then look at this file and perform the replacement with your editor... From bobb@agora.rain.com Tue Dec 3 22:06:26 1991 Return-Path: Received: from percy.rain.com by stolaf.edu (4.1/SMI-4.1) id AA23554; Tue, 3 Dec 91 22:06:26 CST Received: by percy.rain.com (/\==/\ Smail3.1.24.1 #24.2) id ; Tue, 3 Dec 91 20:07 WET Received: by agora.rain.com (/\==/\ Smail3.1.21.1 #21.6) id ; Tue, 3 Dec 91 20:04 PST Message-Id: Date: Tue, 3 Dec 91 20:04 PST From: bobb@agora.rain.com (Bob Beauchemin) To: mutex@stolaf.edu Subject: Music and book publishing A friend of mine is looking to typeset a textbook that is mostly text, but interspersed with staffs of music (ie. music included in the text like figures). Does anyone have any experiences doing this sort of thing with any combination of Plain TeX, LaTeX, MuTeX and/or MusicTeX? It appears, after a brief glance, that MuTeX and MusicTeX are mostly for typesetting musical scores (with possible title and composer information). It was mentioned (in the MusicTeX docs, I think) that you lose the TeX '&' character (used for columns) because it use to separate music staffs (staves?). Also, that there may be problems using MusicTeX with LaTeX. But the MusicTeX docs contain "music figures" in the text... Any music & TeX gurus out there? I'm a TeX beginner looking for recommendations. Bob Beauchemin 6503 SW 46th Place Portland OR, 97221 (503)-244-5029 bobb@agora.rain.com From robin.fairbairns@lsl.co.uk Wed Dec 4 04:33:48 1991 Return-Path: Received: from eros.uknet.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA25259; Wed, 4 Dec 91 04:33:48 CST Received: from lsl.co.uk by eros.uknet.ac.uk via PSS with NIFTP (PP) id <23685-0@eros.uknet.ac.uk>; Wed, 4 Dec 1991 10:08:31 +0000 Received: by lsl.co.uk (MX V2.3-1) id 2833; Wed, 04 Dec 1991 10:08:21 +0100 Date: Wed, 04 Dec 1991 10:08:21 +0100 From: Robin Fairbairns To: mutex@stolaf.edu Message-Id: <009529A9.DA74FE80.2833@lsl.co.uk> Subject: Re: Musictex version 4.31 In article <9112031527.AA16509@stolaf.edu>, TAUPIN writes: > New version 4.31 of MusicTeX available by ftp anonymous > at 130.84.128.100 (rsovax.circe.fr) > New: you can now write transposable music, including > the transposition of accidentals. Read the notice.tex. I had slight problems with the positioning of `notice' on my printer (a DEC LPS 20 postcript machine). > Bugs removed in signature changes from 4.3 (november 1991) > > Enhancements since summer 1991: fonts corrected according to > K. Neuwirth's suggestions (except some > difficult things) > -- ties and slurs work better. Much better (though admittedly still not perfect!). I'm setting (mostly) late classical or romantic music, with widely variable bar lengths. The ties and slurs now (occasionally) break up; previously they had ghastly tails to the left, which are now entirely absent. I can _cope_ with gaps... ;-) > -- repeats seem to work correctly now > -- some other small defects removed > -- the notice has been seriously enhanced. > -- better flexibility with modes in *.mf Very useful - every previous version I had to patch the MF files. > Further projects: > small notes, nicer ties. Go to it, Daniel! All in all, I strongly recommend that people acquire this latest version. In addition, given that the connection to rsovax.circe.fr is (by Daniel's own admission) rather flaky, I suggest that someone on the far side of the Atlantic (at least) should set up a copy on anon ftp for general consumption. (I shall suggest the same to Aston, at least.) -- Robin Fairbairns, Senior Consultant, postmaster and general dogsbody Laser-Scan Ltd., Science Park, Milton Rd., Cambridge CB4 4FY, UK Email: robin@lsl.co.uk --or-- rf@cl.cam.ac.uk From icking@gmdzi.gmd.de Wed Dec 4 05:56:12 1991 Return-Path: Received: from mail.Germany.EU.net ([192.76.144.65]) by stolaf.edu (4.1/SMI-4.1) id AA25417; Wed, 4 Dec 91 05:56:12 CST Received: from gmdzi.gmd.de by mail.Germany.EU.net with SMTP (5.65+/UNIDO-2.1.0.a) via EUnet for stolaf.edu id AA09164; Wed, 4 Dec 91 12:51:19 +0100 Received: by gmdzi.gmd.de id AA24681; Wed, 4 Dec 91 12:56:22 -0100 Date: Wed, 4 Dec 91 12:56:22 -0100 From: Werner Icking Message-Id: <9112041156.AA24681@gmdzi.gmd.de> To: mutex@stolaf.edu, robin.fairbairns@lsl.co.uk, taupin@gmdzi.gmd.de Subject: MusicTeX version 4.31 availabe on gmdzi.gmd.de Cc: jc@gmdzi.gmd.de Robin Fairbairns complaint has found an open ear: > >In addition, given that the connection to rsovax.circe.fr is (by >Daniel's own admission) rather flaky, I suggest that someone on the far >side of the Atlantic (at least) should set up a copy on anon ftp for >general consumption. (I shall suggest the same to Aston, at least.) > gmdzi.gmd.de (129.26.8.90) has version 4.31 of musictex.zip in /ftp/tmp: -rw-r--r-- 1 icking 406528 Dec 2 04:31 musictex.zip Standard ftp-processing is available (user: anonymous password: Hope this hilft -- Werner PS: If you cannot connect to gmdzi.gmd.de try 129.26.8.90 which is new since yesterday. -- Werner Icking icking@gmdzi.gmd.de (+49 2241) 14-2443 Gesellschaft fuer Mathematik und Datenverarbeitung mbH (GMD) Schloss Birlinghoven, P.O.Box 1240, D-5205 Sankt Augustin 1, FRGermany "Der Dativ ist dem Genitiv sein Tod." From piet@cs.ruu.nl Wed Dec 4 07:32:56 1991 Return-Path: Received: from ruuinf.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA25627; Wed, 4 Dec 91 07:32:56 CST Received: from gnu.cs.ruu.nl by ruuinf.cs.ruu.nl with SMTP (5.61+/IDA-1.2.8) id AA06580; Wed, 4 Dec 91 14:26:47 +0100 Received: by alchemy.cs.ruu.nl (15.11/15.6) id AA25246; Wed, 4 Dec 91 14:32:03 -0100 Date: Wed, 4 Dec 91 14:32:03 -0100 From: Piet van Oostrum Message-Id: <9112041332.AA25246@alchemy.cs.ruu.nl> To: MUTEX@stolaf.edu Subject: Re: Musictex version 4.31 References: <9112031527.AA16509@stolaf.edu> I do have a compressed tar file in our archive. This is easier for most Unix folx. It is also accessible by a mail-server. How to get musictex.tar.Z from the archive at Dept. of Computer Science, Utrecht University: NOTE: In the following I have assumed your mail address is john@highbrow.edu. Of course you must substitute your own address for this. This should be a valid internet or uucp address. For bitnet users name@host.BITNET usually works. by FTP: (please restrict access to weekends or evening/night (i.e. between about 20.00 and 0900 UTC). ftp archive.cs.ruu.nl [131.211.80.5] user name: anonymous or ftp password: your own email address (e.g. john@highbrow.edu) Don't forget to set binary mode if the file is a tar/arc/zoo archive, compressed or in any other way contains binary data. get TEX/musictex.tar.Z by mail-server: send the following message to mail-server@cs.ruu.nl (or uunet!mcsun!hp4nl!ruuinf!mail-server): begin path john@highbrow.edu (PLEASE SUBSTITUTE *YOUR* ADDRESS) send TEX/musictex.tar.Z end NOTE: *** PLEASE USE VALID INTERNET ADDRESSES IF POSSIBLE. DO NOT USE ADDRESSES WITH ! and @ MIXED !!!! BITNETTERS USE USER@HOST.BITNET *** The path command can be deleted if we receive a valid from address in your message. If this is the first time you use our mail server, we suggest you first issue the request: send HELP -- Piet* van Oostrum, Dept of Computer Science, Utrecht University, Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 531806 Uucp: uunet!mcsun!ruuinf!piet Telefax: +31 30 513791 Internet: piet@cs.ruu.nl (*`Pete') From @hp4nl.nluug.nl:erikjan@icce.rug.nl Wed Dec 4 07:47:05 1991 Return-Path: <@hp4nl.nluug.nl:erikjan@icce.rug.nl> Received: from hp4nl.nluug.nl by stolaf.edu (4.1/SMI-4.1) id AA25677; Wed, 4 Dec 91 07:47:05 CST Received: from rug4 (rug4.cs.rug.nl; [129.125.5.4]) by hp4nl.nluug.nl with SMTP id AA13613 (1.15/2.14); Wed, 4 Dec 91 14:48:07 +0100 Received: from icce.rug.nl by rug4 (4.1/SMI-4.1/CSRUG-1.0) id AA11432; Wed, 4 Dec 91 14:47:24 +0100 Received: by guicce.icce.rug.nl (AIX-RT 2.2.1/4.03/91A07) id AA07861; Wed, 4 Dec 91 12:32:56 +0100 From: Erik-Jan Vens Message-Id: <9112041132.AA07861@guicce.icce.rug.nl> Subject: Re: Musictex version 4.31 To: mutex@stolaf.edu Date: Wed, 4 Dec 91 12:32:55 MET In-Reply-To: <009529A9.DA74FE80.2833@lsl.co.uk>; from "Robin Fairbairns" at Dec 4, 91 10:08 am Reply-To: E.J.Vens@icce.rug.nl X-Organization: The ICCE Experience X-Mailer: ELM [version 2.3 PL11] Robin Fairbairns dixit: > In article <9112031527.AA16509@stolaf.edu>, TAUPIN writes: > > New version 4.31 of MusicTeX available by ftp anonymous > > at 130.84.128.100 (rsovax.circe.fr) > > Enhancements since summer 1991: fonts corrected according to > > K. Neuwirth's suggestions (except some > > difficult things) Well, actually, there are still problems with the musicd16 en musicd20 MetaFont files. There are two lines: input modes input local which do not belong there. The which comes with the musictex package not only is an old (?) file, it also is a wrong file. Karl Berry has compiled a file (currently version 0.8) which contains mode definitions for a lot of printers. You or your systemmanager should compile these into your MetaFont <.base> file. Then you can select the right printer on the commandline. The setup now forces you select to a HP LaserJet. If you have correctly made a <.base> file, you can dyke these two lines out. > Go to it, Daniel! > > All in all, I strongly recommend that people acquire this latest > version. Yes, it is a much better version than the old one. I met Daniel Taupin in Eindhoven two weeks ago and the examples he showed promised a lot. So, a year after giving up on musictex, I gave it another try. And it is *good*. > In addition, given that the connection to rsovax.circe.fr is (by > Daniel's own admission) rather flaky, I suggest that someone on the far > side of the Atlantic (at least) should set up a copy on anon ftp for > general consumption. (I shall suggest the same to Aston, at least.) I will pass this on to Piet van Oostrum, keeper of the Utrecht Archives (sol.cs.ruu.nl). EJee. -- Erik-Jan Vens. E.J.Vens@icce.rug.nl From acadia!yale!CS.YALE.EDU!malcolm@harvard.harvard.edu Wed Dec 4 10:19:13 1991 Return-Path: Received: from harvard.harvard.edu by stolaf.edu (4.1/SMI-4.1) id AA26876; Wed, 4 Dec 91 10:19:13 CST Received: by harvard.harvard.edu (5.54/a0.25) (for mutex@stolaf.edu) id AA01426; Wed, 4 Dec 91 11:19:13 EST Received: from acadia""UUCP by bulldog.CS.YALE.EDU via UUCP; Wed, 4 Dec 1991 11:18:17 -0500 Received: by acadia (NeXT-1.0 (From Sendmail 5.52)/NeXT-2.0) id AA00697; Wed, 4 Dec 91 09:19:09 EST Date: Wed, 4 Dec 91 09:19:09 EST From: malcolm%acadia.UUCP@CS.YALE.EDU (Malcolm Sanders) Message-Id: <9112041419.AA00697@ acadia > Reply-To: Malcolm M. Sanders <@CS.YALE.EDU:malcolm%acadia.uucp%acadia.UUCP@cs.yale.edu> Received: by NeXT Mailer (1.63) To: mutex@stolaf.edu Subject: Re: MusicTeX version 4.31 availabe on gmdzi.gmd.de Werner Icking writes: >gmdzi.gmd.de (129.26.8.90) has version 4.31 of musictex.zip in /ftp/tmp: ^^^^ > -rw-r--r-- 1 icking 406528 Dec 2 04:31 musictex.zip ^^^^ Incredible. -Malcolm Sanders malcolm%acadia.uucp@cs.yale.edu Telephone: (203) 458-2939 From cdr@stolaf.edu Wed Dec 4 10:22:17 1991 Return-Path: Received: from sachiko.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA26908; Wed, 4 Dec 91 10:22:17 CST Received: by sachiko.acc.stolaf.edu; Wed, 4 Dec 91 10:21:44 CST Message-Id: <9112041621.AA03106@sachiko.acc.stolaf.edu> To: mutex@stolaf.edu Subject: MusicTeX archive in US Date: Wed, 04 Dec 91 10:21:43 CST From: cdr@stolaf.edu From the land of snow and ice, anonymous FTP from ftp.stolaf.edu:/pub/mutex now contains -rw-rw-r-- 1 root 347451 Apr 12 1990 MuTeX.tar.Z -rw-rw-r-- 1 root 37155 Apr 12 1990 MuTeX_doc.tar.Z -rw-rw-r-- 1 cdr 29540 Dec 4 10:19 archive -rw-r--r-- 1 root 3206 Dec 3 09:01 faq -rw-r--r-- 1 root 508169 Dec 4 10:16 musictex.tar.Z "archive" is an archive of the mutex@stolaf.edu mailing list; "faq" is a currently small but developing mutex Frequently Asked Questions Craig -- Craig D. Rice UNIX Systems Specialist/Network Analyst cdr@stolaf.edu Academic Computing Center, St. Olaf College +1 507 663-3631 1520 St. Olaf Avenue +1 507 663-3549 FAX Northfield, MN 55057-1098 USA From @CUNYVM.CUNY.EDU:BROUARD@FRINED51.BITNET Wed Dec 4 11:03:18 1991 Return-Path: <@CUNYVM.CUNY.EDU:BROUARD@FRINED51.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA27342; Wed, 4 Dec 91 11:03:18 CST Message-Id: <9112041703.AA27342@stolaf.edu> Received: from FRINED51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 7359; Wed, 04 Dec 91 12:02:12 EST Date: 4 DEC 91 18:02:25.57-GMT From: BROUARD%FRINED51.bitnet@CUNYVM.CUNY.EDU Subject: Re: Music and book publishing To: MUTEX@stolaf.edu It seems possible to use musictex and latex. I designed a musictex.sty (which is probably in latest version) by simply concatenating the files used by D. Taupin and commenting some lines concerning font loading (which is already done by latex). I also built a new environment named \begin¤music‡ which temporarly sets the catcodes of & and |. So one can write a latex book and insert some music using this environment. An example is also given. Problems concern width of page, as music needs generally a whole page without margin to avoid rotation of sheets. This is partly done with an option named bigmusic (\documentstyle[musictex,bigmusic]¤article‡) which gives the biggest dimensions of an A4 page to LaTeX. It has to be improved so that this feature could be done in the environment itself, i.e. \begin¤music‡[15cm] page width being set to 15cm. LaTeX hackers can think about it. Nicolas Brouard From acadia!yale!CS.YALE.EDU!malcolm@harvard.harvard.edu Wed Dec 4 13:17:11 1991 Return-Path: Received: from harvard.harvard.edu by stolaf.edu (4.1/SMI-4.1) id AA01180; Wed, 4 Dec 91 13:17:11 CST Received: by harvard.harvard.edu (5.54/a0.25) (for mutex@stolaf.edu) id AA06751; Wed, 4 Dec 91 14:17:11 EST Received: from acadia""UUCP by bulldog.CS.YALE.EDU via UUCP; Wed, 4 Dec 1991 14:16:10 -0500 Received: by acadia (NeXT-1.0 (From Sendmail 5.52)/NeXT-2.0) id AA00917; Wed, 4 Dec 91 13:27:51 EST Date: Wed, 4 Dec 91 13:27:51 EST From: malcolm%acadia.UUCP@CS.YALE.EDU (Malcolm Sanders) Message-Id: <9112041827.AA00917@ acadia > Reply-To: Malcolm M. Sanders <@CS.YALE.EDU:malcolm%acadia.uucp%acadia.UUCP@cs.yale.edu> Received: by NeXT Mailer (1.63) To: mutex@stolaf.edu Subject: arrgh... I should know better than to try to be cute. My last message was slightly mangled in transit. The placement of the carets (^^^^) was critical. I was amused that Werner Icking (or someone) had created the archive for version 4.31 of musictex on gmdzi.gmd.de at precisely 04:31 local time, in case anyone was wondering what the heck I was talking about. Sheepishly, Malcolm. -Malcolm Sanders malcolm%acadia.uucp@cs.yale.edu Telephone: (203) 458-2939 From piet@cs.ruu.nl Thu Dec 5 02:28:28 1991 Return-Path: Received: from ruuinf.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA07648; Thu, 5 Dec 91 02:28:28 CST Received: from gnu.cs.ruu.nl by ruuinf.cs.ruu.nl with SMTP (5.61+/IDA-1.2.8) id AA15944; Thu, 5 Dec 91 09:27:37 +0100 Received: by alchemy.cs.ruu.nl (15.11/15.6) id AA10082; Thu, 5 Dec 91 09:27:31 -0100 Date: Thu, 5 Dec 91 09:27:31 -0100 From: Piet van Oostrum Message-Id: <9112050827.AA10082@alchemy.cs.ruu.nl> To: karl@cs.umb.edu Cc: info-tex@shsu.BITNET, tex-archive@math.utah.edu, MUTEX@stolaf.edu Subject: Re: modified musictex available References: <9112042248.AA00693@claude.cs.umb.edu> The copy in our archive includes the newest version of Daniels files and Karl Berrys modifications in a separate subdirectory (together in a compressed tar archive). Karls files have as date aug 19 (that's the date I got them). I don't know if that is his latest version. I haven't tried if Karls modifications will work with the new version of musictex. Our archive is reachable by mail and ftp. How to get musictex.tar.Z from the archive at Dept. of Computer Science, Utrecht University: NOTE: In the following I have assumed your mail address is john@highbrow.edu. Of course you must substitute your own address for this. This should be a valid internet or uucp address. For bitnet users name@host.BITNET usually works. by FTP: (please restrict access to weekends or evening/night (i.e. between about 20.00 and 0900 UTC). ftp archive.cs.ruu.nl [131.211.80.5] user name: anonymous or ftp password: your own email address (e.g. john@highbrow.edu) Don't forget to set binary mode if the file is a tar/arc/zoo archive, compressed or in any other way contains binary data. get TEX/musictex.tar.Z by mail-server: send the following message to mail-server@cs.ruu.nl (or uunet!mcsun!hp4nl!ruuinf!mail-server): begin path john@highbrow.edu (PLEASE SUBSTITUTE *YOUR* ADDRESS) send TEX/musictex.tar.Z end NOTE: *** PLEASE USE VALID INTERNET ADDRESSES IF POSSIBLE. DO NOT USE ADDRESSES WITH ! and @ MIXED !!!! BITNETTERS USE USER@HOST.BITNET *** The path command can be deleted if we receive a valid from address in your message. If this is the first time you use our mail server, we suggest you first issue the request: send HELP -- Piet* van Oostrum, Dept of Computer Science, Utrecht University, Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 531806 Uucp: uunet!mcsun!ruuinf!piet Telefax: +31 30 513791 Internet: piet@cs.ruu.nl (*`Pete') From @CUNYVM.CUNY.EDU:BROUARD@FRINED51.BITNET Thu Dec 5 02:56:01 1991 Return-Path: <@CUNYVM.CUNY.EDU:BROUARD@FRINED51.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA07726; Thu, 5 Dec 91 02:56:01 CST Message-Id: <9112050856.AA07726@stolaf.edu> Received: from FRINED51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 2203; Thu, 05 Dec 91 03:54:32 EST Date: 5 DEC 91 09:53:43.19-GMT From: BROUARD%FRINED51.bitnet@CUNYVM.CUNY.EDU Subject: Generating mutex pk's for 100 118 240 300 dpi. To: MUTEX@stolaf.edu Please find enclosed the script file I used for the generation of music fonts at 100, 118, 240, 300 dpi, using latest modes.mf form Karl Berry. I put all the pks on the GUTenberg distribution. Some changes in .mf have been send to Daniel. Most important concern length which has been replaced by the french word longueur. Other changes concern the codes for hplaserjet which have be commented. I am trying to get last version 4.31 tar files to see if the modifications are enclosed or not (with the latex style), but I don't have access to ftp and use bitftp or mail-server. A nice idea could be to give the version number in the tar or zip file musictex4.31.tar.Z. Nicolas Brouard #!/bin/sh set -x; MF="beamn16 beamn20 musicn16 musicn20 slur16 slurdd16 slurdu16 slurn16 \ slurn20 slurud16 sluruu16" MODE="NeXTscreen bitgraph EpsonMXFX localfont" #MODE=NeXTscreen #DPI=100 for mode in $MODE do for name in $MF do /usr/local/lbin/mf "\mode:=$mode ;scrollmode;input $name"; case $mode in localfont) DPI=300;; NeXTscreen) DPI=100;; bitgraph) DPI=118;; EpsonMXFX) DPI=240;; esac GFNAME=$name."$DPI"gf ; PKNAME=$name."$DPI"pk ; /usr/local/lbin/gftopk ./$GFNAME ../pk/dpi"$DPI"/$PKNAME ; done; done From @CUNYVM.CUNY.EDU:TJEAN@CSEARN.BITNET Thu Dec 5 08:33:01 1991 Return-Path: <@CUNYVM.CUNY.EDU:TJEAN@CSEARN.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA08617; Thu, 5 Dec 91 08:33:01 CST Message-Id: <9112051433.AA08617@stolaf.edu> Received: from earn.puni.cs by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 6082; Thu, 05 Dec 91 09:31:58 EST Received: from CSEARN (TJEAN) by earn.puni.cs (Mailer R2.07) with BSMTP id 1488; Thu, 05 Dec 91 15:30:52 MDT Date: Thu, 05 Dec 91 15:29:01 MDT From: Antonin Novotny Subject: Archives To: MuTeX discussion list I've read about archives accesible with FTP. But how can I get files from archive (for example I've received file musictex.tar.Z but I'm not able to extract files from it). Thank You. Petr Novotny TJEAN@CSEARN.BITNET Czechoslovakia From @CUNYVM.CUNY.EDU:BROUARD@FRINED51.BITNET Tue Dec 10 11:16:25 1991 Return-Path: <@CUNYVM.CUNY.EDU:BROUARD@FRINED51.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA23322; Tue, 10 Dec 91 11:16:25 CST Message-Id: <9112101716.AA23322@stolaf.edu> Received: from FRINED51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 6114; Tue, 10 Dec 91 12:12:53 EST Date: 10 DEC 91 18:12:51.99-GMT From: BROUARD%FRINED51.bitnet@CUNYVM.CUNY.EDU Subject: musictex.sty 2/3 To: MUTEX@stolaf.edu From: BERTI::"root@sauvy" 10-DEC-1991 18:09:16.77 To: barsac::brouard CC: Subj: Mail 2 bigmusic.sty and latex-mu.tex (example) Nicolas Brouard ======bigmusic.sty========= %-% bigmusic.sty to be used %-% \documentstyle[bigmusic,musictex]¤article‡ %-% with environment \begin¤music‡ %-% It enlarges LaTeX to its near maximum page size for %-% large music array. %-% Theses lines can be changed just before \begin¤document‡ \hoffset -1in % This should theoretically not be changed but if equal to 0 % tex put a value of 1 inch. So we set it to -1 inch. \voffset -1in \evensidemargin 5mm \oddsidemargin 5mm \topmargin 1mm \textwidth 190mm \textheight 260mm ========end of bigmusic.sty======= ====latex-mu.tex========= %-% Choose of one these two following lines (depending of the fonts you have) \documentstyle[bigmusic,musictex]¤article‡ % \documentstyle[bigmusic,musicpln]¤article‡ \title¤Is Musictex compatible with \LaTeX¤‡?‡ \author¤First attempt to make it compatible\thanks¤Nicolas Brouard (Unit\'e ``D\'emographie et \'epidemiologie''. Institut national d'\'etudes d\'emographiques. Paris.‡‡ \date¤Novembre 1991‡ \begin¤document‡ \maketitle \section*¤Testing musictex.sty v0.0‡ If music fonts are not available you can use \verb|musicpln.sty| which use LaTeX fonts. Carefull as \verb|circle10.tfm| have been changed in new latex to \verb|lcircle10.tfm| abbreviated to the first 8 characters on a PC as \verb|lcircle1.tfm| and \verb|\lcirclew[10].tfm|. We enlarged LaTeX at its maximum size and it could be reduced for normal layout without music\footnote¤Using small pages reduces the memory need by the compiler.‡. It could probably be done within the music environment. But for the moment we defined an option style named \verb|bigmusic.sty|. Here are the parameters changed by bigmusic.sty: \begin¤verbatim‡ \hoffset -1in % This should theoretically not be changed but if equal to 0 % tex put a value of 1 inch. So we set it to -1 inch. \voffset -1in \evensidemargin 5mm \oddsidemargin 5mm \topmargin 1mm \textwidth 190mm \textheight 260mm \end¤verbatim‡ \begin¤music‡ \def\nbinstruments¤1‡\relax \nbporteesi=2\relax \generalmeter¤\meterfrac¤4‡¤4‡‡\relax \debutmorceau \normal \zglu\Notes\ibu0f0\qh0¤cge‡\tbu0\qh0g|\hl j\enotes \temps\Notes\ibu0f0\qh0¤cge‡\tbu0\qh0g|\ql l\sk\ql n\enotes \barre \Notes\ibu0f0\qh0¤dgf‡|\qlp i\enotes \notes\tbu0\qh0g|\ibbl1j3\qb1j\tbl1\qb1k\enotes \temps\Notes\ibu0f0\qh0¤cge‡\tbu0\qh0g|\hu j\enotes \suspmorceau \end¤music‡ \begin¤center‡ \begin¤tabular‡¤|ccc|‡ \hline Are &Musictex \& \LaTeX¤‡ & able \\ to & live & together? \\ \hline \end¤tabular‡ \end¤center‡ \begin¤music‡ \def\nbinstruments¤1‡\relax \generalmeter¤\meterfrac¤4‡¤4‡‡\relax \debutmorceau \normal \zglu\Notes\rlap¤\hu j‡\ql h\enotes \temps\Notes\hl g\enotes \temps\Notes\hu k\enotes \temps\Notes\ql f\enotes \suspmorceau \end¤music‡ \clearpage \begin¤center‡ ¤\Huge\bf Aria No. 24‡\\ ¤\Large\bf(La Cr\'eation)‡\\ ¤\large Joseph HAYDN‡\\ ¤Transcription pour Orgue et T\'enor, D. Taupin (1990)‡ \end¤center‡ \begin¤music‡ \def\nbinstruments¤2‡% \generalmeter¤\meterfrac¤4‡¤4‡‡% \signaturegenerale¤0‡% \nbporteesii=2\relax \def\qbl#1#2#3¤\ibl¤#1‡¤#2‡¤#3‡\qb¤#1‡¤#2‡‡% \def\qbu#1#2#3¤\ibu¤#1‡¤#2‡¤#3‡\qh¤#1‡¤#2‡‡% \etroit \def\DS¤\hbox¤\ds‡‡\def\FS¤\hbox¤\kern 0.3\noteskip\soupir‡\kern -0.3\noteskip‡ \cleftoksi=¤¤6‡¤0‡¤0‡¤0‡‡ \cleftoksii=¤¤6‡¤0‡¤0‡¤0‡‡ \debutmorceau \NOTes\soupir\relax &\rlap¤\rmidtwotext¤\bf II‡‡\relax \soupir\relax |\relax \qu g\relax \enotes % mesure 1 \advance\barno by -1\relax \barre\NOtes \itenu2J\relax \wh J\relax &\relax \zw N\relax \ibl0c0\relax \qb0e\relax |\relax \itenl0j\relax \ibu1l0\relax \qh1j\relax \enotes \notes&\qbl0c0|\nbbu1\nbbbu1\tten0\qh1¤jkj‡\tbu1\qh1i\enotes \Notes&\qb0e\tbl0\qb0c|\qu j\enotes \temps\Notes&\ibl0c0\qb0¤ece‡\tbl0\qb0c|\ql l\sk\ql j\enotes % mesure 2 \barre\Notes\tten2\wh J&\ql J\sk\ql L|\ppt g\rlap¤\qu g‡\qbl1e0\relax \zq c\qb1e\zq c\qb1e\relax \zq c\tbl1\rlap¤\qb1e‡\ \ \ccu h\enotes \temps\Notes&\ql N\sk\pt L\ibl0L¤-4‡\qb0L|\ibl1e0\zq c\rlap¤\qb1e‡\cu g\relax \zq c\rlap¤\qb1e‡\raise\Interligne\DS \rlap¤\qu g‡\qb1g\enotes \notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\enotes % mesure 3 \barre\NOtes\itenl2G\wh G&\zw N\raise 3.5\Interligne\ds |\rlap¤\cl f‡\itenl0k\ibu1m0\qh1k\enotes \notes&\qbl0b0|\nbbu1\nbbbu1\tten0\qh1¤klk‡\tbu1\qh1¤^j‡\enotes \Notes&\zq d\qb0f\tbl0\qb0b|\qu k\enotes \temps\Notes&\ibl0d0\zq d\qb0¤fb‡\zq d\qb0f|\qu m\sk\pt k\qbu1k¤-4‡\enotes \notes&\tbl0\qb0b|\sk\tbbu1\tbu1\qh1i\enotes % mesure 4 \alaligne\Notes\tten2\wh G&\ql G\sk\ql I|\rlap¤\qupp g‡\ibl1c0\qb1g\relax \zq¤bd‡\qb1f\zq¤bd‡\qb1f\relax \zq¤bd‡\tbl1\rlap¤\qb1f‡\ \ \ccu h\enotes \temps\Notes&\ql K\sk\pt I\qbl0I¤-4‡|\ibl1d0\rlap¤\qb1b‡\cu g\relax \zq¤bd‡\rlap¤\qb1f‡\raise\Interligne\DS \rlap¤\qu g‡\qb1g\enotes \notes&\sk\tbbl0\tbl0\qb0G|\tbl1\zq¤bd‡\qb1f\enotes % mesure 5 \barre\Notes\hu J&\rlap¤\lhu J‡\ibl0M0\qb0J\zq N\qb0c\zq N\qb0c\tbl0\zq N\qb0c\relax |\rlap¤\hl e‡\qu j\sk\qbu1l¤-4‡\tbu1\qh1j\enotes \temps\Notes\hu K&\rlap¤\lhu K‡\ibl0M0\qb0K\zq N\qb0b\zq N\qb0b\tbl0\zq N\qb0b\relax |\rlap¤\hl f‡\ibu1k0\qh1¤ikm‡\tbu1\qh1k\enotes %\check % mesure 6 \barre\Notes\wh L&\zw N\raise 3.5\Interligne\ds\qbl0c0\qb0e\relax |\rlap¤\hl g‡\ppt j\qu j\enotes \notes&\tbl0\qb0c|\sk\ccu l\enotes \temps\Notes&\ibl0c0\qb0¤ece‡|\rlap¤\hl g‡\qu n\sk\raise 2\Interligne\DS\enotes \notes&\tbl0\qb0c|\ibbu1m¤-3‡\qh1m\tbu1\qh1l\enotes %\check % mesure 7 \barre\Notes\wh M&\zw a\raise 3.5\Interligne\ds\qbl0d0\qb0f\tbl0\qb0d\relax |\rlap¤\hlp h‡\qu k\sk\qu m\enotes \temps\Notes&\ibl0d0\qb0f|\pt o\qbu1o¤-3‡\enotes \notes&\zq d\qb0f\sk \zq d\qb0f\sk\tbl0\zq d\qb0f|\sk\tbbu1\tbu1\qh1n\relax \ibbu1m¤-3‡\rlap¤\raise -\Interligne\qp‡\qh1¤mlk‡\tbu1\qh1j\enotes %\check % mesure 8 \alaligne\Notes\hu G&\lcharnote c¤\bf I‡\relax \pz b\ibl0M3\qb0N\pz d\qb0b\pz f\qb0d\pz d\tqb0b|\ql i\rlap¤\uptext¤\bf I‡‡\sk\ds\ppz p\zq¤km‡\cl p\enotes \temps\Notes\hu G&\ibl0M3\pz b\qb0N\pz e\qb0c\pz g\qb0e\pz e\tqb0c\relax |\zq¤jl‡\ql q\sk\ds\ppz l\zq¤gj‡\cl l\enotes %\check % mesure 9 \barre\Notes\hu G&\pz b\ibl0M3\qb0N|\zq¤gi‡\ql k\enotes \notes&\nbbl0\qb0b\tqb0c\enotes \zglu\Notes&\pz f\ibl0d¤-4‡\qb0d\pz d\tqb0b|\ds\ppz p\zq¤km‡\cl p\enotes \temps\Notes\hu G&\pz b\ibl0M3\qb0N|\ppz q\ibl1m3\zq l\qb1q\enotes \notes&\nbbl0\qb0c\tqb0d|\nbbl1\qb1q\tqb1p\enotes \temps\notes&\pz g\ibl0e¤-4‡\qb0e\sk\pz e\tqb0c|\ibbl1p0\qb1¤qpq‡\tqb1s\enotes %\check % mesure 10 \barre\Notes\hu G&\zq¤Nb‡\ql d|\pz t\ibl1o¤-3‡\qb1r\enotes \notes&|\nbbl1\qb1n\tqb1¤^m‡\enotes \zglu\notes&\soupir|\ibbl1m0\qb1¤nmn‡\tqb1m\enotes \temps\Notes\hpause&\ibl0I6\pz J\qb0G|\pz p\cl n\enotes \notes&\nbbl0\qb0N\tqb0¤^M‡|\ibbu1g¤-3‡\qh1g\tqh1¤^f‡\enotes \notes&\ibbl0N0\qb0¤NMN‡\tqb0M|\ibbu1g0\qh1¤gfg‡\tqh1f\enotes %\check \suspmorceau \def\nbinstruments¤4‡% \nbporteesiii=0\relax % mesure 11 \reprmorceau \NOtes\qu G&\ql N|\st n\qu g&&\hpause\enotes \zglu\NOtes\soupir&\rlap¤\rmidtwotext¤\bf II‡‡\soupir|\zq d\qu¤=f‡&&\enotes \temps\NOtes\hpause&\hpause|\zq c\qu e&&\soupir\enotes \zglu\NOtes&|\zq b\qu d&Mit~&\ilegu0p\qu g\enotes % mesure 12 \barre\Notes&\qu J|\zw N\zq c\ibu0e0\qh0e\zq c\qh0e&W\"urd~&\ql j\enotes \Notes&\soupir|\zq c\qh0e\zq c\tqh0e&und~&\ql j\enotes \temps\Notes\pause&\hpause|\zq c\ibu0e0\qh0e\zq c\qh0e&Ho-&\ql l\enotes \Notes&\zcharnote C¤\bf I‡|\zq c\qh0e\zq c\tqh0e&heit~&\ql j\enotes % mesure 13 \barre\Notes&\qu C|\zw N\zq c\ibu0e0\qh0e\zq c\qh0e&an-&\qup g\enotes \Notes&\qu E|\zq c\qh0e\zq c\tqh0e&\sk ge-&\sk\cu h\enotes \temps\Notes\pause&\qu G|\zq c\ibu0e0\qh0e\zq c\qh0e&tan,~&\tleg0\qu g\enotes \Notes&\ibu1E¤-3‡\qhp1E|\zq c\qh0e&mit~&\ilegu0p\qu g\enotes \notes&\sk\tbbu1\tqh1C|\zq c\tqh0e&&\enotes % mesure 14 \barre\Notes&\qu G|\zw N\ibu0e0\zq¤bd‡\qh0f\zq¤bd‡\qh0f\relax &Sch\"on-&\ql k\enotes \Notes&\soupir|\zq¤bd‡\qh0f\zq¤bd‡\tqh0f&heit,~&\ql k\enotes \temps\Notes\pause&\hpause|\zq¤bd‡\qh0f\zq¤bd‡\qh0f&St\"ark~&\ql m\enotes \Notes&|\zq¤bd‡\qh0f\zq¤bd‡\tqh0f&und~&\ibu2k¤-4‡\qh2k\tqh2i\enotes \suspmorceau \removelastskip\flushright¤\sl\today‡ \end¤music‡ \end¤document‡ ===end of latex-mu.tex===== From BROUARD%FRINED51.BITNET@CUNYVM.CUNY.EDU Tue Dec 10 11:20:19 1991 Return-Path: Received: from thor.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA23369; Tue, 10 Dec 91 11:20:19 CST Received: from cunyvm.cuny.edu by thor.acc.stolaf.edu; Tue, 10 Dec 91 11:19:19 -0600 Message-Id: <9112101719.AA26014@thor.acc.stolaf.edu> Received: from FRINED51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 6115; Tue, 10 Dec 91 12:13:01 EST Date: 10 DEC 91 18:12:32.85-GMT From: BROUARD%FRINED51.bitnet@CUNYVM.CUNY.EDU Subject: musictex.sty 1/3 To: MUTEX@stolaf.edu From: BERTI::"root@sauvy" 10-DEC-1991 18:09:39.91 To: barsac::brouard CC: Subj: First mail Please find here enclosed musictex.sty Nicolas Brouard ==============musictex.sty=========== %-% Musictex.sty version 0.1 of December, 10 1991 %-% Updates to version 4.31 November 1991 of plain musictex %-% Musictex.sty version 0.0 of 5, November 1991 %-% It is a first attempt to make musictex running by LaTeX %-% We defined an environment named music to change the catcodes %-% of the vertical bar and the ampersand for musictex. %-% We used TeX command instead of LaTeX command inside of music. %-% It needs a rather big \Tex$, but emTeX compiler on PCs does the trip %-% for small music arrays. It works better on work stations. %-% Nicolas Brouard %-% With this file you need extra fonts. If extrafonts are %-% are not available then use \documenstyle[musicpln]$article %-% %-% In both cas you can add the option file bigmusic.sty which %-% enlarges LaTeX page to a big size (A4). %-% \documentstyle[musicpln,bigmusic]$article %-% %-% Here is an example: %-% \documentstyle[musictex]$article %-% \begin$document %-%\def\nbinstruments$1\relax %-%\generalmeter$\meterfrac$4$4\relax %-%\debutmorceau %-%\normal %-%\zglu\Notes\rlap$\hu j\ql h\enotes %-%\temps\Notes\hl g\enotes %-%\temps\Notes\hu k\enotes %-%\temps\Notes\ql f\enotes %-%\suspmorceau %-% \end$music %-% %-% Latex blabla %-% %-% \begin$music %-%\def\nbinstruments$1\relax %-%\generalmeter$\meterfrac$4$4\relax %-%\debutmorceau %-%\normal %-%\zglu\Notes\rlap$\hu j\ql h\enotes %-%\temps\Notes\hl g\enotes %-%\temps\Notes\hu k\enotes %-%\temps\Notes\ql f\enotes %-%\suspmorceau %-% \end$document %-% %-% Building Musictex.sty %-% %-% Two files are required to build musictex.sty from %-% the plain distribution, premusic.tex and posmusic.\TeX$. %-% Then musictex.sty is %-% the concatenation of premusic.tex+musicfnt.tex+musictex.tex+posmusic.tex %-% On unix: %-% cat premusic.tex musicfnt.tex musictex.tex posmusic.tex >musictex.sty %-% On dos: %-% copy premusic.tex+musicfnt.tex+musictex.tex+posmusic.tex musictex.sty %-% If you don't have the fonts use: %-% On unix: %-% cat premusic.tex musicpln.tex musictex.tex posmusic.tex >musicpln.sty %-% On dos: %-% copy premusic.tex+musicpln.tex+musictex.tex+posmusic.tex musicpln.sty %-% You also need the option file bigmusic.sty. \def\fonthdg$c % prefix to cmxxx fonts. change to "a" for amxxx fonts \font\cmmi=\fonthdg mmi10 scaled \magstep1 \font\cmbx=\fonthdg mbx10 scaled \magstep1 \font\moyen=\fonthdg mbx10 scaled \magstep1 \font\cmex=\fonthdg mex10 \font\cmsy=\fonthdg msy10 scaled \magstep1 \font\cmr=\fonthdg mr10 scaled \magstep1 \font\ttyeight=\fonthdg mtt8 \catcode`\@=11 % \let\@plainwlog=\wlog \def\wlog#1$% % \font\musictwenty=musicn20 \font\musicsixteen=musicn16 \font\beamsixteen=beamn16 \font\beamtwenty=beamn20 % \def\q@u$\musicxx\char"21\hss\def\qu@raise$\z@% \def\h@a$\musicxx\char"22\hss\def\ha@raise$\z@% \def\w@h$\musicxx\char"23\hss\def\wh@raise$\z@% \def\w@hq$\musicxx\char 125\hss\def\wh@raise$\z@% \def\s@bv$\musicxx\char"24\hss\def\wh@raise$\z@% \def\b@rv$\musicxx\char"20\hss\def\wh@raise$\z@% \def\zwq#1$\getn@i$#1\def\n@fon$\zwq\def\n@sym$\w@hq\g@zw% \def\zsb#1$\getn@i$#1\def\n@fon$\zws\def\n@sym$\s@bv\g@zsb% semi-breve \def\zbv#1$\getn@i$#1\def\n@fon$\zbv\def\n@sym$\b@rv\g@zbv% breve \def\g@zbv$\global\n@raise=\wh@raise\ifnum\n@i<100\relax \h@lines$\bv@width\def\s@tem$\resetstem\plap@symss\fi% \def\g@zsb$\global\n@raise=\wh@raise\ifnum\n@i<100\relax \h@lines$\sb@width\def\s@tem$\resetstem\plap@symss\fi% % \newbox\ch@box \newdimen\lthick \global\lthick=0.4pt \newdimen\qn@width \newdimen\hn@width \newdimen\wn@width \newdimen\sb@width \newdimen\bv@width \newdimen\qd@skip \newdimen\hd@skip \newdimen\wd@skip % \newcount\musicsize \def\computespecifics$\ifnum\musicsize=0\relax\musicsize=20\relax\fi \ifnum\musicsize=20\relax \def\musicxx$\musictwenty\else\def\musicxx$\musicsixteen\fi \ifnum\musicsize=20\relax \def\beamnxx$\beamtwenty\else\def\beamnxx$\beamsixteen\fi \ifnum\musicsize=20\relax\def\meterfont$\moyen\else\def\meterfont$\cmbx\fi \Interligne=\musicsize pt\divide\Interligne by 4\relax \wn@width=1.4\Interligne \sb@width=2.2\Interligne \bv@width=1.4\Interligne \hn@width=1.2\Interligne \qn@width=1.2\Interligne \qd@skip=\qn@width\advance\qd@skip by -0.5\lthick \hd@skip=\hn@width\advance\hd@skip by -0.5\lthick \wd@skip=\wn@width\advance\wd@skip by -0.5\lthick \setbox\ch@box=\hbox$\c@rochu\c@height=\ht\ch@box % % %\check % \def\s@oupir$$\musicxx\char"3E% % \def\c@rochu$$\musicxx \char"28% \def\c@rochl$$\musicxx \char"2D% \newdimen\c@height\newcount\c@mult %\check \def\d@cr#1$\c@mult=#1\relax % queue de #1 croche(s) vers le haut \advance\c@mult by 39\relax \setbox\ch@box=\rlap$\musicxx\char\c@mult\c@height=\ht\ch@box \global\advance\st@top by \c@height \global\advance\st@top by \internote \global\advance\st@top by -\st@bot \ifdim\st@top>1pt \global\advance\st@bot by -\altportee \raise\st@bot\rlap$\kern\stem@skip\vrule height\st@top width \lthick \advance\st@top by -\c@height\raise\st@top\box\ch@box\fi \resetstem% %\check \def\p@cr#1$\c@mult=#1\relax % queue de #1 croche(s) vers le bas \advance\c@mult by 44\relax \setbox\ch@box=\rlap$\kern 0.5\lthick\musicxx\char\c@mult\c@height=\ht\ch@box \global\advance\st@bot by -\internote \global\advance\st@bot by -\c@height \global\advance\st@top by -\st@bot \ifdim\st@top>1pt \global\advance\st@bot by -\altportee \raise\st@bot\rlap$\box\ch@box\vrule height\st@top width \lthick% \fi \resetstem% %\check \def\s@harp$\musicxx\char"34\def\sh@raise$\z@% \def\f@lat$\musicxx\char"32\def\fl@raise$\z@% \def\n@at$\musicxx\char"36\def\na@raise$\z@% \def\ds@harp$\musicxx\char"35% \def\df@lat$\musicxx\char"33\kern -0.8\Interligne% % \def\smalln@at$\musicxx\char"7C% \def\smallf@lat$\musicxx\char"78% \def\smalls@harp$\musicxx\char"7A% \def\smallds@harp$\musicxx\char"7B% \def\smalldf@lat$\musicxx\char"79\kern -0.7\Interligne% % \def\bigsh#1$\getn@i$#1\global\n@raise=\sh@raise\pl@llap$\s@harp% \def\smallsh#1$\getn@i$#1\global\n@raise=\sh@raise\pl@llap$\smalls@harp% \def\uppersh#1$\zcharnote$#1$\raise3\internote \hbox to \qn@width$\hss\smalls@harp\hss% % \def\bigdsh#1$\getn@i$#1\global\n@raise=\sh@raise\pl@llap$\ds@harp% \def\smalldsh#1$\getn@i$#1\global\n@raise=\sh@raise\pl@llap$\smallds@harp% % \def\bigna#1$\getn@i$#1\global\n@raise=\na@raise\pl@llap$\n@at% \def\smallna#1$\getn@i$#1\global\n@raise=\na@raise\pl@llap$\smalln@at% \def\upperna#1$\zcharnote$#1$\raise3\internote \hbox to \qn@width$\hss\smalln@at\hss% % \def\bigfl#1$\getn@i$#1\global\n@raise=\fl@raise\pl@llap$\f@lat% \def\smallfl#1$\getn@i$#1\global\n@raise=\fl@raise\pl@llap$\smallf@lat% \def\upperfl#1$\zcharnote$#1$\raise3\internote \hbox to \qn@width$\hss\smallf@lat\hss% % \def\bigdfl#1$\getn@i$#1\global\n@raise=\fl@raise\pl@llap$\df@lat% \def\smalldfl#1$\getn@i$#1\global\n@raise=\fl@raise\pl@llap$\smalldf@lat% % \def\na#1$\ifdim\small@test\bigna$#1\else\smallna$#1\fi% \def\fl#1$\ifdim\small@test\bigfl$#1\else\smallfl$#1\fi% \def\sh#1$\ifdim\small@test\bigsh$#1\else\smallsh$#1\fi% \def\dfl#1$\ifdim\small@test\bigdfl$#1\else\smalldfl$#1\fi% \def\dsh#1$\ifdim\small@test\bigdsh$#1\else\smalldsh$#1\fi% % %\check \def\b@adjust$\ifdim\y@ii>2.1\q@antum \multiply\q@antum by 2\relax\advance\b@char by 1\relax\fi % \newcount\b@char \def\b@alkdefs$\b@char=0\relax \ifnum \b@p>0\relax\b@char=\b@p\relax\multiply\b@char by 6\relax \advance\b@char by -6\relax\ifnum\b@char>54\relax\b@char=54\relax\fi\fi \ifnum \b@p<0\relax\b@char=-\b@p\relax\multiply\b@char by 6\relax \advance\b@char by 58\relax\ifnum\b@char>118\relax\b@char=118\relax\fi\fi \q@antum=60pt\divide\q@antum by 32\relax\b@adjust \b@adjust \b@adjust \b@adjust \b@adjust \chardef\b@alk=\b@char% %\check \def\s@lopdefs$\q@antum=60pt\divide\q@antum by 32\relax \def\s@lope$0.0\relax \ifnum \b@p=1\relax\def\s@lope$0.05\fi \ifnum \b@p>1\relax\b@char=\b@p\relax\multiply\b@char by 5\relax \ifnum\b@char>50\relax\b@char=50\relax\fi \edef\s@lope$0.\the\b@char\fi \ifnum \b@p=-1\relax\def\s@lope$-0.05\fi \ifnum \b@p<-1\relax\b@char=-\b@p\relax\multiply\b@char by 5\relax \ifnum\b@char>50\relax\b@char=50\relax\fi \edef\s@lope$-0.\the\b@char\fi % %\check \def\p@outre$% \y@ii : longueur, \b@p : pente, \y@i : altitude \ifnum \b@p=0\relax \raise \y@i\hbox$\vrule height 0.24\Interligne depth 0.24\Interligne width \y@ii\else\b@alkdefs\beamnxx \global\y@iv=0pt \loop\ifdim\y@iv<\y@ii $\y@v=\y@ii\advance\y@v by -\y@iv \advance\y@v by -\q@antum \y@iii=\y@i \advance\y@iii by \s@lope\y@iv \ifdim\y@v<\z@\advance\y@iii by \s@lope\y@v\hskip\y@v\fi \raise\y@iii\hbox to \q@antum$\b@alk\hss\global\advance\y@iv by \q@antum \repeat \fi % %\check \def\clefdefa$\hbox to 3.2\Interligne$\musicxx\kern -0.4\Interligne\char"49\hss % \def\smallclefdefa$\hbox to 2.8\Interligne$\musicxx\kern -0.32\Interligne \char"4A\hss% %\check \def\clefdesol$\hbox to 3.2\Interligne$\musicxx\kern -0.6\Interligne \char"47\hss% \def\smallclefdesol$\hbox to 2.8\Interligne$\musicxx\kern -0.48\Interligne \char"48\hss% %\check \def\clefdut$\hbox to 3.2\Interligne$\musicxx\kern -0.4\Interligne\char"4B\hss % \def\smallclefdut$\hbox to 2.8\Interligne$\musicxx\kern -0.32\Interligne \char"4C\hss% % \def\allabreve$$\kern 0.5\Interligne\musicxx\char"52% \def\meterC$$\kern 0.5\Interligne\musicxx\char"53% % \def\d@soup$\musicxx\char"3F% \def\q@soup$\musicxx\char"40% \def\p@orgue$\hbox$\kern -0.5\hn@width\musicxx\char"50% \def\p@urgue$\hbox$\kern -0.5\hn@width\musicxx\char"51% \def\trille#1$\hbox to #1$\leaders\hbox$\musicxx\char"64\hfill% \def\Trille#1$\hbox to #1$\it tr\leaders\hbox$\musicxx\char"64\hfill% % % % arpeges % \def\arpegesym#1$\hbox to \Interligne$\kern -1.2\Interligne \vbox to #1$\parindent=\z@ \offinterlineskip\ifdim #1>4\Interligne\Arp@elem\fi\hrule \cleaders\arp@elem\vfill\kern -\interligne\hss% \def\arp@elem$\vbox to \Interligne$\vss\musicxx\char"5A% \def\Arp@elem$\vbox to 4\Interligne$\vss\musicxx\char"5D% % \def\arpeggio#1#2$\zcharnote$#1$\n@iii=#2\relax\advance\n@iii by 89\relax \musicxx\chardef\arp@el=\n@iii\relax\arp@el\qsk% \def\larpeggio#1#2$\lcharnote$#1$\n@iii=#2\relax\advance\n@iii by 89\relax \musicxx\chardef\arp@el=\n@iii\relax\arp@el\kern -0.3\qn@width\qsk% % \def\mordant#1$\zcharnote$#1$\musicxx\char 89% \def\pince#1$\zcharnote$#1$\musicxx\char 87% \def\Pince#1$\zcharnote$#1$\musicxx\char 88% \def\sf#1$$\advance\transpose by -2\usf$#1% \def\pz#1$$\advance\transpose by -2\upz$#1% \def\ppz#1$\uppz$#1% \def\st#1$$\advance\transpose by -2\ust$#1% % \def\usf#1$\zcharnote$#1$\musicxx\char 30% \def\lsf#1$\zcharnote$#1$\musicxx\char 31% \def\ust#1$\zcharnote$#1$\musicxx\char 26% \def\lst#1$\zcharnote$#1$\musicxx\char 27% \def\upz#1$\zcharnote$#1$\musicxx\char 24% \def\lpz#1$\zcharnote$#1$\musicxx\char 25% \def\uppz#1$\zcharnote$#1$\musicxx\char 28% \def\lppz#1$\zcharnote$#1$\musicxx\char 29% % % placement des accents au-dessus de poutres et non de tetes de notes \def\acc@balk$\global\stem@skip=\z@ % \y@ii=\b@z % a augmenter avec la pente \y@v=\locx@skip\advance\y@v by \stem@skip\advance\y@v by -\b@x \advance\y@ii by \s@lope\y@v \advance\y@ii by -\altportee \raise\y@ii\rlap$\kern\stem@skip\balk@accent% %\check \def\busf#1$\def\balk@accent$\musicxx\char 30\selectpoutre$#1\acc@balk% \def\blsf#1$\def\balk@accent$\musicxx\char 31\selectpoutre$#1\acc@balk% \def\bust#1$\def\balk@accent$\musicxx\char 26\selectpoutre$#1\acc@balk% \def\blst#1$\def\balk@accent$\musicxx\char 27\selectpoutre$#1\acc@balk% \def\bupz#1$\def\balk@accent$\musicxx\char 24\selectpoutre$#1\acc@balk% \def\blpz#1$\def\balk@accent$\musicxx\char 25\selectpoutre$#1\acc@balk% \def\buppz#1$\def\balk@accent$\musicxx\char 28\selectpoutre$#1\acc@balk% \def\blppz#1$\def\balk@accent$\musicxx\char 29\selectpoutre$#1\acc@balk% % % soufflets crescendo et decrescendo % \def\dimin$$\musicxx\char"10% \def\Dimin$$\musicxx\char"11% \def\DImin$$\musicxx\char"12% \def\DIMin$$\musicxx\char"13% \def\cresc$$\musicxx\char"14% \def\Cresc$$\musicxx\char"15% \def\CResc$$\musicxx\char"16% \def\CREsc$$\musicxx\char"17% % % colons for repeats (:| |: :||:) % %\check \def\w@coli#1$\selectinstr$#1% \global\noportee=0\relax $\loop\ifnum\noportee<\nbportees\relax \y@i=\altitude \advance\y@i by \noportee\interportee \n@portee \raise\y@i\hbox to \z@$\hss\musicxx\char 126\hss\repeat% % \let\wlog=\@plainwlog % % This is MusicTeX - Version 4.3 -- November 1991 % \catcode`\@=11 % PARAMETERS DIFFERENT THAN IN PLAIN % \normallineskiplimit=1pt \parindent 10mm % % EXTRA FONTS NEEDED % \font\enorme=\fonthdg mbx10 scaled \magstep5 \font\moyen=\fonthdg mbx10 scaled \magstep2 \font\tentt=\fonthdg mtt10 \font\ppff=\fonthdg mbxti10 scaled \magstep 1 % \tolerance=10000\relax % procedures speciales D. taupin \hsize 16cm \vsize 24cm % \let\@plainwlog=\wlog \def\wlog#1$% % %\check \catcode`\&=13 \catcode`\|=13 % \raggedbottom \def\p@t$\kern 1.5pt\cmbx\char"2E% \def\P@t$\pt@raise\hbox$\p@t% \def\PP@t$\pt@raise\hbox$\p@t\char"2E% \def\PPP@t$\pt@raise\hbox$\p@t\char"2E\char"2E% % %\check % \def\f@tok#1#2\af@tok$#1% \def\s@tok#1#2\af@tok$#2% % \def\gl@au#1$\ifnum #1<0\relax\global\advance #1 by -1\relax\fi \ifnum #1>0\relax\global\advance #1 by 1\relax\fi% \def\gl@de#1$\ifnum #1<0\relax\global\advance #1 by 1\relax\fi \ifnum #1>0\relax\global\advance #1 by -1\relax\fi% % % \newdimen\brace@w \newdimen\afterruleskip \newdimen\pt@up % offset point de notes pointees \newdimen\noteskip \newdimen\elemskip \newdimen\q@antum \newdimen\n@raise \newdimen\n@width \newdimen\stem@skip \newdimen\interligne % entre les lignes \newdimen\nullthick % pour les parties sans portees (paroles) \newdimen\bottommargin % marge au-dessous des portees \newdimen\topmargin % au-dessus des portees \newdimen\total@margin % bottom+top margins \newdimen\internote % la moitie de \Interligne \newdimen\interbeam % distance entre poutres \newdimen\Interligne % de la base d'une ligne a l'autre \newdimen\interportee \newdimen\systemheight % \newdimen\k@ii \newdimen\k@iii \newdimen\k@iiii \newdimen\k@iiv \newdimen\k@iv \newdimen\k@ivi \newdimen\altplancher \newdimen\altportee \newdimen\systemheight % ensemble des n portees \newdimen\line@width \newdimen\x@skip \newdimen\locx@skip \newdimen\st@bot % note stem bottom \newdimen\st@top % note stem top % % positions x et z de debut des tenues \newdimen\t@xi\newdimen\t@zi \newdimen\t@xii\newdimen\t@zii \newdimen\t@xiii\newdimen\t@ziii \newdimen\t@xiv\newdimen\t@ziv \newdimen\t@xv\newdimen\t@zv \newdimen\t@xvi\newdimen\t@zvi % % signes des tenues ( \t@p: entier de -1 a +1 ) % etat des tenues ( \t@s: 0= inactive, 1= actif, 2= continuation ) % \newcount\t@pi\newcount\t@si \newcount\t@pii\newcount\t@sii \newcount\t@piii\newcount\t@siii \newcount\t@piv\newcount\t@siv \newcount\t@pv\newcount\t@sv \newcount\t@pvi\newcount\t@svi % % positions x et z de debut des poutres \newdimen\b@xi\newdimen\b@zi \newdimen\b@xii\newdimen\b@zii \newdimen\b@xiii\newdimen\b@ziii \newdimen\b@xiv\newdimen\b@ziv \newdimen\b@xv\newdimen\b@zv \newdimen\b@xvi\newdimen\b@zvi % \newdimen\bb@xi\newdimen\bb@zi \newdimen\bb@xii\newdimen\bb@zii \newdimen\bb@xiii\newdimen\bb@ziii \newdimen\bb@xiv\newdimen\bb@ziv \newdimen\bb@xv\newdimen\bb@zv \newdimen\bb@xvi\newdimen\bb@zvi % \newdimen\bbb@xi\newdimen\bbb@zi \newdimen\bbb@xii\newdimen\bbb@zii \newdimen\bbb@xiii\newdimen\bbb@ziii \newdimen\bbb@xiv\newdimen\bbb@ziv \newdimen\bbb@xv\newdimen\bbb@zv \newdimen\bbb@xvi\newdimen\bbb@zvi % \newdimen\bbbb@xi\newdimen\bbbb@zi \newdimen\bbbb@xii\newdimen\bbbb@zii \newdimen\bbbb@xiii\newdimen\bbbb@ziii \newdimen\bbbb@xiv\newdimen\bbbb@ziv \newdimen\bbbb@xv\newdimen\bbbb@zv \newdimen\bbbb@xvi\newdimen\bbbb@zvi % % pentes des poutres ( entier de -3 a +3 ) % multiplicite des poutres ( de -4 a +4 . 0= inactive ) % \newcount\b@pi\newcount\b@ni \newcount\b@pii\newcount\b@nii \newcount\b@piii\newcount\b@niii \newcount\b@piv\newcount\b@niv \newcount\b@pv\newcount\b@nv \newcount\b@pvi\newcount\b@nvi % \newif\ifraggedlines % \newcount\barno \newcount\notes@open \def\check@nopen$\ifnum\notes@open>0\relax\enotes\message$ missing \noexpand\enotes\ mesure \the\barno\fi% % % altitudes des portees de chaque instrument % \newcount\ut@ref \newcount\noportee \newcount\noinstrum % \newcount\nbporteesi \newcount\nbporteesii \newcount\nbporteesiii \newcount\nbporteesiv \newcount\nbporteesv \newcount\nbporteesvi % \newcount\signi \newcount\signii \newcount\signiii \newcount\signiv \newcount\signv \newcount\signvi % \newif\ifadvance\advancetrue \newcount\transpose \newcount\normaltranspose \newcount\o@signi \newcount\o@signii \newcount\o@signiii \newcount\o@signiv \newcount\o@signv \newcount\o@signvi % \newtoks\cleftoksi \newtoks\cleftoksii \newtoks\cleftoksiii \newtoks\cleftoksiv \newtoks\cleftoksv \newtoks\cleftoksvi % \newtoks\o@cksi \newtoks\o@cksii \newtoks\o@cksiii \newtoks\o@cksiv \newtoks\o@cksv \newtoks\o@cksvi % \newtoks\metertoksi \newtoks\metertoksii \newtoks\metertoksiii \newtoks\metertoksiv \newtoks\metertoksv \newtoks\metertoksvi % \global\nbporteesi=1% \global\nbporteesii=1% \global\nbporteesiii=1% \global\nbporteesiv=1% \global\nbporteesv=1% \global\nbporteesvi=1% \global\cleftoksi=$$0$0$0$0% \global\cleftoksii=$$0$0$0$0% \global\cleftoksiii=$$0$0$0$0% \global\cleftoksiv=$$0$0$0$0% \global\cleftoksv=$$0$0$0$0% \global\cleftoksvi=$$0$0$0$0% % %\check \newcount\n@ \def\n@advance$\global\advance\n@ by 1\relax% \def\savemeters$\savemeter% \def\savemeter$\global\n@=0\relax\s@vetempi% \def\s@vetempi$\ifnum\n@<\nbinstruments\relax\n@advance \selectinstr$\n@\global\metertoks=$$$$$\s@vetempi\fi% %\check \def\maxinstruments$6% % \def\selectinstr#1$\global\noinstrum=#1\relax \ifnum\noinstrum<1\relax\global\noinstrum=30\relax\fi \xdef\altitude$\csname k@i\romannumeral\noinstrum\endcsname% \xdef\nbportees$\csname nbportees\romannumeral\noinstrum\endcsname% \xdef\sign$\csname sign\romannumeral\noinstrum\endcsname% \xdef\o@sign$\csname o@sign\romannumeral\noinstrum\endcsname% \xdef\cleftoks$\csname cleftoks\romannumeral\noinstrum\endcsname% \xdef\metertoks$\csname metertoks\romannumeral\noinstrum\endcsname% \xdef\o@cks$\csname o@cks\romannumeral\noinstrum\endcsname%  %\check \def\nbinstruments$\maxinstruments\savemeter \def\nbinstruments$\undefined% % % compteurs de travail % \newcount\n@i \newcount\n@ii \newcount\n@iii % % registres de travail % \newbox\toks@box \newbox\workbox \newbox\n@otebox % \newdimen\clef@skip \newdimen\sign@skip % \newdimen\y@ \newdimen\y@i \newdimen\y@ii \newdimen\y@iii \newdimen\y@iv \newdimen\y@v % \newtoks\arg@suite % % fabrique un jeu complet (ou systeme complet de portees) % en fonction de \nbinstruments \def\null@portee$\global\advance\y@ by \nullthick \ifdim\systemheight>0.1pt\global\advance\systemheight by \nullthick \else \global\advance\altplancher by \nullthick \fi % % %\check % \def\mult@portee$\y@ii=\nbportees\interportee \advance\y@ii by -\interportee\advance\y@ii by 4\Interligne \advance\y@ii by \nbportees\lthick \advance\y@ii by -\lthick \raise\y@\llap$\cmex\raise 8pt\rlap$\char'072\raise\y@ii\rlap$\char '070\divide\y@ii by 2\relax$\advance\y@ii by 8pt\raise\y@ii\rlap$\char '074\y@v=\y@ii\relax\advance\y@v by -12pt \raise 7pt\rlap$\kern 4pt\vrule height \y@v width 1.2pt\advance\y@ii by 7pt \raise \y@ii\rlap$\kern 4pt\vrule height \y@v width 1.2pt\kern 7.5pt% % %\check % \def\n@portee$\global\advance\noportee by 1\relax% \def\alt@comp$\altportee=\altitude \advance\altportee by \noportee\interportee% % \def\portees$\interportee=\interfacteur\Interligne \rlap$\global\n@=0\relax \global\y@=\bottommargin \total@margin=\bottommargin \advance\total@margin by \topmargin % \global\systemheight=\z@ \global\altplancher=\y@ \loop\n@advance\selectinstr$\n@% \global\noportee=0\relax \global\altitude=\y@ % \ifnum\nbportees=0\relax \null@portee \else \ifnum\nbportees>1\relax \mult@portee \fi $\loop \raise\y@\portee \n@portee \global\advance\y@ by \interportee \global\advance\systemheight by \interportee \ifnum\noportee<\nbportees \repeat\fi % fin du \else pour 0 portees=chant \ifnum\n@<\nbinstruments \repeat \global\advance\systemheight by -\interportee \global\advance\systemheight by 4\Interligne \global\advance\systemheight by 0.5\lthick % \raise\altplancher\rlap$\vrule height \systemheight depth 0.5\lthick% \raise \total@margin\hbox$\vrule height \systemheight width \z@ depth 0.5\lthick% fin de la \hbox % % %\check % portee simple \def\staffline$\hrule width \line@width height 0.5\lthick depth 0.5\lthick \def\portee$\rlap$\vbox to \z@ $\vss\staffline \kern\interligne\staffline \kern\interligne\staffline \kern\interligne\staffline \kern\interligne\staffline\kern -0.5\lthick % %\check % % initialisations des dimensions etc... % %*************** definition des titres des instruments % *********************** % \def\instrumenti$% \def\instrumentii$% \def\instrumentiii$% \def\instrumentiv$% \def\instrumentv$% \def\instrumentvi$% %\check % \def\maxlegatenuti$6% % \def\resettens$\resetlegs% \newcount\n@l \def\resetlegs$\global\n@l=0\relax \loop\ifnum\n@l<\maxlegatenuti\relax \selecttenue$\n@l\t@p=0\relax\t@s=0\relax \global\advance\n@l by 1\relax \repeat% % %\check \def\debutmorceau$\barno=1\relax\global\barsinline=0\relax \frenchspacing\def\barvrule$\thinvrule\leavevmode \resetlegs % \computewidths \advance\line@width by -\parindent \portees \advance\line@width by \parindent \instrumentnames \writeclefs \writesignatures \writemeters \setnormalhyphen \saveclefs \savesignature \savemeters \currenthyphenpenalty% %\check % % saving penalties to be able to restore them at the end of music % \def\savepenalties$\edef\restorepenalties$% \noexpand\linepenalty=\the\linepenalty\noexpand\relax \noexpand\interlinepenalty=\the\interlinepenalty\noexpand\relax \noexpand\hyphenpenalty=\the\hyphenpenalty\noexpand\relax \noexpand\exhyphenpenalty=\the\exhyphenpenalty\noexpand\relax \noexpand\finalhyphendemerits=\the\finalhyphendemerits\noexpand\relax \noexpand\doublehyphendemerits=\the\doublehyphendemerits\noexpand\relax \noexpand\adjdemerits=\the\adjdemerits\noexpand\relax \noexpand\pretolerance=\the\pretolerance\noexpand\relax % %\check \def\computewidths$\computespecifics \ifdim\topmargin<1pt \topmargin=\topfacteur\Interligne\fi \ifdim\bottommargin<1pt \bottommargin=\bottomfacteur\Interligne\fi \global\interligne=\Interligne \global\internote=0.5\Interligne \global\interbeam=1.5\internote \ifdim\nullthick<1pt \global\nullthick=4\Interligne\fi \global\advance\interligne by -\lthick % \zglueskip=\z@ plus \gluemaxskip \afterruleskip=4\internote \global\line@width=\hsize% %\check % \def\n@alaligne$\suspmorceau\lreprmorceau% \def\n@zalaligne$\zsuspmorceau\lreprmorceau% \def\lreprmorceau$\reprmorceau% \def\suspmorceau$\check@nopen\gluebrule\newbar\z@suspend% \def\zsuspmorceau$\check@nopen\termskip\rtenuti\z@suspend% \def\z@suspend$\ifraggedlines\hfil\fi \break\adv@bottom\par\removelastskip \vskip -\baselineskip% \def\alapage$\suspmorceau\preprmorceau% \def\zalapage$\zsuspmorceau\preprmorceau% \def\preprmorceau$\eject\global\linesinpage=0\relax\reprmorceau% \def\reprmorceau$\computewidths\noindent\leavevmode \global\barsinline=0\relax$\advance\linesinpage by 1\relax\message$Line \the \linesinpage:\relax \adv@bottom\portees\writeclefs\writesignatures\writemeters\zgluearule \savesignature\saveclefs\savemeters\currenthyphenpenalty% %\check % \def\resetsignatures$\generalsignature$0\savesignature% % \def\savesignature$\global\n@=0\loop\ifnum\n@<\nbinstruments\relax \n@advance\selectinstr$\n@\o@sign=\sign\repeat% %\check \def\saveclefs$\global\n@=0\loop\ifnum\n@<\nbinstruments\relax \n@advance\selectinstr$\n@\global\o@cks=\cleftoks\repeat %\check % % definitions en fonction du numero de l'instriment % \newskip\zglueskip % \def\meterfrac#1#2$\setbox\workbox=\vbox$\hbox$\ \meterfont #1\hbox$\ \meterfont #2% \vbox to 4\Interligne$\offinterlineskip\vss\hbox to \wd\workbox$\hss \meterfont #1\hss\vss \vss\hbox to \wd\workbox$\hss\meterfont #2\hss\vss% %\check \newtoks\t@gene \def\generalmeter#1$\global\n@=0\relax\t@gene=$$#1$#1$#1$#1\m@eterspe% \def\m@eterspe$\ifnum\n@<\nbinstruments\relax\n@advance \selectinstr$\n@\global\metertoks=\t@gene\m@eterspe\fi% %\check \def\signaturegenerale$\generalsignature% \def\generalsignature#1$\global\n@=0\relax\s@ignagen$#1% \def\s@ignagen#1$\ifnum\n@<\nbinstruments\relax\n@advance \selectinstr$\n@\sign=#1\relax\s@ignagen$#1\fi% % % compteurs de travail % % a completer pour fermer les poutres \def\zglu$\zglue% \def\zglue$\nobreak\hskip \zglueskip \nobreak% % \def\temps$\nobreak\global\advance\n@skip by -\brace@w\termskip\nobreak \skip@b\nobreak\zglu% \def\z@barre$\nobreak\global\advance\n@skip by -\brace@w\termskip\nobreak \skip@b\-\hskip\zglueskip\nobreak% \def\xz@barre$\nobreak\global\advance\n@skip by -\brace@w\termskip\nobreak \skip@b\hskip\zglueskip\nobreak% % \def\newbar$\barvrule\def\barvrule$\thinvrule\global\advance\barno by 1\relax \message$bar \the\barno% \def\w@barno$$\y@i=\altplancher\advance\y@i by \systemheight \advance\y@i by \internote\raise\y@i\llap$\it \number\barno\kern -6pt% \def\wbarno$\w@barno% % % discretionary line breaking % \def\noautolines$\def\barre$\n@barre\def\zbarre$\z@barre% \def\alaligne$\c@ountline\n@alaligne\def\zalaligne$\n@zalaligne% \def\currenthyphenpenalty$\setnohyphenpenalty% \def\updatecontext$\n@updatecon% \def\leftrepeat$\n@leftrepeat% \def\leftrightrepeat$\n@leftrightrepeat% \setnohyphenpenalty% % \def\setnohyphenpenalty$\linepenalty=500\pretolerance=-1% \finalhyphendemerits=-10\hyphenpenalty=-10% \exhyphenpenalty=0\doublehyphendemerits=0% \adjdemerits=0\interlinepenalty=0% % \def\sethyphenpenalty$\linepenalty=500\pretolerance=-1% \finalhyphendemerits=1000\hyphenpenalty=1000% \exhyphenpenalty=0\doublehyphendemerits=0% \adjdemerits=0\interlinepenalty=1000% % \newcount\barsinline \newcount\linesinpage \newcount\maxbarsinline \newcount\maxlinesinpage \def\c@ountbar$\global\advance\barsinline by 1\relax% \def\c@ountline$\global\advance\linesinpage by 1\relax% % \def\autolines#1#2#3$% #1 nombre d'elemskip par mesure, % #2 nombre de mesures par ligne, % #3 nb lignes par page \global\maxbarsinline=#2\relax \global\maxlinesinpage=#3\relax \global\elemskip=\line@width\global\advance\elemskip by -5\Interligne \global\divide\elemskip by \maxbarsinline\relax \global\advance\elemskip by -3\Interligne\global\divide\elemskip by #1\relax \def\barre$\t@barre\def\updatecontext$\t@updatecon\def\zbarre$\t@zbarre% \def\alaligne$\t@alaligne\def\zalaligne$\t@zalaligne% \def\leftrepeat$\t@leftrepeat% \def\leftrightrepeat$\t@leftrightrepeat% \def\currenthyphpenalsty$\sethyphenpenalty\sethyphenpenalty% % \def\t@barre$\c@ountbar \ifnum\barsinline<\maxbarsinline\relax\x@barre \else\t@alaligne \fi% \def\t@zbarre$\c@ountbar \ifnum\barsinline<\maxbarsinline\relax\xz@barre \else\t@zalaligne \fi% % \def\t@alaligne$\c@ountline \ifnum\linesinpage<\maxlinesinpage\relax\n@alaligne \else\alapage \fi% \def\t@zalaligne$\c@ountline \ifnum\linesinpage<\maxlinesinpage\relax\n@zalaligne \else\zalapage \fi% % \def\Suspmorceau$\finmorceau \ifnum\linesinpage<\maxlinesinpage\relax\else\eject \global\linesinpage=0\relax\fi% % % \def\tz@barre$\c@ountbar \ifnum\barsinline<\maxbarsinline\relax\z@barre \else \c@ountline \ifnum\linesinpage<\maxlinesinpage\relax\zalaligne \global\advance\linesinpage by -1\relax % car \alaligne aura aussi augmente \message$ ligne: \the\linesinpage % \else\zalapage \fi\fi% % \def\t@updatecon$\c@ountbar \ifnum\barsinline<\maxbarsinline\relax\n@updatecon \else \c@ountline \ifnum\linesinpage<\maxlinesinpage\l@updatecon \message$ ligne: \the\linesinpage % \else\p@updatecon \fi\fi% %\check % \noautolines % \def\n@barre$\gluebrule\newbar\gluearule% barre de mesure \def\xbarre$\c@ountbar\x@barre \def\x@barre$\gluebrule\newbar\zgluearule% barre de mesure % sans possibilite de saut % \def\d@oubleBAR$\thinvrule\nobreak\hskip 0.3\Interligne \nobreak\thickvrule% % \def\d@oublebar$\thinvrule\nobreak\hskip 0.4\Interligne \nobreak\thinvrule% % \def\r@ightrepeat$\hbox$\w@colons\d@oubleBAR \def\l@eftrepeat$\hbox$\thickvrule\kern 0.3\Interligne\thinvrule\w@colons \def\l@eftrightrepeat$\hbox$\w@colons\thickvrule \kern 0.3\Interligne\thickvrule\w@colons % %\check % \def\leftrightrepeatsymbol$\gluebrule\l@eftrightrepeat\glueaftersymbol \def\glueaftersymbol$$\def\wbarno$\afterruleskip=\internote\zgluearule% \def\leftrepeatsymbol$\gluebrule\l@eftrepeat\glueaftersymbol% \def\rightrepeatsymbol$\gluebrule\r@ightrepeat\glueaftersymbol% % %\check % \def\doublebarre$\setdoublebar\barre% double barre de mesure \def\setdoublebar$\def\barvrule$\d@oublebar% \def\setdoubleBAR$\def\barvrule$\d@oubleBAR% \def\rightrepeat$\setrightrepeat\barre% \def\finrigthrepeat$\setrightrepeat\suspmorceau% % \def\setrightrepeat$\def\barvrule$\r@ightrepeat% \def\setleftrepeat$\def\barvrule$\l@eftrepeat% \def\setleftrightrepeat$\def\barvrule$\l@eftrightrepeat% % \def\think@vrule#1$\raise\altplancher\hbox$\vrule height\systemheight width #1 depth 0.5\lthick% % \def\thinvrule$\think@vrule$\lthick% \def\thickvrule$\think@vrule$0.6\Interligne% % \def\finmorceau$\setdoubleBAR\suspmorceau% %\check % \def\gluearule$\-\zgluearule% \def\zgluearule$\nobreak\wbarno\nobreak\kern \afterruleskip\nobreak \kern -\brace@w\rtenuti\kern\brace@w\nobreak \global\x@skip=\z@\global\n@skip=\z@% \def\termskip$\upd@sk\ctenuti\nobreak \global\n@skip=\z@\global\x@skip=\z@% % \def\gluebrule$\nobreak\global\advance\x@skip by 0.4\Interligne\termskip \hskip\zglueskip\rtenuti\nobreak% % \def\writesignatures$\global\sign@skip=\z@ \global\n@=0\relax\w@ritesigns \global\advance\sign@skip by 0.2\Interligne \nobreak\hskip\sign@skip % \def\Writesignatures$\global\sign@skip=\z@ \global\n@=0\relax\w@ritesigns \nobreak\advance\sign@skip by 0.6\Interligne\kern\sign@skip\nobreak% % \def\w@ritesigns$\loop\ifnum\nbinstruments >\n@\relax \n@advance\writesigni$\n@\repeat% % %\check \def\instrumentnames$\global\n@=0\relax \loop\ifnum\nbinstruments >\n@\relax\n@advance \writeinsname$\n@\repeat% % %\check \def\writenewsignatures$\global\sign@skip=\z@ \global\n@=0\relax \loop\ifnum\nbinstruments >\n@\relax\n@advance \writenewsigni$\n@\repeat \nobreak\ifdim\sign@skip>0.1pt\global\advance\sign@skip by 0.6\Interligne \nobreak\global\n@skip=\sign@skip\termskip \fi \nobreak% % %\check % % normal hyphenation process when \noautolines % \def\setnormalhyphen$\edef\-$\noexpand\discretionary$% %\check 2 $\noexpand\hbox$\noexpand\portees\noexpand\hbox$\noexpand\writeclefs% \noexpand\hbox$\noexpand\writesignatures% % %\check 2 $% fin du def \setnormalhyphen %\check % ecrire toutes les indications de mesure sur toutes les portees \def\writemeters$\global\n@skip=\z@ \global\n@=0\relax \loop\ifnum\nbinstruments >\n@\relax\n@advance \writemeteri$\n@\repeat\nobreak \ifdim\n@skip>\z@\advance\n@skip by 0.6\Interligne \global\n@skip=\n@skip\termskip \fi\nobreak% % %\check \def\writemeteri#1$\nobreak\selectinstr$#1% \global\noportee=0\relax $\loop\ifnum\noportee<\nbportees\relax \alt@comp \edef\w@call$\noexpand\writemeterp$\noexpand\noportee\the\metertoks\relax \setbox\toks@box=\hbox$\w@call$$$$\relax \ifdim\n@skip<\wd\toks@box\global\n@skip=\wd\toks@box\fi \raise\altportee\rlap $\box\toks@box\n@portee \repeat% %\check \def\writeclefs$% ecrire toutes les clefs sur toutes les portees \global\clef@skip=\z@ \global\n@=0\relax\w@riteclefs \kern\clef@skip% % \def\w@riteclefs$\ifnum\nbinstruments >\n@\relax\n@advance \writeclefi$\n@\w@riteclefs\fi% % %\check \def\writenewclefs$% ecrire toutes les nouvelles clefs sur toutes les % portees \global\clef@skip=\z@ \global\n@=0\relax\w@ritenewclefi \kern\clef@skip\nobreak% % \def\w@ritenewclefi$\ifnum\nbinstruments >\n@\relax\n@advance \writenewclefi$\n@\w@ritenewclefi\fi% % %\check \def\writesigni#1$\selectinstr$#1% \global\noportee=0\relax $\loop\ifnum\noportee<\nbportees\relax \alt@comp \n@portee \edef\get@ref$\noexpand\get@refs\the\cleftoks$$$$% \setbox\toks@box=\hbox$\get@ref\compnwsign\kern 0.2\Interligne% \ifdim\sign@skip<\wd\toks@box \global\sign@skip=\wd\toks@box\fi \raise\altportee\rlap$\box\toks@box% \repeat% % %\check \def\writeinsname#1$\selectinstr$#1% \xdef\instrument$\csname instrument\romannumeral\noinstrum\endcsname% \altportee=\altitude \ifnum\nbportees>0\relax\advance\altportee by \nbportees\interportee \advance\altportee by -\interportee\advance\altportee by 4\Interligne \advance\altportee by \altitude\divide\altportee by 2\relax \fi \setbox\n@otebox=\llap$\vbox$\hsize=\parindent\advance\hsize by -0.4\Interligne \centerline$\instrument\ \kern 2pt\advance\altportee by -0.5\ht\n@otebox \raise\altportee\box\n@otebox % %\check \def\get@refs#1#2#3#4$% #1-#4: cle correspondante 0=sol, 6=fa, 1-4=ut . \ifcase\noportee\relax\global\ut@ref=0\relax \or\global\ut@ref=#1\relax \or\global\ut@ref=#2\relax \or\global\ut@ref=#3\relax \or\global\ut@ref=#4\relax \fi \def\compnwsign$\ifnum\o@sign=0\relax \else\ifnum\sign=0\relax \else\kern 0.2\Interligne \fi \fi \ifnum\o@sign<0\relax\w@flats\w@sharps \else\w@sharps\w@flats \fi% % %\check \def\w@flats$% \ifnum\sign<0\relax\s@bemol$6\else\ifnum\o@sign<0\relax\s@becarre$6\fi\fi \ifnum\sign<-1\relax\s@bemol$9\else\ifnum\o@sign<-1\relax\s@becarre$9\fi \fi \ifnum\sign<-2\relax\s@bemol$5\else\ifnum\o@sign<-2\relax\s@becarre$5\fi \fi \ifnum\sign<-3\relax\s@bemol$8\else\ifnum\o@sign<-3\relax\s@becarre$8\fi \fi \ifnum\sign<-4\relax\s@bemol$4\else\ifnum\o@sign<-4\relax\s@becarre$4\fi \fi \ifnum\sign<-5\relax\s@bemol$7\else\ifnum\o@sign<-5\relax\s@becarre$7\fi \fi \ifnum\sign<-6\relax\s@bemol$3\else\ifnum\o@sign<-6\relax\s@becarre$3\fi \fi % %\check \def\w@sharps$% \ifnum\sign>0\relax\s@dieze$10\else\ifnum\o@sign>0\relax\s@becarre$10\fi \fi \ifnum\sign>1\relax\s@dieze$7\else\ifnum\o@sign>1\relax\s@becarre$7\fi\fi \ifnum\sign>2\relax\s@dieze$11\else\ifnum\o@sign>2\relax\s@becarre$11\fi \fi \ifnum\sign>3\relax\s@dieze$8\else\ifnum\o@sign>3\relax\s@becarre$8\fi\fi \ifnum\sign>4\relax\s@dieze$5\else\ifnum\o@sign>4\relax\s@becarre$5\fi\fi \ifnum\sign>5\relax\s@dieze$9\else\ifnum\o@sign>5\relax\s@becarre$9\fi\fi \ifnum\sign>6\relax\s@dieze$6\else\ifnum\o@sign>6\relax\s@becarre$6\fi\fi % %\check \def\s@bemol#1$\global\n@iii=#1\relax \p@bedieze\advance\y@iii by \fl@raise\raise\y@iii\hbox to 1.04\Interligne$\hss\f@lat\hss% % \def\s@becarre#1$\global\n@iii=#1\relax \p@bedieze\advance\y@iii by \na@raise\raise\y@iii\hbox to 1.04\Interligne$\hss\n@at\hss% % \def\s@dieze#1$\global\n@iii=#1\relax \p@bedieze\advance\y@iii by \sh@raise\raise\y@iii\hbox to 1.08\Interligne$\hss\s@harp\hss% % % \def\p@bedieze$\global\advance\n@iii by \ut@ref\relax \global\advance\n@iii by \ut@ref\relax % cas de la cle de fa \ifnum\ut@ref=6\global\advance\n@iii by -14\relax\else \ifnum\ut@ref>0\global\advance\n@iii by -7\relax\fi\fi \ifnum\n@iii<1\relax\global\advance\n@iii by 7\relax\fi \ifnum\n@iii<1\relax\global\advance\n@iii by 7\relax\fi \ifnum\n@iii>11\relax\global\advance\n@iii by -7\relax\fi \ifnum\n@iii>11\relax\global\advance\n@iii by -7\relax\fi \y@iii=\n@iii\internote \advance\y@iii by -\Interligne  %\check % \def\writenewsigni#1$\selectinstr$#1% \global\noportee=0\relax $\loop\ifnum\noportee<\nbportees\relax \alt@comp $\ifnum\o@sign=\sign\relax\else \edef\get@ref$\noexpand\get@refs\the\cleftoks$$$$% \setbox\toks@box=\hbox$\get@ref\compnwsign\hskip 0.4\Interligne% \ifdim\sign@skip<\wd\toks@box \global\sign@skip=\wd\toks@box\fi \raise\altportee\rlap$\box\toks@box% \fi\n@portee \repeat% % %\check % \def\writeclefp#1#2#3#4#5$% \n@i=#1\relax \ifcase\n@i\singleclef$#2% \or\singleclef$#3\or\singleclef$#4\or\singleclef$#5\fi % % %\check \def\writemeterp#1#2#3#4#5$% \n@i=#1\relax \ifcase\n@i\hbox$#2\or\hbox$#3\or\hbox$#4\or\hbox$#5\fi % % %\check \def\writenewclefp#1#2#3#4#5#6#7#8#9$% \n@i=#1\relax \ifcase\n@i\newsingleclef$#2$#6% \or\newsingleclef$#3$#7\or\newsingleclef$#4$#8\or \newsingleclef$#5$#9\fi % %\check % \def\singleclef#1$% \global\n@iii=#1\relax \charclef % %\check % \def\Clefdut$\global\advance\n@iii by -3\relax\raise\n@iii\Interligne\clefdut% \def\Clefdefa$\global\advance\n@iii by -6\relax\raise\n@iii\Interligne\clefdefa % \def\charclef$% \ifdim\clef@skip<2.4\Interligne\global\clef@skip=2.4\Interligne\fi \ifcase\n@iii\relax\clefdesol\relax \or$\Clefdut% \or$\Clefdut% \or$\Clefdut% \or$\Clefdut% \or$\Clefdefa% \or$\Clefdefa% \fi% %\check % \def\smallClefdut$\global\advance\n@iii by -3\relax\raise\n@iii \Interligne\smallclefdut% \def\smallClefdefa$\global\advance\n@iii by -6\relax\raise\n@iii \Interligne\smallclefdefa% \def\smallcharclef$% \ifdim\clef@skip<2.4\Interligne\global\clef@skip=2.4\Interligne\fi \ifcase\n@iii\relax\smallclefdesol\relax \or$\smallClefdut% \or$\smallClefdut% \or$\smallClefdut% \or$\smallClefdut% \or$\smallClefdefa% \or$\smallClefdefa% \fi% %\check \def\newsingleclef#1#2$% \global\n@iii=#1\relax \n@ii=#2\relax \ifnum\n@ii=\n@iii\relax\else\smallcharclef \fi% %\check \def\writeclefi#1$\selectinstr$#1% \global\noportee=0\relax $\loop\ifnum\noportee<\nbportees\relax \alt@comp \edef\w@call$\noexpand\writeclefp$\noexpand\noportee\the\cleftoks% \setbox\toks@box=\hbox$\w@call$$$$% \ifdim\clef@skip<\wd\toks@box \global\clef@skip=\wd\toks@box\fi \raise\altportee\rlap$\box\toks@box\n@portee \repeat% % %\check \def\writenewclefi#1$\selectinstr$#1% \global\noportee=0\relax $\loop\ifnum\noportee<\nbportees\relax \alt@comp \edef\w@call$\noexpand\writenewclefp$\noexpand\noportee\the\cleftoks\the \o@cks% \setbox\toks@box=\hbox$\w@call$$$$% \ifdim\clef@skip<\wd\toks@box \global\clef@skip=\wd\toks@box\fi \raise\altportee\rlap$\box\toks@box\n@portee\repeat% % %\check % minuscule: une seule barre % majuscule: double barre \def\changecontexte$\changecontext% \def\Changecontexte$\Changecontext% % \def\changecontext$\gluebrule\newbar\nobreak\updatecontext% \def\pchangecontext$\gluebrule\newbar\nobreak\p@updatecon% %\check \def\Changecontext$\setdoublebar\changecontext% \def\pChangecontext$\setdoublebar\pchangecontext% % % write colons on all staffs (a part of [left][right]repeat symbols % \def\wrcolons$\w@colons% \def\w@colons$\nobreak\hskip 0.4\Interligne\nobreak \global\n@i=0\relax \loop\ifnum\nbinstruments >\n@i\relax\global\advance\n@i by 1\relax \w@coli$\n@i\repeat \nobreak\hskip 0.4\Interligne\nobreak% % %\check % \def\n@updatecon$% imprime tout ce qui est nouveau \nobreak\writenewclefs \nobreak\writenewsignatures\nobreak\setnormalhyphen\-\writemeters\zgluearule \savesignature\savemeters\saveclefs% % \def\l@updatecon$\nobreak\writenewclefs\nobreak\writenewsignatures \z@suspend\reprmorceau% % \def\p@updatecon$\nobreak\writenewclefs\nobreak\writenewsignatures \z@suspend\preprmorceau% % %\check % \def\n@leftrepeat$\gluebrule \nobreak\writenewclefs \discretionary$\newbar% %\check 1 $\hbox$\portees\hbox$\writeclefs% \hbox$\Writesignatures% \l@eftrepeat\hbox$\writemeters% %\check 1 $\l@eftrepeat\nobreak\writemeters\zgluearule \savesignature\savemeters\saveclefs\setnormalhyphen% % %\check % \def\n@leftrightrepeat$\gluebrule \nobreak\writenewclefs % \discretionary$\setrightrepeat\newbar% %\check 1 $\hbox$\portees\hbox$\writeclefs% \hbox$\Writesignatures% \l@eftrepeat\hbox$\writemeters% %\check 1 $\l@eftrightrepeat\nobreak\writemeters\zgluearule \savesignature\savemeters\saveclefs\setnormalhyphen% % \def\t@leftrepeat$\c@ountbar \ifnum\barsinline<\maxbarsinline\relax\setleftrepeat\x@barre \else \c@ountline \ifnum\linesinpage<\maxlinesinpage\l@leftrepeat \message$ ligne: \the\linesinpage % \else\p@leftrepeat \fi\fi% % %\check % \def\t@leftrightrepeat$\c@ountbar \ifnum\barsinline<\maxbarsinline\relax\setleftrightrepeat\x@barre \else \c@ountline \ifnum\linesinpage<\maxlinesinpage\l@leftrightrepeat \message$ ligne: \the\linesinpage % \else\p@leftrightrepeat \fi\fi% % %\check % \def\l@leftrepeat$\suspmorceau \reprmorceau\l@eftrepeat% % \def\p@leftrepeat$\suspmorceau \preprmorceau\l@eftrepeat% % %\check % \def\l@leftrightrepeat$\setrightrepeat\suspmorceau \reprmorceau\l@eftrepeat% % \def\p@leftrightrepeat$\setrightrepeat\suspmorceau \preprmorceau\l@eftrepeat% % \def\Changeclef$\Changeclefs\def\Changeclefs$% \gluebrule\thinvrule\nobreak\hskip 0.6\Interligne\nobreak\newbar \nobreak\writenewclefs\saveclefs% %\check \def\changeclef$\changeclefs\def\changeclefs$\termskip \writenewclefs\saveclefs% %\check %************************************************************************** % les notes proprement dites %************************************************************************** \def\vnotes#1\elemskip$\noteskip=#1\elemskip \n@otes% % %\check % \def\enotes$\e@notes% % \newdimen\n@skip \def\skip@n$\hskip \n@skip% \def\skip@b$\hskip \brace@w \global\advance\x@skip by\n@skip\nobreak%**** % \def\upd@sk$\nobreak\skip@n\global\advance\x@skip by\n@skip\nobreak% % \newcount\n@instrum % \def\n@otes$\def|$\finportee\nextportee\def&$\fininstrument \nextinstrument\normaltranspose=\transpose \check@nopen\global\advance\notes@open by 1\relax\upd@sk \locx@skip=\x@skip \global\n@skip=\noteskip \global\n@instrum=0\relax \nextinstrument% % %\check \def\nextinstrument$\global\advance\n@instrum by 1\relax \selectinstr$\n@instrum\resetstem \global\noportee=0\relax\nextportee % %\check % \def\fininstrument$\finportee% %\check % \def\nextportee$\alt@comp \n@portee \edef\get@ref$\noexpand\get@refs\the\cleftoks$$$$\relax\get@ref \setbox\n@otebox=\hbox\bgroup\locx@skip=\x@skip % %\check % \def\finportee$\egroup \ifdim\n@skip<\wd\n@otebox \global\n@skip=\wd\n@otebox \fi \nobreak\raise\altportee\rlap$\unhbox\n@otebox\nobreak% % %\check % \def\e@notes$\global\notes@open=0\relax\fininstrument \ifdim\n@skip<\noteskip \showthe\noteskip\showthe\n@skip \global\n@skip=\noteskip \fi% % %\check % % queue de note vers le bas \def\p@tail$\global\advance\st@bot by -3\Interligne\global\stem@skip=\z@ \pd@tail% %\check % queue de note vers le haut \def\d@tail$\global\advance\st@top by 3\Interligne\pd@tail% % \def\pd@tail$\global\advance\st@top by -\st@bot \ifdim\st@top>1pt\global\advance\st@bot by -\altportee \raise\st@bot\rlap$\kern\stem@skip\vrule height\st@top width \lthick\fi \resetstem% %\check \def\resetstem$\global\st@bot=99cm\global\st@top=-\st@bot% % \def\setstem$$\advance\y@i by -\n@raise \advance\y@i by \altportee \ifdim\st@bot>\y@i\global\st@bot=\y@i\fi \ifdim\st@top<\y@i\global\st@top=\y@i\fi% % %\check % % sequence de placement d'un caractere a une position dans la portee \def\pl@note$\pl@base \advance\y@i by \n@raise% \def\pl@base$\y@i=\n@i\internote% % % lignes supplementaires pour \n@i (position) % \newcount\h@lnlv \newdimen\hlp@width \def\h@lines#1$\hlp@width=#1\h@lnlv=0\relax\lh@lines\h@lnlv=8\relax \uh@lines% \def\lh@lines$\loop\advance\h@lnlv by -1\relax \ifnum\n@i<\h@lnlv\relax\advance\h@lnlv by -1\relax \ifnum\h@lnlv<-20\relax\showthe\h@lnlv\fi \raise\h@lnlv\internote\llap$\vrule width 1.6\hlp@width height 0.5\lthick depth 0.5\lthick\kern -1.3\hlp@width\repeat% %\check \def\uh@lines$\loop\advance\h@lnlv by 1\relax \ifnum\n@i>\h@lnlv\relax\advance\h@lnlv by 1\relax \ifnum\h@lnlv>30\relax\showthe\h@lnlv\fi \raise\h@lnlv\internote\llap$\vrule width 1.6\hlp@width height 0.5\lthick depth 0.5\lthick\kern -1.3\hlp@width\repeat% %\check % *********** les symboles de notes ou assimiles **************** % % placement % \newcount\inh@alt \def\getn@i$\global\inh@alt=0\relax\xgetn@i% % \def\inhgetn@i$\global\inh@alt=1\relax\xgetn@i% % \def\xgetn@i#1$\n@i=9999\relax % par defaut \edef\t@ruc$\f@tok #1\noexpand\relax\af@tok\ifcat a\t@ruc\relax \getn@iletter$#1% \else\getn@inonlet$#1% \ifcat pas lettre \fi\global\n@raise=\z@% % \def\getn@inonlet#1$\edef\ss@uite$\edef\s@uite$\s@tok #1$\af@tok% \edef\alt@suite$\ifcat 1\t@ruc\relax \t@rucfig$#1% cas active character dont chiffre \else\t@rucexpcar$#1% \fi\alt@suite% fi du \ifcat 1 %\check % analysis of accidentals within collective note coding \def\t@rucexpcar#1$\if ^\t@ruc\relax \edef\alt@suite$\ifnum \inh@alt=0\relax\noexpand\sh$\s@uite\fi \noexpand\getn@i$\s@uite\fi \if _\t@ruc\relax \edef\alt@suite$\ifnum \inh@alt=0\relax\noexpand\fl$\s@uite\fi \noexpand\getn@i$\s@uite\fi% %\check \def\t@rucfig#1$\if=\t@ruc\relax \edef\alt@suite$\ifnum \inh@alt=0\relax\noexpand\na$\s@uite\fi \noexpand\getn@i$\s@uite\fi \if*\t@ruc\relax \edef\alt@suite$\ifnum \inh@alt=0\relax\noexpand\sk$\s@uite\fi \noexpand\getn@i$\s@uite\fi \if.\t@ruc\relax \edef\alt@suite$\ifnum \inh@alt=0\relax\noexpand\pt$\s@uite\fi \noexpand\getn@i$\s@uite\fi \if>\t@ruc\relax \edef\alt@suite$\ifnum \inh@alt=0\relax\noexpand\dsh$\s@uite\fi \noexpand\getn@i$\s@uite\fi \if<\t@ruc\relax \edef\alt@suite$\ifnum \inh@alt=0\relax\noexpand\dfl$\s@uite\fi \noexpand\getn@i$\s@uite\fi \if!\t@ruc\relax \transpose=\normaltranspose\relax \edef\alt@suite$\noexpand\getn@i$\s@uite\fi \if'\t@ruc\relax \advance\transpose by 7\relax \edef\alt@suite$\noexpand\getn@i$\s@uite\fi \if`\t@ruc\relax \advance\transpose by -7\relax \edef\alt@suite$\noexpand\getn@i$\s@uite% \else \if -\t@ruc\relax\n@i=#1\relax\fi \if 1\t@ruc\relax\n@i=#1\relax\fi \if 2\t@ruc\relax\n@i=#1\relax\fi \if 3\t@ruc\relax\n@i=#1\relax\fi \if 4\t@ruc\relax\n@i=#1\relax\fi \if 5\t@ruc\relax\n@i=#1\relax\fi \if 6\t@ruc\relax\n@i=#1\relax\fi \if 7\t@ruc\relax\n@i=#1\relax\fi \if 8\t@ruc\relax\n@i=#1\relax\fi \if 9\t@ruc\relax\n@i=#1\relax\fi \if 0\t@ruc\relax\n@i=#1\relax\fi \fi% %\check % \def\getn@iletter#1$\n@i=\expandafter`\t@ruc\relax \ifnum\n@i >96\relax \advance\n@i by -101\relax % ramener au E (position % zero en clef de sol, ut@ref=0) \else\advance\n@i by -83\relax % ramener au S= E + 14 \fi \advance\n@i by \ut@ref\relax \advance\n@i by \ut@ref\relax \advance\n@i by \transpose\relax \edef\s@uite$\s@tok #1$\af@tok\edef\ss@uite$\noexpand\n@fon$\s@uite% %\check % \def\pt@raise$\ifodd\n@i\relax\pt@up=-0.1\Interligne\else\pt@up =0.3\Interligne\fi \advance\pt@up by -\n@raise\raise\pt@up% % % \def\lcharnote#1#2$\getn@i$#1\pl@llap$#2% % \def\bigaccid$\def\small@test$\noteskip>-1pt% \def\smallaccid$\def\small@test$\noteskip>9999pt% \def\varaccid$\def\small@test$\noteskip>1.9\qn@width% % \varaccid % accidents de taille variable %\check \def\lfl#1$\getn@i$#1\global\n@raise=\fl@raise \pl@llap$\f@lat\kern 0.8\qd@skip% % %\check \def\ldfl#1$\getn@i$#1\global\n@raise=\fl@raise \pl@llap$\df@lat\hskip 0.8\qd@skip% % %\check \def\lsh#1$\getn@i$#1\global\n@raise=\sh@raise \pl@llap$\s@harp\hskip 0.8\qd@skip% % \def\ldsh#1$\getn@i$#1\global\n@raise=\z@ \pl@llap$\ds@harp\hskip 0.8\qd@skip% %\check \def\lna#1$\getn@i$#1\global\n@raise=\na@raise \pl@llap$\n@at\hskip 0.8\qd@skip% %\check \def\pl@llap$\pl@note\raise\y@i\llap% %**************** notes (sans queue) ******************* % \def\xcharnote#1#2#3$\getn@i$#2\pl@base\raise\y@i\hbox to #1$#3\hss% %\check % \def\raise@note$\advance\locx@skip by\noteskip\raise\y@i\hbox to \noteskip% % % rondes sous diverses formes % % ronde decalee a gauche (sans avance) \def\lw#1$\kern -\wd@skip\zw$#1\kern \wd@skip% % % ronde decalee a droite (sans avance) \def\rw#1$\kern \wd@skip\zw$#1\kern -\wd@skip% %\check % ronde sans avance \def\zw#1$\getn@i$#1\def\n@fon$\zw\def\n@sym$\w@h\g@zw% \def\zwp#1$\getn@i$#1\def\n@fon$\zwp\def\n@sym$\w@hp\g@zw% \def\zwpp#1$\getn@i$#1\def\n@fon$\zwpp\def\n@sym$\w@hpp\g@zw% \def\zwppp#1$\getn@i$#1\def\n@fon$\zwppp\def\n@sym$\w@hppp\g@zw% \def\g@zw$\global\n@raise=\wh@raise\ifnum\n@i<100\relax \h@lines$\wn@width\def\s@tem$\resetstem\plap@symss\fi% %\check % \def\phpause$\hbox to \noteskip$\vrule width 1.2\qn@width height \internote\hss% \def\pause$\hbox$\raise 5\internote\phpause% \def\hpause$\hbox$\raise 4\internote\phpause% \def\demisoupir$\ds% \def\ds$\hbox to \noteskip$\d@soup\hss% \advance\locx@skip by \noteskip% \def\qp$\hbox to \noteskip$\s@oupir\hss\advance\locx@skip by \noteskip% \def\soupir$\qp% \def\dsoupir$\ds% \def\qsoupir$\qs% \def\quartsoupir$\qs% % quat de soupir \def\qs$\hbox to \noteskip$\q@soup\hss% \advance\locx@skip by \noteskip% \def\demisoupir$\ds% %\check \def\pl@noteq$\pl@note \setstem \ifdim\noteskip>\z@ \ifdim\st@bot<29cm \s@tem \fi \fi % % \def\Ped$$\cmsy P\kern -1pt\it ed.% \def\PED$\rlap$\zcharnote$-5$\kern -2pt\Ped% \def\DEP$\rlap$\zcharnote$-7$\kern 0.5\noteskip\kern -4pt\moyen *% %\check \def\pl#1$\zcharnote$#1$\raise 2pt \rlap$\ttyeight +% \def\pointdorgue#1$\zcharnote$#1$\raise \Interligne\p@orgue% \def\pointdurgue#1$\zcharnote$#1$\raise-\Interligne\p@urgue% \def\ntrille#1#2$\zcharnote$#1$\trille$#2\elemskip% \def\nTrille#1#2$\zcharnote$#1$\Trille$#2\elemskip% \def\xtrille#1#2$\zcharnote$#1$\trille$#2% \def\xTrille#1#2$\zcharnote$#1$\Trille$#2% % \def\pt#1$\inhgetn@i$#1\def\n@fon$\pt\def\n@sym$\z@p\g@pt \def\ppt#1$\inhgetn@i$#1\def\n@fon$\ppt\def\n@sym$\z@pp\g@pt \def\pppt#1$\inhgetn@i$#1\def\n@fon$\pppt\def\n@sym$\z@ppp\g@pt \def\g@pt$\global\n@raise=\qu@raise\ifnum\n@i<100\relax \pl@note\raise\y@i \rlap$\n@sym\fi% % %\check % % blanche sans queue decalee a gauche % blanche pointee sans queue % blanche decalee a gauche \def\lh#1$\kern -\hd@skip\zh$#1\kern \hd@skip% % blanche decalee a droite sans queue \def\rh#1$\kern \hd@skip\zh$#1\kern -\hd@skip% % blanche sans queue ni avance \def\zh#1$\getn@i$#1\def\n@fon$\zh\def\n@sym$\h@a\g@zh \def\zhp#1$\getn@i$#1\def\n@fon$\zhp\def\n@sym$\h@ap\g@zh \def\zhpp#1$\getn@i$#1\def\n@fon$\zhpp\def\n@sym$\h@app\g@zh \def\zhppp#1$\getn@i$#1\def\n@fon$\zhppp\def\n@sym$\h@appp\g@zh \def\g@zh$\global\n@raise=\ha@raise\global\n@width=\hn@width\g@z% \def\g@z$\ifnum\n@i<100\relax \h@lines$\n@width\pl@note\setstem\rlap@symss\fi% % % noires sans queues % \def\zq#1$\getn@i$#1\def\n@fon$\zq\def\n@sym$\q@u\g@zq \def\zqp#1$\getn@i$#1\def\n@fon$\zqp\def\n@sym$\q@up\g@zq \def\zqpp#1$\getn@i$#1\def\n@fon$\zqpp\def\n@sym$\q@upp\g@zq \def\zqppp#1$\getn@i$#1\def\n@fon$\zqppp\def\n@sym$\q@uppp\g@zq \def\g@zq$\global\n@raise=\qu@raise\global\n@width=\qn@width\g@z% % %\check \def\rq#1$\kern \qd@skip\zq$#1\kern -\qd@skip% \def\lq#1$\kern -\qd@skip\zq$#1\kern \qd@skip% % *********************** notes avec queue ********************** % %\check \def\qu#1$\getn@i$#1\def\n@fon$\qu\def\n@sym$\q@u\g@qu% \def\qup#1$\getn@i$#1\def\n@fon$\qup\def\n@sym$\q@up\g@qu% \def\qupp#1$\getn@i$#1\def\n@fon$\qupp\def\n@sym$\q@upp\g@qu% \def\quppp#1$\getn@i$#1\def\n@fon$\quppp\def\n@sym$\q@uppp\g@qu% %\check \def\g@qu$\global\n@raise=\qu@raise\ifnum\n@i<100\relax \global\stem@skip=\qd@skip\def\s@tem$\d@tail\g@qbh@\fi% % \def\q@up$\hbox to \qn@width$\q@u\hss\P@t% \def\q@upp$\hbox to \qn@width$\q@u\hss\PP@t% \def\q@uppp$\hbox to \qn@width$\q@u\hss\PPP@t% \def\h@ap$\hbox to \hn@width$\h@a\hss\P@t% \def\h@app$\hbox to \hn@width$\h@a\hss\PP@t% \def\h@appp$\hbox to \hn@width$\h@a\hss\PPP@t% \def\w@hp$\hbox to \wn@width$\w@h\hss\P@t% \def\w@hpp$\hbox to \wn@width$\w@h\hss\PP@t% \def\w@hpp$\hbox to \wn@width$\w@h\hss\PPP@t% % \def\z@p$\kern \qn@width\P@t\def\z@pp$\kern \qn@width\PP@t\def \z@ppp$\kern \qn@width \PPP@t% %\check \def\rqu#1$\getn@i$#1\def\n@fon$\qu\global\n@raise=\qu@raise \def\n@sym$\kern \qd@skip\q@u% \ifnum\n@i<100\relax \kern \qd@skip \h@lines$\qn@width\kern -\qd@skip \global\stem@skip=\qd@skip\def\s@tem$\d@tail\pl@symss\fi% %\check % noire queue en haut sans avance \def\zqu#1$\getn@i$#1\def\n@fon$\qu\def\n@sym$\q@u\rlap$\g@qu% % % espace vide d'une note \def\off#1$\advance\locx@skip by #1\kern #1% \def\sk$\off\noteskip% \def\qsk$\off\qn@width% \def\hsk$\off\hn@width% %\check \def\lqu#1$\kern -\qd@skip\zqu$#1\kern \qd@skip% %\check % noires queue en base \def\ql#1$\getn@i$#1\def\n@fon$\ql\def\n@sym$\q@u\g@ql% \def\qlp#1$\getn@i$#1\def\n@fon$\qlp\def\n@sym$\q@up\g@ql% \def\qlpp#1$\getn@i$#1\def\n@fon$\qlpp\def\n@sym$\q@upp\g@ql% \def\qlppp#1$\getn@i$#1\def\n@fon$\qlppp\def\n@sym$\q@uppp\g@ql% \def\g@ql$\global\n@raise=\qu@raise\ifnum\n@i<100\relax \def\s@tem$\p@tail\g@qbh@\fi% % % la meme sans avance \def\zql#1$\getn@i$#1\def\n@fon$\ql\def\n@sym$\q@u\rlap$\g@ql% %\check % decalees a gauche et a droite \def\lql#1$\kern -\qd@skip\zql$#1\kern \qd@skip% \def\rql#1$\kern \qd@skip\zql$#1\kern -\qd@skip% % % croches, doubles croches, triples croches, quadruple croches queue en % haut et en bas % \def\clp#1$\pt$#1\cl$#1\def\cup#1$\pt$#1\cu$#1% \def\cu$\mcu1\def\ccu$\mcu2\def\cccu$\mcu3\def\ccccu$\mcu4% \def\cl$\mcl1\def\ccl$\mcl2\def\cccl$\mcl3\def\ccccl$\mcl4% \def\zcu$\advancefalse\mcu1\def\zccu$\advancefalse\mcu2% \def\zcccu$\advancefalse\mcu3\def\zccccu$\advancefalse\mcu4% \def\zcl$\advancefalse\mcl1\def\zccl$\advancefalse\mcl2% \def\zcccl$\advancefalse\mcl3\def\zccccl$\advancefalse\mcl4% % \def\mcu#1#2$\getn@i$#2\global\n@raise=\qu@raise \def\n@sym$\q@u\edef\n@fon$\noexpand\mcu #1% \ifnum\n@i<100\relax \h@lines$\qn@width\global\stem@skip=\qd@skip \def\s@tem$\d@cr#1\pl@symssq\fi% \def\mcl#1#2$\getn@i$#2\global\n@raise=\qu@raise \def\n@sym$\q@u\edef\n@fon$\noexpand\mcl #1% \ifnum\n@i<100\relax \h@lines$\qn@width\def\s@tem$\p@cr#1\pl@symssq\fi% % % ronde \def\wh#1$\getn@i$#1\def\n@fon$\wh\def\n@sym$\w@h\g@wh% \def\whp#1$\getn@i$#1\def\n@fon$\whp\def\n@sym$\w@hp\g@wh% \def\whpp#1$\getn@i$#1\def\n@fon$\whpp\def\n@sym$\w@hpp\g@wh% \def\whppp#1$\getn@i$#1\def\n@fon$\whppp\def\n@sym$\w@hppp\g@wh% \def\g@wh$\global\n@raise=\wh@raise\ifnum\n@i<100\relax \h@lines$\wn@width\def\s@tem$\resetstem\pl@symss\fi% %\check % blanche avec queue \def\ha$\hu% \def\hu#1$\getn@i$#1\def\n@fon$\hu\def\n@sym$\h@a\g@hu% \def\hup#1$\getn@i$#1\def\n@fon$\hup\def\n@sym$\h@ap\g@hu% \def\hupp#1$\getn@i$#1\def\n@fon$\hupp\def\n@sym$\h@app\g@hu% \def\huppp#1$\getn@i$#1\def\n@fon$\huppp\def\n@sym$\h@appp\g@hu% \def\g@hu$\global\n@raise=\ha@raise\ifnum\n@i<100\relax \h@lines$\hn@width\global\stem@skip=\hd@skip\def\s@tem$\d@tail\pl@symss\fi% % %\check \def\rhu#1$\getn@i$#1\def\n@fon$\hu\global\n@raise=\ha@raise \def\n@sym$\kern \hd@skip\h@a% \ifnum\n@i<100\relax \kern \hd@skip \h@lines$\hn@width\kern -\hd@skip \global\stem@skip=\hd@skip\def\s@tem$\d@tail\pl@symss\fi% %\check % blanche avec queue sans avance \def\zhu#1$\getn@i$#1\def\n@fon$\hu\def\n@sym$\h@a\g@zhu% \def\zhup#1$\getn@i$#1\def\n@fon$\hup\def\n@sym$\h@ap\g@zhu% \def\zhupp#1$\getn@i$#1\def\n@fon$\hupp\def\n@sym$\h@app\g@zhu% \def\zhuppp#1$\getn@i$#1\def\n@fon$\huppp\def\n@sym$\h@appp\g@zhu% \def\g@zhu$\global\n@raise=\ha@raise\ifnum\n@i<100\relax \h@lines$\hn@width\global\stem@skip=\hd@skip \def\s@tem$\d@tail\plap@symss\fi% %\check \def\lhu#1$\kern -\hn@width\zhu$#1\kern \hn@width% % % % blanches queue en bas \def\hl#1$\getn@i$#1\def\n@fon$\hl\def\n@sym$\h@a\g@hl% \def\hlp#1$\getn@i$#1\def\n@fon$\hlp\def\n@sym$\h@ap\g@hl% \def\hlpp#1$\getn@i$#1\def\n@fon$\hlpp\def\n@sym$\h@app\g@hl% \def\hlppp#1$\getn@i$#1\def\n@fon$\hlppp\def\n@sym$\h@appp\g@hl% \def\g@hl$\global\n@raise=\ha@raise\ifnum\n@i<100\relax \h@lines$\hn@width\def\s@tem$\p@tail\pl@symss\fi% %\check \def\zhl#1$\getn@i$#1\def\n@fon$\hl\def\n@sym$\h@a\rlap$\g@hl% \def\rhl#1$\kern \hd@skip\zhl$#1\kern -\hd@skip% \def\lhl#1$\kern -\hn@width\zhl$#1\kern \hn@width% %\check %**************** initialisation de poutres ****************** % \ibu$0-2\relax\ifnum\b@n<2\relax\n@bbu\fi \fi% \def\nbbl#1$\selectpoutre$#1\ifnum\b@n>-2\relax\ifnum\b@n<2\relax\n@bbl\fi \fi% \def\n@bbu$\gl@au$\b@n\global\bb@x=\locx@skip \global\advance\bb@x by \qd@skip \global\bb@z=\b@z\ifnum\b@n<0\relax\global\advance\bb@z by -\interbeam \else \global\advance\bb@z by \interbeam \fi $\advance\locx@skip by \qd@skip \advance\locx@skip by -\b@x \global\advance\bb@z by \s@lope\locx@skip % % \def\n@bbl$\gl@au$\b@n\global\bb@x=\locx@skip \global\advance\bb@x by \lthick \global\bb@z=\b@z\ifnum\b@n<0\relax\global\advance\bb@z by -\interbeam \else \global\advance\bb@z by \interbeam \fi $\advance\locx@skip by -\b@x \global\advance\bb@z by \s@lope\locx@skip % %\check \def\ibbbu#1$\selectpoutre$#1\i@bbbu% \def\ibbbl#1$\selectpoutre$#1\i@bbbl% \def\i@bbbu#1#2$\ifnum\b@n=0\relax\i@bbu$#1$#2% \global\advance\b@z by \internote \global\advance\bb@z by \internote \fi\n@bbbu% \def\i@bbbl#1#2$\ifnum\b@n=0\relax\i@bbl$#1$#2% \global\advance\b@z by -\internote \global\advance\bb@z by -\internote \fi\n@bbbl% \def\nbbbu#1$\selectpoutre$#1\ifnum\b@n=-1\relax\n@bbu\fi\ifnum\b@n =1\relax\n@bbu\fi \ifnum\b@n=-2\relax\n@bbbu\fi\ifnum\b@n=2\relax\n@bbbu\fi % \def\nbbbl#1$\selectpoutre$#1\ifnum\b@n=-1\relax\n@bbl\fi\ifnum\b@n =1\relax\n@bbl\fi \ifnum\b@n=-2\relax\n@bbbl\fi\ifnum\b@n=2\relax\n@bbbl\fi % \def\n@bbbu$\gl@au$\b@n\global\bbb@x=\locx@skip \global\advance\bbb@x by \qd@skip \global\bbb@z=\b@z\ifnum\b@n<0\relax\global\advance\bbb@z by -2\interbeam \else \global\advance\bbb@z by 2\interbeam \fi $\advance\locx@skip by \qd@skip \advance\locx@skip by -\b@x \global\advance\bbb@z by \s@lope \locx@skip % % \def\n@bbbl$\gl@au$\b@n\global\bbb@x=\locx@skip \global\advance\bbb@x by \lthick \global\bbb@z=\b@z\ifnum\b@n<0\relax\global\advance\bbb@z by -2\interbeam \else \global\advance\bbb@z by 2\interbeam \fi $\advance\locx@skip by -\b@x\global\advance\bbb@z by \s@lope \locx@skip % %\check % \def\ibbbbu#1$\selectpoutre$#1\i@bbbbu% \def\ibbbbl#1$\selectpoutre$#1\i@bbbbl% \def\i@bbbbu#1#2$\ifnum\b@n=0\relax\i@bbbu$#1$#2% \global\advance\b@z by \interbeam \global\advance\bb@z by \interbeam \global\advance\bbb@z by \interbeam \fi\n@bbbbu% \def\i@bbbbl#1#2$\ifnum\b@n=0\relax\i@bbbl$#1$#2% \global\advance\b@z by -\interbeam \global\advance\bb@z by -\interbeam \global\advance\bbb@z by -\interbeam \fi\n@bbbbl% \def\nbbbbu#1$\selectpoutre$#1\ifnum\b@n=-1\relax\n@bbu\fi\ifnum\b@n =1\relax\n@bbu\fi \ifnum\b@n=-2\relax\n@bbbu\fi\ifnum\b@n=2\relax\n@bbbu\fi \ifnum\b@n=-3\relax\n@bbbbu\fi\ifnum\b@n=3\relax\n@bbbbu\fi % \def\nbbbbl#1$\selectpoutre$#1\ifnum\b@n=-1\relax\n@bbl\fi\ifnum\b@n =1\relax\n@bbl\fi \ifnum\b@n=-2\relax\n@bbbl\fi\ifnum\b@n=2\relax\n@bbbl\fi \ifnum\b@n=-3\relax\n@bbbbl\fi\ifnum\b@n=3\relax\n@bbbl\fi % \def\n@bbbbu$\gl@au$\b@n\global\bbbb@x=\locx@skip \global\advance\bbbb@x by \qd@skip \global\bbbb@z=\b@z\ifnum\b@n<0\relax\global\advance\bbbb@z by -3\interbeam \else \global\advance\bbbb@z by 3\interbeam \fi $\advance\locx@skip by \qd@skip \advance\locx@skip by -\b@x \global\advance\bbbb@z by \s@lope \locx@skip % % \def\n@bbbbl$\gl@au$\b@n\global\bbbb@x=\locx@skip \global\advance\bbbb@x by \lthick \global\bbbb@z=\b@z\ifnum\b@n<0\relax\global\advance\bbbb@z by -3\interbeam \else \global\advance\bbbb@z by 3\interbeam \fi $\advance\locx@skip by -\b@x\global\advance\bbbb@z by \s@lope \locx@skip % %\check % % terminaison de toutes les poutres en suspens % % %***** terminer une poutre superieure **************** %\check % \def\tbu#1$\selectpoutre$#1\t@bu% \def\tqh#1$\selectpoutre$#1\t@qh% \def\tbbu#1$\selectpoutre$#1\t@bbu% \def\tbbbu#1$\selectpoutre$#1\t@bbbu% \def\tbbbbu#1$\selectpoutre$#1\t@bbbbu% %\check \def\t@qh$\t@bu\qh@% \def\t@bu$\ifnum\b@n<-1\relax\t@bbu\fi \ifnum\b@n>1\relax\t@bbu\fi \y@i=\b@z \advance\y@i by -\altportee \y@ii=\locx@skip \advance\y@ii by \qn@width \advance\y@ii by -\b@x \llap$\p@outre\hskip -\qn@width% \global\b@n=0\relax% % %\check \def\t@bbu$\ifnum\b@n<-2\relax\t@bbbu\fi \ifnum\b@n>2\relax\t@bbbu\fi \ifnum\b@n=1\relax$\advance\locx@skip by -\qn@width\n@bbu\fi \ifnum\b@n=-1\relax$\advance\locx@skip by -\qn@width\n@bbu\fi \y@i=\bb@z\y@ii=-\bb@x\t@xbu% %\check \def\t@xbu$\advance\y@i by -\altportee \advance\y@ii by \locx@skip \advance\y@ii by \qn@width \llap$\p@outre\hskip -\qn@width% \ifnum\b@n>0\relax \advance\y@i by \s@lope\y@ii\raise\y@i\rlap$\kern\qn@width \kern -\lthick\vrule height \z@ depth 1.8\internote width \lthick\fi \gl@de$\b@n% %\check \def\t@bbbu$\ifnum\b@n<-3\relax\t@bbbbu\fi \ifnum\b@n>3\relax\t@bbbbu\fi \ifnum\b@n=2\relax$\advance\locx@skip by -\qn@width\n@bbbu\fi \ifnum\b@n=-2\relax$\advance\locx@skip by -\qn@width\n@bbbu\fi \y@i=\bbb@z\y@ii=-\bbb@x\t@xbu% % %\check \def\t@bbbbu$\ifnum\b@n<-4\relax\showthe\b@n\global\b@n=-4\relax\fi \ifnum\b@n>4\relax\showthe\b@n\global\b@n=4\relax\fi \ifnum\b@n=3\relax$\advance\locx@skip by -\qn@width\n@bbbbu\fi \ifnum\b@n=-3\relax$\advance\locx@skip by -\qn@width\n@bbbbu\fi \y@i=\bbbb@z\y@ii=-\bbbb@x\t@xbu% %***** terminer une poutre inferieure**************** \def\tbl#1$\selectpoutre$#1\t@bl% \def\tqb#1$\selectpoutre$#1\t@qb% \def\tbbl#1$\selectpoutre$#1\t@bbl% \def\tbbbl#1$\selectpoutre$#1\t@bbbl% \def\tbbbbl#1$\selectpoutre$#1\t@bbbbl% % provisoire \def\t@qb$\t@bl\qb@% \def\t@bl$\relax \ifnum\b@n<-1\relax\t@bbl\fi \ifnum\b@n>1\relax\t@bbl\fi \y@i=\b@z \advance\y@i by -\altportee \y@ii=\locx@skip \advance\y@ii by \lthick \advance\y@ii by -\b@x \kern\lthick\llap$\p@outre\kern -\lthick \global\b@n=0\relax% %\check % \def\t@bbl$\relax \ifnum\b@n<-2\relax\t@bbbl\fi \ifnum\b@n>2\relax\t@bbbl\fi \ifnum\b@n=1\relax$\advance\locx@skip by -\qn@width\n@bbl\fi \ifnum\b@n=-1\relax$\advance\locx@skip by -\qn@width\n@bbl\fi \y@i=\bb@z\y@ii=-\bb@x\t@xbl% % \def\t@xbl$\advance\y@i by -\altportee \advance\y@ii by \locx@skip \advance\y@ii by \lthick \kern\lthick\llap$\p@outre\kern-\lthick \ifnum\b@n<0\relax\advance\y@i by \s@lope\y@ii \raise\y@i\rlap$\vrule height \interbeam width \lthick\fi \gl@de$\b@n% %\check \def\t@bbbl$\relax \ifnum\b@n<-3\relax\t@bbbbl\fi \ifnum\b@n>3\relax\t@bbbbl\fi \ifnum\b@n=2\relax$\advance\locx@skip by -\qn@width\n@bbbl\fi \ifnum\b@n=-2\relax$\advance\locx@skip by -\qn@width\n@bbbl\fi \y@i=\bbb@z\y@ii=-\bbb@x\t@xbl% %\check \def\t@bbbbl$\relax \ifnum\b@n<-4\relax\showthe\b@n\global\b@n=-4\relax\fi \ifnum\b@n>4\relax\showthe\b@n\global\b@n=4\relax\fi \ifnum\b@n=3\relax$\advance\locx@skip by -\qn@width\n@bbbbl\fi \ifnum\b@n=-3\relax$\advance\locx@skip by -\qn@width\n@bbbbl\fi \y@i=\bbbb@z\y@ii=-\bbbb@x\t@xbl% %******************** notes accrchees aux poutres % ************************************ % \def\qh#1$\selectpoutre$#1\qh@% \def\hh#1$\selectpoutre$#1\hh@% \def\qhp#1$\selectpoutre$#1\qhp@% \def\qhpp#1$\selectpoutre$#1\qhpp@% \def\qhppp#1$\selectpoutre$#1\qhppp@% \def\qh@#1$\getn@i$#1\def\n@fon$\qh@\def\n@sym$\q@u\g@qh@% % position \def\hh@#1$\getn@i$#1\def\n@fon$\hh@\def\n@sym$\h@u\g@qh@% % position \def\qhp@#1$\getn@i$#1\def\n@fon$\qhp@\def\n@sym$\q@up\g@qh@% % position \def\qhpp@#1$\getn@i$#1\def\n@fon$\qhpp@\def\n@sym$\q@upp\g@qh@% % position \def\qhppp@#1$\getn@i$#1\def\n@fon$\qhppp@\def\n@sym$\q@uppp\g@qh@% % % position \def\qb#1$\selectpoutre$#1\qb@% \def\hb#1$\selectpoutre$#1\hb@% \def\qbp#1$\selectpoutre$#1\qbp@% \def\qbpp#1$\selectpoutre$#1\qbpp@% \def\qbppp#1$\selectpoutre$#1\qbppp@% \def\qb@#1$\getn@i$#1\def\n@fon$\qb@\def\n@sym$\q@u\g@qb@ % #1 position \def\hb@#1$\getn@i$#1\def\n@fon$\hb@\def\n@sym$\h@a\g@qb@ % #1 position \def\qbp@#1$\getn@i$#1\def\n@fon$\qbp@\def\n@sym$\q@up\g@qb@ % #1 position \def\qbpp@#1$\getn@i$#1\def\n@fon$\qbpp@\def\n@sym$\q@upp\g@qb@ % #1 % position \def\qbppp@#1$\getn@i$#1\def\n@fon$\qbppp@\def\n@sym$\q@uppp\g@qb@ % #1 % position \def\g@qb@$\global\n@raise=\qu@raise\ifnum\n@i<100\relax \global\stem@skip=\z@\def\s@tem$\d@balk\g@qbh@\fi% % \def\g@qh@$\global\n@raise=\qu@raise\ifnum\n@i<100\relax \global\stem@skip=\qd@skip\def\s@tem$\d@balk\g@qbh@\fi% % \def\g@qbh@$\h@lines$\qn@width\pl@symss% % \def\pl@symss$\pl@noteq\raise@note$\n@sym\hss\ss@uite% \def\pl@symssq$\ifadvance\pl@symss\else\plap@symss\fi\advancetrue% % \def\rlap@symss$\raise\y@i\rlap$\n@sym\ss@uite% \def\plap@symss$\pl@noteq\rlap@symss% % \def\d@balk$% % queue de note vers une poutre \y@ii=\b@z % a augmenter avec la pente \y@v=\locx@skip\advance\y@v by \stem@skip\advance\y@v by -\b@x \advance\y@ii by \s@lope\y@v \ifdim\y@ii>\st@top % la poutre est au-dessus \ifnum\b@n>0\relax\advance\y@ii by \b@n\interbeam \advance\y@ii by -\interbeam \fi\global\st@top=\y@ii % a mettre a jour avec la pente ulterieurement \else \ifdim\y@ii<\st@bot \ifnum\b@n<0\relax\advance\y@ii by \b@n\interbeam \advance\y@ii by \interbeam \fi\global\st@bot=\y@ii \fi\fi\pd@tail% % %*********************************** notes sans avancement (accords) % ******************** \def\zwh#1$$\noteskip=\z@\wh$#1% \def\zha#1$$\noteskip=\z@\ha$#1% % \def\charnote$\xcharnote$\noteskip% \def\zcharnote$\xcharnote$\z@% %\check % %************************* liaisons horizontales ************************** % \def\selecttenue#1$$\n@i=#1\relax \ifnum\n@i<0\relax\n@i=29\fi \advance\n@i by 1\relax \xdef\t@x$\csname t@x\romannumeral\n@i\endcsname% \xdef\t@z$\csname t@z\romannumeral\n@i\endcsname% \xdef\t@p$\csname t@p\romannumeral\n@i\endcsname% \xdef\t@s$\csname t@s\romannumeral\n@i\endcsname% % fin selecttenue % %\check % mise a jour marge inferieure et correction d'altitude de tenues % \newdimen\bottom@adv \def\advancebottom#1$\global\bottom@adv=#1\relax% \def\adv@bottom$\global\advance\bottommargin by \bottom@adv \global\n@l=0\relax \loop\ifnum\n@l<\maxlegatenuti\relax \selecttenue$\n@l\global\advance\t@z by \bottom@adv\relax \global\advance\n@l by 1\relax \repeat \global\bottom@adv=\z@% % %\check % \def\lu@slur$\cmex\char"7A\def\ru@slur$\cmex\char"7B% \def\ll@slur$\cmex\char"7C\def\rl@slur$\cmex\char"7D% \setbox\n@otebox=\hbox$\lu@slur\brace@w=\wd\n@otebox % \def\leg@hrule$\leaders\hrule height 1.2pt\hfill% \def\leg@vrule$\vrule height 1.2pt% % % complete slur of length #1 (up and down) \def\upleg#1$% #1 longueur \hbox to #1$\lu@slur\ifdim #1>2\brace@w\leg@hrule \else\hss\fi\ru@slur% % \def\loleg#1$% #1 longueur \hbox to #1$\ll@slur\ifdim #1>2\brace@w\leg@hrule \else\hss\fi\rl@slur% % % slur termination of length #1 (up and down) \def\uprleg#1$% #1 longueur \hbox to #1$\ifdim #1>\brace@w\leg@hrule \else\hss\fi\ru@slur% % \def\lorleg#1$% #1 longueur \hbox to #1$\ifdim #1>\brace@w\leg@hrule \else\hss\fi\rl@slur% %\check % % slur beginning (left) (up and down) \def\uples#1$% #1 longueur \hbox to #1$\lu@slur\ifdim #1>\brace@w\leg@hrule \else\hss\fi% % \def\loles#1$% #1 longueur \hbox to #1$\ll@slur\ifdim #1>\brace@w\leg@hrule \else\hss\fi% %\check % % continuation des tenues au milieu d'une mesure % \def\ctenuti$% \vrule width 0.4pt height 3cm\kern -0.4pt\relax % **** \locx@skip=\x@skip\advance\locx@skip by \n@skip \global\n@l=0\relax \loop\ifnum\n@l<\maxlegatenuti\relax \selecttenue$\n@l\ifnum\t@s=0\relax \else\c@ten\fi \global\advance\n@l by 1\relax \repeat% % % continuation d'une tenue par dessus une barre: ne doit pas % deborder mais s'arreter juste au point indique % \def\rtenuti$% *** \locx@skip=\x@skip\advance\locx@skip by \n@skip \global\n@l=0\relax \loop\ifnum\n@l<\maxlegatenuti\relax \selecttenue$\n@l\ifnum\t@s=2\relax\r@ten\fi \global\advance\n@l by 1\relax \repeat% % % noter un debut de tenue % \def\itenu#1$\selecttenue$#1\i@tenu% \def\ilegu#1#2$\selecttenue$#1$\advance\locx@skip by -1.5\qn@width \i@tenu$#2% \def\rtenu#1$\selecttenue$#1\ri@tenu% \def\ri@tenu#1$\i@tenu$#1\global\advance\t@x by \wn@width% \def\i@tenu#1$\global\t@p=1\relax % sens=1 \global\t@s=1\relax % etat en cours \global\t@x=\locx@skip \global\advance\t@x by \qd@skip \inhgetn@i$#1\pl@base\global\t@z=\y@i\global\advance\t@z by\altportee \global\advance\t@z by 3.5pt% % \def\itenl#1$\selecttenue$#1\i@tenl% \def\minternote$-\internote% \def\ilegl#1#2$\selecttenue$#1$\advance\locx@skip by -1.5\qn@width \i@tenl$#2% \def\rtenl#1$\selecttenue$#1\ri@tenl% \def\ri@tenl#1$\i@tenl$#1\global\advance\t@x by \wn@width% \def\i@tenl#1$\global\t@p=-1\relax % sens= -1 \global\t@s=1\relax % actif \global\t@x=\locx@skip \global\advance\t@x by \qd@skip \inhgetn@i$#1\pl@base\global\t@z=\y@i\global\advance\t@z by \altportee \global\advance\t@z by -4.5pt % %\check \def\tten#1$\selecttenue$#1\t@ten% \def\tleg#1$\selecttenue$#1$\advance\locx@skip by 1.5\qn@width\kern 1.5\qn@width\t@ten\kern -1.5\qn@width% \def\t@ten$\y@i=\t@z\advance\y@i by -\altportee \y@ii=\locx@skip\advance\y@ii by -\t@x \ifnum\t@p>0\relax \ifnum\t@s=2\relax \raise\y@i\llap$\uprleg$\y@ii% \else \raise\y@i\llap$\upleg$\y@ii% \fi \else \ifnum\t@s=2\relax \raise\y@i\llap$\lorleg$\y@ii% \else \raise\y@i\llap$\loleg$\y@ii% \fi \fi \global\t@s=0\relax% % %\check \def\c@ten$\y@ii=\x@skip\advance\y@ii by -\t@x \ifnum\t@s=1\relax \ifnum\t@p>0\relax \raise\t@z\llap$\uples$\y@ii\else \raise\t@z\llap$\loles$\y@ii\fi \else\ifnum\t@s=2\relax \raise\t@z\llap$\leg@vrule width \y@ii\fi \fi \global\t@x=-\y@ii \global\t@s=2\relax% % %\check \def\r@tenu#1$\selecttenue$#1\r@ten% \def\r@ten$\ifnum\t@s=2\relax \y@ii=-\t@x \global\advance\y@ii by-\brace@w \raise\t@z\llap$\leg@vrule width \y@ii\relax \fi \ifdim\t@x<-4\Interligne\global\t@x=-4\Interligne\fi % % %\check % %********************** ponctuations speciales **************************** % \def\breath$\raise 3\Interligne\hbox$\enorme'% \def\uptext#1$\resetstem\raise 5\Interligne\rlap$#1% \def\Uptext#1$\resetstem\raise 7\Interligne\rlap$#1% \def\text@sp$\vrule width \z@ height 8.5pt depth 3.5pt \def\m@idcomp$\y@v=\interportee\advance\y@v by 4\Interligne\divide\y@v by 2\relax \raise\y@v\vbox to \z@% % \def\midtwotext#1$$\m@idcomp $\vss\hbox to \noteskip$\hss\text@sp #1\hss\vss% \def\rmidtwotext#1$$\m@idcomp $\vss\hbox to \noteskip$\text@sp #1\hss\vss% \def\zmidtwotext#1$$\m@idcomp $\vss\rlap$\text@sp #1\vss% \def\lmidtwotext#1$$\m@idcomp $\vss\hbox to \noteskip$\hss\text@sp #1\vss% %\check \def\metron#1#2$$\noteskip 10pt #1 1\ = #2% %\check % %************************************************************************** % definition standard, modifiables par l'usager %************************************************************************** % \def\resetfacteurs$\topmargin=\z@\bottommargin=\z@\nullthick=\z@ \def\interfacteur$9% \def\bottomfacteur$3% \def\topfacteur$3% \elemskip=10pt\relax \def\gluemaxskip$0.1\line@width% % \resetfacteurs %\check \def\normal$\ifdim\Interligne<0.1pt\computewidths\fi \elemskip=2\Interligne \def\notes$\vnotes 1.0\elemskip % double croches \def\Notes$\vnotes 1.4\elemskip % croches \def\NOtes$\vnotes 2.0\elemskip % croches pointees \def\NOTes$\vnotes 2.8\elemskip % noires \def\NOTEs$\vnotes 4.0\elemskip % \def\NOTES$\vnotes 5.6\elemskip % % \def\large$\normal\elemskip=2.4\Interligne% \def\etroit$\normal \def\Notes$\vnotes 1.3\elemskip % croches \def\NOtes$\vnotes 1.8\elemskip % croches pointees \def\NOTes$\vnotes 2.6\elemskip % noires \def\NOTEs$\vnotes 3.6\elemskip % \def\NOTES$\vnotes 5.2\elemskip % % %\check \normal \def\testseq$% \def\nspace$\vnotes 0.2\elemskip\sk\enotes% % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \def\barfill$\leaders\hbox$ --\hfill% \def\octsup#1#2$\zcharnote$#1$\hbox to #2\noteskip $\llap$\rm 8\barfill \vrule width \z@ height 3pt depth 3pt% %\check \def\octfin#1#2$\zcharnote$#1$\hbox to #2\noteskip$\llap$\rm 8\barfill --\vrule width \lthick height 3pt depth 3pt% \def\octline#1$\zcharnote$#1$\line$\llap$\rm 8\barfill \vrule width \z@ height 3pt depth 3pt\hskip 20mm% %\check \def\xtuplet#1#2$\global\n@l=#1\relax\global\advance\n@l by -1\relax $\divide\noteskip by \n@l\relax\zcharnote$#2$\kern\n@l\noteskip\hbox to\z@$\hss\it #1\hss% \def\triolet$\xtuplet3% %\check % \let\wlog=\@plainwlog % \def\catcodemusic$ \catcode`\&=13 \catcode`\|=13  \def\nocatcodemusic$ \catcode`\&=4 \catcode`\|=12  \nocatcodemusic \newenvironment$music$\catcodemusic$\nocatcodemusic %-% End of musictex.sty From BROUARD%FRINED51.BITNET@CUNYVM.CUNY.EDU Tue Dec 10 11:20:39 1991 Return-Path: Received: from thor.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA23375; Tue, 10 Dec 91 11:20:39 CST Received: from cunyvm.cuny.edu by thor.acc.stolaf.edu; Tue, 10 Dec 91 11:19:55 -0600 Message-Id: <9112101719.AA26017@thor.acc.stolaf.edu> Received: from FRINED51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 6116; Tue, 10 Dec 91 12:13:06 EST Date: 10 DEC 91 18:13:11.20-GMT From: BROUARD%FRINED51.bitnet@CUNYVM.CUNY.EDU Subject: musictex.sty 3/3 To: MUTEX@stolaf.edu From: BERTI::"root@sauvy" 10-DEC-1991 18:09:29.16 To: barsac::brouard CC: Subj: Mail 3 Makefile and other files to build musictex.sty Makefile premusic.tex posmusic.tex premupln.tex Do make all As musictex 4.31 does no more load fonts already loaded by plain or lplain, musictex.sty can be built by simple concatenation of files. But there is still a problem with musicpln.tex which uses font eightbf (is it really necessary?) not loaded by standard latex, this is the reason for premupln.tex. 1) Having just get the latest version of musictex.tar.Z, I noticed that Daniel made some of my suggestions. In particular for the .mf, but as someone pointed it out on this list, the two lines input local and input modes have to be erased (they were not in the version I sent to Daniel) if your mf.bases is correctly done. I can send you the latest modes.mf if someone wants it. 2) As you probably know there is no more circle10.tfm but lcircle10 abbreviated to lcircle1 on dos. I know that it is a problem, but things going on and we have to update our fmt, pk, tfm, and macros. Sorry. I made the changes in the version I sent to Daniel, but they are still in the old fashion... 3) I think that the directories could be rearranged. I changed tex to inputs (because of latex). But the most important thing consist in the distinction between doc and examples. I also put notice.ps in the root directory. Every one should have ghostscript (gs is available on dos, unix and vms) to preview or print the basic documentation in Postscript. I made a very bad -30 0 translate in notice.ps as the new notice.dvi is right shifted. 4)Most important pks should also be included (100,118 for screen, 240 for epson, and 300 for laser). At the end of this message is my ls -lR as it will be organized on the GUTenberg RS6000 tex tape. Nicolas Brouard ========Makefile========= LIB =/usr/local/lib/tex/inputs LAPARTS = premusic.tex musicnft.tex musictex.tex posmusic.tex LAPLNPARTS= premupln.tex musicpln.tex musictex.tex posmusic.tex TEXPARTS = musicnft.tex musicpln.tex musictex.tex musicvbm.tex musicadd.tex all: musictex.sty musicpln.sty $(TEXPARTS) install: all install -c -m 444 musicnft.tex $(LIB) install -c -m 444 musictex.tex $(LIB) install -c -m 444 musicpln.tex $(LIB) install -c -m 444 musicvbm.tex $(LIB) install -c -m 444 musicadd.tex $(LIB) install -c -m 444 musictex.sty $(LIB) install -c -m 444 musicpln.sty $(LIB) musictex.sty: cat $(LAPARTS) \ | cat -s > musictex.sty musicpln.sty: cat $(LAPLNPARTS) \ | cat -s > musicpln.sty =====end of Makefile========= ======premusic.tex======== %-% Musictex.sty version 0.1 of December, 10 1991 %-% Updates to version 4.31 November 1991 of plain musictex %-% Musictex.sty version 0.0 of 5, November 1991 %-% It is a first attempt to make musictex running by LaTeX %-% We defined an environment named music to change the catcodes %-% of the vertical bar and the ampersand for musictex. %-% We used TeX command instead of LaTeX command inside of music. %-% It needs a rather big \Tex$, but emTeX compiler on PCs does the trip %-% for small music arrays. It works better on work stations. %-% Nicolas Brouard %-% With this file you need extra fonts. If extrafonts are %-% are not available then use \documenstyle[musicpln]$article %-% %-% In both cas you can add the option file bigmusic.sty which %-% enlarges LaTeX page to a big size (A4). %-% \documentstyle[musicpln,bigmusic]$article %-% %-% Here is an example: %-% \documentstyle[musictex]$article %-% \begin$document %-%\def\nbinstruments$1\relax %-%\generalmeter$\meterfrac$4$4\relax %-%\debutmorceau %-%\normal %-%\zglu\Notes\rlap$\hu j\ql h\enotes %-%\temps\Notes\hl g\enotes %-%\temps\Notes\hu k\enotes %-%\temps\Notes\ql f\enotes %-%\suspmorceau %-% \end$music %-% %-% Latex blabla %-% %-% \begin$music %-%\def\nbinstruments$1\relax %-%\generalmeter$\meterfrac$4$4\relax %-%\debutmorceau %-%\normal %-%\zglu\Notes\rlap$\hu j\ql h\enotes %-%\temps\Notes\hl g\enotes %-%\temps\Notes\hu k\enotes %-%\temps\Notes\ql f\enotes %-%\suspmorceau %-% \end$document %-% %-% Building Musictex.sty %-% %-% Two files are required to build musictex.sty from %-% the plain distribution, premusic.tex and posmusic.\TeX$. %-% Then musictex.sty is %-% the concatenation of premusic.tex+musicfnt.tex+musictex.tex+posmusic.tex %-% On unix: %-% cat premusic.tex musicfnt.tex musictex.tex posmusic.tex >musictex.sty %-% On dos: %-% copy premusic.tex+musicfnt.tex+musictex.tex+posmusic.tex musictex.sty %-% If you don't have the fonts use: %-% On unix: %-% cat premusic.tex musicpln.tex musictex.tex posmusic.tex >musicpln.sty %-% On dos: %-% copy premusic.tex+musicpln.tex+musictex.tex+posmusic.tex musicpln.sty %-% You also need the option file bigmusic.sty. ======end of premusic.tex ======= =====posmusic.tex========== % posmusic.tex Version 0.1 decembre 1991 N. Brouard \def\catcodemusic$ \catcode`\&=13 \catcode`\|=13  \def\nocatcodemusic$ \catcode`\&=4 \catcode`\|=12  \nocatcodemusic \newenvironment$music$\catcodemusic$\nocatcodemusic %-% End of musictex.sty =====end of posmusic.tex======== =====premupln.tex========= %-% Musicpln.sty version 0.1 of December, 10 1991 %-% Updates to version 4.31 November 1991 of plain musictex %-% Musictex.sty version 0.0 of 5, November 1991 %-% It is a first attempt to make musictex running by LaTeX %-% We defined an environment named music to change the catcodes %-% of the vertical bar and the ampersand for musictex. %-% We used TeX command instead of LaTeX command inside of music. %-% It needs a rather big \Tex$, but emTeX compiler on PCs does the trip %-% for small music arrays. It works better on work stations. %-% Nicolas Brouard %-% With this file you need extra fonts. If extrafonts are %-% are not available then use \documenstyle[musicpln]$article %-% %-% In both cas you can add the option file bigmusic.sty which %-% enlarges LaTeX page to a big size (A4). %-% \documentstyle[musicpln,bigmusic]$article %-% %-% Here is an example: %-% \documentstyle[musictex]$article %-% \begin$document %-%\def\nbinstruments$1\relax %-%\generalmeter$\meterfrac$4$4\relax %-%\debutmorceau %-%\normal %-%\zglu\Notes\rlap$\hu j\ql h\enotes %-%\temps\Notes\hl g\enotes %-%\temps\Notes\hu k\enotes %-%\temps\Notes\ql f\enotes %-%\suspmorceau %-% \end$music %-% %-% Latex blabla %-% %-% \begin$music %-%\def\nbinstruments$1\relax %-%\generalmeter$\meterfrac$4$4\relax %-%\debutmorceau %-%\normal %-%\zglu\Notes\rlap$\hu j\ql h\enotes %-%\temps\Notes\hl g\enotes %-%\temps\Notes\hu k\enotes %-%\temps\Notes\ql f\enotes %-%\suspmorceau %-% \end$document %-% %-% Building Musictex.sty %-% %-% Two files are required to build musictex.sty from %-% the plain distribution, premusic.tex and posmusic.\TeX$. %-% Then musictex.sty is %-% the concatenation of premusic.tex+musicfnt.tex+musictex.tex+posmusic.tex %-% On unix: %-% cat premusic.tex musicfnt.tex musictex.tex posmusic.tex >musictex.sty %-% On dos: %-% copy premusic.tex+musicfnt.tex+musictex.tex+posmusic.tex musictex.sty %-% If you don't have the fonts use: %-% On unix: %-% cat premusic.tex musicpln.tex musictex.tex posmusic.tex >musicpln.sty %-% On dos: %-% copy premusic.tex+musicpln.tex+musictex.tex+posmusic.tex musicpln.sty %-% You also need the option file bigmusic.sty. %\font\eightbf=\fonthdg mbx8 \font\eightbf=cmbx8 =====end of premupln.tex===== ==== start of ls -lR of musictex =========== total 372 -rw-r--r-- 1 root ined 361 Dec 10 17:10 ALIRE -rw-r--r-- 1 root ined 0 Dec 10 17:09 Version4.31 drwxr-sr-x 2 root ined 1024 Dec 10 17:07 doc drwxr-sr-x 2 root ined 2048 Dec 10 16:44 examples drwxr-sr-x 2 root ined 512 Dec 10 17:25 inputs drwxr-sr-x 2 root ined 512 Dec 10 16:45 karlmusic drwxr-sr-x 2 root ined 2560 Dec 10 15:37 mf -rw-r--r-- 1 root ined 344628 Dec 10 16:59 notice.ps drwxr-sr-x 6 root ined 512 Dec 10 15:33 pk drwxr-sr-x 2 brouard ined 512 Dec 10 15:34 tfm musictex/doc: total 204 -rw-r--r-- 1 root ined 5276 Oct 23 10:25 creation.tex -rw------- 1 root ined 6499 Dec 10 16:40 dblecols.tex -rw-r--r-- 1 root ined 37003 Oct 23 10:25 gutenb90.tex -rw-r--r-- 1 root ined 7367 Dec 10 15:38 latex-mu.tex -rw-r--r-- 1 root ined 11663 Dec 10 16:49 marcellx.tex -rw------- 1 root ined 69203 Dec 10 16:37 notice.tex -rw-r--r-- 1 root ined 52168 Oct 23 10:26 old-notice.tex -rw-r--r-- 1 root ined 5198 Dec 10 16:48 praetorx.tex musictex/examples: total 908 -rw-r--r-- 1 108 110 1988 Nov 29 17:36 accordeo.tex -rw-r--r-- 1 108 110 13264 Nov 29 17:36 accordex.tex -rw-r--r-- 1 108 110 16406 Nov 29 17:36 adagio.tex -rw-r--r-- 1 108 110 1707 Nov 29 17:36 affconc.tex -rw-r--r-- 1 108 110 1739 Nov 29 17:36 amourspe.tex -rw-r--r-- 1 108 110 7733 Nov 29 17:36 amourspx.tex -rw-r--r-- 1 108 110 761 Nov 29 17:36 angescam.tex -rw-r--r-- 1 108 110 755 Nov 29 17:36 angescao.tex -rw-r--r-- 1 108 110 12648 Nov 29 17:36 angescax.tex -rw-r--r-- 1 108 110 1527 Nov 29 17:36 campra.tex -rw-r--r-- 1 108 110 1705 Nov 29 17:36 car_rest.tex -rw-r--r-- 1 108 110 44511 Nov 29 17:36 carillon.tex -rw-r--r-- 1 108 110 159 Nov 29 17:36 chardim.tex -rw-r--r-- 1 108 110 1891 Nov 29 17:36 choral.tex -rw-r--r-- 1 108 110 21011 Nov 29 17:36 chorala.tex -rw-r--r-- 1 108 110 6726 Nov 29 17:36 choralb.tex -rw-r--r-- 1 108 110 11641 Nov 29 17:36 concert.tex -rw-r--r-- 1 108 110 5276 Nov 29 17:36 creation.tex -rw-r--r-- 1 108 110 6499 Nov 29 17:36 dblecols.tex -rw-r--r-- 1 108 110 885 Nov 29 17:36 footnote.tex -rw-r--r-- 1 108 110 27013 Nov 29 17:36 fugue.tex -rw-r--r-- 1 108 110 11867 Apr 12 1991 genpctex.tex -rw-r--r-- 1 108 110 12537 Nov 29 17:36 gloriab.tex -rw-r--r-- 1 108 110 7407 Nov 29 17:36 glorias.tex -rw-r--r-- 1 108 110 17972 Oct 08 13:02 gongs.tex -rw-r--r-- 1 108 110 37390 Nov 29 17:36 gutenb90.tex -rw-r--r-- 1 108 110 17169 Apr 12 1991 gutransp.tex -rw-r--r-- 1 108 110 62 Nov 29 17:36 hadagim.tex -rw-r--r-- 1 108 110 239 Nov 29 17:36 hadagio.tex -rw-r--r-- 1 108 110 80 Nov 29 17:36 hcreatim.tex -rw-r--r-- 1 108 110 80 Nov 29 17:36 hcreatio.tex -rw-r--r-- 1 108 110 269 Nov 29 17:36 hfugue.tex -rw-r--r-- 1 108 110 1180 Nov 29 17:36 howtoget.tex -rw-r--r-- 1 108 110 255 Nov 29 17:36 hprelfug.tex -rw-r--r-- 1 108 110 216 Nov 29 17:36 hreves.tex -rw-r--r-- 1 108 110 292 Nov 29 17:36 hwidor.tex -rw-r--r-- 1 108 110 16468 Nov 29 17:36 hymnepas.tex -rw-r--r-- 1 108 110 3721 Nov 29 17:36 johannus.tex -rw-r--r-- 1 108 110 225 Nov 29 17:36 marcello.tex -rw-r--r-- 1 108 110 11663 Nov 29 17:36 marcellx.tex -rw-r--r-- 1 108 110 1361 Nov 29 17:36 moulinrg.tex -rw-r--r-- 1 108 110 12796 Nov 29 17:37 nlslides.tex -rw-r--r-- 1 108 110 69203 Nov 29 17:37 notice.tex -rw-r--r-- 1 108 110 276 Nov 29 17:37 nwidor.tex -rw-r--r-- 1 108 110 322 Nov 29 17:37 outmorc.tex -rw-r--r-- 1 108 110 795 Nov 29 17:37 outputlj.tex -rw-r--r-- 1 108 110 38433 Nov 29 17:37 pacifiq.tex -rw-r--r-- 1 108 110 38453 Nov 29 17:37 pacifiqb.tex -rw-r--r-- 1 108 110 38902 Nov 29 17:37 pacifiqn.tex -rw-r--r-- 1 108 110 38188 Nov 29 17:37 pacifiqp.tex -rw-r--r-- 1 108 110 736 Nov 29 17:37 praetori.tex -rw-r--r-- 1 108 110 736 Nov 29 17:37 praetorr.tex -rw-r--r-- 1 108 110 5198 Nov 29 17:37 praetorx.tex -rw-r--r-- 1 108 110 26624 Apr 12 1991 prelfug.tex -rw-r--r-- 1 108 110 27702 Nov 29 17:37 prelude.tex -rw-r--r-- 1 108 110 256 Nov 29 17:37 purcell.tex -rw-r--r-- 1 108 110 8244 Nov 29 17:37 purcellx.tex -rw-r--r-- 1 108 110 14096 Nov 29 17:37 recit.tex -rw-r--r-- 1 108 110 3479 Nov 29 17:37 recueil.tex -rw-r--r-- 1 108 110 20033 Nov 29 17:37 reves.tex -rw-r--r-- 1 108 110 248 Nov 29 17:37 sixi.tex -rw-r--r-- 1 108 110 230 Nov 29 17:37 sixrm.tex -rw-r--r-- 1 108 110 2967 Nov 29 17:37 souvenir.tex -rw-r--r-- 1 108 110 14003 Nov 29 17:37 souvenix.tex -rw-r--r-- 1 108 110 822 Nov 29 17:37 testchar.tex -rw-r--r-- 1 108 110 5275 Nov 29 17:37 testenue.tex -rw-r--r-- 1 108 110 14342 Nov 29 17:37 tierce.tex -rw-r--r-- 1 108 110 24451 Nov 29 17:37 tugpaper.tex -rw-r--r-- 1 108 110 16326 Nov 29 17:37 widor.tex musictex/inputs: total 280 -rw-r--r-- 1 root ined 688 Dec 10 15:50 Makefile -rw-r--r-- 1 root ined 499 Dec 10 15:50 bigmusic.sty -rw-r--r-- 1 root ined 7367 Dec 10 15:50 latex-mu.tex -rw-r--r-- 1 root ined 1659 Dec 10 15:50 musicadd.tex -rw-r--r-- 1 root ined 10359 Dec 10 15:50 musicnft.tex -rw-r--r-- 1 root ined 73679 Dec 10 15:50 musicpln.sty -rw-r--r-- 1 root ined 8860 Dec 10 15:50 musicpln.tex -rw-r--r-- 1 root ined 3648 Dec 10 15:50 musicsty.tex -rw-r--r-- 1 root ined 75129 Dec 10 15:50 musictex.sty -rw-r--r-- 1 root ined 62365 Dec 10 15:50 musictex.tex -rw-r--r-- 1 root ined 3225 Dec 10 15:50 musicvbm.tex -rw-r--r-- 1 root ined 250 Dec 10 17:25 posmusic.tex -rw-r--r-- 1 root ined 2256 Dec 10 15:50 premupln.tex -rw-r--r-- 1 root ined 2207 Dec 10 15:50 premusic.tex musictex/karlmusic: total 36 -rw------- 1 108 110 1140 Aug 19 13:32 2a.tex -rw------- 1 108 110 1233 Aug 19 13:32 2b.tex -rw------- 1 108 110 4075 Aug 19 13:32 5.tex -rw------- 1 108 110 3115 Aug 19 13:32 README -rw------- 1 108 110 4065 Aug 19 13:32 karlmusic.tex -rw------- 1 108 110 9782 Aug 19 13:32 mtex.diff -rw------- 1 108 110 3844 Aug 19 13:32 mtexfont.diff musictex/mf: total 184 -rwxr-xr-x 1 root ined 638 Dec 10 15:36 Install.sh -rwxr-xr-x 1 108 110 224 Nov 06 10:34 Makefonts -rwxr-xr-x 1 108 110 220 Nov 06 10:31 Makefonts.~1~ -rw------- 1 108 110 61 Nov 29 17:38 beamd20.mf -rw------- 1 108 110 62 Nov 29 17:38 beamn16.mf -rw------- 1 108 110 91 Nov 29 17:38 beamn20.mf -rw------- 1 108 110 2012 Nov 29 17:38 beamngen.mf -rw------- 1 108 110 61 Nov 29 17:38 beamq20.mf -rw------- 1 108 110 61 Nov 29 17:38 beamt20.mf -rw------- 1 108 110 61 Nov 29 17:38 beamv20.mf -rw------- 1 root 110 833 Dec 10 15:10 musicd16.mf -rw------- 1 108 110 831 Nov 29 17:38 musicd16.mf~ -rw------- 1 root 110 802 Dec 10 15:10 musicd20.mf -rw------- 1 108 110 1495 Nov 29 17:38 musicdef.mf -rw------- 1 108 110 41001 Nov 29 17:38 musicg16.mf -rw------- 1 108 110 37982 Nov 29 17:38 musicgen.mf -rw------- 1 108 110 152 Nov 29 17:38 musicn16.mf -rw------- 1 108 110 152 Nov 29 17:38 musicn20.mf -rw------- 1 108 110 6475 Nov 29 17:38 slur16.mf -rw------- 1 108 110 1366 Nov 29 17:38 slurdd16.mf -rw------- 1 108 110 1366 Nov 29 17:38 slurdu16.mf -rw------- 1 108 110 3511 Nov 29 17:38 slurgen.mf -rw------- 1 108 110 30 Nov 29 17:38 slurn16.mf -rw------- 1 108 110 30 Nov 29 17:38 slurn20.mf -rw------- 1 108 110 1363 Nov 29 17:38 slurud16.mf -rw------- 1 108 110 1265 Nov 29 17:38 sluruu16.mf musictex/pk: total 16 drwxr-sr-x 2 root 110 512 Dec 10 15:33 dpi100 drwxr-sr-x 2 root 110 512 Dec 10 15:33 dpi118 drwxr-sr-x 2 root 110 512 Dec 10 15:33 dpi240 drwxr-sr-x 2 root 110 512 Dec 10 15:33 dpi300 musictex/pk/dpi100: total 60 -rw-r--r-- 1 root 110 3220 Dec 10 15:14 beamn16.100pk -rw-r--r-- 1 root 110 3472 Dec 10 15:14 beamn20.100pk -rw-r--r-- 1 root 110 3124 Dec 10 15:14 musicn16.100pk -rw-r--r-- 1 root 110 3836 Dec 10 15:14 musicn20.100pk -rw-r--r-- 1 root 110 3572 Dec 10 15:15 slur16.100pk -rw-r--r-- 1 root 110 5180 Dec 10 15:15 slurdd16.100pk -rw-r--r-- 1 root 110 5180 Dec 10 15:15 slurdu16.100pk -rw-r--r-- 1 root 110 2704 Dec 10 15:15 slurn16.100pk -rw-r--r-- 1 root 110 3220 Dec 10 15:15 slurn20.100pk -rw-r--r-- 1 root 110 5248 Dec 10 15:15 slurud16.100pk -rw-r--r-- 1 root 110 5200 Dec 10 15:16 sluruu16.100pk musictex/pk/dpi118: total 64 -rw-r--r-- 1 root 110 3788 Dec 10 15:16 beamn16.118pk -rw-r--r-- 1 root 110 3880 Dec 10 15:16 beamn20.118pk -rw-r--r-- 1 root 110 3700 Dec 10 15:16 musicn16.118pk -rw-r--r-- 1 root 110 4348 Dec 10 15:17 musicn20.118pk -rw-r--r-- 1 root 110 3948 Dec 10 15:17 slur16.118pk -rw-r--r-- 1 root 110 6008 Dec 10 15:17 slurdd16.118pk -rw-r--r-- 1 root 110 6008 Dec 10 15:17 slurdu16.118pk -rw-r--r-- 1 root 110 3064 Dec 10 15:17 slurn16.118pk -rw-r--r-- 1 root 110 3628 Dec 10 15:17 slurn20.118pk -rw-r--r-- 1 root 110 6112 Dec 10 15:18 slurud16.118pk -rw-r--r-- 1 root 110 6040 Dec 10 15:18 sluruu16.118pk musictex/pk/dpi240: total 108 -rw-r--r-- 1 root 110 6192 Dec 10 15:18 beamn16.240pk -rw-r--r-- 1 root 110 6440 Dec 10 15:18 beamn20.240pk -rw-r--r-- 1 root 110 6584 Dec 10 15:18 musicn16.240pk -rw-r--r-- 1 root 110 8360 Dec 10 15:19 musicn20.240pk -rw-r--r-- 1 root 110 6980 Dec 10 15:19 slur16.240pk -rw-r--r-- 1 root 110 11732 Dec 10 15:19 slurdd16.240pk -rw-r--r-- 1 root 110 11732 Dec 10 15:19 slurdu16.240pk -rw-r--r-- 1 root 110 5272 Dec 10 15:19 slurn16.240pk -rw-r--r-- 1 root 110 6632 Dec 10 15:19 slurn20.240pk -rw-r--r-- 1 root 110 11676 Dec 10 15:20 slurud16.240pk -rw-r--r-- 1 root 110 11540 Dec 10 15:20 sluruu16.240pk musictex/pk/dpi300: total 156 -rw-r--r-- 1 root 110 8668 Dec 10 15:20 beamn16.300pk -rw-r--r-- 1 root 110 8876 Dec 10 15:20 beamn20.300pk -rw-r--r-- 1 root 110 8888 Dec 10 15:20 musicn16.300pk -rw-r--r-- 1 root 110 11392 Dec 10 15:21 musicn20.300pk -rw-r--r-- 1 root 110 9736 Dec 10 15:21 slur16.300pk -rw-r--r-- 1 root 110 16684 Dec 10 15:21 slurdd16.300pk -rw-r--r-- 1 root 110 16684 Dec 10 15:21 slurdu16.300pk -rw-r--r-- 1 root 110 7116 Dec 10 15:22 slurn16.300pk -rw-r--r-- 1 root 110 9068 Dec 10 15:22 slurn20.300pk -rw-r--r-- 1 root 110 16560 Dec 10 15:22 slurud16.300pk -rw-r--r-- 1 root 110 16280 Dec 10 15:22 sluruu16.300pk musictex/tfm: total 44 -rw-r--r-- 1 root 110 772 Dec 10 15:20 beamn16.tfm -rw-r--r-- 1 root 110 772 Dec 10 15:20 beamn20.tfm -rw-r--r-- 1 root 110 820 Dec 10 15:20 musicn16.tfm -rw-r--r-- 1 root 110 820 Dec 10 15:21 musicn20.tfm -rw-r--r-- 1 root 110 772 Dec 10 15:21 slur16.tfm -rw-r--r-- 1 root 110 724 Dec 10 15:21 slurdd16.tfm -rw-r--r-- 1 root 110 724 Dec 10 15:21 slurdu16.tfm -rw-r--r-- 1 root 110 708 Dec 10 15:22 slurn16.tfm -rw-r--r-- 1 root 110 708 Dec 10 15:22 slurn20.tfm -rw-r--r-- 1 root 110 724 Dec 10 15:22 slurud16.tfm -rw-r--r-- 1 root 110 724 Dec 10 15:22 sluruu16.tfm From bobb@agora.rain.com Wed Dec 11 01:01:10 1991 Return-Path: Received: from percy.rain.com by stolaf.edu (4.1/SMI-4.1) id AA00336; Wed, 11 Dec 91 01:01:10 CST Received: by percy.rain.com (/\==/\ Smail3.1.24.1 #24.2) id ; Tue, 10 Dec 91 14:56 WET Received: by agora.rain.com (/\==/\ Smail3.1.21.1 #21.6) id ; Tue, 10 Dec 91 22:59 PST Message-Id: Date: Tue, 10 Dec 91 22:59 PST From: bobb@agora.rain.com (Bob Beauchemin) To: mutex@stolaf.edu Subject: Music in books using MusicTeX Thanks for the suggestions on music in books using TeX! Received the letter and Latex macros for MusicTeX. This may be just the thing to convince my friends to typeset their book on Music by using TeX (they don't even have TeX itself yet, and I've only been using it for a few weeks). What they want to do is use music riffs as others use mathematical formulas in their books. For example: -------------------------Sample page --------------------------------------- Some narrative about musical constructs.....and here is an example of a certain musical construct: ------------------------------------------------------------------ ------------------------------------------------------------------ -----------------------Small example of music--------------------- ------------------------------------------------------------------ ------------------------------------------------------------------ as you can see by the above riff....(their point).................Next came the composer called....etc etc.. more narrative. The style files to use MusicTeX with Latex should be a BIG help! Thanks again. Bob Beauchemin S&B Software, Inc 6503 SW 46th Place Portland OR, 97221 (503)-244-5029 bobb@agora.rain.com From icking@gmdzi.gmd.de Thu Dec 12 09:06:23 1991 Return-Path: Received: from mail.Germany.EU.net ([192.76.144.65]) by stolaf.edu (4.1/SMI-4.1) id AA12573; Thu, 12 Dec 91 09:06:23 CST Received: from gmdzi.gmd.de by mail.Germany.EU.net with SMTP (5.65+/UNIDO-2.1.0.a) via EUnet for stolaf.edu id AA02852; Thu, 12 Dec 91 16:01:38 +0100 Received: by gmdzi.gmd.de id AA06861; Thu, 12 Dec 91 15:46:11 -0100 Date: Thu, 12 Dec 91 15:46:11 -0100 From: Werner Icking Message-Id: <9112121446.AA06861@gmdzi.gmd.de> To: mutex@stolaf.edu Subject: Mu(sic)TeX fonts When I installed the MusicTeX **AND** the MuTeX fonts on a Un*x system I had several problems, but I could solve them. I'm not sure whether my solution is a good solution - it works. There are Metafont sources from MuTeX: acc16.mf musicdef.mf slur16.mf slurud16.mf vio16.mf beam16.mf noten16.mf slurdd16.mf sluruu16.mf music16.mf pause16.mf slurdu16.mf sonder16.mf and from MusicTeX: beamd20.mf beamt20.mf musicd20.mf musicn20.mf slurn16.mf beamn16.mf beamv20.mf musicdef.mf slur16.mf slurn20.mf beamn20.mf local.mf musicg16.mf slurdd16.mf slurud16.mf beamngen.mf modes.mf musicgen.mf slurdu16.mf sluruu16.mf beamq20.mf musicd16.mf musicn16.mf slurgen.mf Some other netter proposed already that it is advisable to comment out the two lines in local.mf (%) and to make the mode-definition outside of these files when calling Metafont. And do not take modes.mf if you already have a "better" one. Otherwise it may be that you have to merge modes.mf of MusicTeX and modes.mf you already have. I had to keep all the sources in the same directory so I had the problem of duplicate names. My solution was to prefer the MusicTeX-definitions. But then music16 of MuTeX was unusable; the flags were too big for the eights and completely black for 16th, ... This disappeared when I changed the MuTeX music16.mf to refer to musicd16.mf instead of musicdef.mf. Now everything works well on the Un*x system (and quick on my MSDOS PC :-) Werner -- Werner Icking icking@gmdzi.gmd.de (+49 2241) 14-2443 GMD - Gesellschaft fuer Mathematik und Datenverarbeitung mbH Schloss Birlinghoven, P.O.Box 1316, D-5205 Sankt Augustin 1, Germany "Der Dativ ist dem Genitiv sein Tod." From @CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET Fri Dec 13 08:25:42 1991 Return-Path: <@CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA19908; Fri, 13 Dec 91 08:25:42 CST Message-Id: <9112131425.AA19908@stolaf.edu> Received: from FRUPS51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 5289; Fri, 13 Dec 91 09:22:19 EST Date: 13 DEC 91 15:27:04.22-GMT From: TAUPIN%FRUPS51.bitnet@CUNYVM.CUNY.EDU Subject: MetaFONT et modes To: MUTEX@stolaf.edu (in englis because sent also to MuTeX@stolaf.edu) Everybody tells me that I should use modes.mf to generate musicTeX fonts (and every other new font) but I workd hard to find that I was not able to introduce mode in the MF command. The answer is that you have to run MF /i plain.ini where plain.ini contains "input modes.mf" (mine contained "input local.mf" and then copy into \emtex\mfbases the resuklting file "plain.bas". This is absolutely obvious for anybody, but so obvious that it is not documented in the Metafont book and that nobody told it. Now you know that I know that you did not tell me what I should know... From @UICVM.uic.edu:wagner@dcc.unicamp.ansp.br Fri Dec 13 14:26:50 1991 Return-Path: <@UICVM.uic.edu:wagner@dcc.unicamp.ansp.br> Received: from UICVM.uic.edu by stolaf.edu (4.1/SMI-4.1) id AA24138; Fri, 13 Dec 91 14:26:50 CST Received: from brfapesp.bitnet by UICVM.uic.edu (IBM VM SMTP V2R1) with BSMTP id 9091; Fri, 13 Dec 91 14:26:42 CST Received: from ccvax.unicamp.ansp.br by brfapesp.bitnet with PMDF#10108; Fri, 13 Dec 1991 18:25 -0200(C) Received: from dcc.unicamp.ansp.br by ccvax.unicamp.ansp.br (PMDF #12245) id <01GE2F289GHO934Q3J@ccvax.unicamp.ansp.br>; Fri, 13 Dec 1991 13:57 GMT-0300 Date: Fri, 13 Dec 91 13:35:47 EDT From: wagner%dcc.unicamp.ansp.br@UICVM.uic.edu (Wagner Ikeda) Subject: availability of MuTeX and MusicTeX To: mutex@stolaf.edu Message-Id: <01GE2F289GHO934Q3J@ccvax.unicamp.ansp.br> X-Envelope-To: mutex@stolaf.edu Hi there! Can anyone tell me if these packages are available thru anon. FTP? Which sites? Or else, how can I get these packs? Thank you Wagner Ikeda wagner@dcc.unicamp.ansp.br From ORLANDINI@HEAVAX.GSFC.NASA.GOV Tue Dec 17 17:45:42 1991 Return-Path: Received: from HEAVAX.GSFC.NASA.GOV by stolaf.edu (4.1/SMI-4.1) id AA27729; Tue, 17 Dec 91 17:45:42 CST Date: Tue, 17 Dec 1991 18:46:51 EST From: ORLANDINI@HEAVAX.GSFC.NASA.GOV (M.Orlandini - NASA/GSFC. Tel (301) 286 1128) Message-Id: <911217184651.21001fab@HEAVAX.GSFC.NASA.GOV> Subject: Print of MusicTeX notice.tex on american size paper To: mutex@stolaf.edu X-Vmsmail-To: SMTP%"mutex@stolaf.edu" Is there a simple way to print the notice.tex file of the MusicTeX package on american size paper? The author wrote all the output macros for the european A4 paper, therefore I am not able to print the file. Thank you ---Mauro From vera@prodnet.la.locus.com Tue Dec 17 22:49:56 1991 Return-Path: Received: from relay2.UU.NET by stolaf.edu (4.1/SMI-4.1) id AA29185; Tue, 17 Dec 91 22:49:56 CST Received: from uunet.uu.net (via LOCALHOST.UU.NET) by relay2.UU.NET with SMTP (5.61/UUNET-internet-primary) id AA13367; Tue, 17 Dec 91 23:50:09 -0500 Received: from lcc.UUCP by uunet.uu.net with UUCP/RMAIL (queueing-rmail) id 234920.20209; Tue, 17 Dec 1991 23:49:20 EST Received: by orchard.locus.com (5.61-AIX-1.2/2.29 ) from roulette.la.locus.com with SMTP (from vera@prodnet.la.locus.com/vera@prodnet.la.locus.com) id AA25617 for cs.utexas.edu!ames!heavax.gsfc.nasa.gov!ORLANDINI; Tue, 17 Dec 91 20:44:38 -0800 Received: by prodnet.la.locus.com (5.61-AIX-1.2/0.07d) id AA265280 for mutex@stolaf.edu; Tue, 17 Dec 91 20:43:54 -0800 Date: Tue, 17 Dec 91 20:43:54 -0800 From: William Vera Message-Id: <9112180443.AA265280@prodnet.la.locus.com> To: ORLANDINI@HEAVAX.GSFC.NASA.GOV (M.Orlandini - NASA/GSFC. Tel (301) 286 1128) Cc: mutex@stolaf.edu Subject: Re: Print of MusicTeX notice.tex on american size paper In-Reply-To: Message of Tue, 17 Dec 1991 18:46:51 EST from "ORLANDINI@HEAVAX.GSFC.NASA.GOV (M.Orlandini - NASA/GSFC. Tel (301) 286 1128)" <911217184651.21001fab@HEAVAX.GSFC.NASA.GOV> Fcc: ------- > Is there a simple way to print the notice.tex file of the MusicTeX package > on american size paper? The author wrote all the output macros for the > european A4 paper, therefore I am not able to print the file. > Thank you > ---Mauro Just produce a "notice.ps" file with 'dvi2ps' and change line #56 from: 310 -3005 translate % move origin to top to: 150 -3250 translate % move origin to (American) top .then just send it to the postscript printer. - William Vera Locus Computing Corp. Inglewood, CA - USA vera@locus.com From deflorio@minsky.csata.it Wed Dec 18 04:41:11 1991 Return-Path: Received: from minsky.csata.it by stolaf.edu (4.1/SMI-4.1) id AA00461; Wed, 18 Dec 91 04:41:11 CST Message-Id: <9112181041.AA00461@stolaf.edu> Received: by minsky.csata.it (16.6/16.2) id AA06112; Wed, 18 Dec 91 11:19:04 +0100 From: Enzo De Florio Subject: legati in MusicTeX To: mutex@stolaf.edu Date: Wed, 18 Dec 91 11:19:03 MET Mailer: Elm [revision: 66.25] Dear Sirs, I would like any idea about creating real legati signs for MusicTeX. The macros \itenu, \itenl and \ileg don't seem to me to be enough for this job. I think (and propose to you) the following: we could create some sort of "bezier style curves", (see `the METAFONTbook' for more details), specifying their points by inserting in the source lines like \zcharnote x{\firstpoint} \zcharnote x{\secondpoint} and so on, and then starting the drawing with another macro, say \legato. The main problem is that I'm not able to do that... any volunteer? Thanks for the attenction, - Vincenzo De Florio deflorio@minsky.csata.it From robin.fairbairns@lsl.co.uk Wed Dec 18 06:51:40 1991 Return-Path: Received: from eros.uknet.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA00613; Wed, 18 Dec 91 06:51:40 CST Received: from lsl.co.uk by eros.uknet.ac.uk via PSS with NIFTP (PP) id <16041-0@eros.uknet.ac.uk>; Wed, 18 Dec 1991 12:51:40 +0000 Received: by lsl.co.uk (MX V2.3-1) id 4521; Wed, 18 Dec 1991 12:49:35 +0100 Date: Wed, 18 Dec 1991 12:49:35 +0100 From: Robin Fairbairns To: mutex@stolaf.edu Message-Id: <009534C0.B27401C0.4521@lsl.co.uk> Subject: Re: legati in MusicTeX In article <9112181041.AA00461@stolaf.edu>, Enzo De Florio writes: > I would like any idea about creating real legati signs for MusicTeX. > The macros \itenu, \itenl and \ileg don't seem to me to be enough for > this job. I agree. However, Daniel Taupin's announcement of the latest MusicTeX did mention that he was thinking about improving ties and legati. The earlier MuTeX did the job better, but Daniel lost the German work in his development of multi-staff music. > I think (and propose to you) the following: > we could create some sort of "bezier style curves", (see `the METAFONTbook' > for more details), specifying their points by inserting in the source > lines like > \zcharnote x{\firstpoint} > \zcharnote x{\secondpoint} > and so on, and then starting the drawing with another macro, say \legato. > The main problem is that I'm not able to do that... any volunteer? I don't think that one can in fact do the job as simply as you suggest. I can see two possible routes to do the job: 1) Retrieve the MuTeX work. Advantage: known working, general solution; Daniel's already working on it. Disadvantage: there was probably a reason that the MuTeX capability was lost in the first place, so Daniel's work on it will presumably take some time... 2) Using PostScript functions. Advantage: I think I can see how to do it (at least excepting over line breaks... ;-). Disadvantage: yukky way of doing the job (like the languages I used to use in the 60s that enabled you to drop into assembler for anything difficult); not a general solution (only works for those, like me, who print on a PostScript printer). In fact, I proposed a more general PostScript-based crescendo/ decrescendo sign to Daniel some time back. He didn't explicitly respond, but the next version of MusicTeX he released contained the present expanded range of such signs (done in Metafont, which I _still_ don't like, but _still_ haven't got round to replacing...). One presumes, therefore, that he doesn't like PostScript solutions: not unreasonable, since the evidence of his (one-time) device-specific Metafont code was that he didn't have a PostScript printer. -- Robin Fairbairns, Senior Consultant, postmaster and general dogsbody Laser-Scan Ltd., Science Park, Milton Rd., Cambridge CB4 4FY, UK Email: robin@lsl.co.uk --or-- rf@cl.cam.ac.uk From @CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET Wed Dec 18 10:03:36 1991 Return-Path: <@CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA01299; Wed, 18 Dec 91 10:03:36 CST Message-Id: <9112181603.AA01299@stolaf.edu> Received: from FRUPS51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 9130; Wed, 18 Dec 91 10:59:54 EST Date: 18 DEC 91 16:58:36.03-GMT From: TAUPIN%FRUPS51.bitnet@CUNYVM.CUNY.EDU Subject: Slurs = legati = tenuti = Bogen = ties = tenues To: MUTEX@stolaf.edu Please, don't shoot the pianist, his is doing his best. I'm conscious this is an serious aesthetic problem. But extremely difficult in the general case, because it is impossible to find the horizontal distance between two notes when there is glue interleaved bu TeX inbetween. Ad if I inhibit glue when a slur is pending, then things will get awfully ugly. So, what I shall provide will be a facility of having short range slurs and ties (of the same order as the beam lengths). And, in case of emergency, you can still use zcharnote to set some character where you like: \font\slurx=slurn20 \zcharnote r¤\slurx\char 117‡ D. Taupin .. All the possible is done, the impossible is being done, for miracles I ask for some delay. From @UICVM.uic.edu:wagner@dcc.unicamp.ansp.br Fri Dec 20 08:52:03 1991 Return-Path: <@UICVM.uic.edu:wagner@dcc.unicamp.ansp.br> Received: from UICVM.uic.edu by stolaf.edu (4.1/SMI-4.1) id AA19848; Fri, 20 Dec 91 08:52:03 CST Received: from brfapesp.bitnet by UICVM.uic.edu (IBM VM SMTP V2R1) with BSMTP id 8669; Fri, 20 Dec 91 08:51:50 CST Received: from ccvax.unicamp.ansp.br by brfapesp.bitnet with PMDF#10108; Fri, 20 Dec 1991 12:50 -0200(C) Received: from dcc.unicamp.ansp.br by ccvax.unicamp.ansp.br (PMDF #12245) id <01GEC4B8RME295N58W@ccvax.unicamp.ansp.br>; Fri, 20 Dec 1991 12:36 GMT-0300 Date: Thu, 19 Dec 91 17:59:44 EDT From: wagner%dcc.unicamp.ansp.br@UICVM.uic.edu (Wagner Ikeda) Subject: I can't get mutex (help please) To: mutex@stolaf.edu Message-Id: <01GEC4B8RME295N58W@ccvax.unicamp.ansp.br> X-Envelope-To: mutex@stolaf.edu Our internet connection always had some problems. Now due to an overload in the line, ftp services are no longer available. I don't know any ftp server (thru mail) that can distribute mutex. Can someone contact me if you do know. And as a last hope (if there's no ftp server supporting mutex), is there anyone who can send me thru mail (tar+compress+uuencode+split). Please are there any volunteers? If you decide to help me, first please ask me if nobody had the job yet, OK? I'm so sorry if I offend someone. Thanks for any help and for reading this, Wagner Ikeda wagner@dcc.unicamp.ansp.br From piet@cs.ruu.nl Fri Dec 20 09:40:18 1991 Return-Path: Received: from ruuinf.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA21531; Fri, 20 Dec 91 09:40:18 CST Received: from gnu.cs.ruu.nl by ruuinf.cs.ruu.nl with SMTP (5.61+/IDA-1.2.8) id AA12947; Fri, 20 Dec 91 16:39:50 +0100 Received: by alchemy.cs.ruu.nl (15.11/15.6) id AA19702; Fri, 20 Dec 91 16:40:01 -0100 Date: Fri, 20 Dec 91 16:40:01 -0100 From: Piet van Oostrum Message-Id: <9112201540.AA19702@alchemy.cs.ruu.nl> To: wagner%dcc.unicamp.ansp.br@UICVM.uic.edu (Wagner Ikeda) Cc: mutex@stolaf.edu Subject: Re: I can't get mutex (help please) References: <01GEC4B8RME295N58W@ccvax.unicamp.ansp.br> We have both MuTeX (the German one) and musictex (the French one) available by mail server. Note: musictex.tar.Z and musictex.zip contain about the same info (except that musictex.zip contains gf files that you don't need and musictex.tar.Z contain Karl Berry's macros). Please choose one of them. MuTeXfonts.tar.Z contains pk files that you can generate yourself if you have Metafont. How to get musictex.tar.Z, musictex.zip, MuTeX.tar.Z and MuTeXfonts.tar.Z from the archive at Dept. of Computer Science, Utrecht University: NOTE: In the following I have assumed your mail address is john@highbrow.edu. Of course you must substitute your own address for this. This should be a valid internet or uucp address. For bitnet users name@host.BITNET usually works. by FTP: (please restrict access to weekends or evening/night (i.e. between about 20.00 and 0900 UTC). ftp archive.cs.ruu.nl [131.211.80.5] user name: anonymous or ftp password: your own email address (e.g. john@highbrow.edu) Don't forget to set binary mode if the file is a tar/arc/zoo archive, compressed or in any other way contains binary data. get TEX/musictex.tar.Z get TEX/musictex.zip get TEX/MuTeX.tar.Z get TEX/MuTeXfonts.tar.Z by mail-server: send the following message to mail-server@cs.ruu.nl (or uunet!mcsun!hp4nl!ruuinf!mail-server): begin path john@highbrow.edu (PLEASE SUBSTITUTE *YOUR* ADDRESS) send TEX/musictex.tar.Z send TEX/musictex.zip send TEX/MuTeX.tar.Z send TEX/MuTeXfonts.tar.Z end NOTE: *** PLEASE USE VALID INTERNET ADDRESSES IF POSSIBLE. DO NOT USE ADDRESSES WITH ! and @ MIXED !!!! BITNETTERS USE USER@HOST.BITNET *** The path command can be deleted if we receive a valid from address in your message. If this is the first time you use our mail server, we suggest you first issue the request: send HELP -- Piet* van Oostrum, Dept of Computer Science, Utrecht University, Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 531806 Uucp: uunet!mcsun!ruuinf!piet Telefax: +31 30 513791 Internet: piet@cs.ruu.nl (*`Pete') From @CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET Sun Dec 22 11:51:11 1991 Return-Path: <@CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA26629; Sun, 22 Dec 91 11:51:11 CST Message-Id: <9112221751.AA26629@stolaf.edu> Received: from FRUPS51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 8756; Sun, 22 Dec 91 12:51:12 EST Date: 22 DEC 91 18:52:54.90-GMT From: TAUPIN%FRUPS51.bitnet@CUNYVM.CUNY.EDU Subject: MusicTeX fonts : a little bug To: MUTEX@stolaf.edu The quarter rest (= soupir = Viertelpause) becomes incorrect at little sizes in the musicn20 and musicn16 fonts. This happens in musicn16 and also in musicn20 scaled 800 and probably smaller. This is due to a "strange path" not diagnosed by metafont. So look in musicgen.mf, character 62: the penpos7 shoul have an angle of 45 degrees instead of 10. Corrected fonts will be posted in a few days... From @CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET Mon Dec 23 09:39:20 1991 Return-Path: <@CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA28078; Mon, 23 Dec 91 09:39:20 CST Message-Id: <9112231539.AA28078@stolaf.edu> Received: from FRUPS51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 6583; Mon, 23 Dec 91 10:39:21 EST Date: 23 DEC 91 16:41:01.67-GMT From: TAUPIN%FRUPS51.bitnet@CUNYVM.CUNY.EDU Subject: MusicTeX fonts corrected To: MUTEX@stolaf.edu Slight corrections in musictex.tex, examples and fonts now posted at rsovax.ups.circe.fr (130.84.128.100) Note the .ups. between "rsovax" and "circe.fr". The old name will work for a while but not in s\ae cula s\ae culorum... (the rest not either...) From @CUNYVM.CUNY.EDU:KOZUSKO@CSEARN.BITNET Thu Dec 26 16:55:30 1991 Return-Path: <@CUNYVM.CUNY.EDU:KOZUSKO@CSEARN.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA05916; Thu, 26 Dec 91 16:55:30 CST Message-Id: <9112262255.AA05916@stolaf.edu> Received: from earn.puni.cs by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 8342; Thu, 26 Dec 91 17:55:21 EST Received: from CSEARN (KOZUSKO) by earn.puni.cs (Mailer R2.07) with BSMTP id 0069; Thu, 26 Dec 91 23:14:04 MDT Date: Thu, 26 Dec 91 23:13:26 MDT From: Petr Novotny Subject: Problems with MusicTeX fonts To: MusicTeX discussion list Hello everybody! I was just making fonts for MusicTeX when I got this error message: >This is METAFONT, Version 2.0 [3a] (preloaded base=plain 91.12.23) 26 DEC 1991 >**&plain \mode=lqlores; mag=1; input musicn16 >(\emtex\mfinput\musicn16.mf (\emtex\mfinput\musicd16.mf >(\emtex\mfinput\modes.mf) (\emtex\mfinput\local.mf)) >(\emtex\mfinput\musicgen.mf [16] [17] [18] [19] [20] [21] [22] [23] [24] >[25] [26] [27] [28] [29] [30] [31] [32] [33] [34] [35] [36] [37] [38] [39] >[40] [41] [42] [43] [44] [45] [46] [47] [48] [49] [50] [51] [52] [53] [54] >[55] [56] [57] [58] [59] [60] [61] [62] [63] [64] [65] [66] [67] [68] [69] >[70] [71] [72] [73] [74] [75] [76] [77] [78] [79] [80] [81] [82] [83] [84] >[85] [86] [87] [88] [89] [90] [91] [92] [93] [94] [95] [96] [97] [98] [99] >[100] [101] [102] [103] [104] [105] [106] [107] [108] [109] > > 0 ESE 1 SSE 2 SSW WSW 4 (WNW NNW NNE) ENE NNE 5 NNW 6 7 (WNW WSW) SSW 0 (SSE >! Strange path (turning number is zero). > > ; >flagshape->...)+2]e{down}..intersectionp); > else:penstrike(counterclock... >cflag->...,flagthick,flagthin,0,0,(EXPR0)) > ; >l.1184 cflag(1) > ; >The path doesn't have a counterclockwise orientation, >so I'll probably have trouble drawing it. >(See Chapter 27 of The METAFONTbook for more help.) > >[110] [111] [112] [113] [114] [115] [116] [117] [118] [119] [120] [121] >[122] [123] [124] [125] [126]) ) >(some charht values had to be adjusted by as much as 0.65002pt) >Font metrics written on musicn16.tfm. >Output written on musicn16.180gf (111 characters, 10964 bytes). What does it mean? I've tried to change the angle 10 to 45 in MUSICGEN.MF, but it didn't help. +--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--+ Petr Novotny BITNET: KOZUSKO@CSEARN Prague Tel (voice): (42-2) 8550778 Czechoslovakia "Naur an edraith ammen! Naur dan i ngaurhoth!" +--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--+ From @CUNYVM.CUNY.EDU:KOZUSKO@CSEARN.BITNET Thu Dec 26 18:51:51 1991 Return-Path: <@CUNYVM.CUNY.EDU:KOZUSKO@CSEARN.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA06053; Thu, 26 Dec 91 18:51:51 CST Message-Id: <9112270051.AA06053@stolaf.edu> Received: from earn.puni.cs by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 8679; Thu, 26 Dec 91 19:51:41 EST Received: from CSEARN (KOZUSKO) by earn.puni.cs (Mailer R2.07) with BSMTP id 0449; Fri, 27 Dec 91 01:44:51 MDT Date: Fri, 27 Dec 91 01:44:15 MDT From: Petr Novotny Subject: Problems with MusicTeX fonts To: MusicTeX discussion list Hello everybody! I was just making fonts for MusicTeX when I got this error message: >This is METAFONT, Version 2.0 [3a] (preloaded base=plain 91.12.23) 26 DEC 1991 >**&plain \mode=lqlores; mag=1; input musicn16 >(\emtex\mfinput\musicn16.mf (\emtex\mfinput\musicd16.mf >(\emtex\mfinput\modes.mf) (\emtex\mfinput\local.mf)) >(\emtex\mfinput\musicgen.mf [16] [17] [18] [19] [20] [21] [22] [23] [24] >[25] [26] [27] [28] [29] [30] [31] [32] [33] [34] [35] [36] [37] [38] [39] >[40] [41] [42] [43] [44] [45] [46] [47] [48] [49] [50] [51] [52] [53] [54] >[55] [56] [57] [58] [59] [60] [61] [62] [63] [64] [65] [66] [67] [68] [69] >[70] [71] [72] [73] [74] [75] [76] [77] [78] [79] [80] [81] [82] [83] [84] >[85] [86] [87] [88] [89] [90] [91] [92] [93] [94] [95] [96] [97] [98] [99] >[100] [101] [102] [103] [104] [105] [106] [107] [108] [109] > > 0 ESE 1 SSE 2 SSW WSW 4 (WNW NNW NNE) ENE NNE 5 NNW 6 7 (WNW WSW) SSW 0 (SSE >! Strange path (turning number is zero). > > ; >flagshape->...)+2]e{down}..intersectionp); > else:penstrike(counterclock... >cflag->...,flagthick,flagthin,0,0,(EXPR0)) > ; >l.1184 cflag(1) > ; >The path doesn't have a counterclockwise orientation, >so I'll probably have trouble drawing it. >(See Chapter 27 of The METAFONTbook for more help.) > >[110] [111] [112] [113] [114] [115] [116] [117] [118] [119] [120] [121] >[122] [123] [124] [125] [126]) ) >(some charht values had to be adjusted by as much as 0.65002pt) >Font metrics written on musicn16.tfm. >Output written on musicn16.180gf (111 characters, 10964 bytes). What does it mean? I've tried to change the angle 10 to 45 in MUSICGEN.MF, but it didn't help. +--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--+ Petr Novotny BITNET: KOZUSKO@CSEARN Prague Tel (voice): (42-2) 8550778 Czechoslovakia "Naur an edraith ammen! Naur dan i ngaurhoth!" +--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--+ From @CUNYVM.CUNY.EDU:KOZUSKO@CSEARN.BITNET Thu Dec 26 18:53:06 1991 Return-Path: <@CUNYVM.CUNY.EDU:KOZUSKO@CSEARN.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA06063; Thu, 26 Dec 91 18:53:06 CST Message-Id: <9112270053.AA06063@stolaf.edu> Received: from earn.puni.cs by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 8693; Thu, 26 Dec 91 19:52:59 EST Received: from CSEARN (KOZUSKO) by earn.puni.cs (Mailer R2.07) with BSMTP id 0459; Fri, 27 Dec 91 01:54:02 MDT Date: Fri, 27 Dec 91 01:51:21 MDT From: Petr Novotny Subject: Sorry To: MusicTeX discussion list It seems that system here got a bit lost and sent my file to the list again instead of receiving it. I'm very sorry. +--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--+ Petr Novotny BITNET: KOZUSKO@CSEARN Prague Tel (voice): (42-2) 8550778 Czechoslovakia "Naur an edraith ammen! Naur dan i ngaurhoth!" +--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--+ From @CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET Thu Jan 2 10:50:14 1992 Return-Path: <@CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA28247; Thu, 2 Jan 92 10:50:14 CST Message-Id: <9201021650.AA28247@stolaf.edu> Received: from FRUPS51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R2) with BSMTP id 7858; Thu, 02 Jan 92 11:50:12 EST Date: 2 JAN 92 17:52:07.46-GMT From: TAUPIN%FRUPS51.bitnet@CUNYVM.CUNY.EDU Subject: rsovax.circe.fr To: MUTEX@stolaf.edu On vient de changer la liaison SNA-link a 9600 morceaux par seconde et de la remplacer par une fibre optique. Ceux qui veulent acceder aux version originales de MusicTeX, de FTAx, etc. sont invites a tester, et me dire si c'est plus rapide... et si ca marche. The SNA-link between rsovax.circe.fr (now rsovax.ups.circe.fr) has been replaced with a brand new optic fiber link. The throughput is thus no more limited to 9600 bits/sec but or the order of 30kbytes/second. Please try it and tell me whether it works, and whether it is faster. Thanks and happy new year... D. Taupin From dgold@basso.actrix.gen.nz Mon Jan 6 21:14:47 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA01555; Mon, 6 Jan 92 21:14:47 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Tue, 7 Jan 1992 16:14:26 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Tue, 7 Jan 92 03:48:55 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA005lv; Tue, 7 Jan 92 15:39:52 PST Date: Tue, 7 Jan 92 15:39:52 PST Message-Id: <9201072339.AA005lv@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex@stolaf.edu Subject: MusicTeX beam problems Hi, As you'll see, I've just started using MusicTeX, and I'm having a bit of trouble understanding how to put beams on notes correctly. I need a 16th note attached to a dotted 8th, but after endless experiments, instead of: O O . |_ | |___| I'm getting something like this: | O O . |_ | |_|_| That is, the 16th note beam has got an extra little stem linking it to the 8th note beam, and there's a mysterious little bit of stem (or something) hanging in space above the 1st note head. Here's the code I used to get this: \Notes\ibbu0j0\ibl0j0\tbbu0\qb0j\tbl0\qbp0j\enotes I'm still finding the descriptions of these things in Notice.tex puzzling, and wonder if anyone can tell me where I'm going wrong. Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From @mitvma.mit.edu:TAUPIN@FRUPS51.BITNET Tue Jan 7 03:38:36 1992 Return-Path: <@mitvma.mit.edu:TAUPIN@FRUPS51.BITNET> Received: from mitvma.mit.edu by stolaf.edu (4.1/SMI-4.1) id AA03105; Tue, 7 Jan 92 03:38:36 CST Message-Id: <9201070938.AA03105@stolaf.edu> Received: from MITVMA.MIT.EDU by mitvma.mit.edu (IBM VM SMTP V2R2) with BSMTP id 8036; Tue, 07 Jan 92 04:37:46 EST Received: from FRUPS51.BITNET (TAUPIN) by MITVMA.MIT.EDU (Mailer R2.08 R208004) with BSMTP id 9062; Tue, 07 Jan 92 04:37:45 EST Date: 7 JAN 92 10:40:40.33-GMT From: TAUPIN%FRUPS51.BITNET@mitvma.mit.edu Subject: solution to beam problems from new zealand To: MUTEX@stolaf.edu \input musicnft \input musictex \input musicvbm \input musicsty \centerline¤\enorme 16th + pointed 8th notes‡\bigskip \def\nbinstruments¤1‡ \debutextrait \normal \kern 5pt \notes\ibbl0j0\rlap¤\qsk\tbbl0‡\qb0j\enotes \NOTes\tbl0\qbp0j\enotes \temps \notes\ibbu0j0\rlap¤\qsk\tbbu0‡\qh0j\enotes \NOTes\tbu0\qhp0j\enotes \finextrait \bye From @mitvma.mit.edu:TAUPIN@FRUPS51.BITNET Tue Jan 7 04:17:08 1992 Return-Path: <@mitvma.mit.edu:TAUPIN@FRUPS51.BITNET> Received: from mitvma.mit.edu by stolaf.edu (4.1/SMI-4.1) id AA03507; Tue, 7 Jan 92 04:17:08 CST Message-Id: <9201071017.AA03507@stolaf.edu> Received: from MITVMA.MIT.EDU by mitvma.mit.edu (IBM VM SMTP V2R2) with BSMTP id 8091; Tue, 07 Jan 92 05:16:19 EST Received: from FRUPS51.BITNET (TAUPIN) by MITVMA.MIT.EDU (Mailer R2.08 R208004) with BSMTP id 9194; Tue, 07 Jan 92 05:16:18 EST Date: 7 JAN 92 11:18:56.38-GMT From: TAUPIN%FRUPS51.BITNET@mitvma.mit.edu Subject: (correction to beam problem from NZ) (again) To: MUTEX@stolaf.edu \input musicnft \input musictex \input musicvbm \input musicsty Note: in this text, I replaced the left and right braces with <(> and <)> since they are damaged by the mutex@stola list server. \centerline<(>\enorme 16th + pointed 8th notes<)>\bigskip \def\nbinstruments<(>1<)> \debutextrait \normal \kern 5pt \notes\ibbl0j0\rlap<(>\qsk\tbbl0<)>\qb0j\enotes \NOTes\tbl0\qbp0j\enotes \temps \notes\ibbu0j0\rlap<(>\qsk\tbbu0<)>\qh0j\enotes \NOTes\tbu0\qhp0j\enotes \finextrait \bye From @mitvma.mit.edu:TAUPIN@FRUPS51.BITNET Fri Jan 10 14:46:38 1992 Return-Path: <@mitvma.mit.edu:TAUPIN@FRUPS51.BITNET> Received: from mitvma.mit.edu by stolaf.edu (4.1/SMI-4.1) id AA20028; Fri, 10 Jan 92 14:46:38 CST Message-Id: <9201102046.AA20028@stolaf.edu> Received: from MITVMA.MIT.EDU by mitvma.mit.edu (IBM VM SMTP V2R2) with BSMTP id 2012; Thu, 09 Jan 92 13:00:56 EST Received: from FRUPS51.BITNET (TAUPIN) by MITVMA.MIT.EDU (Mailer R2.08 R208004) with BSMTP id 6941; Thu, 09 Jan 92 13:00:55 EST Date: 9 JAN 92 19:00:41.95-GMT From: TAUPIN%FRUPS51.BITNET@mitvma.mit.edu Subject: Musictex (with faster Opt. Fiber link...) To: MUTEX@stolaf.edu New version 4.40 of MusicTeX available by ftp anonymous at 130.84.128.100 (rsovax.ups.circe.fr) New: notice.tex more comprehensive and corrected. - for LaTeX users : musictex.sty (thanks to N. Brouard) - better control of vertical space between instruments/staffs Further projects: small notes, nicer ties. Daniel TAUPIN, Bat. 510, 91405 ORSAY (France) From dgold@basso.actrix.gen.nz Fri Jan 10 14:49:33 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA20240; Fri, 10 Jan 92 14:49:33 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Fri, 10 Jan 1992 15:41:51 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Fri, 10 Jan 92 03:27:28 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA005s5; Fri, 10 Jan 92 15:18:03 PST Date: Fri, 10 Jan 92 15:18:03 PST Message-Id: <9201102318.AA005s5@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex@stolaf.edu Subject: Re: (correction to beam problem from NZ) Thank you Daniel for your clever solution to my 16th & pointed 8th note question. It's something that never would have occured to me. I still haven't quite figured out *why* it works, but I'll use it happily until I do. I think that part of my confusion was due to an error in NOTICE.TEX. The example code for a beamed 8th and 16th in my printed version doesn't actually produce the figure shown in the illustration! (I hope the line number is right - I had to add few lines of my own to get the pages to fit on my HP Deskjet printer) % notice.tex line 968: \\notes\\ibl0p0\\ql0p\\tbbl0\\tbl0\\qb0e\\enotes should be: \\notes\\ibu0e0\\qh0e\\tbbu0\\tbu0\\qh0e\\enotes shouldn't it? Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From UPSORSAY%FRUPS51.BITNET@mitvma.mit.edu Sat Jan 11 13:49:42 1992 Return-Path: Received: from thor.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA28738; Sat, 11 Jan 92 13:49:42 CST Received: from MITVMA.MIT.EDU by thor.acc.stolaf.edu; Fri, 10 Jan 92 16:59:10 -0600 Message-Id: <9201102259.AA26407@thor.acc.stolaf.edu> Received: from MITVMA.MIT.EDU by mitvma.mit.edu (IBM VM SMTP V2R2) with BSMTP id 0262; Fri, 10 Jan 92 17:58:36 EST Received: from FRUPS51.BITNET (MAILPOOL) by MITVMA.MIT.EDU (Mailer R2.08 R208004) with BSMTP id 2046; Fri, 10 Jan 92 17:58:34 EST Date: 11 JAN 92 00:01:17.12-GMT From: UPSORSAY%FRUPS51.BITNET@mitvma.mit.edu Subject: BITNET mail from UPSORSAY at FRUPS51 To: MUTEX@stolaf.edu Date: see below From: dgold@basso.actrix.gen.nz 10-JAN-1992 23:38:35.58 To: mutex@stolaf.edu CC: Subj: Re: (correction to beam problem from NZ) Message date : Fri, 10 Jan 92 15:18:03 PST HELO CUNYVM.BITNET TICK 5755 MAIL FROM: RCPT TO: DATA Received: from CUNYVM by CUNYVM.BITNET (Mailer R2.08) with BSMTP id 5755; Fri, 10 Jan 92 17:16:09 EST Received: from stolaf.edu by CUNYVM.CUNY.EDU (IBM VM SMTP V2R2) with TCP; Fri, 10 Jan 92 17:16:08 EST Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA20240; Fri, 10 Jan 92 14:49:33 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Fri, 10 Jan 1992 15:41:51 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Fri, 10 Jan 92 03:27:28 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA005s5; Fri, 10 Jan 92 15:18:03 PST Message-Id: <9201102318.AA005s5@basso.actrix.gen.nz> Thank you Daniel for your clever solution to my 16th & pointed 8th note question. It's something that never would have occured to me. I still haven't quite figured out *why* it works, but I'll use it happily until I do. I think that part of my confusion was due to an error in NOTICE.TEX. The example code for a beamed 8th and 16th in my printed version doesn't actually produce the figure shown in the illustration! (I hope the line number is right - I had to add few lines of my own to get the pages to fit on my HP Deskjet printer) % notice.tex line 968: \\notes\\ibl0p0\\ql0p\\tbbl0\\tbl0\\qb0e\\enotes should be: \\notes\\ibu0e0\\qh0e\\tbbu0\\tbu0\\qh0e\\enotes shouldn't it? Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From deflorio@minsky.csata.it Mon Jan 13 06:17:59 1992 Return-Path: Received: from minsky.csata.it by stolaf.edu (4.1/SMI-4.1) id AA07492; Mon, 13 Jan 92 06:17:59 CST Message-Id: <9201131217.AA07492@stolaf.edu> Received: by minsky.csata.it (16.6/16.2) id AA06802; Mon, 13 Jan 92 13:17:24 +0100 From: Vincenzo De Florio Subject: a very naive question. To: mutex@stolaf.edu Date: Mon, 13 Jan 92 13:17:22 MET Mailer: Elm [revision: 66.25] Dear Sirs, I beg your pardon for this naive question about musicTeX. Very often, writing a musical score with musicTeX---that I think is fantastic and powerful---I would like that two or more consecutive mesures don't stretch from each other, because they're logically tied. What I would like is to know how can I specify a "\barre" instruction so that there won't be inserted any glue (am I speaking right? I hope it!) between the two "\notes" instructions in which "\barre" appears. Thanks a lot for your attenction, and again excuse me for silly questions---as you can see, I'm not a TeXpert. - Vincenzo De Florio From @mitvma.mit.edu:UPSORSAY@FRUPS51.BITNET Mon Jan 13 11:48:32 1992 Return-Path: <@mitvma.mit.edu:UPSORSAY@FRUPS51.BITNET> Received: from mitvma.mit.edu by stolaf.edu (4.1/SMI-4.1) id AA09952; Mon, 13 Jan 92 11:48:32 CST Message-Id: <9201131748.AA09952@stolaf.edu> Received: from MITVMA.MIT.EDU by mitvma.mit.edu (IBM VM SMTP V2R2) with BSMTP id 7964; Mon, 13 Jan 92 09:51:04 EST Received: from FRUPS51.BITNET (MAILPOOL) by MITVMA.MIT.EDU (Mailer R2.08 R208004) with BSMTP id 1573; Mon, 13 Jan 92 09:51:03 EST Date: 13 JAN 92 15:54:03.78-GMT From: UPSORSAY%FRUPS51.BITNET@mitvma.mit.edu Subject: BITNET mail from UPSORSAY at FRUPS51 To: MUTEX@stolaf.edu Date: see below From: myriam@geocub.greco-prog.fr 13-JAN-1992 15:52:51.77 To: MUTEX@stolaf.edu CC: "TAUPIN%FRUPS51.BITNET@mitvma.mit.edu" Subj: Re: Musictex (with faster Opt. Fiber link...) Message date : Mon, 13 Jan 92 15:31:26 EST HELO MITVMA.MIT.EDU TICK 0967 MAIL FROM: RCPT TO: DATA Received: from MITVMA by MITVMA.MIT.EDU (Mailer R2.08 R208004) with BSMTP id 0967; Mon, 13 Jan 92 09:35:06 EST Received: from corton.inria.fr by mitvma.mit.edu (IBM VM SMTP V2R2) with TCP; Mon, 13 Jan 92 09:34:38 EST Received: from geocub.greco-prog.fr by corton.inria.fr (5.65c8d/91.12.15) via Fnet-EUnet id AA25001; Mon, 13 Jan 1992 15:33:45 +0100 (MET) Received: by geocub.greco-prog.fr, Mon, 13 Jan 92 15:31:26 EST Message-Id: <9201131431.AA00439@geocub.greco-prog.fr> q From cypress!cypress.com!rbv@decwrl.dec.com Mon Jan 13 18:31:58 1992 Return-Path: Received: from uucp-gw-1.pa.dec.com by stolaf.edu (4.1/SMI-4.1) id AA15533; Mon, 13 Jan 92 18:31:58 CST Received: by uucp-gw-1.pa.dec.com; id AA04763; Mon, 13 Jan 92 16:24:56 -0800 Received: from siberia. by cypress.com (4.1/SMI-4.1) id AA12257; Mon, 13 Jan 92 15:16:06 PST Received: by siberia. (4.0/SMI-4.0) id AA22651; Mon, 13 Jan 92 15:12:54 PST Date: Mon, 13 Jan 92 15:12:54 PST From: rbv@cypress.com (Roger Vanderveen) Message-Id: <9201132312.AA22651@siberia.> To: mutex@stolaf.edu Subject: Documentation I have not been able to get any documentation for MusicTeX. I don't have FTP access and obtained the package from cs.ruu.nl, but that package did not contain much instruction. Would someone please mail a manual to me or tell me where I can get it via mail server? And if it's long, please offer to send it first, before I get several copies. Thanks much, Roger From @UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br Tue Jan 14 07:18:54 1992 Return-Path: <@UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br> Received: from UICVM.UIC.EDU by stolaf.edu (4.1/SMI-4.1) id AA19134; Tue, 14 Jan 92 07:18:54 CST Received: from brfapesp.bitnet by UICVM.UIC.EDU (IBM VM SMTP V2R1) with BSMTP id 0627; Tue, 14 Jan 92 07:17:46 CST Received: from ccvax.unicamp.ansp.br by brfapesp.bitnet with PMDF#10108; Tue, 14 Jan 1992 11:02 -0200(C) Received: from dcc.unicamp.ansp.br by ccvax.unicamp.ansp.br (PMDF #12245) id <01GFAYD4ATU89BVZG3@ccvax.unicamp.ansp.br>; Tue, 14 Jan 1992 11:04 GMT-0300 Received: by marumbi.unicamp.ansp.br (4.1/SMI-4.1) id AA21004; Tue, 14 Jan 92 10:43:40 EDT Date: Tue, 14 Jan 92 10:42:54 EDT From: wagner%dcc.unicamp.ansp.br@UICVM.UIC.EDU (Wagner Ikeda) Subject: Documentation In-Reply-To: Roger Vanderveen's message of Mon, 13 Jan 92 15:12:54 PST <9201132312.AA22651@siberia.> To: rbv@cypress.com Cc: mutex@stolaf.edu Message-Id: <01GFAYD4ATU89BVZG3@ccvax.unicamp.ansp.br> X-Envelope-To: mutex@stolaf.edu Mr. Vanderveen, I saw you used the dec gateway to send your message. Do you know that there is a ftp server running in decwrl.dec.com that makes ftp in anywhere it can reach and sends you the stuff thru mail, in uuencode + split fashion? If you did not, try send a message to ftpmail@decwrl.dec.com with help as message body. Then you can try, perhaps get the latest version of Musictex which Mr. Taupin announced recently. (I'm sorry I am not sure if host rsovax.ups.circe.fr can be reached from decwrl. I'm not sure also if you can find what you are looking for in the latest version, I did not see yet and my version is also from cs.ruu.nl). Well, I hope this message was useful. ---------------------------------------------------------------------- Wagner H. Ikeda wagner@dcc.unicamp.ansp.br projeto AHAND ============ |OOOO-O|-OO| Depto. de Ciencia Department of |O-OOOO|O-O| da Computacao Computer Science |OOOO-O|O-O| Universidade University of |O-OOOO|O-O| Estadual de Campinas Campinas ============ From cypress!cypress.com!rbv@decwrl.dec.com Sun Jan 19 09:24:03 1992 Return-Path: Received: from uucp-gw-1.pa.dec.com by stolaf.edu (4.1/SMI-4.1) id AA17443; Sun, 19 Jan 92 09:24:03 CST Received: by uucp-gw-1.pa.dec.com; id AA07442; Sun, 19 Jan 92 01:54:58 -0800 Received: from siberia. by cypress.com (4.1/SMI-4.1) id AA13478; Fri, 17 Jan 92 20:30:11 PST Received: by siberia. (4.0/SMI-4.0) id AA08561; Fri, 17 Jan 92 20:26:57 PST Date: Fri, 17 Jan 92 20:26:57 PST From: rbv@cypress.com (Roger Vanderveen) Message-Id: <9201180426.AA08561@siberia.> To: mutex@stolaf.edu Subject: Problem with a beam Can anyone tell me why the first beam in the following file is being shifted to the left relative to its two notes? \nopagenumbers \vsize=6in \input musicnft \input musictex \def\nbinstruments{1} \nbporteesi=2 \cleftoksi={{6}{0}{0}{0}} \generalsignature1 \generalmeter{\meterC} \computewidths\debutmorceau \normal % \leftrepeatsymbol % Wish that I was \Notes \wh G | \clp i \enotes \Notes | \ccl k \enotes \Notes | \ql k \enotes \Notes | \ql k \enotes \barre % \Notes \hu J | \ql l \enotes \Notes | \ql l \enotes \Notes \hu G | \ibl0k{-3} \qb0k \enotes \Notes | \tbl0 \qb0i \enotes \Notes | \qu g \enotes \barre % \Notes \hu E | \qu g \enotes \Notes | \zqu g \ibu0g0 \enotes \Notes | \qh0 g \enotes \Notes \hu D | \qh0 h \enotes \Notes | \tqh0 g \enotes \Notes | \qu h \enotes \barre \end From dgold@basso.actrix.gen.nz Tue Jan 21 19:20:15 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA25691; Tue, 21 Jan 92 19:20:15 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Wed, 22 Jan 1992 14:20:07 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Wed, 22 Jan 92 01:57:24 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA006a3; Wed, 22 Jan 92 13:32:18 PST Date: Wed, 22 Jan 92 13:32:18 PST Message-Id: <9201222132.AA006a3@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex@stolaf.edu Subject: Re: Problem with a beam rbv@cypress.com (Roger Vanderveen) asked: > Can anyone tell me why the first beam in the following file is being > shifted to the left relative to its two notes? > \Notes \hu G | \ibl0k{-3} \qb0k \enotes > \Notes | \tbl0 \qb0i \enotes > \Notes | \qu g \enotes > \barre I found that taking out a few spaces fixed it: \Notes \hu G | \ibl0k{-3}\qb0k\enotes \Notes | \tbl0\qb0i\enotes But I like the way this code looks with the |'s aligned. It would be much easier to identify the different parts quickly, but can anyone tell me if this style of notation might lead to any other problems? Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From @UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br Fri Jan 24 19:39:24 1992 Return-Path: <@UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br> Received: from UICVM.UIC.EDU by stolaf.edu (4.1/SMI-4.1) id AA23387; Fri, 24 Jan 92 19:39:24 CST Received: from brfapesp.bitnet by UICVM.UIC.EDU (IBM VM SMTP V2R1) with BSMTP id 3882; Fri, 24 Jan 92 19:38:22 CST Received: from ccvax.unicamp.ansp.br by brfapesp.bitnet with PMDF#10108; Fri, 24 Jan 1992 19:08 -0200(C) Received: from ccsun.unicamp.ansp.br by ccvax.unicamp.ansp.br (PMDF #12245) id <01GFPEASRS0G91VTTE@ccvax.unicamp.ansp.br>; Fri, 24 Jan 1992 19:11 GMT-0200 Received: from dcc.unicamp.ansp.br (dcc1-gw) by ccsun.unicamp.ansp.br (4.1/SMI-4.0) id AA22016; Fri, 24 Jan 92 19:02:22 EDT Received: from marumbi.unicamp.ansp.br by dcc.unicamp.ansp.br (4.1/SMI-4.1) id AA01452; Fri, 24 Jan 92 19:08:45 EDT Received: by marumbi.unicamp.ansp.br (4.1/SMI-4.1) id AA02077; Fri, 24 Jan 92 19:08:46 EDT Date: Fri, 24 Jan 92 19:08:45 EDT From: wagner%dcc.unicamp.ansp.br@UICVM.UIC.EDU (Wagner Ikeda) Subject: how can I set paper dimensions for musictex? To: mutex@stolaf.edu Message-Id: <9201242108.AA01452@dcc.unicamp.ansp.br> X-Envelope-To: mutex@stolaf.edu Hi, I'm sorry I do know that this is not the first time this question is asked. How can I get musictex output that fits OK in my paper (11.5 x 8 inches). The output gets to left and down, losting some information. I remember that there was suggested to use dvi2ps and then print it, but here only teachers can use our postscript printer. Thanks, ---------------------------------------------------------------------- Wagner H. Ikeda wagner@dcc.unicamp.ansp.br projeto AHAND ============ |OOOO-O|-OO| Depto. de Ciencia Department of |O-OOOO|O-O| da Computacao Computer Science |OOOO-O|O-O| Universidade University of |O-OOOO|O-O| Estadual de Campinas Campinas ============ From dgold@basso.actrix.gen.nz Sat Jan 25 18:22:21 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA00286; Sat, 25 Jan 92 18:22:21 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Sun, 26 Jan 1992 13:22:11 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Sun, 26 Jan 92 00:54:18 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA006fv; Sun, 26 Jan 92 12:52:26 PST Date: Sun, 26 Jan 92 12:52:26 PST Message-Id: <9201262052.AA006fv@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex@stolaf.edu Subject: Complex rhythms and barlines I've just come across a problem in some music I'm arranging. There is a passage where the two staves have different meters for a short time: Treble: 6/8 | 5/8 Bass: 5/8 | 3/4 (the | just indicates the barline) Does anyone know how to do this so that a non-aligned barline can be created which will not be joined between the two staves, with things continuing normally after that? Also, is it possible just to have bar numbers appearing in the first bar of each line?? Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From icking@gmdzi.gmd.de Mon Jan 27 04:13:37 1992 Return-Path: Received: from mail.Germany.EU.net (unido.Germany.EU.net) by stolaf.edu (4.1/SMI-4.1) id AA10906; Mon, 27 Jan 92 04:13:37 CST Received: from gmdzi.gmd.de by mail.Germany.EU.net with SMTP (5.65+/UNIDO-2.1.0.b) via EUnet for stolaf.edu id AA29207; Mon, 27 Jan 92 09:55:54 +0100 Received: by gmdzi.gmd.de id AA12939; Mon, 27 Jan 92 09:58:08 -0100 Date: Mon, 27 Jan 92 09:58:08 -0100 From: Werner Icking Message-Id: <9201270858.AA12939@gmdzi.gmd.de> To: mutex@stolaf.edu, wagner@dcc.unicamp.ansp.br Subject: Re: how can I set paper dimensions for musictex? Wagner Ikeda writes: >[...] How can I get musictex output that fits OK in my paper (11.5 x >8 inches). The output gets to left and down, losting some information. >I remember that there was suggested to use dvi2ps and then print it, >but here only teachers can use our postscript printer. Comment out following lines (18-19) from musictex.tex - as D. Taupin will do in the next release: % procedures speciales D. taupin \hsize 16cm \vsize 24cm Now you may set \hsize and \vsize as you (and your paper) like it. The same lines can be found in musictex.sty (l. 354)) and should be removed, too. Werner From dgold@basso.actrix.gen.nz Mon Jan 27 06:32:05 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA11536; Mon, 27 Jan 92 06:32:05 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Tue, 28 Jan 1992 01:31:57 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Mon, 27 Jan 92 13:08:02 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA006h5; Tue, 28 Jan 92 01:12:12 PST Date: Tue, 28 Jan 92 01:12:12 PST Message-Id: <9201280912.AA006h5@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex@stolaf.edu Subject: Beams across bar lines Is this possible? For instance, the last 8th note (croche) of a bar with a beam connecting it to the first 8th note of the next bar. I always seem to get breaks in the beam especially when the time signature changes between the bars. It would seem to be possible but I can't find a way... Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From piet@cs.ruu.nl Mon Jan 27 08:28:39 1992 Return-Path: Received: from ruuinf.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA12464; Mon, 27 Jan 92 08:28:39 CST Received: from gnu.cs.ruu.nl by ruuinf.cs.ruu.nl with SMTP (5.61+/IDA-1.2.8) id AA20339; Mon, 27 Jan 92 15:26:43 +0100 Received: by alchemy.cs.ruu.nl (16.6/15.6) id AA20046; Mon, 27 Jan 92 15:28:35 +0100 Date: Mon, 27 Jan 92 15:28:35 +0100 From: Piet van Oostrum Message-Id: <9201271428.AA20046@alchemy.cs.ruu.nl> To: mutex@stolaf.edu Subject: Real slurs I have been looking into the code for slurs in MuTeX (the original german thing) and I think it should be possible to do something similar in musictex. Their solution is to connect two pieces of the slur from the slurfonts together. If the slur is large the pieces are connected by a rule. The last one should give the opportunity to make the thing stretchable (although I have not been able to get it really streched out, I don't know why). Daniel says in his doc that he prefers the ``ugly'' method becaus it works with glue, but I think the large MuTeX slurs should work the same way. Maybe the user should just have the choice which one to use. I have not enough insight in the musictex internals to try to code this. Has anybody made an attempt? Regards, Piet* van Oostrum, Dept of Computer Science, Utrecht University, Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 531806 Uucp: uunet!mcsun!ruuinf!piet Telefax: +31 30 513791 Internet: piet@cs.ruu.nl (*`Pete') From @mitvma.mit.edu:TAUPIN@FRUPS51.BITNET Tue Jan 28 05:53:07 1992 Return-Path: <@mitvma.mit.edu:TAUPIN@FRUPS51.BITNET> Received: from mitvma.mit.edu by stolaf.edu (4.1/SMI-4.1) id AA01389; Tue, 28 Jan 92 05:53:07 CST Message-Id: <9201281153.AA01389@stolaf.edu> Received: from MITVMA.MIT.EDU by mitvma.mit.edu (IBM VM SMTP V2R2) with BSMTP id 5221; Tue, 28 Jan 92 06:53:32 EST Received: from FRUPS51.BITNET (TAUPIN) by MITVMA.MIT.EDU (Mailer R2.08 R208004) with BSMTP id 2579; Tue, 28 Jan 92 06:53:32 EST Date: 28 JAN 92 12:56:04.15-GMT From: TAUPIN%FRUPS51.BITNET@mitvma.mit.edu Subject: MusicTeX To: MUTEX@stolaf.edu Some remnants of old version have been corrected. No file in MusicTeX invokes a dead file (musicmus) or a local file (genpctex). BUUUUUUUUUUUUUUUUUUUUUUT PAY ATTENTION : Take the version from the genuine server: 130.84.128 100 or make sure that the archies are up to date. (26 jan 92) From @UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br Wed Jan 29 16:14:38 1992 Return-Path: <@UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br> Received: from UICVM.UIC.EDU by stolaf.edu (4.1/SMI-4.1) id AA27534; Wed, 29 Jan 92 16:14:38 CST Received: from brfapesp.bitnet by UICVM.UIC.EDU (IBM VM SMTP V2R1) with BSMTP id 3480; Wed, 29 Jan 92 16:14:38 CST Received: from ccvax.unicamp.ansp.br by brfapesp.bitnet with PMDF#10108; Wed, 29 Jan 1992 20:10 -0200(C) Received: from ccsun.unicamp.ansp.br by ccvax.unicamp.ansp.br (PMDF #12245) id <01GFWFRBA6SG8WW0J0@ccvax.unicamp.ansp.br>; Wed, 29 Jan 1992 20:09 GMT-0200 Received: from dcc.unicamp.ansp.br (dcc1-gw) by ccsun.unicamp.ansp.br (4.1/SMI-4.0) id AA04037; Wed, 29 Jan 92 19:59:52 EDT Received: from marumbi.unicamp.ansp.br by dcc.unicamp.ansp.br (4.1/SMI-4.1) id AA20588; Wed, 29 Jan 92 20:06:16 EDT Received: by marumbi.unicamp.ansp.br (4.1/SMI-4.1) id AA29398; Wed, 29 Jan 92 20:06:17 EDT Date: Wed, 29 Jan 92 20:06:16 EDT From: wagner%dcc.unicamp.ansp.br@UICVM.UIC.EDU (Wagner Ikeda) Subject: large TeX / full orchestra score To: mutex Message-Id: <9201292206.AA20588@dcc.unicamp.ansp.br> X-Envelope-To: mutex@stolaf.edu Hi, Two questions: 1) Can anyone please name a large TeX implementation, which is cited in musictex's notice? I run musictex with no memory problems on SunOS, but I tried once in MSDOS (with PCTEX) and it aborted due to memory overflow. 2) Is anyone out there trying to use musictex to typeset large scores (I mean more than 10 instruments)? Thanks. ---------------------------------------------------------------------- Wagner H. Ikeda wagner@dcc.unicamp.ansp.br projeto AHAND ============ |OOOO-O|-OO| Depto. de Ciencia Department of |O-OOOO|O-O| da Computacao Computer Science |OOOO-O|O-O| Universidade University of |O-OOOO|O-O| Estadual de Campinas Campinas ============ From deflorio@minsky.csata.it Thu Jan 30 02:47:25 1992 Return-Path: Received: from minsky.csata.it by stolaf.edu (4.1/SMI-4.1) id AA05227; Thu, 30 Jan 92 02:47:25 CST Message-Id: <9201300847.AA05227@stolaf.edu> Received: by minsky.csata.it (16.6/16.2) id AA04714; Mon, 27 Jan 92 15:41:43 +0100 From: Vincenzo De Florio Subject: Re: large TeX / full orchestra score To: mutex Date: Mon, 27 Jan 92 15:41:42 MET Cc: mutex@stolaf.edu In-Reply-To: <9201292206.AA20588@dcc.unicamp.ansp.br>; from "Wagner Ikeda" at Jan 29, 92 8:06 pm Mailer: Elm [revision: 66.25] I presently use emTeX, a beautiful implementation of TeX for PC. It is probably the biggest and more complete implementation of TeX for the PC; you can have it freely doing FTP to various sites, for example cs.ruu.nl (in Europe), in the directory TEX/emtex if I remember right. It consists among the other things of two executable code for tex: TEX.EXE and BTEX.EXE. This last is the so-called BigTeX, that performs more slowly than the first, but with a bigger capacity. I've recently ftp'ed the beta test version of TEX386.EXE, again from emTeX. It has the advantages of both previous implementations, and I found it very very good. We, TeX users, owe much to Eberhard Mattes, the german friend who created emTeX. For what concerns the second question, sorry, at present I've used MusicTeX with at most three instruments. Hope this could help, - Vincenzo De Florio deflorio@minsky.csata.it From @CUNYVM.CUNY.EDU:JCF@DGAIPP1S.BITNET Thu Jan 30 02:54:16 1992 Return-Path: <@CUNYVM.CUNY.EDU:JCF@DGAIPP1S.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA05455; Thu, 30 Jan 92 02:54:16 CST Message-Id: <9201300854.AA05455@stolaf.edu> Received: from DGAIPP1S.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R2) with BSMTP id 6807; Thu, 30 Jan 92 03:54:02 EST Received: by DGAIPP1S (Mailer R2.08) id 0024; Thu, 30 Jan 92 07:32:54 EST Date: Thu, 30 Jan 92 07:26:49 EST From: Christoph Fuchs Subject: Re: large TeX To: mutex > I run musictex with no memory problems on SunOS, but I tried once > in MSDOS (with PCTEX) and it aborted due to memory overflow. Some time ago I tried to run musicTeX on a PC (386SX, 1MB RAM) with DR-DOS 5 and emTeX and it worked, but I had to set some line breaks by hand. +--------------------+------------------------------------------------+ |J. Christoph Fuchs | Bitnet: jcf@dgaipp1s | | | Internet: jcf@ibma.ipp-garching.mpg.de | | | Voice: +49 89 3299 1730 | | | Fax: +49 89 3299 2580 | | | Mail: Max-Planck-Institut f. Plasmaphysik| | | Boltzmannstrasse | | | W-8046 Garching b. Muenchen | | | Germany | +--------------------+------------------------------------------------+ Acknowledge-To: From dgold@basso.actrix.gen.nz Thu Jan 30 05:20:28 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA06885; Thu, 30 Jan 92 05:20:28 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Fri, 31 Jan 1992 00:20:16 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Thu, 30 Jan 92 11:42:49 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA006jl; Thu, 30 Jan 92 23:30:48 PST Date: Thu, 30 Jan 92 23:30:48 PST Message-Id: <9201310730.AA006jl@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Real slurs Piet van Oostrum wrote: > I have been looking into the code for slurs in MuTeX (the original german > thing) and I think it should be possible to do something similar in > musictex. Their solution is to connect two pieces of the slur from the > slurfonts together. If the slur is large the pieces are connected by a > rule. [...] I don't understand how slurs and ties work in relation to glue yet, but I've been meaning to ask about Daniel's statement in notice.tex that he feels that "it is the only way of implementing *in one pass* ties & slurs which run across glue". I've used flavours of TeX which need to do second and third passes to take care of indexes, etc. Does this imply that MusicTeX might one day be able to do a 2nd pass which would make more elaborate slurs possible once all the glue has been set, and the lines and pages established? Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From @UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br Thu Jan 30 07:12:29 1992 Received: from UICVM.UIC.EDU by stolaf.edu (4.1/SMI-4.1) id AA07754; Thu, 30 Jan 92 07:12:29 CST Received: from brfapesp.bitnet by UICVM.UIC.EDU (IBM VM SMTP V2R1) with BSMTP id 6052; Thu, 30 Jan 92 07:12:30 CST Return-Path: Received: from ccvax.unicamp.ansp.br by brfapesp.bitnet with PMDF#10108; Thu, 30 Jan 1992 11:11 -0200(C) Received: from ccsun.unicamp.ansp.br by ccvax.unicamp.ansp.br (PMDF #12245) id <01GFXB46HA408WW19D@ccvax.unicamp.ansp.br>; Thu, 30 Jan 1992 11:07 GMT-0200 Received: from dcc.unicamp.ansp.br (dcc1-gw) by ccsun.unicamp.ansp.br (4.1/SMI-4.0) id AA14106; Thu, 30 Jan 92 10:56:55 EDT Received: from marumbi.unicamp.ansp.br by dcc.unicamp.ansp.br (4.1/SMI-4.1) id AA28229; Thu, 30 Jan 92 11:03:20 EDT Received: by marumbi.unicamp.ansp.br (4.1/SMI-4.1) id AA02402; Thu, 30 Jan 92 11:03:19 EDT Date: Thu, 30 Jan 92 10:50:31 -0100 From: Werner Icking Subject: [icking@gmdzi.gmd.de: Re: large TeX / full orchestra score] Subject: Re: large TeX / full orchestra score To: mutex To: mutex Message-Id: <9201301303.AA28229@dcc.unicamp.ansp.br> X-Envelope-To: mutex@stolaf.edu Hi, I'm forwarding one answer that I received regarding large bigTeX. Thanks to: Frank Holzwarth (suggested using pctex: >I.e. if you fire up your PCTeX you will not have all the memory it >could manage. To achieve this just add two switches to your call: >/f=xxxxx and /m=yyyyy ) Christoph Fuchs Vincenzo De Florio for replies. --begin included message-- Selber Hi, >Hi, > >Two questions: but only one answer: >1) Can anyone please name a large TeX implementation, which is cited >in musictex's notice? > I run musictex with no memory problems on SunOS, but I tried once > in MSDOS (with PCTEX) and it aborted due to memory overflow. I have no problems with emTeX (Eberhardt Mattes TeX) and the esp. bigTeX. But in the meantime I use the betatest version of emTeX's tex386. emTeX is free and available at most TeX-servers all over the world. > >2) Is anyone out there trying to use musictex to typeset large scores >(I mean more than 10 instruments)? Not me. > >Thanks. Hope this hilft. Feel free to send this info to the list. I didn't do it to avoid multiple postings on the same issue. Werner ---------------------------------------------------------------------------- ============================================================================== README.ENG (emTeX DISTRIBUTION) VERSION: 25.09.1990 ============================================================================== With modifications of 18.03.1991 [...] ------------------------------------------------------------------------------ How do I get emTeX? ------------------------------------------------------------------------------ - You can get emTeX at some University computing centers. - Ask your friends, etc. - Ask your local TeX users group. - Anonymous ftp: rusmv1.rus.uni-stuttgart.de [129.69.1.12] soft/tex/machines/pc/emtex ymir.claremont.edu [134.173.4.23] [anonymous.tex.ibm_pc.emtex] archive.cs.ruu.nl [131.211.80.5] TEX/emtex utsun.s.u-tokyo.ac.jp [133.11.11.11] TeX/emtex ponder.csci.unt.edu [129.120.3.16] pub/TeX/EmTeX - Mail server: mail-server@cs.ruu.nl texserver@uk.ac.tex (UK) texserver@tex.ac.uk (outside UK) - Ask the one from whom you got this text. As this text is distributed by the author only with the complete emTeX, you should be able to trace back this text to a complete emTeX. - If there is no other way to get emTeX (which is impossible, as proved above), you can try to send formatted diskettes in sufficient number (5.25 inch, 1.2 MB, high density or 3.5 inch, 1.44 MB, high density; see above; include a spare diskette), return postage, and a suitable self-addressed package, to the author (see below). Also indicate the fonts desired (i.e. printer type and resolution). You can save the author from unpleasant work by using MFjob (which comes with emTeX) for generating fonts. Shipping at your risk. You also run the risk of having your address given to (a few) other people in your vicinity who want a copy of emTeX. ------------------------------------------------------------------------------ The author ------------------------------------------------------------------------------ Address: Eberhard Mattes Teckstrasse 81 (Teckstra\ss e) D-7141 Moeglingen (M\"oglingen) Federal Republic of Germany Questions only by mail! No telephone calls please! Please inclose a self-addressed return package with postage if you expect a response. Electronic mail (subject to sudden change): Internet: mattes@azu.informatik.uni-stuttgart.de [...] ------------------------------------------------------------------------------ ============================================================================== EMTEX386.DOC [3c-beta3] 11-Jun-1991 ============================================================================== This is the 3rd BETA TEST release of emTeX/386 (using emx 0.7l). Don't expect a perfect package or miracles. There will be enough unexpected miracles. ------------------------------------------------------------------------------ System Requirements ------------------------------------------------------------------------------ - CPU: 80386DX, 80386SX, or i486; *no* coprocessor required - Memory: 512KB minimum, 3MB recommended - Machine: as COMPAQ or IBM compatible as possible - Operating system: MS-DOS / PC-DOS 3.0 or later (OS/2 not supported) - VDISK.SYS supported (version 3.3 and later) - DPMI *not* supported yet (does not run under Windows 3.0) - EMS emulators using VCPI are supported - DESQview-386 is supported, but only with QEMM-386 (see notes) - XMS (himem.sys 2.06 or later) is supported - Hard disk, floppy disk, ... as required for emTeX [... :-] - Due to lazyness and lack of time, this document is available only in English(!) - The newest version of emTeX/386 is available for anonymous ftp on rusmv1.rus.uni-stuttgart.de [129.69.1.12] in the directory /soft/tex/machines/pc/emtex/betatest - Report problems to mattes@azu.informatik.uni-stuttgart.de [...] From @mitvma.mit.edu:UPSORSAY@FRUPS51.BITNET Thu Jan 30 07:36:26 1992 Return-Path: <@mitvma.mit.edu:UPSORSAY@FRUPS51.BITNET> Received: from mitvma.mit.edu by stolaf.edu (4.1/SMI-4.1) id AA08374; Thu, 30 Jan 92 07:36:26 CST Message-Id: <9201301336.AA08374@stolaf.edu> Received: from MITVMA.MIT.EDU by mitvma.mit.edu (IBM VM SMTP V2R2) with BSMTP id 8507; Thu, 30 Jan 92 08:36:49 EST Received: from FRUPS51.BITNET (MAILPOOL) by MITVMA.MIT.EDU (Mailer R2.08 R208004) with BSMTP id 8769; Thu, 30 Jan 92 08:36:47 EST Date: 30 JAN 92 14:39:03.95-GMT From: UPSORSAY%FRUPS51.BITNET@mitvma.mit.edu Subject: BITNET mail from UPSORSAY at FRUPS51 To: mutex Date: see below From: icking%gmdzi.gmd.de@UICVM.UIC.EDU 30-JAN-1992 14:38:18.20 To: mutex CC: Subj: [icking@gmdzi.gmd.de: Re: large TeX / full orchestra score] Message date : Thu, 30 Jan 92 10:50:31 -0100 HELO CORNELLC TICK 2807 MAIL FROM: RCPT TO: DATA Received: from CORNELLC by CORNELLC (Mailer R2.08A) with BSMTP id 2807; Thu, 30 Jan 92 08:34:11 EST Received: from stolaf.edu by CORNELLC.cit.cornell.edu (IBM VM SMTP V2R2) with TCP; Thu, 30 Jan 92 08:34:08 EST Received: by stolaf.edu (4.1/SMI-4.1) id AA07906; Thu, 30 Jan 92 07:14:58 CST Received: from UICVM.UIC.EDU by stolaf.edu (4.1/SMI-4.1) id AA07754; Thu, 30 Jan 92 07:12:29 CST Received: from brfapesp.bitnet by UICVM.UIC.EDU (IBM VM SMTP V2R1) with BSMTP id 6052; Thu, 30 Jan 92 07:12:30 CST Return-Path: Received: from ccvax.unicamp.ansp.br by brfapesp.bitnet with PMDF#10108; Thu, 30 Jan 1992 11:11 -0200(C) Received: from ccsun.unicamp.ansp.br by ccvax.unicamp.ansp.br (PMDF #12245) id <01GFXB46HA408WW19D@ccvax.unicamp.ansp.br>; Thu, 30 Jan 1992 11:07 GMT-0200 Received: from dcc.unicamp.ansp.br (dcc1-gw) by ccsun.unicamp.ansp.br (4.1/SMI-4.0) id AA14106; Thu, 30 Jan 92 10:56:55 EDT Received: from marumbi.unicamp.ansp.br by dcc.unicamp.ansp.br (4.1/SMI-4.1) id AA28229; Thu, 30 Jan 92 11:03:20 EDT Received: by marumbi.unicamp.ansp.br (4.1/SMI-4.1) id AA02402; Thu, 30 Jan 92 11:03:19 EDT Subject: Re: large TeX / full orchestra score To: mutex Message-Id: <9201301303.AA28229@dcc.unicamp.ansp.br> X-Envelope-To: mutex@stolaf.edu Hi, I'm forwarding one answer that I received regarding large bigTeX. Thanks to: Frank Holzwarth (suggested using pctex: >I.e. if you fire up your PCTeX you will not have all the memory it >could manage. To achieve this just add two switches to your call: >/f=xxxxx and /m=yyyyy ) Christoph Fuchs Vincenzo De Florio for replies. --begin included message-- Selber Hi, >Hi, > >Two questions: but only one answer: >1) Can anyone please name a large TeX implementation, which is cited >in musictex's notice? > I run musictex with no memory problems on SunOS, but I tried once > in MSDOS (with PCTEX) and it aborted due to memory overflow. I have no problems with emTeX (Eberhardt Mattes TeX) and the esp. bigTeX. But in the meantime I use the betatest version of emTeX's tex386. emTeX is free and available at most TeX-servers all over the world. > >2) Is anyone out there trying to use musictex to typeset large scores >(I mean more than 10 instruments)? Not me. > >Thanks. Hope this hilft. Feel free to send this info to the list. I didn't do it to avoid multiple postings on the same issue. Werner ---------------------------------------------------------------------------- ============================================================================== README.ENG (emTeX DISTRIBUTION) VERSION: 25.09.1990 ============================================================================== With modifications of 18.03.1991 [...] ------------------------------------------------------------------------------ How do I get emTeX? ------------------------------------------------------------------------------ - You can get emTeX at some University computing centers. - Ask your friends, etc. - Ask your local TeX users group. - Anonymous ftp: rusmv1.rus.uni-stuttgart.de [129.69.1.12] soft/tex/machines/pc/emtex ymir.claremont.edu [134.173.4.23] [anonymous.tex.ibm_pc.emtex] archive.cs.ruu.nl [131.211.80.5] TEX/emtex utsun.s.u-tokyo.ac.jp [133.11.11.11] TeX/emtex ponder.csci.unt.edu [129.120.3.16] pub/TeX/EmTeX - Mail server: mail-server@cs.ruu.nl texserver@uk.ac.tex (UK) texserver@tex.ac.uk (outside UK) - Ask the one from whom you got this text. As this text is distributed by the author only with the complete emTeX, you should be able to trace back this text to a complete emTeX. - If there is no other way to get emTeX (which is impossible, as proved above), you can try to send formatted diskettes in sufficient number (5.25 inch, 1.2 MB, high density or 3.5 inch, 1.44 MB, high density; see above; include a spare diskette), return postage, and a suitable self-addressed package, to the author (see below). Also indicate the fonts desired (i.e. printer type and resolution). You can save the author from unpleasant work by using MFjob (which comes with emTeX) for generating fonts. Shipping at your risk. You also run the risk of having your address given to (a few) other people in your vicinity who want a copy of emTeX. ------------------------------------------------------------------------------ The author ------------------------------------------------------------------------------ Address: Eberhard Mattes Teckstrasse 81 (Teckstra\ss e) D-7141 Moeglingen (M\"oglingen) Federal Republic of Germany Questions only by mail! No telephone calls please! Please inclose a self-addressed return package with postage if you expect a response. Electronic mail (subject to sudden change): Internet: mattes@azu.informatik.uni-stuttgart.de [...] ------------------------------------------------------------------------------ ============================================================================== EMTEX386.DOC [3c-beta3] 11-Jun-1991 ============================================================================== This is the 3rd BETA TEST release of emTeX/386 (using emx 0.7l). Don't expect a perfect package or miracles. There will be enough unexpected miracles. ------------------------------------------------------------------------------ System Requirements ------------------------------------------------------------------------------ - CPU: 80386DX, 80386SX, or i486; *no* coprocessor required - Memory: 512KB minimum, 3MB recommended - Machine: as COMPAQ or IBM compatible as possible - Operating system: MS-DOS / PC-DOS 3.0 or later (OS/2 not supported) - VDISK.SYS supported (version 3.3 and later) - DPMI *not* supported yet (does not run under Windows 3.0) - EMS emulators using VCPI are supported - DESQview-386 is supported, but only with QEMM-386 (see notes) - XMS (himem.sys 2.06 or later) is supported - Hard disk, floppy disk, ... as required for emTeX [... :-] - Due to lazyness and lack of time, this document is available only in English(!) - The newest version of emTeX/386 is available for anonymous ftp on rusmv1.rus.uni-stuttgart.de [129.69.1.12] in the directory /soft/tex/machines/pc/emtex/betatest - Report problems to mattes@azu.informatik.uni-stuttgart.de [...] From @UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br Thu Jan 30 08:56:27 1992 Return-Path: <@UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br> Received: from UICVM.UIC.EDU by stolaf.edu (4.1/SMI-4.1) id AA09378; Thu, 30 Jan 92 08:56:27 CST Received: from brfapesp.bitnet by UICVM.UIC.EDU (IBM VM SMTP V2R1) with BSMTP id 6395; Thu, 30 Jan 92 08:56:29 CST Received: from ccvax.unicamp.ansp.br by brfapesp.bitnet with PMDF#10108; Thu, 30 Jan 1992 12:48 -0200(C) Received: from ccsun.unicamp.ansp.br by ccvax.unicamp.ansp.br (PMDF #12245) id <01GFXAKTCALS8WW1Z7@ccvax.unicamp.ansp.br>; Thu, 30 Jan 1992 10:51 GMT-0200 Received: from dcc.unicamp.ansp.br (dcc1-gw) by ccsun.unicamp.ansp.br (4.1/SMI-4.0) id AA13762; Thu, 30 Jan 92 10:41:15 EDT Received: from marumbi.unicamp.ansp.br by dcc.unicamp.ansp.br (4.1/SMI-4.1) id AA28037; Thu, 30 Jan 92 10:47:39 EDT Received: by marumbi.unicamp.ansp.br (4.1/SMI-4.1) id AA01852; Thu, 30 Jan 92 10:47:39 EDT Date: Thu, 30 Jan 92 10:47:39 EDT From: wagner%dcc.unicamp.ansp.br@UICVM.UIC.EDU (Wagner Ikeda) Subject: large TeX In-Reply-To: Christoph Fuchs's message of Thu, 30 Jan 92 07:26:49 EST <9201300854.AA05455@stolaf.edu> To: mutex Cc: mutex@stolaf.edu Message-Id: <9201301247.AA28037@dcc.unicamp.ansp.br> X-Envelope-To: mutex@stolaf.edu Thank you, Wagner Ikeda From @UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br Thu Jan 30 08:56:45 1992 Return-Path: <@UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br> Received: from UICVM.UIC.EDU by stolaf.edu (4.1/SMI-4.1) id AA09408; Thu, 30 Jan 92 08:56:45 CST Received: from brfapesp.bitnet by UICVM.UIC.EDU (IBM VM SMTP V2R1) with BSMTP id 6396; Thu, 30 Jan 92 08:56:46 CST Received: from ccvax.unicamp.ansp.br by brfapesp.bitnet with PMDF#10108; Thu, 30 Jan 1992 12:48 -0200(C) Received: from ccsun.unicamp.ansp.br by ccvax.unicamp.ansp.br (PMDF #12245) id <01GFXAOGSSZ48WW2AM@ccvax.unicamp.ansp.br>; Thu, 30 Jan 1992 10:54 GMT-0200 Received: from dcc.unicamp.ansp.br (dcc1-gw) by ccsun.unicamp.ansp.br (4.1/SMI-4.0) id AA13861; Thu, 30 Jan 92 10:44:31 EDT Received: from marumbi.unicamp.ansp.br by dcc.unicamp.ansp.br (4.1/SMI-4.1) id AA28113; Thu, 30 Jan 92 10:50:55 EDT Received: by marumbi.unicamp.ansp.br (4.1/SMI-4.1) id AA01891; Thu, 30 Jan 92 10:50:54 EDT Date: Thu, 30 Jan 92 10:50:55 EDT From: wagner%dcc.unicamp.ansp.br@UICVM.UIC.EDU (Wagner Ikeda) Subject: large TeX / full orchestra score In-Reply-To: Vincenzo De Florio's message of Mon, 27 Jan 92 15:41:42 MET <9201300847.AA05227@stolaf.edu> To: mutex Cc: mutex@stolaf.edu, mutex@stolaf.edu Message-Id: <9201301250.AA28113@dcc.unicamp.ansp.br> X-Envelope-To: mutex@stolaf.edu Thank you for your advice, Wagner Ikeda From dgold@basso.actrix.gen.nz Fri Jan 31 18:44:43 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA00666; Fri, 31 Jan 92 18:44:43 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Sat, 1 Feb 1992 13:44:26 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Sat, 1 Feb 92 01:11:57 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA006m9; Sat, 1 Feb 92 12:52:11 PST Date: Sat, 1 Feb 92 12:52:11 PST Message-Id: <9202012052.AA006m9@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: FAQ file I've been thinking about the FAQ file, and here are some questions that seem useful to me, and maybe the beginning of an answer to another one that seems popular. Questions: 1. Where's the glue? it's not clear to me when to use or not use \temps or just what it really does. 2. When and why do you really need to put \relax at the end of a line? (I guess it prevents the dreaded spaces at the end of lines, and it does seem to allow more readable code with things like: \notes\foo& \foobar& \blah\enotes but I'm not sure why it appears in the demos after lines like: \tracingstats=1\relax 3. What are the advantages or disadvantages of using ^ instead of \sh? Is one more flexible, or is it just a matter of typing style? 4. To my eye, the accidentals are a bit too close to the notes, and the \lsh variations have too much space for general use. Can I define my own spacing for accidentals, or will this cause trouble with the glue and spacing of everything else? A tip: It *is* explained in notice.tex, but it wasn't clear to me at first that running BigTeX is not the 1st thing to try when you get `TeX capacity exceeded' errors in large scores. Using \autolines or specifying line breaks with \alaligne, etc, means that TeX doesn't have to try and keep all the details of the entire piece in memory at once. (or something like that...) Has anyone got any more ideas? Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From newton Sun Feb 2 10:15:37 1992 Return-Path: Received: from asgaard.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA09576; Sun, 2 Feb 92 10:15:37 CST Date: Sun, 2 Feb 92 10:15:37 CST From: newton (Dale E. Newton) Message-Id: <9202021615.AA09576@stolaf.edu> Received: by asgaard.acc.stolaf.edu (4.1/SMI-4.1) id AA02216; Sun, 2 Feb 92 10:15:35 CST To: mutex Subject: SMUSTeX? Has anyone heard of the following uility? -- ------------ Article: 3942 of comp.sys.amiga.applications ------------ From: kzyx@vax5.cit.cornell.edu Newsgroups: comp.sys.amiga.applications Subject: Re: MusicTeX Date: 26 Jan 92 17:38:28 GMT Article-I.D.: vax5.1992Jan26.123828.10139 Organization: Cornell University What about SMUS2TeX, did anyone get it to work? The archive I found seems to be missing somes files. This package is nice because one could use DMCS as the front end. Save the file as SMUS, and use this program to convert to MusicTeX format. Regards Edval Santos esantos@macdlab.ee.cornell.edu From GLETTY@vmd.cso.uiuc.edu Wed Feb 5 13:40:06 1992 Return-Path: Received: from vmd.cso.uiuc.edu by stolaf.edu (4.1/SMI-4.1) id AA17641; Wed, 5 Feb 92 13:40:06 CST Message-Id: <9202051940.AA17641@stolaf.edu> Received: from VMD.CSO.UIUC.EDU by vmd.cso.uiuc.edu (IBM VM SMTP V2R1) with BSMTP id 7023; Wed, 05 Feb 92 13:39:09 CST Received: by UIUCVMD (Mailer R2.07) id 3196; Wed, 05 Feb 92 13:39:07 CST Date: 5 Feb 1992 1337 CST From: "Bruce E. Gletty" To: mutex Subject: Lost Mail Here is a piece of mail that consists of two pieces of mail joined together somehow. I am sending it on to all people mentioned in the headers. I am not sending it on to any list servers. Do not reply to this, the mail will come to me. Use forward to send it to the person you wish. Note - I don't know how the mail gets fused together. I just find it stuck in hold on RSCS's reader. I suspect that someone is leaving an smtp connection 'open' and other mail gets tacked onto it that way. All of the fused mail I have seen has had one of two sites as the originator of the first mail - utoronto and uiowa Its likely IBM's implementation of SMTP is doing something odd when it gets this situation. ---<<< Original note follows >>>---------------------- Received: by ugw.utcs.utoronto.ca id <23430>; Sat, 25 Jan 1992 19:58:34 -0500 To: mutex From: The UTCS Post Office Subject: Unresolvable mail address Cc: The Postmaster Message-Id: <92Jan25.195834est.23430@ugw.utcs.utoronto.ca> Date: Sat, 25 Jan 1992 19:24:58 -0500 Your message has been received by the University of Toronto Computing Services Postal System. A copy of it has been returned to you because one or more of the addresses you specified in the following message were not recognized as addresses that can be reached from this gateway. error: unresolvable: LNS@WELL.SF.CA ------- Original Message follows ------- rcvdfrom GRIN1.Bitnet with SMTP from to Date: Sat, 25 Jan 92 18:12:48 cdt From: "Me! (Shaw,Tara A)" To: mutex Subject: hi sorry I didn't write yesterday -- I forgot. things are fine here. There's a rollerskating party tonight in the Harris concert hall. They rented 200 pairs of rollerskates and people will get half hour turns. Julia and I were going to bring our rollerblades but apparently 200 is the largest amount of skates the hall can hold so we'll have to take a turn with everyone else. I went to the doctor yesterday but apparently I only have a cold. Oh ya and today I talked to a rugby player about insurance - because you have to have medical insurance and I wasn't sure Kaiser is good out here. She said she has east coast Kaiser and its fine. It pays for things as long as you contact them first. Is this true for me? If so how would I use it if I need to? Indoor practice for rugby starts Thursday - just to get in shape talk to you later love Tara Return-path: dgold@basso.actrix.gen.nz Received: from stolaf.edu (nic.stolaf.edu) by vx.acs.umn.edu; Sat, 25 Jan 92 19:01 CST Received: by stolaf.edu (4.1/SMI-4.1) id AA00427; Sat, 25 Jan 92 18:23:40 CST Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA00286; Sat, 25 Jan 92 18:22:21 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Sun, 26 Jan 1992 13:22:11 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Sun, 26 Jan 92 00:54:18 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA006fv; Sun, 26 Jan 92 12:52:26 PST Date: Sun, 26 Jan 92 12:52:26 PST From: dgold@basso.actrix.gen.nz Subject: Complex rhythms and barlines To: mutex Message-id: <9201262052.AA006fv@basso.actrix.gen.nz> X-Envelope-to: taupin@FRUPS51.BITNET I've just come across a problem in some music I'm arranging. There is a passage where the two staves have different meters for a short time: Treble: 6/8 | 5/8 Bass: 5/8 | 3/4 (the | just indicates the barline) Does anyone know how to do this so that a non-aligned barline can be created which will not be joined between the two staves, with things continuing normally after that? Also, is it possible just to have bar numbers appearing in the first bar of each line?? Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From dgold@basso.actrix.gen.nz Thu Feb 6 17:01:22 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA10125; Thu, 6 Feb 92 17:01:22 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Fri, 7 Feb 1992 12:01:10 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Thu, 6 Feb 92 23:36:40 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA006x7; Fri, 7 Feb 92 10:35:23 PST Date: Fri, 7 Feb 92 10:35:23 PST Message-Id: <9202071835.AA006x7@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Re: SMUSTeX? newton@stolaf.edu (Dale Newton) asked: > Has anyone heard of the following uility? -- > >> What about SMUS2TeX, did anyone get it to work? Smus2tex is supposed to convert Amiga SMUS files to MusicTeX format. It was written by Glenn Lewis (glewis@pcocd2.intel.com) on a Unix machine, but he thinks it should compile easily on an Amiga. He became tired of the project, and has placed it in the Public Domain if anyone else would like to continue with it. hadig@cip-s01.informatik.rwth-aachen.de (Thomas Hadig) has just informed me that: > If you are interested in the source code of smus2tex, you can find it via > ftp on amaru.informatik.rwth-aachen.de ( 137.226.112.31) in the directory > pub/amiga/usenet/ (lzh-packed). On the subject of Amigas - my son is writing me a mouse-driven front end for entering MusicTeX code. If there are any Amiga users on the mailing list, we'd be interested in hearing from them in email. Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From lingnau@math.uni-frankfurt.de Tue Feb 18 11:34:42 1992 Return-Path: Received: from gauss.math.uni-frankfurt.de ([141.2.90.1]) by stolaf.edu (4.1/SMI-4.1) id AA21370; Tue, 18 Feb 92 11:34:42 CST Received: by gauss.math.uni-frankfurt.de (AIX 3.1/UCB 5.61/Math. V1.04) id AA17997; Tue, 18 Feb 92 18:34:11 +0100 Message-Id: <9202181734.AA17997@gauss.math.uni-frankfurt.de> To: mutex Subject: Triplets, anyone? Date: Tue, 18 Feb 92 18:34:10 +0100 From: Anselm Lingnau I couldn't find anything in the NOTICE on this: how do you do triplets? I suppose I might code up an appropriate slur and position the 3 by hand, but has anybody got code to do this automatically? Thanks a lot, Anselm. -- Anselm Lingnau, Buchenweg 1, 6239 Eppstein| You see things, and you say `Why?' lingnau@math.uni-frankfurt.de Germany| But I dream things that never were, University of Frankfurt, CompSci and Maths| and say `Why not?' --- G. B. Shaw From dgold@basso.actrix.gen.nz Fri Feb 21 18:04:58 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA03476; Fri, 21 Feb 92 18:04:58 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Sat, 22 Feb 1992 13:03:39 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Sat, 22 Feb 92 00:59:22 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA007rl; Sat, 22 Feb 92 12:43:12 PST Date: Sat, 22 Feb 92 12:43:12 PST Message-Id: <9202222043.AA007rl@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Cc: lingnau@math.uni-frankfurt.de Subject: Re: Triplets, anyone? > how do you do triplets? That sounds like a good question for the FAQ list! It's already in musictex.tex, but without the `slur' you wanted. \xtuplet is the routine that puts a number under your beam, and the line: \def\triolet{\xtuplet3}% will provide you with a number under or over your beam and it could be adapted for sextuplets or anything else. This will make you a nice triplet: \Notes\ibl0j0\triolet M\qb0{jk}\tbl0\qb0j\enotes While looking for this, I also noticed a shortcut for terminating beams which I hadn't noticed in notice.tex: \Notes\ibl0j0\triolet M\qb0{jk}\tqb0j\enotes ^^^^^ Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From dgold@basso.actrix.gen.nz Sat Feb 22 16:40:33 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA17449; Sat, 22 Feb 92 16:40:33 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Sun, 23 Feb 1992 11:40:07 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Sat, 22 Feb 92 23:23:24 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA007u1; Sun, 23 Feb 92 11:16:53 PST Date: Sun, 23 Feb 92 11:16:53 PST Message-Id: <9202231916.AA007u1@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Adjusting vertical position of rests Hi, I'm working on an orchestral score which has many bars in 6/8 with this pattern: \notes\ibu0c0\qh0c\ds\tbu0\qh0c\enotes (8th note - 8th rest - 8th note, with the 8ths attached by a beam). is there any way I can create a macro that will adjust the rest vertically according to the pitch so that it doesn't conflict with the beam? Thanks, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From dgold@basso.actrix.gen.nz Mon Feb 24 04:42:27 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA02369; Mon, 24 Feb 92 04:42:27 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Mon, 24 Feb 1992 12:17:33 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Mon, 24 Feb 92 00:01:35 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA007vj; Mon, 24 Feb 92 11:57:41 PST Date: Mon, 24 Feb 92 11:57:41 PST Message-Id: <9202241957.AA007vj@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Clef change in middle of bar Daniel, I hope you're not getting tired of all my questions - I do appreciate all the help you've offered! As I understand it, MusicTeX only wants to change clefs at barlines. I often need to change in the middle of a bar, and since I work mostly with string music, I don't have an extra staff handy as keyboard music does. This almost works: \notes\ccl j\kern -2pt\clefdefa\kern 1pt\advance\transpose by -2\relax \ibbl0h4\qb0h\qb0j\tbl0\qb0l\enotes but if I need to change the spacing later via \autolines or \notes...\NOTES, horrible things begin to happen. Using \elemskip in some way to do the \kern seems possible, but beyond my knowledge at this time. Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From dgold@basso.actrix.gen.nz Mon Feb 24 04:42:38 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA02397; Mon, 24 Feb 92 04:42:38 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Mon, 24 Feb 1992 11:47:38 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Sun, 23 Feb 92 23:37:45 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA007vf; Mon, 24 Feb 92 11:27:25 PST Date: Mon, 24 Feb 92 11:27:25 PST Message-Id: <9202241927.AA007vf@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Re: Adjusting vertical position of rests > PURPOSEDLY, all rests (some mistakes) are \hboxes. Thus you can write > > \raise -2\internote\ds > > instead of \ds Yes, I see how that works, but wouldn't I have to determine one-by-one how much to \raise every \ds? My goal is to have a macro that will find a value for the \raise command according to the pitches and direction of the beams involved in the group of notes. Something like: % ( ) = { } for purposes of email transmission % 8th, beam up - adjusted \ds - 8th beam up % \def\dsu#1(ibu0(#1)0\qh0(#1)\raise #1\internote\ds\tbu0\qh0(#1)) I've probably omitted some important brackets, but of course, the main problem is that `\raise #1' will not be happy to receive a letter instead of a number for its argument... Notice.tex does mention that "if neccesary, a numeric symbol can be used to place a symbol independently of the active clef", but I don't understand how that might work. Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From igor@charles.ucdavis.edu Mon Feb 24 16:34:16 1992 Return-Path: Received: from ucdavis.ucdavis.edu by stolaf.edu (4.1/SMI-4.1) id AA18946; Mon, 24 Feb 92 16:34:16 CST Received: from charles.ucdavis.edu by ucdavis.ucdavis.edu (5.61/UCD2.03) id AA24923; Mon, 24 Feb 92 14:26:24 -0800 Received: by charles.ucdavis.edu (4.1/UCD2.03) id AA11610; Mon, 24 Feb 92 14:27:19 PST From: igor@charles.ucdavis.edu (Frog's Experimental Account) Date: Mon, 24 Feb 92 14:27:19 PST Message-Id: <9202242227.AA11610@charles.ucdavis.edu> To: mutex Subject: put me on the mutex mail list SUB MUSICTEX-L From @UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br Tue Feb 25 10:49:21 1992 Return-Path: <@UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br> Received: from UICVM.UIC.EDU by stolaf.edu (4.1/SMI-4.1) id AA06569; Tue, 25 Feb 92 10:49:21 CST Received: from brfapesp.bitnet by UICVM.UIC.EDU (IBM VM SMTP V2R1) with BSMTP id 6199; Tue, 25 Feb 92 10:49:17 CST Received: from ccvax.unicamp.ansp.br by brfapesp.bitnet with PMDF#10108; Tue, 25 Feb 1992 13:48 -0300(C) Received: from ccsun.unicamp.ansp.br by ccvax.unicamp.ansp.br (PMDF #12245) id <01GGXS8Z0KHS8WWE84@ccvax.unicamp.ansp.br>; Tue, 25 Feb 1992 13:46 GMT-0200 Received: from dcc.unicamp.ansp.br by ccsun.unicamp.ansp.br (4.1/SMI-4.0) id AA29261; Tue, 25 Feb 92 13:35:35 EST Received: from s2g.unicamp.ansp.br by dcc.unicamp.ansp.br (4.1/SMI-4.1) id AA19690; Tue, 25 Feb 92 13:42:05 EST Received: by s2g.unicamp.ansp.br (4.1/SMI-4.1) id AA09415; Tue, 25 Feb 92 13:42:33 EST Date: Tue, 25 Feb 92 13:42:05 EST From: wagner%dcc.unicamp.ansp.br@UICVM.UIC.EDU (Wagner Ikeda) Subject: cadenzas? To: mutex Message-Id: <9202251642.AA19690@dcc.unicamp.ansp.br> X-Envelope-To: mutex@stolaf.edu Hi, Does anyone out there have ever the need for very small notes? I don't know how to put a more complex ornament with 2 or more notes (without using mordants, etc.), for example: (small notes 1/8): cde /*ornament*/ (normal note 1/4): d /*main note*/ It becomes even more difficult if the score has a 'cadenza', which occurs on many piano scores, where a great number of small notes is used. There is 2 sizes of notes in musictex. Is it possible to change the size of the notes 'on the fly' (inside a bar), to contour this problem? Thanks! ---------------------------------------------------------------------- Wagner H. Ikeda wagner@dcc.unicamp.ansp.br projeto AHAND ============ |OOOO-O|-OO| Depto. de Ciencia Department of |O-OOOO|O-O| da Computacao Computer Science |OOOO-O|O-O| Universidade University of |O-OOOO|O-O| Estadual de Campinas Campinas ============ From dgold@basso.actrix.gen.nz Tue Feb 25 14:21:08 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA12375; Tue, 25 Feb 92 14:21:08 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Wed, 26 Feb 1992 09:20:37 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Tue, 25 Feb 1992 20:47:11 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA0081n; Wed, 26 Feb 92 08:44:19 PST Date: Wed, 26 Feb 92 08:44:19 PST Message-Id: <9202261644.AA0081n@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Re: Triplets, anyone? > Did you try that? IMHO it doesn't work: Yes Werner, you're right. I jumped to the conclusion that the \divide\noteskip part of the definition of \xtuplet was going to chose the correct place for the number. Still, this will work: \def\nbinstruments{1}\relax \debutextrait\transpose=7\relax \Notes\ibl0c0\qb0{cc}\xtuplet7e\qb0{cccc}\tbl0\qb0c\enotes\relax \Notes\ibl0c0\qb0{cc}{\transpose=-6\xtuplet7e}\qb0{cccc}\tbl0\qb0c\enotes \finextrait \bye Since IMHO, the numbers are better on the beam side, I'd do something like the second example, although it's bound to cause problems with slanted beams and long-stemmed notes. I wonder if there's a way to determine a good value for \transpose from the information in the \ibxxxx macro? Following along from this, I'd be interested to find a way to put the number between `square brackets' as is common with half-note triplets: |__ 3 __| Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From @mitvma.mit.edu:TAUPIN@FRUPS51.BITNET Fri Mar 13 13:59:49 1992 Return-Path: <@mitvma.mit.edu:TAUPIN@FRUPS51.BITNET> Received: from mitvma.mit.edu by stolaf.edu (4.1/SMI-4.1) id AA14064; Fri, 13 Mar 92 13:59:49 CST Message-Id: <9203131959.AA14064@stolaf.edu> Received: from MITVMA.MIT.EDU by mitvma.mit.edu (IBM VM SMTP V2R2) with BSMTP id 3805; Fri, 13 Mar 92 15:01:00 EST Received: from FRUPS51.BITNET (TAUPIN) by MITVMA.MIT.EDU (Mailer R2.08 R208004) with BSMTP id 2113; Fri, 13 Mar 92 15:00:58 EST Date: 13 MAR 92 20:53:10.76-GMT From: TAUPIN%FRUPS51.BITNET@mitvma.mit.edu Subject: MusicTeX 4.5 To: mutex The 4.5 version is beta-available at 130.84.128.100 Novelty: possibility of small and tiny notes (cadenzas) New doc: MUSICDOC.TEX in Latex (with index) New MUSICTEX.STY New fonts for small notes... From icking@gmdzi.gmd.de Tue Mar 17 06:59:41 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA01534; Tue, 17 Mar 92 06:59:41 CST Received: by gmdzi.gmd.de id AA25278 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Tue, 17 Mar 1992 13:59:12 +0100 Date: Tue, 17 Mar 1992 13:59:12 +0100 From: Werner Icking Message-Id: <199203171259.AA25278@gmdzi.gmd.de> To: mutex Subject: maximising hp-laserjet II output When typesetting notes I have always the problem that not enough notes fit on one page. Therefor I looked for maximising the logical page, to ensure that nearly every pixel could be used. I process MusicTeX with emTeX and printed the result ona HP-Laserjet II with (german) A4-paper. I developed the following "response-file" for dvihplj - the dvi-to-printer driver of emTeX: ----------------------------------------------------------------------- % hplj.cnf (300x300 DPI using LJ fonts) /pd=%DVIDRVINPUT% /pl=%DVIDRVFONTS%;lj_0;lj_h;lj_1;lj_2;lj_3;lj_4;lj_5a;lj_5b /pf=%DVIDRVFONTS% /pg=%DVIDRVGRAPH% /pt=%TMP%\dviout.dlg /r=300 /rf=300 /h=286.935333333mm %/ta=5.08mm /w=197.950666667mm /la=4.233333333333mm /fs=1 ----------------------------------------------------------------------- The /ta-parameter is not used because dvihplj interprets /ta and /la in a different way. To view a dvi-file on my screen with an EIZO-vga card (Tseng Labs EVA 800x600) I use the following response file which shows exactly what my laserjet may print: ----------------------------------------------------------------------- % eizo.cnf (ensure visibility on HPLJ - 300x300 DPI using LJ fonts) /pd=%DVIDRVINPUT% /pl=%DVIDRVFONTS%;lj_0;lj_h;lj_1;lj_2;lj_3;lj_4;lj_5a;lj_5b /pf=%DVIDRVFONTS% /pg=%DVIDRVGRAPH% /pt=%TMP%\dviout.dlg /h=286.935333333mm /ta=5.08mm /w=197.950666667mm /la=4.233333333333mm /s=2 /fl=-1 /o=3 /oa=8 --------------------------------------------------------------------------- Here /ta has to be specified to see exactly what the laserjet will print. The MusicTeX-input based on the plain-TeX definitions defines the size and position of the locical page with following definitions: \hoffset=-21.16666666mm \hsize=197,9506666666mm \voffset=-20.32mm \vsize=286.9353333333mm If you use the american letter format use the following specification (which I did not test!): /h=269.24mm [%]/ta=5.08mm /w=203.2mm /la=4.233333333333mm \hoffset=-21.16666666mm \hsize=203.2mm \voffset=-20.32mm \vsize=269.24mm Happy Mu(sic)TeX-ing Werner PS: Based on a solution of Martin C. Mueller" for twoup-print of TeX output on a HP-laserjet-II I generated the MusicTeX-fonts for 212 dpi. If anyone is interested in this nice feature I'm willing to tell the details. You can get something like Taschenpartituren (pocket-scores). PPS: This works for the newest MusicTeX version (4.5) (available by ano- nymous ftp from: ftp.gmd.de music/musictex/musictex.zip :-), too. From KUYKENS@AMC.UVA.NL Mon Mar 23 10:06:26 1992 Return-Path: Received: from vx.acs.umn.edu by stolaf.edu (4.1/SMI-4.1) id AA21719; Mon, 23 Mar 92 10:06:26 CST Received: from HASARA5.BITNET by vx.acs.umn.edu; Mon, 23 Mar 92 10:06 CST Received: from VAX1.SARA.NL by SARA.NL for mutex@stolaf.edu; 23 Mar 92 17:05 MET Received: from AMC.UVA.NL by VAX1.SARA.NL; Mon, 23 Mar 92 17:04 MET Date: Mon, 23 Mar 92 16:59 MET From: KUYKENS@AMC.UVA.NL Subject: MIDI 2 MusicTeX translator To: mutex Message-Id: <7FAC826B77450031C3@AMC.UVA.NL> X-Envelope-To: mutex@stolaf.edu X-Vms-To: IN%"mutex@stolaf.edu" Currently I am working on a program which translates standard MIDI type 1 files into MusicTeX source code. An alfa version is ready and available soon. I'' tell more about it soon. Hans Kuykens From Robin.Fairbairns@lsl.co.uk Tue Mar 24 13:31:16 1992 Return-Path: Received: from eros.uknet.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA18994; Tue, 24 Mar 92 13:31:16 CST Received: from lsl.co.uk by eros.uknet.ac.uk via PSS with NIFTP (PP) id <28246-0@eros.uknet.ac.uk>; Tue, 24 Mar 1992 09:43:59 +0000 Received: by lsl.co.uk (MX V3.1) id 16139; Tue, 24 Mar 1992 09:42:22 GMT Sender: "Robin.Fairbairns" Date: Tue, 24 Mar 1992 09:41:11 GMT From: Robin Fairbairns To: mutex Message-Id: <009580DF.726D0F20.16139@lsl.co.uk> Subject: The structure of MusicTeX.sty I've recently started incorporating musical fragments into an autobiographical doodle I'm writing. The effect is good: thanks to all involved. However, I did have a couple of surprises when I first started: 1. The style subverts LaTeX's \sf command, which I was using before I incorporated music. The effect was startling: I had to think quite a number of times before I realised what was going on! I feel that there are two possible solutions to this problem: a) the (undocumented) MusicTeX command should be withdrawn altogether from MusicTeX (or from MusicLaTeX) - my favourite solution, since I abhor these clashes of command usage b) \sf should only be switched on while you're in the \begin{music} environment Unfortunately, I can't discern from the source precisely _how_ \sf differs from \usf or \lsf, so I can't decide how much would be lost if it would be withdrawn. 2. The style sets \parindent! (I noticed this because I was already using a style that subverts \parindent). Surely, no part of MusicTeX need set \parindent? It's set by plain.tex and lplain.tex, which must surely be enough... Fwiw, I'm using Daniel Taupin's recently announced test version. (Which documents \Upz and \Lpz, but doesn't implement them... :-( I wanted them for a whistled motif of my father's!) -- Robin Fairbairns, Senior Consultant, postmaster and general dogsbody Laser-Scan Ltd., Science Park, Milton Rd., Cambridge CB4 4FY, UK Email: robin@lsl.co.uk --or-- rf@cl.cam.ac.uk From deflorio@minsky.csata.it Wed Mar 25 05:21:23 1992 Return-Path: Received: from minsky.csata.it by stolaf.edu (4.1/SMI-4.1) id AA01499; Wed, 25 Mar 92 05:21:23 CST Message-Id: <9203251121.AA01499@stolaf.edu> Received: by minsky.csata.it (16.6/16.2) id AA22759; Wed, 25 Mar 92 12:21:22 +0100 From: Vincenzo De Florio Subject: smus2tex To: mutex Date: Wed, 25 Mar 92 12:21:21 MET Cc: deflorio@minsky.csata.it Mailer: Elm [revision: 66.25] Dear Sirs, some time ago I read an e-mail from this group concerning the Smus2TeX package by Glenn Lewis. I was very interested, so I got a copy of the package and tried to run it on my PC. I was missing a header file (cdefs.h) and a source file (bcopy.c) that I easily found on the net (thanks Archie!). So I successfully compiled smus2tex, but I coudn't find any trace of the SMUS source code, enterteiner.smus, mentioned in the package. Then I contacted mr. Lewis, that was so kind to help me to understand better what SMUS and IFF standards are. He wasn't able to give me a copy of any smusfile, though, so I searched a bit for them. Now I've finally found one, and I've generated a syntactically corrected MusicTeX source code, that presents of course all the problems expectable in a non-manual encoding process, but it works. I got a better output changing all \NOTEs, \NOTes etc to \Notes. If any of you is interested I could post my result. Thanks, Glenn, and of course, thanks Daniel! - Vincenzo De Florio deflorio@minsky.csata.it From Rene.Quiniou@irisa.fr Fri Mar 27 08:23:06 1992 Return-Path: Received: from irisa.irisa.fr by stolaf.edu (4.1/SMI-4.1) id AA12088; Fri, 27 Mar 92 08:23:06 CST Received: from sunia.irisa.fr by irisa.irisa.fr; Fri, 27 Mar 1992 15:23:06 +0100 (5.65c8/92-03-17) Message-Id: <199203271423.AA15817@irisa.irisa.fr> To: mutex Cc: mutex@stolaf.edu Subject: Re: smus2tex Date: Fri, 27 Mar 92 15:23:21 +0100 From: Rene.Quiniou@irisa.fr In his mail, dated Wed, 25 Mar 92 12:21:21 +0700, Vincenzo De Florio wrote: > > > > If any of you is interested I could post my result. > > Thanks, Glenn, and of course, thanks Daniel! > > > - Vincenzo De Florio > deflorio@minsky.csata.it > I am interested. Please post your results! =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= QUINIOU Rene quiniou@irisa.fr INRIA / IRISA Phone : +33 99 84 73 19 Campus Universitaire de Beaulieu Fax : 99 38 38 32 35042 RENNES CEDEX - FRANCE Telex : UNIRISA 950 473F =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= From KUYKENS@AMC.UVA.NL Fri Apr 3 09:47:47 1992 Return-Path: Received: from vx.acs.umn.edu by stolaf.edu (4.1/SMI-4.1) id AA17105; Fri, 3 Apr 92 09:47:47 CST Received: from HASARA5.BITNET by vx.acs.umn.edu; Fri, 3 Apr 92 09:51 CST Received: from VAX1.SARA.NL by SARA.NL for mutex@stolaf.edu; 3 Apr 92 17:52 MET Received: from AMC.UVA.NL by VAX1.SARA.NL; Fri, 3 Apr 92 17:45 MET Date: Fri, 3 Apr 92 17:43 MET From: KUYKENS@AMC.UVA.NL Subject: Midi2TeX translator To: mutex mutex@stolaf.edu Message-Id: <77018573F8FD001663@AMC.UVA.NL> X-Envelope-To: mutex@stolaf.edu X-Vms-To: @SENDASK.GRP To all MusicTeX/MIDI users, In the past months I have been working on a translator program, MIDI2TEX which maps MIDI files to a MusicTeX file. Though not completely bug free the software could use some external input to test its proper function. Therefore, I would like to invite you to receive a test version of the software. The aim is that you try it on some of your MIDI files and report back your findings to me. The software is available for the Atari-ST and PC compatible. On the Atari the core program is of TTP type. I wrote a dedicated GEM shell which simplifies the use. Such a shell is not available for the PC version. Some features of MIDI2TEX are : * translation of notes into MusicTeX format * one or more MIDI tracks are supported * skip tracks * glue tracks into one (MusicTeX) instrument * selection of bass or violin cleff for any track * slurring of notes * selection of measure segmentation * debugging info to screen/file/printer If you are interested please tell me so by e-mail. I will then send you the software in ARC'ed and uuencoded format through e-mail. greetings : Hans Kuykens From KUYKENS@AMC.UVA.NL Fri Apr 3 10:00:42 1992 Return-Path: Received: from vx.acs.umn.edu by stolaf.edu (4.1/SMI-4.1) id AA17548; Fri, 3 Apr 92 10:00:42 CST Received: from HASARA5.BITNET by vx.acs.umn.edu; Fri, 3 Apr 92 10:04 CST Received: from VAX1.SARA.NL by SARA.NL for mutex@stolaf.edu; 3 Apr 92 18:05 MET Received: from AMC.UVA.NL by VAX1.SARA.NL; Fri, 3 Apr 92 17:56 MET Date: Fri, 3 Apr 92 17:50 MET From: KUYKENS@AMC.UVA.NL Subject: MidiTeX translator To: mutex mutex@stolaf.edu Message-Id: <7700963BA1FF001663@AMC.UVA.NL> X-Envelope-To: mutex@stolaf.edu X-Vms-To: @SENDASK.GRP To all MusicTeX/MIDI users, In the past months I have been working on a translator program, MIDI2TEX which maps MIDI files to a MusicTeX file. Though not completely bug free the software could use some external input to test its proper function. Therefore, I would like to invite you to receive a test version of the software. The aim is that you try it on some of your MIDI files and report back your findings to me. The software is available for the Atari-ST and PC compatible. On the Atari the core program is of TTP type. I wrote a dedicated GEM shell which simplifies the use. Such a shell is not available for the PC version. Some features of MIDI2TEX are : * translation of notes into MusicTeX format * one or more MIDI tracks are supported * skip tracks * glue tracks into one (MusicTeX) instrument * selection of bass or violin cleff for any track * slurring of notes * selection of measure segmentation * debugging info to screen/file/printer If you are interested please tell me so by e-mail. I will then send you the software in ARC'ed and uuencoded format through e-mail. greetings : Hans Kuykens From ger@cv.ruu.nl Fri Apr 10 14:01:46 1992 Return-Path: Received: from infix.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA09074; Fri, 10 Apr 92 14:01:46 CDT Received: from prisma.cv.ruu.nl by infix.cs.ruu.nl with SMTP id AA21888 (5.65c/IDA-1.4.4 for ); Fri, 10 Apr 1992 21:01:47 +0200 Received: from triton.cv.ruu.nl.cv.ruu.nl (triton.cv.ruu.nl) by prisma.cv.ruu.nl with SMTP id AA21767 (5.65c/IDA-1.4.4 for ); Fri, 10 Apr 1992 21:00:21 +0200 Message-Id: <199204101900.AA21767@prisma.cv.ruu.nl> Received: by triton.cv.ruu.nl; Fri, 10 Apr 1992 21:00:20 +0200 From: ger@cv.ruu.nl Subject: FAQ ? problem To: mutex Date: Fri, 10 Apr 92 21:00:20 METDST X-Mailer: ELM [version 2.3 PL11] Hello there, How do I set up a working musictex environment ? We do have mf. The problem is that I can run tex on notice.tex, but the music fonts cannot be found. Do I have to set TEXFONTS and/or DVIFONTS ? And I want to convert the resulting dvi file to PostScript with dvi2ps, is this possible ? Sorry, if this is a FAQ. -- =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= = Ger Timmens, Univesity Hospital Utrecht, 3D Comp.Vision = =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= = _TT /| |~ Keep = = >====ttt===< | O| |~ on = = {_|||_} \| O| Blowing = =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= =I'd rather hear Chet miss a note, than Wynton make a thousand= =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= = Tel.: 030-506711 @-mail: ger@cv.ruu.nl = =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= From piet@cs.ruu.nl Sat Apr 11 10:54:23 1992 Return-Path: Received: from infix.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA16528; Sat, 11 Apr 92 10:54:23 CDT Received: from alchemy.cs.ruu.nl (gnu.cs.ruu.nl) by infix.cs.ruu.nl with SMTP id AA02090 (5.65c/IDA-1.4.4 for ); Sat, 11 Apr 1992 17:54:23 +0200 Received: by alchemy.cs.ruu.nl (16.6/15.6) id AA10552; Sat, 11 Apr 92 17:54:21 +0200 Date: Sat, 11 Apr 92 17:54:21 +0200 From: Piet van Oostrum Message-Id: <9204111554.AA10552@alchemy.cs.ruu.nl> To: mutex Cc: mutex@stolaf.edu Subject: Re: FAQ ? problem References: <199204101900.AA21767@prisma.cv.ruu.nl> >>>>> ger@cv.ruu.nl (GT) writes: GT> How do I set up a working musictex environment ? GT> We do have mf. GT> The problem is that I can run tex on notice.tex, but the music GT> fonts cannot be found. GT> Do I have to set TEXFONTS and/or DVIFONTS ? And I want to GT> convert the resulting dvi file to PostScript with dvi2ps, is GT> this possible ? You must move (or copy) the tfm files to a directory in TEXFONTS (e.g. the standard one), and the pk files to a directory where your dvi driver expects them (and possibly rename them to fit the naming scheme). If you can't move the pk files to the standard directory, the directory where you put them must be named in TEXFONTS, TEXPKS or something similar (see the doc on the dvi2ps version you have. In some cases you must run metafont, e.g if you don't have a write-black 300dpi laser printer. Piet van Oostrum From piet@cs.ruu.nl Sat Apr 11 11:03:30 1992 Return-Path: Received: from infix.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA16806; Sat, 11 Apr 92 11:03:30 CDT Received: from alchemy.cs.ruu.nl (gnu.cs.ruu.nl) by infix.cs.ruu.nl with SMTP id AA02117 (5.65c/IDA-1.4.4 for ); Sat, 11 Apr 1992 18:03:27 +0200 Received: by alchemy.cs.ruu.nl (16.6/15.6) id AA10554; Sat, 11 Apr 92 18:03:26 +0200 Date: Sat, 11 Apr 92 18:03:26 +0200 From: Piet van Oostrum Message-Id: <9204111603.AA10554@alchemy.cs.ruu.nl> To: mutex Subject: A few suggestions I have a few suggestions for changes to musictex and its doc: I guess Daniel is reading this list. First Karl Berry introduced a change to suppress the printing of bar numbers with a conditional \ifprintbarnumbers. Moreover he had a \ifverbose to suppress the messages on the screen (which I find not essential). Both changes are very simple. The musical rests (soupir and pause) are not documented. An index in the documentation would be very useful, maybe together wih a finer section numbering scheme. I find it very hard to find a specific feature in the doc. I had a peculiar problem last night where the notes got separated from the staff. I traced it down to a blank line within the score. I think it would be useful to disable \par within a score (e.g. by \def\par{}). I think this should be done in \debutmorceau and \reprmorceau and reset in \finmorceau and \(z)suspmorceau. I don't know if this would give any problems. By the way, I am willing to do some coding for the above, especially the easy pieces :=) I don't want to make nonstandard versions, however, so I do it only if Daniel agrees to put the in the official version. Piet* van Oostrum, Dept of Computer Science, Utrecht University, Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 531806 Uucp: uunet!mcsun!ruuinf!piet Telefax: +31 30 513791 Internet: piet@cs.ruu.nl (*`Pete') From piet@cs.ruu.nl Sun Apr 26 08:24:36 1992 Return-Path: Received: from infix.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA15626; Sun, 26 Apr 92 08:24:36 CDT Received: by infix.cs.ruu.nl id AA07239 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Sun, 26 Apr 1992 15:24:39 +0200 Date: Sun, 26 Apr 1992 15:24:39 +0200 From: Piet van Oostrum Message-Id: <199204261324.AA07239@infix.cs.ruu.nl> To: mutex Subject: some bugs The definition of \w@hppp is wrong (it says \def w@hpp). The doc says that on \ibl n n should be 0-6. This must be 0-5. For 6 you need musicadd. there are no pointed versions for \cc.. (e.g. \ccup) Piet* van Oostrum, Dept of Computer Science, Utrecht University, Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 531806 Uucp: uunet!mcsun!ruuinf!piet Telefax: +31 30 513791 Internet: piet@cs.ruu.nl (*`Pete') From KUYKENS@AMC.UVA.NL Tue Apr 28 15:37:14 1992 Return-Path: Received: from vx.acs.umn.edu by stolaf.edu (4.1/SMI-4.1) id AA20750; Tue, 28 Apr 92 15:37:14 CDT Received: from HASARA5.BITNET by vx.acs.umn.edu; Tue, 28 Apr 92 15:38 CST Received: from VAX1.SARA.NL by SARA.NL for mutex@stolaf.edu; 28 Apr 92 22:41 MET Received: from AMC.UVA.NL by VAX1.SARA.NL with PMDF#10201; Tue, 28 Apr 1992 22:40 MET Date: Tue, 28 Apr 92 22:35 MET From: KUYKENS@AMC.UVA.NL Subject: Help on \autolines and \Notes wanted To: mutex Message-Id: <63339AADCA19001450@AMC.UVA.NL> X-Envelope-To: mutex@stolaf.edu X-Vms-To: STOLAF Hello MusicTeX users, Can somebody explain me what the commands : \notes ...\NOTES exactly do ? Do they determine the distance between the notes within the column starting with the command or do they determine the distance between the columns ? I find the manual not very clear on this point. I am using \autolines{12}45 to get line breaking automatic. But when measures with lots of notes appear the last measure on a line spills over the paper's margin with lots of rubbish at the end of the line. How do the commands \notes and \autoline relate to each other ? If I know the number of notes in a measure in any of the staffs, is there a rule which always combines a correct setting of \autolines parameters and \notes (\Notes... etc.) in each of the staffs so that I don't end up with spilling measure over the margins of the paper ? I am currently working on a new version of MIDI2TeX and I would like to see if there is a solution to this problem which I can build into the program. thanks in advance and greetings : Hans Kuykens From jco@daimi.aau.dk Wed Apr 29 01:54:35 1992 Return-Path: Received: from daimi.aau.dk by stolaf.edu (4.1/SMI-4.1) id AA05282; Wed, 29 Apr 92 01:54:35 CDT Received: from torun.daimi.aau.dk by daimi.aau.dk with SMTP (5.61++/IDA-1.2.8) id AA03674; Wed, 29 Apr 92 08:54:00 +0200 Received: by torun.daimi.aau.dk (5.64/1.34) id AA21634; Tue, 28 Apr 92 19:37:54 +0200 Date: Tue, 28 Apr 92 19:37:54 +0200 From: jco@daimi.aau.dk Message-Id: <9204281737.AA21634@torun.daimi.aau.dk> To: mutex Subject: Problem with MuTeX' boxes. I have recently obtained the MuTeX and the MusicTeX packages from rsovax.ups.circe.fr. Since I haven't managed to get the MusicTeX run proberly I am now trying out the MuTeX. Everything works fine, except one: The \1{note(s)}\2{note(s)}\* asdescribed by F.Jalbert in the MuTeX User's Guide v1.1 is not working. When the 1. box starts at the beginning of a line, the notelines are missing on the whole staff-line. The same thing happends when the two boxed are split over 2 staff-lines. In the latter case, the clef is also missing on the staff-line containing the 2. box ( got that ? ). I code something like: ... % \1\v{2}\group{\\{....}}\ubeam{1}{2}[ ... \v{2}% \2\v{2} ... \v{2}\*% ... I have o (ups) allready done the patches suggested by F.Jalbert in the guide. Since I am planning to code a SMUS-to-MuTeX converter I would be very greatefull to receive help from someone - maybe if someone is familiar with the MuTeX-packages he will help me later on in the project when other problems pop up. (They will, I know by experience :-< ). Thanks ! From hartley@maths.uwa.oz.au Mon May 18 04:21:16 1992 Return-Path: Received: from madvax.maths.uwa.oz.au ([130.95.16.1]) by stolaf.edu (4.1/SMI-4.1) id AA03976; Mon, 18 May 92 04:21:16 CDT Message-Id: <9205180921.AA03976@stolaf.edu> Received: by madvax.maths.uwa.oz.au (5.61+IDA+MU) id AA00472; Mon, 18 May 1992 17:21:20 +0800 From: hartley@maths.uwa.oz.au (Mike Hartley) Subject: MuTeX on the PS2 To: mutex Date: Mon, 18 May 92 17:21:19 WST X-Mailer: ELM [version 2.3 PL0] G'Day from WA! That's Western Australia, not Washington. I'm new to the mailing list - Craig @stolaf suggested I join it so that I can throw this question to an open audience: Does anyone know where I can get MuTeX or MusicTeX with the appropriate fonts to run on an IBM (PS/2)? Yours, Madvax Mike From KUYKENS@AMC.UVA.NL Tue May 19 04:36:33 1992 Return-Path: Received: from vx.acs.umn.edu by stolaf.edu (4.1/SMI-4.1) id AA07403; Tue, 19 May 92 04:36:33 CDT Received: from HASARA5.BITNET by vx.acs.umn.edu; Tue, 19 May 92 04:38 CST Received: from VAX1.SARA.NL by SARA.NL for mutex@stolaf.edu; 19 May 92 11:41 MET Received: from AMC.UVA.NL by VAX1.SARA.NL with PMDF#10201; Tue, 19 May 1992 10:57 MET Date: Tue, 19 May 92 10:51 MET From: KUYKENS@AMC.UVA.NL Subject: new version of MIDI2TeX V0.3 To: mutex Message-Id: <53157677186D003173@AMC.UVA.NL> X-Envelope-To: mutex@stolaf.edu X-Vms-To: STOLAF To all MusicTeX/MIDI users, MIDI2TeX translates type 1 standard MIDI files into MusicTeX code. Some weeks ago I distributed an alfa test version to people who have shown interest in the program. Some of them have send bug reports which have lead to the present new version of the program (V 0.3). I already have send the new version of the program to those who received the previous version(s). If you are interested in the program and have not received it before please notify and I will send it. The software is available for the Atari-ST and PC compatible. On the Atari the core program is of TTP type. I wrote a dedicated GEM shell which simplifies the use. Such a shell is not available for the PC version. Some features of MIDI2TEX are : * translation of notes into MusicTeX format * one or more MIDI tracks are supported * skip tracks * glue tracks into one (MusicTeX) instrument * selection of bass or violin cleff for any track * slurring and beaming of notes * selection of measure segmentation * debugging info to screen/file/printer * selection of document size If you are interested please tell me so by e-mail. Don't forget to specify for which computer. I will then send you the software in ARC'ed and uuencoded format through e-mail. greetings : Hans Kuykens From @ai.leeds.ac.uk,@dcs.leeds.ac.uk:kia@dcs.leeds.ac.uk Tue May 19 16:47:25 1992 Return-Path: <@ai.leeds.ac.uk,@dcs.leeds.ac.uk:kia@dcs.leeds.ac.uk> Received: from sun2.nsfnet-relay.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA19675; Tue, 19 May 92 16:47:25 CDT Via: ai.leeds.ac.uk; Tue, 19 May 1992 22:47:05 +0100 Via: dcs.leeds.ac.uk (csvax1.ARPA); Tue, 19 May 92 22:47:09 GMT From: K C Ng Date: Tue, 19 May 92 22:43:09 GMT Message-Id: <8658.9205192243@dcs.leeds.ac.uk> Received: from dcs.leeds.ac.uk by dcs.leeds.ac.uk; Tue, 19 May 92 22:43:09 GMT To: mutex Subject: Re: new version of MIDI2TeX V0.3 Cc: kia@dcs.leeds.ac.uk Hi, This is great stuff ! Well safe all of us here from lerning musicTeX :) Thank you very much. Well, in fact, I am using MusicTeX on a unix machine, SGI (silicon graghics iris indigo) and there are Laser printers connected over the net, thus it would be easier for me if you have a version for Unix ? Anyway, we have Atari and PC as well. May I have both version ( PC and Atari ) ? Thanks. My email address is :: kia@uk.ac.leeds.dcs Thank you very much kia From KUYKENS@AMC.UVA.NL Fri May 22 04:21:02 1992 Return-Path: Received: from vx.acs.umn.edu by stolaf.edu (4.1/SMI-4.1) id AA17550; Fri, 22 May 92 04:21:02 CDT Received: from HASARA5.BITNET by vx.acs.umn.edu; Fri, 22 May 92 04:22 CST Received: from VAX1.SARA.NL by SARA.NL for mutex@stolaf.edu; 22 May 92 11:26 MET Received: from AMC.UVA.NL by VAX1.SARA.NL with PMDF#10201; Fri, 22 May 1992 11:25 MET Date: Fri, 22 May 92 11:19 MET From: KUYKENS@AMC.UVA.NL Subject: How do I omit gaps in slurs ?? To: mutex Message-Id: <50B5FA8F77C90042BC@AMC.UVA.NL> X-Envelope-To: mutex@stolaf.edu X-Vms-To: STOLAF Hello MusicTeX users, Can somebody explain me how to get rid of the gaps in slurs between notes in two different measures ? I thought that placing \temps in front of the measure part (i.e. \notes \enotes pair) would glue the lines together (as mentioned in the manual) but that does not work. greetings : Hans Kuykens From LVENEMA@KVI.nl Fri May 22 05:37:29 1992 Return-Path: Received: from KVIEXP.KVI.NL by stolaf.edu (4.1/SMI-4.1) id AA18700; Fri, 22 May 92 05:37:29 CDT Received: from KVI.nl by KVI.nl (PMDF #12302) id <01GKB9754LR4ATL47T@KVI.nl>; Fri, 22 May 1992 12:37 WET-DST Date: Fri, 22 May 1992 12:37 WET-DST From: "LARS VENEMA, KVI, ZERNIKELAAN 25, 9747 AA GRONINGEN, THE NETHERLANDS" Subject: gaps in slurs ?? To: mutex Message-Id: <01GKB9754LR4ATL47T@KVI.nl> X-Envelope-To: mutex@stolaf.edu X-Vms-To: IN%"mutex@stolaf.edu" Hello MusicTeX-users, It is nice that the question of slurs popped up as this caused me also lots of work. The workaround I found is very bad and it is my feeling that this problem has to be solved in the MusicTeX definition itself. Is there indeed someone who did this? The problems got worse when I had my slurs over bar where the measure was changed. Somehow, MusicTeX misses some horizontal spacing in calculating the slurlength. greetings: Lars Venema From daemon@tools.de Fri May 22 07:28:31 1992 Return-Path: Received: from mail.Germany.EU.net by stolaf.edu (4.1/SMI-4.1) id AA20144; Fri, 22 May 92 07:28:31 CDT Received: from [192.76.135.70] by mail.Germany.EU.net with SMTP (5.65+/UNIDO-2.1.0.b) via EUnet for stolaf.edu id AA13651; Fri, 22 May 92 14:28:26 +0200 Received: by kurt.tools.de (4.1/TooLs-3.0) id AA07421; Fri, 22 May 92 14:26:25 +0200 To: mutex Path: tools!daemon From: "LARS VENEMA, KVI, ZERNIKELAAN 25, 9747 AA GRONINGEN, THE NETHERLANDS"" -a Newsgroups: tools.mutex Subject: gaps in slurs ?? Message-Id: <6238@kurt.tools.de> Date: 22 May 92 12:26:24 GMT Sender: daemon@tools.de Lines: 10 Hello MusicTeX-users, It is nice that the question of slurs popped up as this caused me also lots of work. The workaround I found is very bad and it is my feeling that this problem has to be solved in the MusicTeX definition itself. Is there indeed someone who did this? The problems got worse when I had my slurs over bar where the measure was changed. Somehow, MusicTeX misses some horizontal spacing in calculating the slurlength. greetings: Lars Venema From cdr@stolaf.edu Fri May 22 09:23:53 1992 Return-Path: Received: from sachiko.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA23014; Fri, 22 May 92 09:23:53 CDT Received: by sachiko.acc.stolaf.edu (4.1/SMI-4.1) id AA15058; Fri, 22 May 92 09:23:52 CDT Message-Id: <9205221423.AA15058@sachiko.acc.stolaf.edu> To: mutex Subject: Test/Problem Date: Fri, 22 May 92 09:23:51 -0500 From: cdr@stolaf.edu This is a test message. Please forgive. The last message posted to the mutex mailing list bounced horrendously, so we'll see if this one does any better. Sorry about the inconvenience. Craig -- Craig D. Rice UNIX Systems Specialist/Network Analyst cdr@stolaf.edu Academic Computing Center, St. Olaf College +1 507 646-3631 1520 St. Olaf Avenue +1 507 646-3549 FAX Northfield, MN 55057-1098 USA From icking@gmdzi.gmd.de Mon May 25 02:51:51 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA13383; Mon, 25 May 92 02:51:51 CDT Received: by gmdzi.gmd.de id AA07426 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Mon, 25 May 1992 09:51:33 +0200 Date: Mon, 25 May 1992 09:51:33 +0200 From: Werner Icking Message-Id: <199205250751.AA07426@gmdzi.gmd.de> To: mutex Subject: Re: How do I omit gaps in slurs ?? First to say: sometimes there seems to be no way to get rid of the gaps in the slurs. But first you may play around with the spacing-definitions: \normal, \etroit, or \large. In addition you should use \raggedlinestrue. Then you may find those bars which are too much expanded during line-breaking with right margin justification. Changing \Notes to \NOtes (or similar) for these bars may help to avoid gaps within the slurs. I do not understand why MusicTeX isn't able to to fill the gaps but this advice of Daniel Taupin helped much. And you should always use the newest version of MusicTeX because I noticed that the solution for this problem was better from version to version. Let's hope for the best and expect the worst. Werner -- Werner Icking icking@gmd.de (+49 2241) 14-2443 __o GMD - Gesellschaft fuer Mathematik und Datenverarbeitung mbH _`\<,_ Schloss Birlinghoven, P.O.Box 1316, D-5205 Sankt Augustin, Germany (_)/ (_) "Der Dativ ist dem Genitiv sein Tod." ~~~~~~~~~~~ From icking@gmdzi.gmd.de Mon May 25 02:52:13 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA13427; Mon, 25 May 92 02:52:13 CDT Received: by gmdzi.gmd.de id AA07440 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Mon, 25 May 1992 09:52:00 +0200 Date: Mon, 25 May 1992 09:52:00 +0200 From: Werner Icking Message-Id: <199205250752.AA07440@gmdzi.gmd.de> To: mutex Subject: Re: gaps in slurs ?? First to say: sometimes there seems to be no way to get rid of the gaps in the slurs. But first you may play around with the spacing-definitions: \normal, \etroit, or \large. In addition you should use \raggedlinestrue. Then you may find those bars which are too much expanded during line-breaking with right margin justification. Changing \Notes to \NOtes (or similar) for these bars may help to avoid gaps within the slurs. I do not understand why MusicTeX isn't able to to fill the gaps but this advice of Daniel Taupin helped much. And you should always use the newest version of MusicTeX because I noticed that the solution for this problem was better from version to version. Let's hope for the best and expect the worst. Werner -- Werner Icking icking@gmd.de (+49 2241) 14-2443 __o GMD - Gesellschaft fuer Mathematik und Datenverarbeitung mbH _`\<,_ Schloss Birlinghoven, P.O.Box 1316, D-5205 Sankt Augustin, Germany (_)/ (_) "Der Dativ ist dem Genitiv sein Tod." ~~~~~~~~~~~ From KUYKENS@AMC.UVA.NL Mon May 25 07:32:29 1992 Return-Path: Received: from vx.acs.umn.edu by stolaf.edu (4.1/SMI-4.1) id AA17228; Mon, 25 May 92 07:32:29 CDT Received: from HASARA5.BITNET by vx.acs.umn.edu; Mon, 25 May 92 07:34 CST Received: from VAX1.SARA.NL by SARA.NL for mutex@stolaf.edu; 25 May 92 14:37 MET Received: from AMC.UVA.NL by VAX1.SARA.NL with PMDF#10201; Mon, 25 May 1992 14:37 MET Date: Mon, 25 May 92 14:31 MET From: KUYKENS@AMC.UVA.NL Subject: An FTP site for MIDI2TeX To: mutex Message-Id: <4E3FB48CB55700461E@AMC.UVA.NL> X-Envelope-To: mutex@stolaf.edu X-Vms-To: STOLAF Hello MusicTeX users, As some of you may know I recently released v 0.3 MIDI2TeX. I received many requests for a copy. So many that it takes me too much time sending it off personally. Therefore I would like to submit it to a FTP node. However, I do not have experience with uploading anything on an FTP site. Could somebody suggest an FTP site and could somebody explain or help me uploading it ? regards: Hans Kuykens From KUYKENS@AMC.UVA.NL Tue May 26 13:07:03 1992 Return-Path: Received: from vx.acs.umn.edu by stolaf.edu (4.1/SMI-4.1) id AA09218; Tue, 26 May 92 13:07:03 CDT Received: from HASARA5.BITNET by vx.acs.umn.edu; Tue, 26 May 92 02:26 CST Received: from VAX1.SARA.NL by SARA.NL for mutex@stolaf.edu; 26 May 92 9:30 MET Received: from AMC.UVA.NL by VAX1.SARA.NL with PMDF#10201; Tue, 26 May 1992 09:29 MET Date: Tue, 26 May 92 09:24 MET From: KUYKENS@AMC.UVA.NL Subject: Question about sizes in MusicTeX... To: mutex Message-Id: <4DA1835BFD79001C31@AMC.UVA.NL> X-Envelope-To: mutex@stolaf.edu X-Vms-To: STOLAF Hello MusicTeX users, In the latest version of the MIDI2TeX program I inserted code to automatically generate \alaligne and \alapage commands. For that I use the spacing code embedded in MusicTeX (\Notes, \notes, \elemskip etc.). Lately I have been playing around with the \elemskip value to see what the effect was. After doing that I discovered that the way I implemented the line/page breaking stuff is not correct. All of this business is still quite mirky to me. Unfortunately I am not a TeX expert so that I cannot fully evaluate the code in musictex.tex. Particularly, I have the following questions: 1. With what physical size is \elemskip associated ? 2. With what physical size is \noteskip associated ? 3. Are \noteskip \elemskip related in any way, i.e. if the musicsize changes do both of them change ? 4. Is there a formula which gives me the horizontal length increment when one note is added (i.e. cumlength=1*\noteskip+0.5*\elemskip...) 5. Is there a simple way to see in the musictex source code how the horizontal and vertical increments are calculated ? 6. I have the impression that musictex does not create space for flat- and sharp signs, is that correct ? 7. Are there anymore parameters involved in the calculation of the horizontal increment ? 8. What is the physical length of one pt (i.e. \elemskip=10pt) ? I woule be grately helped if someone could supply me some answers on these questions. thanks in advance : Hans Kuykens From igor@charles.ucdavis.edu Tue May 26 18:01:39 1992 Return-Path: Received: from ucdavis.ucdavis.edu by stolaf.edu (4.1/SMI-4.1) id AA16917; Tue, 26 May 92 18:01:39 CDT Received: from charles.ucdavis.edu by ucdavis.ucdavis.edu (5.61/UCD2.04) id AA21317; Tue, 26 May 92 15:54:48 -0700 Received: by charles.ucdavis.edu (4.1/UCD2.03) id AA09104; Tue, 26 May 92 15:56:09 PDT From: igor@charles.ucdavis.edu (Frog's Experimental Account) Date: Tue, 26 May 92 15:56:09 PDT Message-Id: <9205262256.AA09104@charles.ucdavis.edu> To: mutex Subject: Re: An FTP site for MIDI2TeX From igor@charles.ucdavis.edu Tue May 26 18:10:06 1992 Return-Path: Received: from ucdavis.ucdavis.edu by stolaf.edu (4.1/SMI-4.1) id AA17133; Tue, 26 May 92 18:10:06 CDT Received: from charles.ucdavis.edu by ucdavis.ucdavis.edu (5.61/UCD2.04) id AA21575; Tue, 26 May 92 16:03:36 -0700 Received: by charles.ucdavis.edu (4.1/UCD2.03) id AA09112; Tue, 26 May 92 16:04:57 PDT From: igor@charles.ucdavis.edu (Frog's Experimental Account) Date: Tue, 26 May 92 16:04:57 PDT Message-Id: <9205262304.AA09112@charles.ucdavis.edu> To: mutex Subject: Re: An FTP site for MIDI2TeX I've put the 0.3 version of PC_M2TEX.ARC and your short description of the package on a writeable and readable directory at ftp.cse.ucsc.edu aka, 128.114.134.19 That machine has a very quick ftp connection with ours, and probably with the rest of the University of California campuses as well. If you mail me the Atari version I'd be happy to ftp it to that site as well. I'll let you announce the location(s) of the package on ftp sites when you're decided on which one(s) to use. BTW, I have no contact with the folks at ucsc, and have no idea how long it will stay on that machine without establishing a formal agreement with the administrators... you may wish to contact them about setting up a directory for it. I'd be happy to get you their e-mail address if you're unable to ftp to their site directly. Actually, though, I don't think the site features IBM, Atari, music, or TeX areas of interest, so maybe a more related site would be preferable. For now, though, you can let people to know to look for it there. Once again it's located at: ftp.cse.ucsc.edu in the directory /tmp/upload Thanks for your contribution to the public domain music typesetting community! From @pucc.Princeton.EDU:TAUPIN@FRUPS51.BITNET Mon Jun 1 10:16:31 1992 Return-Path: <@pucc.Princeton.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.Princeton.EDU by stolaf.edu (4.1/SMI-4.1) id AA16700; Mon, 1 Jun 92 10:16:31 CDT Message-Id: <9206011516.AA16700@stolaf.edu> Received: from FRUPS51.BITNET by pucc.Princeton.EDU (IBM VM SMTP V2R2) with BSMTP id 7939; Mon, 01 Jun 92 11:16:01 EDT Date: 1 JUN 92 16:42:21.23-GMT From: TAUPIN%FRUPS51.BITNET@pucc.Princeton.EDU Subject: MUSICTEX 4.52 To: mutex VERSION 4.52 OF MUSICTEX is presently available at ftp anonymous (rsovax.ups.circe.fr = 130.84.128.100). Directory [anonymous.musictex] From icking@gmdzi.gmd.de Mon Jun 1 11:06:51 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA23408; Mon, 1 Jun 92 11:06:51 CDT Received: by gmdzi.gmd.de id AA25821 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Mon, 1 Jun 1992 18:06:20 +0200 Date: Mon, 1 Jun 1992 18:06:20 +0200 From: Werner Icking Message-Id: <199206011606.AA25821@gmdzi.gmd.de> To: mutex Subject: Re: MUSICTEX 4.52 > >VERSION 4.52 OF MUSICTEX is presently available at ftp anonymous >(rsovax.ups.circe.fr = 130.84.128.100). Directory [anonymous.musictex] > and at ftp.gmd.de: music/musictex/musictex.zip and .../musicpk.zip [129.26.8.90] -rw-r--r-- 1 icking 286208 Jun 1 04:52 musicpk.zip -rw-r--r-- 1 icking 501760 Jun 1 04:52 musictex.zip Werner -- Werner Icking icking@gmd.de (+49 2241) 14-2443 __o GMD - Gesellschaft fuer Mathematik und Datenverarbeitung mbH _`\<,_ Schloss Birlinghoven, P.O.Box 1316, D-5205 Sankt Augustin, Germany (_)/ (_) "Der Dativ ist dem Genitiv sein Tod." ~~~~~~~~~~~ From icking@gmdzi.gmd.de Tue Jun 2 02:56:04 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA16606; Tue, 2 Jun 92 02:56:04 CDT Received: by gmdzi.gmd.de id AA07412 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Tue, 2 Jun 1992 09:55:45 +0200 Date: Tue, 2 Jun 1992 09:55:45 +0200 From: Werner Icking Message-Id: <199206020755.AA07412@gmdzi.gmd.de> To: mutex Subject: musicdoc.dvi of version 4.52 If you have difficulties when printing or viewing musicdoc.dvi because some fonts d... are not found and if you use one of the dvi-drivers of emTeX create a file musicdoc.ze with only one line: d* -> c* and call dvidrv (dvihplj, dviscr, ...) with the parameter: /ps=musicdoc.ze Hope this hilft -- Werner -- Werner Icking icking@gmd.de (+49 2241) 14-2443 __o GMD - Gesellschaft fuer Mathematik und Datenverarbeitung mbH _`\<,_ Schloss Birlinghoven, P.O.Box 1316, D-5205 Sankt Augustin, Germany (_)/ (_) "Der Dativ ist dem Genitiv sein Tod." ~~~~~~~~~~~ From piet@cs.ruu.nl Tue Jun 2 06:42:34 1992 Return-Path: Received: from infix.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA19204; Tue, 2 Jun 92 06:42:34 CDT Received: from alchemy.cs.ruu.nl (gnu.cs.ruu.nl) by infix.cs.ruu.nl with SMTP id AA27884 (5.65c/IDA-1.4.4 for ); Tue, 2 Jun 1992 13:42:37 +0200 Received: by alchemy.cs.ruu.nl id AA16672 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Tue, 2 Jun 1992 13:42:34 +0200 Date: Tue, 2 Jun 1992 13:42:34 +0200 From: Piet van Oostrum Message-Id: <199206021142.AA16672@alchemy.cs.ruu.nl> To: mutex Subject: Re: musicdoc.dvi of version 4.52 References: <199206020755.AA07412@gmdzi.gmd.de> I have tried to re-latex musicdoc.tex. There was a problem because musictex.sty is incomplete. It does not contain musicpos.tex. Moreover I think it is a waste to copy the various .tex files into musictex.sty. The following gives the same result: \input musicnft \input musictex \input musicvbm \input musicpos Piet* van Oostrum, Dept of Computer Science, Utrecht University, Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 531806 Uucp: uunet!mcsun!ruuinf!piet Telefax: +31 30 513791 Internet: piet@cs.ruu.nl (*`Pete') From piet@cs.ruu.nl Tue Jun 2 08:44:27 1992 Return-Path: Received: from infix.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA21152; Tue, 2 Jun 92 08:44:27 CDT Received: from alchemy.cs.ruu.nl (gnu.cs.ruu.nl) by infix.cs.ruu.nl with SMTP id AA01020 (5.65c/IDA-1.4.4 for ); Tue, 2 Jun 1992 15:44:30 +0200 Received: by alchemy.cs.ruu.nl id AA19597 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Tue, 2 Jun 1992 15:44:26 +0200 Date: Tue, 2 Jun 1992 15:44:26 +0200 From: Piet van Oostrum Message-Id: <199206021344.AA19597@alchemy.cs.ruu.nl> To: mutex Subject: Re: musicdoc.dvi of version 4.52 References: <199206020755.AA07412@gmdzi.gmd.de> <199206021142.AA16672@alchemy.cs.ruu.nl> The musictex.sty file in musictex.zip appears to be different from the one that is standing in the musictex directory. Could this be the case for more files? Piet* van Oostrum, Dept of Computer Science, Utrecht University, Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 531806 Uucp: uunet!mcsun!ruuinf!piet Telefax: +31 30 513791 Internet: piet@cs.ruu.nl (*`Pete') From dgold@basso.actrix.gen.nz Fri Jun 5 00:23:24 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA22701; Fri, 5 Jun 92 00:23:24 CDT Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.71 for ) with SMTP; Fri, 5 Jun 1992 16:53:26 +1200 Received: from basso.UUCP by actrix.gen.nz id ; Thu, 4 Jun 92 09:20:26 GMT Received: by basso.actrix.gen.nz (V1.16/Amiga) id AA00dxu; Thu, 4 Jun 92 21:12:01 PST Date: Thu, 4 Jun 92 21:12:01 PST Message-Id: <9206050512.AA00dxt@basso.actrix.gen.nz> X-Mailer: //\\miga Electronic Mail (AmiElm 1.13) Organization: New Zealand Symphony Orchestra Reply-To: dgold@basso.actrix.gen.nz From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: MUSICTEX 4.52 I've just ftp'd this from ftp.gmd.de [129.26.8.90]. Using grep, I've not been able to find any mention in any of the files of SORTINDX.EXE. From the .EXE I would assume that it's something for IBM computers, and that SORTINDX.FOR is in the same class. Can someone tell me what it's for? Daniel, I wonder why MusicTeX is distributed without any directory structure. I'm not aware of any computer that couldn't deal with an archive that contained a few directories, such as: pk, tfm, docs, demos, etc. I've had enough experience now to know where to put things on my system, but it must be very confusing for a new user to receive an archive with so many things jumbled together and not to know how to get started! I also wonder if it might be possible to give some indication of which files have been changed in a new release. Of course it's important to have the latest version available as a single file, but for old users, it could be useful to have a smaller archive available which only has the files which have been changed. Also, I see that \input genpctex has reappeared in TESTCHAR.TEX and AFFCONC.TEX it would be useful to have this included. I've been unable to find it anywhere. I hope I don't sound unhappy - thanks for the work, Daniel, I'm looking forward to enjoying the improvements! Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From hm308ba@unidui.uni-duisburg.de Fri Jun 5 01:08:16 1992 Return-Path: Received: from mail.Germany.EU.net by stolaf.edu (4.1/SMI-4.1) id AA23324; Fri, 5 Jun 92 01:08:16 CDT Received: from unidui.uni-duisburg.de by mail.Germany.EU.net with SMTP (5.65+/UNIDO-2.1.0.b) via EUnet for stolaf.edu id AA03136; Fri, 5 Jun 92 08:09:14 +0200 Received: by unidui.uni-duisburg.de (16.6/SMI-3.2) id AA03345; Fri, 5 Jun 92 08:07:21 +0200 Date: Fri, 5 Jun 92 08:07:21 +0200 Subject: From: hm308ba@unidui.uni-duisburg.de (Mathias Bartsch) Message-Id: <9206050607.AA03345@unidui.uni-duisburg.de> To: mutex Please put me on your MuTex mailing list. Where can I *get* MuTex? Is there a Unix Version? Thanks! Mathias Bartsch hm308ba@unidui.uni-duisburg.de From hm308ba@unidui.uni-duisburg.de Wed Jun 17 11:36:37 1992 Return-Path: Received: from mail.Germany.EU.net ([192.76.144.65]) by stolaf.edu (4.1/SMI-4.1) id AA03561; Wed, 17 Jun 92 11:36:37 CDT Received: from unidui.uni-duisburg.de by mail.Germany.EU.net with SMTP (5.65+/UNIDO-2.1.0.b) via EUnet for stolaf.edu id AA20295; Wed, 17 Jun 92 10:15:54 +0200 Received: by unidui.uni-duisburg.de (16.6/SMI-3.2) id AA28369; Wed, 17 Jun 92 10:13:16 +0200 Date: Wed, 17 Jun 92 10:13:16 +0200 From: hm308ba@unidui.uni-duisburg.de (Mathias Bartsch) Message-Id: <9206170813.AA28369@unidui.uni-duisburg.de> To: mutex Subject: mutex installation problems Hi, being new to this list I would like to ask for help on the installation of MuTeX on a Unix system. The main problem seems to be that the new fonts that came along with the package are not recognized by the dvi drivers. (I thought keeping them under my home directory would be best.) How can I direct the dvi drivers to the fonts? Then I tried to build the fonts myself with metafont (as described in the MuTeX manual) but I failed. Is there a more useful description of metafont somewhere around (something like "metafont for beginners" ?!) What I have to create are the laserjet and epson(9pin) versions of the fonts. Thanks in advance! ------- Mathias Bartsch /Dept. of Physics/Technology / Uni -GH- Duisburg / FRG From @marvin.cdf.toronto.edu:g0gumby@cdf.toronto.edu Wed Jun 17 23:35:17 1992 Return-Path: <@marvin.cdf.toronto.edu:g0gumby@cdf.toronto.edu> Received: from marvin.cdf.utoronto.ca (marvin.cdf.toronto.edu) by stolaf.edu (4.1/SMI-4.1) id AA03943; Wed, 17 Jun 92 23:35:17 CDT Received: by marvin.cdf.toronto.edu id <30990>; Thu, 18 Jun 1992 00:35:20 -0400 From: Daniel Mayost To: mutex Subject: Advanced Beams Message-Id: <92Jun18.003520edt.30990@marvin.cdf.toronto.edu> Date: Thu, 18 Jun 1992 00:35:18 -0400 So I'm using MuTeX (the one currently available on ymir), and I have to typeset a group consisting of two eights notes connected by a beam followed by four sixteenths notes connected by another, wholly separate beam. Both beams have to be part of one group because there is a slur between the last note of the first beam and the first note of the second beam. Question: What is the appropriate \beamlist to use in this situation ? -- Daniel Mayost Stanford University From walt@GECKO.SLAC.Stanford.EDU Tue Jun 23 11:42:26 1992 Return-Path: Received: from SCS.SLAC.STANFORD.EDU by stolaf.edu (4.1/SMI-4.1) id AA25313; Tue, 23 Jun 92 11:42:26 CDT Received: from GECKO.SLAC.Stanford.EDU by SCS.SLAC.STANFORD.EDU with PMDF#10283; Tue, 23 Jun 1992 09:42 PDT Received: by gecko.SLAC.Stanford.EDU (NeXT-1.0 (From Sendmail 5.52)/NeXT-2.0) id AA06868; Tue, 23 Jun 92 09:42:14 PDT Received: by NeXT Mailer (1.79.5.1.RR) Date: Tue, 23 Jun 92 09:42:14 PDT From: walt@GECKO.SLAC.Stanford.EDU (Walter Innes) Subject: bagpipe.tex available To: mutex Message-Id: <9206231642.AA06868@gecko.SLAC.Stanford.EDU> X-Envelope-To: mutex@stolaf.edu I have contributed bagpipe.tex version 1.0 to ftp.stolaf.edu. It can be found in /pub/mutex/contrib as a tarred compressed file. It contains the macro-package, a user quide, a quick reference, and a few examples. bagpipe.tex is a set of macros for use with MusicTeX (version 4.50 or 4.52). It takes advantage of the peculiarities and simplicities of music for the highland bagpipes to make make entry considerably simpler than using native MusicTeX. There are macros for all common and many not so common grace note sequences, the pitches are given their common names, and there are extensive macros for beamed note groups. Some minor mods have been made to MusicTeX macros to improve very compressed music ( I like to get four bars across an 8 1/2 in. page). From icking@gmdzi.gmd.de Wed Jun 24 09:04:14 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA19018; Wed, 24 Jun 92 09:04:14 CDT Received: by gmdzi.gmd.de id AA20234 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Wed, 24 Jun 1992 16:02:10 +0200 Date: Wed, 24 Jun 1992 16:02:10 +0200 From: Werner Icking Message-Id: <199206241402.AA20234@gmdzi.gmd.de> To: mutex Subject: Re: Advanced Beams >Message-Id: <92Jun18.003520edt.30990@marvin.cdf.toronto.edu> >Date: Thu, 18 Jun 1992 00:35:18 -0400 > >So I'm using MuTeX (the one currently available on ymir), and I have to >typeset a group consisting of two eights notes connected by a beam >followed by four sixteenths notes connected by another, wholly separate >beam. Both beams have to be part of one group because there is a slur >between the last note of the first beam and the first note of the >second beam. Question: What is the appropriate \beamlist to use in >this situation ? Where's the problem? After having NOT used MuTeX since february I composed following piece for you :-) \beginsong\vio\C\meter4/8% {\def\beamlist{\\{1-2,3-6,}\\{3-6,}}% \group{\\{\a3}\\{\a3}\\{\s3}\\{\s3}\\{\s3}\\{\s3}}% {\\3\\3\\3\\3\\3\\3}\ubeam16\lslur23\go}\|% % {\def\beamlist{\\{1-2,3-6,}\\{3-6,}}% \group{\\{\a0}\\{\a1}\\{\s2}\\{\s3}\\{\s4}\\{\s5}}% {\\0\\1\\2\\3\\4\\5}\ubeam16\lslur23\go}\|% % {\def\beamlist{\\{1-2,3-6,}\\{3-6,}}% \group{\\{\a5}\\{\a4}\\{\s3}\\{\s2}\\{\s1}\\{\s0}}% {\\5\\4\\3\\2\\1\\0}\ubeam16\lslur23\go}\|% % \^{\music\fermateup}{\h{-2}}% \=\endsong\bye Enjoy -- Werner From @pucc.Princeton.EDU:TAUPIN@FRUPS51.BITNET Sat Jun 27 04:25:54 1992 Return-Path: <@pucc.Princeton.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.Princeton.EDU by stolaf.edu (4.1/SMI-4.1) id AA15101; Sat, 27 Jun 92 04:25:54 CDT Message-Id: <9206270925.AA15101@stolaf.edu> Received: from FRUPS51.BITNET by pucc.Princeton.EDU (IBM VM SMTP V2R2) with BSMTP id 7934; Sat, 27 Jun 92 05:25:34 EDT Date: 27 JUN 92 11:27:57.53-GMT From: TAUPIN%FRUPS51.BITNET@pucc.Princeton.EDU Subject: MusicTeX / Latex compatibility To: mutex MusicTeX and Latex both use a register names \topmargin, and this may lead to strange layout problems. Therefore all occurences of \topmargin and \bottommargin in MusicTeX and examples given should be replaced by \stafftopmarg and \staffbotmarg This will be done in the next MusicTeX release, of course. Besides, it is wise to change the musicpos.tex file and say: \newenvironment¤music‡¤\catcodemusic, \parskip=\z@ \resetfacteurs‡¤‡ Also corrected in the next release (july 5 or 6th) Inbetween, have fun... From @mitvma.mit.edu:TAUPIN@FRUPS51.BITNET Sun Jul 5 11:56:17 1992 Return-Path: <@mitvma.mit.edu:TAUPIN@FRUPS51.BITNET> Received: from mitvma.mit.edu by stolaf.edu (4.1/SMI-4.1) id AA00430; Sun, 5 Jul 92 11:56:17 CDT Message-Id: <9207051656.AA00430@stolaf.edu> Received: from MITVMA.MIT.EDU by mitvma.mit.edu (IBM VM SMTP V2R2) with BSMTP id 6407; Sat, 04 Jul 92 19:37:43 EDT Received: from FRUPS51.BITNET (TAUPIN) by MITVMA.MIT.EDU (Mailer R2.08 R208004) with BSMTP id 2143; Sat, 04 Jul 92 19:37:42 EDT Date: 4 JUL 92 12:24:17.95-GMT From: TAUPIN%FRUPS51.BITNET@mitvma.mit.edu Subject: Acknowledgements To: mutex Since I cancelled the input message, I cannot retrieve the name/adress of the helpful person who send important contribution to enhance MusicTeX's handling of slurs (macros @uptenbox, etc..). If the authjor can help me finding his origin, he would be better acknowledged in MusicTeX papers... of course. From @pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Thu Jul 23 08:27:29 1992 Return-Path: <@pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA20414; Thu, 23 Jul 92 08:27:29 CDT Message-Id: <9207231327.AA20414@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 8214; Thu, 23 Jul 92 09:27:04 EDT Received: from FRUPS51.BITNET (TAUPIN) by PUCC.PRINCETON.EDU (Mailer R2.08 ptf034) with BSMTP id 2036; Thu, 23 Jul 92 09:27:01 EDT Date: 23 JUL 92 15:29:36.50-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: MusicTeX 4.7 To: mutex Version 4.7 of MusicTeX available et anonymous, ftp rsovax.ups.circe.fr (130.84.128.100) directory [anonymous.musictex] Changes: several NICER slur/ties available. Read MUSICDOC.TEX From @pucc.PRINCETON.EDU:UPSORSAY@FRUPS51.BITNET Thu Jul 23 11:49:58 1992 Return-Path: <@pucc.PRINCETON.EDU:UPSORSAY@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA28815; Thu, 23 Jul 92 11:49:58 CDT Message-Id: <9207231649.AA28815@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 9770; Thu, 23 Jul 92 12:49:23 EDT Received: from FRUPS51.BITNET (MAILPOOL) by PUCC.PRINCETON.EDU (Mailer R2.08 ptf034) with BSMTP id 3377; Thu, 23 Jul 92 12:29:48 EDT Date: 23 JUL 92 18:32:24.88-GMT From: UPSORSAY%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: BITNET mail from UPSORSAY at FRUPS51 To: mutex Date: see below From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU 23-JUL-1992 18:31:34.36 To: mutex CC: Subj: MusicTeX 4.7 Message date : 23 JUL 92 15:29:36.50-GMT HELO CUNYVM.BITNET TICK 2988 MAIL FROM: RCPT TO: DATA Received: from CUNYVM by CUNYVM.BITNET (Mailer R2.08) with BSMTP id 2988; Thu, 23 Jul 92 12:28:55 EDT Received: from stolaf.edu by CUNYVM.CUNY.EDU (IBM VM SMTP V2R2) with TCP; Thu, 23 Jul 92 12:28:55 EDT Received: by stolaf.edu (4.1/SMI-4.1) id AA20487; Thu, 23 Jul 92 08:27:43 CDT Return-Path: <@pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA20414; Thu, 23 Jul 92 08:27:29 CDT Message-Id: <9207231327.AA20414@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 8214; Thu, 23 Jul 92 09:27:04 EDT Received: from FRUPS51.BITNET (TAUPIN) by PUCC.PRINCETON.EDU (Mailer R2.08 ptf034) with BSMTP id 2036; Thu, 23 Jul 92 09:27:01 EDT Version 4.7 of MusicTeX available et anonymous, ftp rsovax.ups.circe.fr (130.84.128.100) directory [anonymous.musictex] Changes: several NICER slur/ties available. Read MUSICDOC.TEX From mwitten@hermes.chpc.utexas.edu Sat Jul 25 21:50:00 1992 Return-Path: Received: from hermes.chpc.utexas.edu by stolaf.edu (4.1/SMI-4.1) id AA28115; Sat, 25 Jul 92 21:50:00 CDT Received: from morpheus.chpc.utexas.edu by hermes.chpc.utexas.edu (5.64/SMI-3.2) id AA29806; Sat, 25 Jul 92 21:50:01 -0500 Received: by morpheus.chpc.utexas.edu (4.1/SMI-4.1) id AA02443; Sat, 25 Jul 92 21:50:02 CDT From: mwitten@hermes.chpc.utexas.edu Message-Id: <9207260250.AA02443@morpheus.chpc.utexas.edu> Subject: MUSICTEX 4.7 To: mutex Date: Sat, 25 Jul 92 21:50:01 CDT X-Mailer: ELM [version 2.3 PL11] I tried to ftp MUSICTEX 4.7 from rsovax.ups.circe.fr . Here is a transcription of my failed attempt. Any suggestions???? morpheus.chpc.utexas.edu 220% ftp rsovax.ups.circe.fr Connected to rsovax.ups.circe.fr. 220 CMC VAX/VMS FTP Server Version 3.2.1 Name (rsovax.ups.circe.fr:mwitten): anonymous 331 Enter password for login. Password: 230 User ANONYMOUS logged in. ftp> ls 200 PORT Command Accepted. 150 Data Connection Established: NLST caesar.dir dcfonts.dir engfr.dir freeinput.dir ftax.dir gut.dir mlhyphen.dir musictex.dir oztex14.dir powder.dir siebenmann.dir tmfonts.dir 226 Transfer complete 152 bytes received in 0.62 seconds (0.24 Kbytes/s) ftp> ls -laCF 200 PORT Command Accepted. 150 Data Connection Established: NLST -LACF %RMS-F-SYN, file specification syntax error 226 Transfer complete remote: -laCF 45 bytes received in 0.42 seconds (0.11 Kbytes/s) ftp> ls 200 PORT Command Accepted. 150 Data Connection Established: NLST caesar.dir dcfonts.dir engfr.dir freeinput.dir ftax.dir gut.dir mlhyphen.dir musictex.dir oztex14.dir powder.dir siebenmann.dir tmfonts.dir 226 Transfer complete 152 bytes received in 0.52 seconds (0.29 Kbytes/s) ftp> ls musictex 200 PORT Command Accepted. 150 Data Connection Established: NLST MUSICTEX musictex.dir 226 Transfer complete remote: musictex 14 bytes received in 0.13 seconds (0.1 Kbytes/s) ftp> binary 200 Type set to Image. ftp> binary 200 Type set to Image. ftp> mget musictex mget musictex.dir? y 200 PORT Command Accepted. 550 File is a Directory: RETR MUSICTEX.DIR ftp> cd musictex.dir 250 "$DISK2:[ANONYMOUS.MUSICTEX.DIR]" is current directory ftp> mget * mget %RMS-E-DNF, directory not found? n ftp> mget MUSICDOC.TEX mget %RMS-E-DNF, directory not found? cd .. 200 PORT Command Accepted. 550 File is Unavailable: RETR %RMS-E-DNF, DIRECTORY NOT FOUND ftp> cd .. 550 file specification syntax error ftp> quit 221 Terminating Connection morpheus.chpc.utexas.edu 221% Thanks ............ Matthew -- _____________________________________________________________________ Matthew Witten, Ph.D. MED Director, Applications Research & Development Associate Director, UT System Center For High Performance Computing Balcones Research Center, 1.154 CMS 10100 Burnet Road, Austin, TX 78758-4497 USA Phone: (512) 471-2472 FAX: (512) 471-2445 E-MAIL MWITTEN@CHPC.UTEXAS.EDU or MWITTEN@UTHERMES.BITNET "some intellectuals make their living by creating obscurities for the rest of us to puzzle over" _____________________________________________________________________ From @pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Sun Jul 26 12:05:23 1992 Return-Path: <@pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA10957; Sun, 26 Jul 92 12:05:23 CDT Message-Id: <9207261705.AA10957@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 0649; Sun, 26 Jul 92 13:04:53 EDT Received: from FRUPS51.BITNET (TAUPIN) by PUCC.PRINCETON.EDU (Mailer R2.08 ptf034) with BSMTP id 3187; Sun, 26 Jul 92 13:04:53 EDT Date: 26 JUL 92 19:07:47.58-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: Musictex 4.7 To: mutex CAUTION: the slurn16 and slurn20 fonts have been changed. Thus you have either to recompile the new ones with metafont, or get the new slurn16.tfm and slurn16.pk (idem slurn20). From rf@cl.cam.ac.uk Mon Jul 27 05:43:12 1992 Return-Path: Received: from swan.cl.cam.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA25476; Mon, 27 Jul 92 05:43:12 CDT Received: from haddon.cl.cam.ac.uk by swan.cl.cam.ac.uk with SMTP (PP-6.0) to cl id <17579-0@swan.cl.cam.ac.uk>; Mon, 27 Jul 1992 11:42:58 +0100 To: mutex Cc: mutex@stolaf.edu, rf@cl.cam.ac.uk Subject: Re: MUSICTEX 4.7 In-Reply-To: Your message of Sat, 25 Jul 92 21:50:01 -0500. <9207260250.AA02443@morpheus.chpc.utexas.edu> Date: Mon, 27 Jul 92 11:42:45 +0100 From: rf@cl.cam.ac.uk Message-Id: <"swan.cl.ca.582:27.06.92.10.43.02"@cl.cam.ac.uk> >I tried to ftp MUSICTEX 4.7 from rsovax.ups.circe.fr . Here is >a transcription of my failed attempt. Any suggestions???? I can but try... >220 CMC VAX/VMS FTP Server Version 3.2.1 ^^^^^^^ This is the point you're missing; since it's a VMS system, it needs special "treatment"... >[lots omitted] >ftp> ls -laCF >200 PORT Command Accepted. >150 Data Connection Established: NLST -LACF >%RMS-F-SYN, file specification syntax error Since it's a VMS system, "-laCF" gets uppercased and is an acceptable file title. RMS (of %RMS-F-SYN fame) is the file system front end; I don't know what it's complaining about - there's no syntax error... >ftp> ls musictex >200 PORT Command Accepted. >150 Data Connection Established: NLST MUSICTEX >musictex.dir >226 Transfer complete >remote: musictex This is standard VMS behaviour: "DIRECTORY X" is equivalent to "DIRECTORY X.*" >ftp> mget musictex >mget musictex.dir? y >200 PORT Command Accepted. >550 File is a Directory: RETR MUSICTEX.DIR RMS convention dictates that directories end ".DIR", so this is not surprising. >ftp> cd musictex.dir >250 "$DISK2:[ANONYMOUS.MUSICTEX.DIR]" is current directory >ftp> mget * >mget %RMS-E-DNF, directory not found? n You need simply to "cd musictex" - VMS directory structures are rather differently organised to U*x ones. In U*x terms, you've changed directory to /disk2/anonymous/musictex/dir, which is not what you intended. What was needed was ftp> cd musictex Once there, I would suggest that you don't try to transfer (i.e., mget) the whole directory as binary. VMS text files may have embedded record structure information which will give you an awful time on your U*x machine. Also avoid any files of the form *.bck, *.bak, etc, since they've been created with the VMS backup utility which won't be a lot of help to you. >Thanks ............ Matthew It's a pleasure. Robin Fairbairns Presently unemployed, and using the facilities of the U of Cambridge Computer Lab. From KUYKENS@AMC.UVA.NL Mon Jul 27 11:51:26 1992 Return-Path: Received: from VX.CIS.UMN.EDU by stolaf.edu (4.1/SMI-4.1) id AA05371; Mon, 27 Jul 92 11:51:26 CDT Received: from HASARA5.BITNET (MAILGATE@HASARA5) by vx.cis.umn.edu (PMDF #2574 ) id <01GMVEVIQ3BK9BVIQ9@vx.cis.umn.edu>; Mon, 27 Jul 1992 11:53:31 CDT Received: from VAX1.SARA.NL by SARA.NL for mutex@stolaf.edu; 27 Jul 92 18:53 MET Received: from AMC.UVA.NL by VAX1.SARA.NL with PMDF#10201; Mon, 27 Jul 1992 18:53 MET Date: 27 Jul 1992 18:47 +0100 (MET) From: KUYKENS@AMC.UVA.NL Subject: MIDI2TeX FTP site wanted To: mutex Message-Id: <1C9A81914AD1004699@AMC.UVA.NL> X-Envelope-To: mutex@stolaf.edu X-Vms-To: STOLAF Content-Transfer-Encoding: 7BIT Hello MusicTeX users, I have recently finished version 1.1 of MIDI2TeX I tried to upload it on an FTP site without success. Also, people whoi offered to do the uploading for me did not respond yet. So I am looking for somebody who can either point out a site to upload the pacakage and some (detailed) help how to do that or someone who is willing to that job for me. thanks : Hans From hm308ba@unidui.uni-duisburg.de Wed Jul 29 01:01:05 1992 Return-Path: Received: from mail.Germany.EU.net by stolaf.edu (4.1/SMI-4.1) id AA00806; Wed, 29 Jul 92 01:01:05 CDT Received: from unidui.uni-duisburg.de by mail.Germany.EU.net with SMTP (5.65+/UNIDO-2.1.0.b) via EUnet for stolaf.edu id AA27614; Wed, 29 Jul 92 08:01:15 +0200 Received: by unidui.uni-duisburg.de (16.6/SMI-3.2) id AA13219; Wed, 29 Jul 92 07:59:40 +0200 Date: Wed, 29 Jul 92 07:59:40 +0200 From: hm308ba@unidui.uni-duisburg.de (Mathias Bartsch) Message-Id: <9207290559.AA13219@unidui.uni-duisburg.de> To: mutex Subject: MusicTex 4.7 in tar or zip ?!?!? So, there is MusicTeX 4.7! I looked at rsovax.ups.circe.fr and discovered millions of *.tex, *.mf, *.tfm, *.pk, *.sty, even *.doc and *.com ... ... has anyone zip'ped or tar'ed it? ... or has anyone an idea how to retrieve that stuff from a VMS machine? ... does "mget *" work? Most files appear to be plain ascii, but some are binary, of course. Any help appreciated -Thanks in advance- Mathias Bartsch +----------------------------+-----------------------------------------+ | Mathias Bartsch | Laboratorium f. Festkoerperphysik | | Uni -GH- Duisburg (FB10) | phone : +49 203 379 3476 | | Lotharstr. 1-21 | Email : hm308ba@unidui.uni-duisburg.de | | W-4100 DUISBURG 1 | FAX : +49 203 379 3163 | +----------------------------+-----------------------------------------+ From atibm65l@vnet.ibm.com Thu Jul 30 07:55:40 1992 Return-Path: Received: from vnet.ibm.com by stolaf.edu (4.1/SMI-4.1) id AA18559; Thu, 30 Jul 92 07:55:40 CDT Message-Id: <9207301255.AA18559@stolaf.edu> Received: from VIEVMA by vnet.ibm.com (IBM VM SMTP V2R2) with BSMTP id 1606; Thu, 30 Jul 92 08:54:17 EDT Date: Thu, 30 Jul 92 14:52:27 CET From: "RUSCH, KLAUS JOHANNES" To: mutex Subject: Subscription Send subscription requests to mutex-request@stolaf.edu. From KUYKENS@AMC.UVA.NL Wed Aug 5 03:48:42 1992 Return-Path: Received: from VX.CIS.UMN.EDU by stolaf.edu (4.1/SMI-4.1) id AA11878; Wed, 5 Aug 92 03:48:42 CDT Received: from HASARA5.BITNET (MAILGATE@HASARA5) by vx.cis.umn.edu (PMDF #2574 ) id <01GN7IOEVOU89BVM3V@vx.cis.umn.edu>; Wed, 5 Aug 1992 03:51:10 CDT Received: from VAX1.SARA.NL by SARA.NL for mutex@stolaf.edu; 5 Aug 92 10:54 MET Received: from AMC.UVA.NL by VAX1.SARA.NL with PMDF#10201; Wed, 5 Aug 1992 10:53 MET Date: 05 Aug 1992 10:47 +0100 (MET) From: KUYKENS@AMC.UVA.NL Subject: MIDI2TeX V.1.1 uploaded To: mutex Message-Id: <15CB10C9165B005D49@AMC.UVA.NL> X-Envelope-To: mutex@stolaf.edu X-Vms-To: STOLAF Content-Transfer-Encoding: 7BIT Hello MIDI2TeX user, Recently I have finished version 1.1 of the MIDI2TeX translator. Instead of sending it by e-mail to all users I now have uploaded the complete package (PC and ST) on ftp site obelix.icce.rug.nl directory : pub/erikjan/MIDI2TeX Download st_m2t11.arc for the ST and pc_m2t11.exe for the PC. The file m2tex11.inf contains some general information about the package. I encourage everybody to transfer the package to other (more general) ftp sites. If you do, please inform me where you uploaded it and in what directory. For those of you who do not have ftp access I am still willing to send the new version by e-mail. Please e-mail your request. It may take one or two weeks before you receive the package by e-mail. Hans Kuykens From @pucc.PRINCETON.EDU:jqdoumen@vub.ac.be Tue Aug 11 07:01:37 1992 Return-Path: <@pucc.PRINCETON.EDU:jqdoumen@vub.ac.be> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA22537; Tue, 11 Aug 92 07:01:37 CDT Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 0276; Tue, 11 Aug 92 08:01:10 EDT Received: from Ulbvm.fnrs-nfwo.ac.be by PUCC.PRINCETON.EDU (Mailer R2.08 ptf039) with BSMTP id 6613; Tue, 11 Aug 92 08:01:09 EDT Received: from BBRBFU60 (BSMTP) by Ulbvm.fnrs-nfwo.ac.be (Mailer R2.08) with BSMTP id 8288; Tue, 11 Aug 92 14:02:13 +0200 Received: from is1.vub.ac.be (is1e) by rc1.vub.ac.be (4.1/RC1-920629) id AA16462; Tue, 11 Aug 92 14:01:50 +0200 Received: by is1.vub.ac.be (5.61/BFUCC-920211) id AA11437; Tue, 11 Aug 92 13:56:29 +0200 From: jqdoumen@vub.ac.be (Doumen Jan) Message-Id: <9208111156.AA11437@is1.vub.ac.be> Subject: installation problems : not finding files To: mutex Date: Tue, 11 Aug 92 13:56:29 MET X-Mailer: ELM [version 2.3 PL11] Hi all, I`am trying to install MusicTeX under UNIX. Unfortunately, some problems appear. Is there anybody who had the same problems or knows a solution to this : I installed MusicTeX in a subdirectory of my home-directory. All the subdirs of MusicTeX are as they should be according to the installation. In my .login I specified where TeX has to look for inputs and fonts. *setenv PKPATH ".:/u2/jqdoumen/MusicTeX/pk" *setenv TEXFONTS ".:/u2/jqdoumen/MusicTeX/tfm" *setenv TEXINPUTS ".:/u2/jqdoumen/MusicTeX/macros" This should do the job, I think. When I run TeX on hchoral.tex (as a test-file) I get a hchoral.dvi without problems. But when I run dvips hchoral.dvi -0 , he says he can't find some font files. This is dvips 5.47 Copyright 1986-91 Radical Eye Software ' TeX output 1992.08.11:1107' -> hchoral.ps - MakeTeXPK musicn20 300 300 magstep\(0.0\) mf \mode:=imagen; mag:=magstep(0.0); scrollmode; input musicn20 \ ...g:=magstep(0.0); scrollmode; input musicn20 Please type another input file name: ! Emergency stop. <*> ...g:=magstep(0.0); scrollmode; input musicn20 Transcript written on mfput.log. Metafont failed for some reason on musicn20.300gf dvips: Font musicn20.300pk not found, characters will be left blank. dvips: Font cmbx12.300pk at 360 not found; scaling 300 instead. dvips: Such scaling will generate extremely poor output. dvips: Font beamn20.300pk not found, characters will be left blank. . [1dvips: Unknown keyword (hp:) in \special will be ignor dvips: Unknown keyword (xy) in \special will be ignored dvips: Unknown keyword (12mm) in \special will be ignored dvips: Unknown keyword (18mm) in \special will be ignored dvips: No \special psfile was given; figure will be blank ] [2] [3] [4] [5] [6] [7] [8] I don't get the chance to do anything. The emergency stop is done by dvips itself. Can anybody please help ? Thanks in advance. DeJean. -- /=============================================================================\ | Doumen Jan Voice : 32 2 3590209 | | Vrije Universiteit Brussel Fax : 32 2 3590390 | | Instituut Voor Moleculaire Biologie | | Department For Ultra-structure | | B - 1640 Sint-Genesius-Rode Internet : jqdoumen@vub.ac.be | | Belgium EARN/BITNET : jqdoumen@BBRBFU60.BITNET | \=============================================================================/ -- /=============================================================================\ | Doumen Jan Voice : 32 2 3590209 | | Vrije Universiteit Brussel Fax : 32 2 3590390 | | Instituut Voor Moleculaire Biologie | | Department For Ultra-structure | | B - 1640 Sint-Genesius-Rode Internet : jqdoumen@vub.ac.be | | Belgium EARN/BITNET : jqdoumen@BBRBFU60.BITNET | \=============================================================================/ From piet@cs.ruu.nl Thu Aug 13 02:22:45 1992 Return-Path: Received: from infix.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA03494; Thu, 13 Aug 92 02:22:45 CDT Received: from alchemy.cs.ruu.nl (gnu.cs.ruu.nl) by infix.cs.ruu.nl with SMTP id AA11699 (5.65c/IDA-1.4.4 for ); Thu, 13 Aug 1992 09:22:38 +0200 Received: by alchemy.cs.ruu.nl id AA27352 (5.65c/IDA-1.4.4); Thu, 13 Aug 1992 09:22:29 +0200 Date: Thu, 13 Aug 1992 09:22:29 +0200 From: Piet van Oostrum Message-Id: <199208130722.AA27352@alchemy.cs.ruu.nl> To: mutex Cc: mutex@stolaf.edu Subject: Re: installation problems : not finding files References: <9208111156.AA11437@is1.vub.ac.be> >>>>> jqdoumen@vub.ac.be (Doumen Jan) (DJ) writes: DJ> I`am trying to install MusicTeX under UNIX. DJ> Unfortunately, some problems appear. Is there anybody DJ> who had the same problems or knows a solution to this : DJ> I installed MusicTeX in a subdirectory of my home-directory. DJ> All the subdirs of MusicTeX are as they should be according to DJ> the installation. DJ> In my .login I specified where TeX has to look for inputs and fonts. DJ> *setenv PKPATH ".:/u2/jqdoumen/MusicTeX/pk" This should set the TEXPKS variable rather than PKPATH. I discovered another problem: in musictex 4.7 in musicadd.tex the following lines should be added: \newcount\t@wvii \newcount\t@wviii \newcount\t@wix Piet* van Oostrum, Dept of Computer Science, Utrecht University, Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 531806 Uucp: uunet!mcsun!ruuinf!piet Telefax: +31 30 513791 Internet: piet@cs.ruu.nl (*`Pete') From ryanr@mozart.cs.colostate.edu Thu Aug 13 04:13:45 1992 Return-Path: Received: from ccncsu.ColoState.EDU by stolaf.edu (4.1/SMI-4.1) id AA05643; Thu, 13 Aug 92 04:13:45 CDT Received: from mozart.cs.colostate.edu by ccncsu.ColoState.EDU (5.59/Ultrix2.0-B) id AA25499; Thu, 13 Aug 92 03:13:41 MDT Received: by mozart.cs.colostate.edu (5.57/Ultrix3.0-C) id AA26193; Thu, 13 Aug 92 03:13:48 -0600 From: ryanr@mozart.cs.colostate.edu (richard ryan) Message-Id: <9208130913.AA26193@mozart.cs.colostate.edu> Subject: Finding version 4.7 in U.S.A. To: mutex Date: Thu, 13 Aug 92 3:13:47 MDT X-Mailer: ELM [version 2.3 PL8] Hi, I've heard that version 4.7 is the most current version of MusicTeX. Could someone please tell me where I could get a copy of this from an American site so I'm not tying things up overseas? And if not, could someone tell me of a site elsewhere that wouldn't mind me getting from them overseas? Thanks, Richard. -- mailing address: home phone: 813 W. Mountain Ave. (303)498-0828 Ft. Collins, Co. 80521 From @pucc.PRINCETON.EDU:jqdoumen@vub.ac.be Thu Aug 13 08:57:13 1992 Return-Path: <@pucc.PRINCETON.EDU:jqdoumen@vub.ac.be> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA13026; Thu, 13 Aug 92 08:57:13 CDT Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 7062; Thu, 13 Aug 92 09:56:49 EDT Received: from Ulbvm.fnrs-nfwo.ac.be by PUCC.PRINCETON.EDU (Mailer R2.08 ptf039) with BSMTP id 5216; Thu, 13 Aug 92 09:55:56 EDT Received: from BBRBFU60 (BSMTP) by Ulbvm.fnrs-nfwo.ac.be (Mailer R2.08) with BSMTP id 9642; Thu, 13 Aug 92 15:57:20 +0200 Received: from is1.vub.ac.be (is1e) by rc1.vub.ac.be (4.1/RC1-920629) id AA28342; Thu, 13 Aug 92 15:57:08 +0200 Received: by is1.vub.ac.be (5.61/BFUCC-920211) id AA05636; Thu, 13 Aug 92 15:51:40 +0200 From: jqdoumen@vub.ac.be (Doumen Jan) Message-Id: <9208131351.AA05636@is1.vub.ac.be> Subject: Manual To: mutex Date: Thu, 13 Aug 92 15:51:39 MET X-Mailer: ELM [version 2.3 PL11] Does there excist a good detailed manual for MusicTeX. The musicdoc is not satisfactory in my opinion. If you look at the demos and try to find the definitions of the commands used in the musicdoc, you can only find 25 % of them. How do I start to learn this MusicTeX. Any good suggestions ? DeJean. - -- /=============================================================================\ | Doumen Jan Voice : 32 2 3590209 | | Vrije Universiteit Brussel Fax : 32 2 3590390 | | Instituut Voor Moleculaire Biologie | | Department For Ultra-structure | | B - 1640 Sint-Genesius-Rode Internet : jqdoumen@vub.ac.be | | Belgium EARN/BITNET : jqdoumen@BBRBFU60.BITNET | \=============================================================================/ ------- End of Forwarded Message -- /=============================================================================\ | Doumen Jan Voice : 32 2 3590209 | | Vrije Universiteit Brussel Fax : 32 2 3590390 | | Instituut Voor Moleculaire Biologie | | Department For Ultra-structure | | B - 1640 Sint-Genesius-Rode Internet : jqdoumen@vub.ac.be | | Belgium EARN/BITNET : jqdoumen@BBRBFU60.BITNET | \=============================================================================/ From ryanr@mozart.cs.colostate.edu Fri Aug 14 03:43:52 1992 Return-Path: Received: from ccncsu.ColoState.EDU by stolaf.edu (4.1/SMI-4.1) id AA10171; Fri, 14 Aug 92 03:43:52 CDT Received: from mozart.cs.colostate.edu by ccncsu.ColoState.EDU (5.59/Ultrix2.0-B) id AA28982; Fri, 14 Aug 92 02:43:48 MDT Received: by mozart.cs.colostate.edu (5.57/Ultrix3.0-C) id AA10826; Fri, 14 Aug 92 02:43:53 -0600 From: ryanr@mozart.cs.colostate.edu (richard ryan) Message-Id: <9208140843.AA10826@mozart.cs.colostate.edu> Subject: getting started with musictex To: mutex Date: Fri, 14 Aug 92 2:43:52 MDT X-Mailer: ELM [version 2.3 PL8] Hi, I've been trying to get started with musictex and finally was able to get a hold of one of the newer versions. My latest problem is probably best described with the included typescript of my session. Also, does anyone know the earliest acceptable version of TeX and LaTeX I should be able to use with the current version of MusicTeX? Is LaTeX what I use for MusicTeX now or do I just use TeX or plain TeX? Anyway here's the included typescript under this letter. Thanks, Richard. Script started on Fri Aug 14 02:22:36 1992 ryanr@{beethoven} 34 % latex This is TeX, C Version 3.0 LaTeX Version 2.09 <7 Dec 1989> *\input musicnft (/tmp/ryanr/music/package/musicnft.tex) *\input musictex (/tmp/ryanr/music/package/musictex.tex) *\input musicdoc (/tmp/ryanr/music/package/musicdoc.tex (/usr/local/lib/tex/inputs/report.sty Document Style `report' <13 Nov 89>. (/usr/local/lib/tex/inputs/rep11.sty) (/usr/local/lib/tex/inputs/titlepage.sty) ) (/tmp/ryanr/music/package/musictex.sty (/tmp/ryanr/music/package/musicpre.tex) (/tmp/ryanr/music/package/musicnft.tex ! No room for a new \dimen . \ch@ck ...\else \errmessage {No room for a new #3} \fi \alloc@ ...\advance \count 1#1by\@ne \ch@ck #1#4#2 \allocationnumber =\count ... l.85 \newdimen\wd@skip ^^M ? x No pages of output. Transcript written on texput.log. ryanr@{beethoven} 35 % exit script done on Fri Aug 14 02:23:56 1992 -- mailing address: home phone: 813 W. Mountain Ave. (303)498-0828 Ft. Collins, Co. 80521 From @pucc.PRINCETON.EDU:jqdoumen@vub.ac.be Fri Aug 14 04:54:49 1992 Return-Path: <@pucc.PRINCETON.EDU:jqdoumen@vub.ac.be> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA11707; Fri, 14 Aug 92 04:54:49 CDT Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 4304; Fri, 14 Aug 92 05:54:30 EDT Received: from Ulbvm.fnrs-nfwo.ac.be by PUCC.PRINCETON.EDU (Mailer R2.08 ptf039) with BSMTP id 0993; Fri, 14 Aug 92 05:54:30 EDT Received: from BBRBFU60 (BSMTP) by Ulbvm.fnrs-nfwo.ac.be (Mailer R2.08) with BSMTP id 0082; Fri, 14 Aug 92 11:55:46 +0200 Received: from is1.vub.ac.be (is1e) by rc1.vub.ac.be (4.1/RC1-920629) id AA06113; Fri, 14 Aug 92 11:55:39 +0200 Received: by is1.vub.ac.be (5.61/BFUCC-920211) id AA21780; Fri, 14 Aug 92 11:50:09 +0200 From: jqdoumen@vub.ac.be (Doumen Jan) Message-Id: <9208140950.AA21780@is1.vub.ac.be> Subject: Force two mesures on one line ? To: mutex Date: Fri, 14 Aug 92 11:50:08 MET X-Mailer: ELM [version 2.3 PL11] How can you force MusicTeX to put two mesures on one line. I've got a lot of 16th and 32th notes in the left hand of a piano-transcription. He automatically puts the next barre on the next line. This because the second mesure is only a few notes too long. Can you force him to put in anyway on the same line ? DeJean. -- /=============================================================================\ | Doumen Jan Voice : 32 2 3590209 | | Vrije Universiteit Brussel Fax : 32 2 3590390 | | Instituut Voor Moleculaire Biologie | | Department For Ultra-structure | | B - 1640 Sint-Genesius-Rode Internet : jqdoumen@vub.ac.be | | Belgium EARN/BITNET : jqdoumen@BBRBFU60.BITNET | \=============================================================================/ From @pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Mon Aug 17 10:43:11 1992 Return-Path: <@pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA20449; Mon, 17 Aug 92 10:43:11 CDT Message-Id: <9208171543.AA20449@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 1647; Mon, 17 Aug 92 11:42:40 EDT Received: from FRUPS51.BITNET (TAUPIN) by PUCC.PRINCETON.EDU (Mailer R2.08 ptf039) with BSMTP id 5652; Mon, 17 Aug 92 11:41:48 EDT Date: 17 AUG 92 17:45:12.78-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: MusicTeX 4.72 To: mutex Encore qqs bugs corriges. Version 4.72 de MusicTeX disponible: Some more bugs corrected. Version 4.72 available: ftp anonymous: 130.84.128.100 (alias rsovax.ups.circe.fr) directory [anonymous.musictex] From ryanr@mozart.cs.colostate.edu Mon Aug 17 12:36:35 1992 Return-Path: Received: from ccncsu.ColoState.EDU by stolaf.edu (4.1/SMI-4.1) id AA22847; Mon, 17 Aug 92 12:36:35 CDT Received: from mozart.cs.colostate.edu by ccncsu.ColoState.EDU (5.59/Ultrix2.0-B) id AA01308; Mon, 17 Aug 92 11:36:33 MDT Received: by mozart.cs.colostate.edu (5.57/Ultrix3.0-C) id AA00611; Mon, 17 Aug 92 11:36:37 -0600 From: ryanr@mozart.cs.colostate.edu (richard ryan) Message-Id: <9208171736.AA00611@mozart.cs.colostate.edu> Subject: Question about public domain music for MusicTeX To: mutex Date: Mon, 17 Aug 92 11:36:36 MDT X-Mailer: ELM [version 2.3 PL8] Hi, Are there any MusicTeX documents available of music in the public domain? I was wondering if there might be any newsgroups or ftp sites that covered this. Thanks, Richard. -- mailing address: home phone: 813 W. Mountain Ave. (303)498-0828 Ft. Collins, Co. 80521 From @pucc.PRINCETON.EDU:jqdoumen@vub.ac.be Tue Aug 18 01:47:56 1992 Return-Path: <@pucc.PRINCETON.EDU:jqdoumen@vub.ac.be> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA05636; Tue, 18 Aug 92 01:47:56 CDT Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 7673; Tue, 18 Aug 92 02:47:32 EDT Received: from Ulbvm.fnrs-nfwo.ac.be by PUCC.PRINCETON.EDU (Mailer R2.08 ptf039) with BSMTP id 0239; Tue, 18 Aug 92 02:47:30 EDT Received: from BBRBFU60 (BSMTP) by Ulbvm.fnrs-nfwo.ac.be (Mailer R2.08) with BSMTP id 1158; Tue, 18 Aug 92 08:48:49 +0200 Received: from is1.vub.ac.be (is1e) by rc1.vub.ac.be (4.1/RC1-920629) id AA08153; Tue, 18 Aug 92 08:48:52 +0200 Received: by is1.vub.ac.be (5.61/BFUCC-920211) id AA12994; Tue, 18 Aug 92 08:43:06 +0200 From: jqdoumen@vub.ac.be (Doumen Jan) Message-Id: <9208180643.AA12994@is1.vub.ac.be> Subject: Public domain. To: mutex Date: Tue, 18 Aug 92 8:43:06 MET X-Mailer: ELM [version 2.3 PL11] # domain? I was wondering if there might be any newsgroups or ftp # sites that covered this. # It could be a good idea for the members of this list to start an ftp-site with transcriptions of their music as it could be interesting to see how certain problems have been solved by people. DeJean. -- /=============================================================================\ | Doumen Jan Voice : 32 2 3590209 | | Vrije Universiteit Brussel Fax : 32 2 3590390 | | Instituut Voor Moleculaire Biologie | | Department For Ultra-structure | | B - 1640 Sint-Genesius-Rode Internet : jqdoumen@vub.ac.be | | Belgium EARN/BITNET : jqdoumen@BBRBFU60.BITNET | \=============================================================================/ From cdr@stolaf.edu Wed Aug 19 07:39:06 1992 Return-Path: Received: from sachiko.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA24628; Wed, 19 Aug 92 07:39:06 CDT Received: by sachiko.acc.stolaf.edu (4.1/SMI-4.1) id AA02521; Wed, 19 Aug 92 07:39:05 CDT Message-Id: <9208191239.AA02521@sachiko.acc.stolaf.edu> To: mutex Subject: [cdr (Craig D Rice): mutex subscription] Date: Wed, 19 Aug 92 07:39:04 -0500 From: cdr@stolaf.edu Forwarded to mutex: ------- Forwarded Message Date: Tue, 18 Aug 92 22:31:12 EDT From: groak@BOURBAKI.MIT.EDU Message-Id: <9208190231.AA24016@kronecker> Subject: The MusicTEX Mailing list Dear Werner: I saw your message on comp.music regarding the MusicTeX mailing list and dutifully tried to send them a subscription request. Therefore, I'd like to ask a favor. Could you please send a request to them to have me placed on it? I realize that this is an unusual request, in that it certainly isn't your responsibility to do this for random people who write you letters, but my mail to them simply keeps bouncing. I'd really appreciate it. Thanks, Paul Gunnells groak@math.mit.edu ------- End of Forwarded Message From igor@charles.ucdavis.edu Thu Aug 20 21:28:45 1992 Return-Path: Received: from ucdavis.ucdavis.edu by stolaf.edu (4.1/SMI-4.1) id AA24751; Thu, 20 Aug 92 21:28:45 CDT Received: from charles.ucdavis.edu by ucdavis.ucdavis.edu (5.61/UCD2.04) id AA05480; Thu, 20 Aug 92 19:28:43 -0700 Received: by charles.ucdavis.edu (4.1/UCD2.03) id AA14120; Thu, 20 Aug 92 19:30:14 PDT From: igor@charles.ucdavis.edu (Frog's Experimental Account) Date: Thu, 20 Aug 92 19:30:14 PDT Message-Id: <9208210230.AA14120@charles.ucdavis.edu> To: mutex Subject: All these MusicTeX revisions being only availabe via overseas ftp Please, please, please won't someone offer to upload, hopefully in a one-file .tar or .ARJ format, the latest versions of MusicTex upon downloading from France? It seems most absurd that everyone in the states that wants it should have to ftp to Europe seperately. Of course, we just need an ftp site that could accomodate this... hopefully one that the uploader can get permission with to have it be an ongoing thing. I know there are many sites that have readable /incoming or /tmp directories, maybe someone keeping up on such things could offer possibilities. I believe ucsc has such an area, and they seem to have always been strong in the computer and music fields... perhaps someone who has it could put it there with a short note explaining its identity, and we could see what happens. From ryanr@mozart.cs.colostate.edu Sat Aug 22 02:38:13 1992 Return-Path: Received: from ccncsu.ColoState.EDU by stolaf.edu (4.1/SMI-4.1) id AA00730; Sat, 22 Aug 92 02:38:13 CDT Received: from mozart.cs.colostate.edu by ccncsu.ColoState.EDU (5.59/Ultrix2.0-B) id AA18178; Sat, 22 Aug 92 01:38:15 MDT Received: by mozart.cs.colostate.edu (5.57/Ultrix3.0-C) id AA17915; Sat, 22 Aug 92 01:38:18 -0600 From: ryanr@mozart.cs.colostate.edu (richard ryan) Message-Id: <9208220738.AA17915@mozart.cs.colostate.edu> Subject: getting dvips to recognize MusicTeX's _.pk fonts (Please help) To: mutex Date: Sat, 22 Aug 92 1:38:17 MDT X-Mailer: ELM [version 2.3 PL8] Hi, I'm looking for help from some UNIX users who know who also use postscript printers. I'm trying to use dvips to convert _.dvi files to postscript files. For some reason dvips does not seem to recognize the _.pk files for MusicTeX. I've tried dvi2ps, also, but it seems to do much worse than dvips does. The following is the file I set the envornment with: setenv TEXINPUTS .:/tmp/ryanr/music/package:/usr/local/lib/tex/inputs setenv TEXFONTS /tmp/ryanr/musicpk:/tmp/ryanr/music/package:/tmp/ryanr/tfm:/usr/local/lib/tex/fonts setenv DVIFONTS /tmp/ryanr/music/package:/tmp/ryanr/musicpk:/tmp/ryanr/tfm:/usr/local/lib/tex/fonts setenv TEXPKS /tmp/ryanr/music/package/:tmp/ryanr/music300pk/:/tmp/ryanr/tfm/pk300:/usr/local/lib/tex/fonts/pk Next is the transcript of a session I where I use dvips: Script started on Fri Aug 21 11:11:37 1992 ryanr@{beethoven} 34 % source /tmp/ryanr/music/musictexenv.source ryanr@{beethoven} 35 % dvips -M -o musicdoc.ps musicdoc.dvi This is dvips 5.47 Copyright 1986-91 Radical Eye Software ' TeX output 1992.08.18:1213' -> musicdoc.ps dvips: Font musicn20.300pk not found, characters will be left blank. dvips: Font beamn20.300pk not found, characters will be left blank. dvips: Font slurn20.300pk not found, characters will be left blank. dvips: Font musicn13.300pk not found, characters will be left blank. dvips: Font beamn13.300pk not found, characters will be left blank. dvips: Font musicn16.300pk not found, characters will be left blank. . [0] [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] [13] [14] [15] [16] [17] [18] [19] [20] [21] [22] [23] [24] [25] [26] [27] [28] [29] [30] [31] [32] [33] [34] [35] [36] [37] [38] [39] [40] [41] [42] [43] [44] ryanr@{beethoven} 36 % exit ryanr@{beethoven} 37 % script done on Fri Aug 21 11:13:37 1992 I use the "-M" option because without it dvips looks for _.mk files for all the other fonts so then those fonts won't work. What do I need to do? I would really appreciate the help. Thanks, Richard. -- mailing address: home phone: 813 W. Mountain Ave. (303)498-0828 Ft. Collins, Co. 80521 From ryanr@mozart.cs.colostate.edu Sat Aug 22 05:32:12 1992 Return-Path: Received: from ccncsu.ColoState.EDU by stolaf.edu (4.1/SMI-4.1) id AA07116; Sat, 22 Aug 92 05:32:12 CDT Received: from mozart.cs.colostate.edu by ccncsu.ColoState.EDU (5.59/Ultrix2.0-B) id AA18470; Sat, 22 Aug 92 04:32:14 MDT Received: by mozart.cs.colostate.edu (5.57/Ultrix3.0-C) id AA18340; Sat, 22 Aug 92 04:32:16 -0600 From: ryanr@mozart.cs.colostate.edu (richard ryan) Message-Id: <9208221032.AA18340@mozart.cs.colostate.edu> Subject: (The metafont files) I think I've got dvips working but ... To: mutex Date: Sat, 22 Aug 92 4:32:15 MDT X-Mailer: ELM [version 2.3 PL8] Hi, I think I've got dvips working but I had a couple of problems. The first problem was that there was a -M at the end of each line that I had to edit out of each _.mf file. All the other MusicTeX files unzipped all right so I don't know how those got there. Also, I used a makefonts file that I doctored up to try to get it to work on these fonts. I didn't quite get it right so any corrections would be appreciated. I had to force it through the rough spots and if I had gotten everything right I shouldn't have had to do that. Here's the file I used: start of makefonts ------- #!/bin/sh # Bourne shell script to make all the fonts here. mode=localfont mf=mf fonts="beamd20 beamn11 beamn13 beamn16 beamn20 beamngen beamq20 beamt20 \ beamv20 modes musicd11 musicd13 musicd16 musicd20 musicdef musicg16 \ musicgen musicn11 musicn13 musicn16 musicn20 slur16 slurdd16 slurdu16 \ slurgen slurn16 slurn20 slurud16 sluruu16" for f in $fonts do mf \\mode:=$mode\; input $f gftopk $f.*gf done end of makefonts ---------------- Thanks for any help, Richard. -- mailing address: home phone: 813 W. Mountain Ave. (303)498-0828 Ft. Collins, Co. 80521 From ryanr@mozart.cs.colostate.edu Sat Aug 22 13:44:47 1992 Return-Path: Received: from ccncsu.ColoState.EDU by stolaf.edu (4.1/SMI-4.1) id AA16476; Sat, 22 Aug 92 13:44:47 CDT Received: from mozart.cs.colostate.edu by ccncsu.ColoState.EDU (5.59/Ultrix2.0-B) id AA19362; Sat, 22 Aug 92 12:44:50 MDT Received: by mozart.cs.colostate.edu (5.57/Ultrix3.0-C) id AA19701; Sat, 22 Aug 92 12:44:52 -0600 From: ryanr@mozart.cs.colostate.edu (richard ryan) Message-Id: <9208221844.AA19701@mozart.cs.colostate.edu> Subject: \fhyph and \Interligne To: mutex Date: Sat, 22 Aug 92 12:44:51 MDT X-Mailer: ELM [version 2.3 PL8] Hi, My TeX here can't seem to find the definition of \fhyph and \Interligne. Could someone tell me where I can find these defined? Thanks, Richard. -- mailing address: home phone: 813 W. Mountain Ave. (303)498-0828 Ft. Collins, Co. 80521 From tim@maths.tcd.ie Sat Aug 22 20:01:44 1992 Return-Path: Received: from salmon.maths.tcd.ie by stolaf.edu (4.1/SMI-4.1) id AA21009; Sat, 22 Aug 92 20:01:44 CDT From: Timothy Murphy Subject: Re: \fhyph and \Interligne To: mutex In-Reply-To: richard ryan's message of Sat, 22 Aug 92 12:44:51 MDT Date: Sun, 23 Aug 92 2:01:43 BST Sender: tim@maths.tcd.ie Message-Id: <9208230201.aa15228@salmon.maths.tcd.ie> > My TeX here can't seem to find the definition of \fhyph and \Interligne. > Could someone tell me where I can find these defined? \fhyph is defined in INRSTeX; but I was told by Taupin that it could be ignored without little or no loss; say \let\fhyph=\relax I haven't come across \Interligne in MusicTeX yet; it is not defined in INRSTeX. Timothy Murphy e-mail: tim@maths.tcd.ie tel: +353-1-2842366 (home/office) +353-1-7021507 (university) fax: +353-1-2842295 s-mail: School of Mathematics, Trinity College, Dublin 2, Ireland From piet@cs.ruu.nl Sun Aug 23 11:45:26 1992 Return-Path: Received: from infix.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA04880; Sun, 23 Aug 92 11:45:26 CDT Received: by infix.cs.ruu.nl id AA24944 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Sun, 23 Aug 1992 18:45:20 +0200 Date: Sun, 23 Aug 1992 18:45:20 +0200 From: Piet van Oostrum Message-Id: <199208231645.AA24944@infix.cs.ruu.nl> To: mutex Cc: mutex@stolaf.edu Subject: Re: getting dvips to recognize MusicTeX's _.pk fonts (Please help) References: <9208220738.AA17915@mozart.cs.colostate.edu> >>>>> ryanr@mozart.cs.colostate.edu (richard ryan) (RR) writes: RR> I'm looking for help from some UNIX users who know who also use postscript RR> printers. I'm trying to use dvips to convert _.dvi files to postscript RR> files. For some reason dvips does not seem to recognize the _.pk files RR> for MusicTeX. I've tried dvi2ps, also, but it seems to do much worse than RR> dvips does. The following is the file I set the envornment with: You should rename all the .pk files too .300pk. RR> I think I've got dvips working but I had a couple of problems. The first RR> problem was that there was a -M at the end of each line that I had to RR> edit out of each _.mf file. All the other MusicTeX files unzipped all RR> right so I don't know how those got there. The Zip contains MS-DOS files which uses CR/LF (ie ^M/^J) for newlines whereas Unix uses only LF (^J). So you have to remove the ^M from all text files and sometimes also a trailing ^Z. Piet* van Oostrum, Dept of Computer Science, Utrecht University, Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 531806 Uucp: uunet!mcsun!ruuinf!piet Telefax: +31 30 513791 Internet: piet@cs.ruu.nl (*`Pete') From walt@GECKO.SLAC.Stanford.EDU Tue Aug 25 15:47:41 1992 Return-Path: Received: from SCS.SLAC.STANFORD.EDU by stolaf.edu (4.1/SMI-4.1) id AA22151; Tue, 25 Aug 92 15:47:41 CDT Received: from GECKO.SLAC.Stanford.EDU by SCS.SLAC.STANFORD.EDU with PMDF#10283; Tue, 25 Aug 1992 13:47 PDT Received: by gecko.SLAC.Stanford.EDU (NX5.67a/NX3.0S) id AA06601; Tue, 25 Aug 92 13:41:41 -0700 Received: by NeXT Mailer (1.82.RR) Date: Tue, 25 Aug 92 13:41:41 -0700 From: Walter Innes Subject: New versions of bagpipe.tex To: mutex Message-Id: <9208252041.AA06601@gecko.SLAC.Stanford.EDU> X-Envelope-To: mutex@stolaf.edu I have uploaded two new versions of bagpipe.tex. Here is the readme that goes with them: bagpipe.tex is a macro-package for use with MusicTeX to type set Scottish Highland Bagpipe music. Version 1.1 is for use with MusicTeX versions 4.50 and 4.52. Version 1.2 is for use with musicTeX versions 4.71 and 4.72. Version 1.1 adds many new grace note definitions to version 1.0. Version 1.2 adds a new scheme for specifying pitches which does not require \s before pitch specifiers. From griebl@fmi.uni-passau.de Wed Aug 26 03:52:16 1992 Return-Path: Received: from inn.fmi.uni-passau.de by stolaf.edu (4.1/SMI-4.1) id AA07588; Wed, 26 Aug 92 03:52:16 CDT Received: by inn.fmi.uni-passau.de id AA06290 (5.65c8/IDA-1.4.4 for mutex@stolaf.edu); Mon, 24 Aug 1992 17:53:32 +0200 From: Martin Griebl Message-Id: <199208241553.AA06290@inn.fmi.uni-passau.de> Subject: Re: getting dvips to recognize fonts To: mutex Date: Mon, 24 Aug 92 17:53:31 MET DST Return-Receipt-To: griebl@fmi.uni-passau.de X-Mailer: ELM [version 2.3 PL6] Hi Richard, hi all, in the last time there were several questions about UNIX environment variables for TeX and esp. for dvips. I had many troubles in that area, too. Now, I've found a solution which works fine. I'm not sure whether my solution is the best (and not even if it works everywhere) but I think it's worth posting it. For dvips the relevant variable is TEXPKS. But, in my version it is *not* enough to set it to the desired *PATH*. I have to set this variable to the FILENAMEs of the fonts (!!). For this purpose there exist three "wildcars": %f is the name of the fontfile %d is the resolution %p is the "extension" (normally pk) An example: "/tex/fonts/pk/%d/%f.%d%p" contains our standard fonts. If dvips is looking for cmr12 in the resolution of 300 dpi then it looks whether there exists "/tex/fonts/pk/300/cmr12.300pk" (simply replace %d, %f and %p in the rule whith the desired values 300, cmr12 and pk, respectively). Therefore my TEXPKS is set to "./%f.%d%p:/home/griebl/musictex/fonts/%f.%d%p:/tex/fonts/pk/%d/%f.%d%p:" for fist looking at the current directory (.), then at my own musictex-font- directory and then in the operators library /tex/fonts/pk for the needed fonts. If the font is not found after the operators library, dvips reads the final ':' in TEXPKS. This means that dvips should then look in the systems standard path (I think, it's /usr/lib/tex/fonts/pk or something like that). If you don't want this then only remove the ':' at the end of TEXPKS. I don't know if the described behavior for font-name-mathching instead of path-setting is a bug or not. I would be interested if anyone can work with dvips under UNIX without explictly describing the filenames (and using other directories than the standard-directories, of course). For Richard, only: Please tell me if you do have success with this help or not. Thanks. Ciao, Martin ***************************************************************************** * Martin Griebl, University of Passau, Germany, Phone: (49) (851) 509-710 * * E-Mail: griebl@fmi.uni-passau.de * ***************************************************************************** From griebl@fmi.uni-passau.de Wed Aug 26 04:00:35 1992 Return-Path: Received: from inn.fmi.uni-passau.de by stolaf.edu (4.1/SMI-4.1) id AA07851; Wed, 26 Aug 92 04:00:35 CDT Received: by inn.fmi.uni-passau.de id AA06290 (5.65c8/IDA-1.4.4 for mutex@stolaf.edu); Mon, 24 Aug 1992 17:53:32 +0200 From: Martin Griebl Message-Id: <199208241553.AA06290@inn.fmi.uni-passau.de> Subject: Re: getting dvips to recognize fonts To: mutex Date: Mon, 24 Aug 92 17:53:31 MET DST Return-Receipt-To: griebl@fmi.uni-passau.de X-Mailer: ELM [version 2.3 PL6] Hi Richard, hi all, in the last time there were several questions about UNIX environment variables for TeX and esp. for dvips. I had many troubles in that area, too. Now, I've found a solution which works fine. I'm not sure whether my solution is the best (and not even if it works everywhere) but I think it's worth posting it. For dvips the relevant variable is TEXPKS. But, in my version it is *not* enough to set it to the desired *PATH*. I have to set this variable to the FILENAMEs of the fonts (!!). For this purpose there exist three "wildcars": %f is the name of the fontfile %d is the resolution %p is the "extension" (normally pk) An example: "/tex/fonts/pk/%d/%f.%d%p" contains our standard fonts. If dvips is looking for cmr12 in the resolution of 300 dpi then it looks whether there exists "/tex/fonts/pk/300/cmr12.300pk" (simply replace %d, %f and %p in the rule whith the desired values 300, cmr12 and pk, respectively). Therefore my TEXPKS is set to "./%f.%d%p:/home/griebl/musictex/fonts/%f.%d%p:/tex/fonts/pk/%d/%f.%d%p:" for fist looking at the current directory (.), then at my own musictex-font- directory and then in the operators library /tex/fonts/pk for the needed fonts. If the font is not found after the operators library, dvips reads the final ':' in TEXPKS. This means that dvips should then look in the systems standard path (I think, it's /usr/lib/tex/fonts/pk or something like that). If you don't want this then only remove the ':' at the end of TEXPKS. I don't know if the described behavior for font-name-mathching instead of path-setting is a bug or not. I would be interested if anyone can work with dvips under UNIX without explictly describing the filenames (and using other directories than the standard-directories, of course). For Richard, only: Please tell me if you do have success with this help or not. Thanks. Ciao, Martin ***************************************************************************** * Martin Griebl, University of Passau, Germany, Phone: (49) (851) 509-710 * * E-Mail: griebl@fmi.uni-passau.de * ***************************************************************************** From walt@GECKO.SLAC.Stanford.EDU Wed Aug 26 09:56:37 1992 Return-Path: Received: from SCS.SLAC.STANFORD.EDU ([134.79.16.14]) by stolaf.edu (4.1/SMI-4.1) id AA19222; Wed, 26 Aug 92 09:56:37 CDT Received: from GECKO.SLAC.Stanford.EDU by SCS.SLAC.STANFORD.EDU with PMDF#10283; Wed, 26 Aug 1992 07:56 PDT Received: by gecko.SLAC.Stanford.EDU (NX5.67a/NX3.0S) id AA12372; Wed, 26 Aug 92 07:47:01 -0700 Received: by NeXT Mailer (1.82.RR) Date: Wed, 26 Aug 92 07:47:01 -0700 From: Walter Innes Subject: Re: New versions of bagpipe.tex To: mutex Message-Id: <9208261447.AA12372@gecko.SLAC.Stanford.EDU> X-Envelope-To: mutex@stolaf.edu >Date: Wed, 26 Aug 1992 09:38:28 +0200 >From: Piet van Oostrum >Subject: Re: New versions of bagpipe.tex >To: Walter Innes >>>>> Walter Innes (WI) writes: >WI> I have uploaded two new versions of bagpipe.tex. Here is the >readme >WI> that goes with them: >Wouldn't it be nice to know WHERE you have uploaded them. >Piet* van Oostrum, Dept of Computer Science, Utrecht University, Yes it would! to ftp.stolaf.edu in directory pub/mutex/contrib . From bph@gel.ulaval.ca Thu Sep 3 15:35:39 1992 Return-Path: Received: from stlaurent.gel.ulaval.ca (gel-stlaurent.ulaval.ca) by stolaf.edu (4.1/SMI-4.1) id AA28348; Thu, 3 Sep 92 15:35:39 CDT Date: Thu, 3 Sep 92 16:36:47 EDT From: Beatrice Philibert Message-Id: <9209032036.AA27082@stlaurent.gel.ulaval.ca> To: mutex Subject: Looking for MusicTeX 4.72 Does anybody know where I can get MusicTeX 4.72 in Canada ? I have not been able to ftp it from France. Please, e-mail your answer. Ou puis-je obtenir MusicTeX 4.72 au Canada ? Je n'ai pas pu me connecter au serveur francais. Merci de vos reponses par e-mail. Beatrice Philibert ------------------------------------------------------------------------------- Dr Beatrice Philibert | Tel: 1-418-656-3019 Departement de Genie Electrique | Fax: 1-418-656-3159 Universite Laval | e-mail: bph@gel.ulaval.ca Sainte-Foy (Quebec) CANADA | Beatrice.Philibert@gel.ulaval.ca G1K 7P4 | ------------------------------------------------------------------------------- From pmcilroy@bt-sys.bt.co.uk Tue Sep 8 11:37:13 1992 Return-Path: Received: from zaphod.axion.bt.co.uk by stolaf.edu (4.1/SMI-4.1) id AA14464; Tue, 8 Sep 92 11:37:13 CDT Received: from roundabout.bt-sys.bt.co.uk by zaphod.axion.bt.co.uk with SMTP (PP) id <24430-0@zaphod.axion.bt.co.uk>; Mon, 7 Sep 1992 20:44:15 +0100 Received: from harpo.bt-sys.bt.co.uk by bt-sys.bt.co.uk (4.1/SMI-4.1) id AA07419; Mon, 7 Sep 92 20:39:30 BST Message-Id: <9209071939.AA07419@bt-sys.bt.co.uk> Received: by harpo (16.8/16.2) id AA14032; Mon, 7 Sep 92 20:43:40 +0100 Date: Mon, 7 Sep 92 20:43:40 +0100 From: Paul McIlroy To: mutex Subject: Scale_and_Rests.tex I have just started learning how to use Daniel Taupin's music setting package MusicTeX. As I had a bit of difficulty remembering the names of notes and rests I made myself a little table of 52 note pitches and their names, and another little table of all the rests and their names. Since the code is very short, and since I thought it might help other novices like myself I am posting the two tables here. The two tables fit easily on a single A4 page. I hope any TeX wizzards reading this will forgive the awful way I have coded this, but as I said I have just started learning. Paul McIlroy (pmcilroy@bt-sys.bt.co.uk) _______________________________ CUT HERE _______________________________ \input musicnft % defines music fonts \input musictex % defines music macros & parameters \input musicsty % non musical procedures used in typesetting text \vsize=25.5cm \hsize=18.5cm \hoffset=-14mm % for LaserWriter \nopagenumbers \def\nbinstruments{1} \def\lbnt#1{\zcharnote{12}{#1}\wh{!#1}}\relax \def\musictex{Music\TeX}% \cleftoksi={{6}{}{}{}}% \parindent 0mm% \centerline{\enorme Note Pitches in \musictex} \bigskip \bigskip \bigskip \bottommargin=15\Interligne \def\wbarno{} \debutmorceau \autolines{24}{1}{4}% \temps\temps\temps\notes\lbnt {`A}\lbnt {`B}\lbnt {`C}\lbnt {`D}\lbnt {`E}\lbnt {`F}\lbnt {`G} \lbnt A\lbnt B\lbnt C\lbnt D\lbnt E\lbnt F\lbnt G\lbnt H\lbnt I \lbnt J\lbnt K\lbnt L\lbnt M\lbnt N\lbnt a\lbnt b\lbnt c\enotes \cleftoksi={{0}{}{}{}}% \def\lbnt#1{\zcharnote{-6}{#1}\wh{!#1}}\relax \alaligne\notes\lbnt c\lbnt d\lbnt e\lbnt f\lbnt g\lbnt h\lbnt i \lbnt j\lbnt k\lbnt l\lbnt m\lbnt n\lbnt o\lbnt p\lbnt q\lbnt r \lbnt s\lbnt t\lbnt u\lbnt v\lbnt w\lbnt x\lbnt y\lbnt z\enotes \suspmorceau \bigskip \bigskip \bigskip \def\mcra#1{\zcharnote{16}{$\backslash$#1}}\relax % Displays a macro \def\mcrb#1#2{\zcharnote{16}{$\backslash$#1}% \zcharnote{12}{$\backslash$#2}}\relax % Displays 2 alternative macro names \def\mcrc#1#2#3{\zcharnote{20}{$\backslash$#1}\zcharnote{16}{$\backslash$#2}% \zcharnote{12}{$\backslash$#3}}\relax % Displays 3 alternative macro names \def\nbinstruments{1} % % extra rest definitions:- % \def\dq@soup{\musicnfont\char"41}% \def\dqs{\hbox to \noteskip{\dq@soup\hss}% \advance\locx@skip by \noteskip}% \def\qq@soup{\musicnfont\char"42}% \def\qqs{\hbox to \noteskip{\qq@soup\hss}% \advance\locx@skip by \noteskip}% % \cleftoksi={{0}{}{}{}}% \parindent 0mm% \centerline{\enorme Rests in \musictex} \bigskip \bigskip \bigskip \bottommargin=15\Interligne \def\wbarno{} \debutmorceau \autolines{15}{1}{4}% \Notes\temps\enotes \NOtes \mcra{qqs}\qqs% hemi-demi-semi-quaver rest \mcra{dqs}\dqs% demi-semi-quaver rest \mcrc{quartsoupir}{qsoupir}{qs}\qs% semi-quaver rest \mcrc{demisoupir}{dsoupir}{ds}\ds% quaver rest \mcrb{soupir}{qp}\qp% crotchet rest \mcra{hpause}\hpause% minim rest \mcra{pause}\pause% semibreve rest \enotes \suspmorceau\bye From mwitten@hermes.chpc.utexas.edu Tue Sep 8 12:40:02 1992 Return-Path: Received: from hermes.chpc.utexas.edu by stolaf.edu (4.1/SMI-4.1) id AA23519; Tue, 8 Sep 92 12:40:02 CDT Received: from morpheus.chpc.utexas.edu by hermes.chpc.utexas.edu (5.64/SMI-3.2) id AA24152; Tue, 8 Sep 92 12:40:24 -0500 Received: by morpheus.chpc.utexas.edu (4.1/SMI-4.1) id AA26093; Tue, 8 Sep 92 12:41:07 CDT From: mwitten@hermes.chpc.utexas.edu Message-Id: <9209081741.AA26093@morpheus.chpc.utexas.edu> Subject: MusicTex To: mutex Date: Tue, 8 Sep 92 12:41:06 CDT X-Mailer: ELM [version 2.3 PL11] I am trying to get the MusicTex system up and running here in the US. I am just about to release the whole thing to anonymous ftp. I will let the crowd know when it's available. I thought it might be useful to have people send MusicTex related programs to me for the ftp library. If I'm duplicating an effort, let me know. It's so hard to keep track of things these days. Matthew -- _____________________________________________________________________ Matthew Witten, Ph.D. MED Director, Applications Research & Development Associate Director, UT System Center For High Performance Computing Balcones Research Center, 1.154 CMS 10100 Burnet Road, Austin, TX 78758-4497 USA Phone: (512) 471-2472 FAX: (512) 471-2445 E-MAIL MWITTEN@CHPC.UTEXAS.EDU or MWITTEN@UTHERMES.BITNET "some intellectuals make their living by creating obscurities for the rest of us to puzzle over" _____________________________________________________________________ From barrett@astro.cs.umass.edu Tue Sep 8 13:27:14 1992 Return-Path: Received: from astro.cs.umass.edu by stolaf.edu (4.1/SMI-4.1) id AA25311; Tue, 8 Sep 92 13:27:14 CDT Received: by astro.cs.umass.edu (5.57/Ultrix3.0-C) id AA05395; Tue, 8 Sep 92 14:27:40 -0400 Date: Tue, 8 Sep 92 14:27:40 -0400 From: barrett@astro.cs.umass.edu (Daniel Barrett) Message-Id: <9209081827.AA05395@astro.cs.umass.edu> To: mutex Subject: SMF to MusicTeX converter being planned - ideas wanted Hi folks: I have just joined this mailing list. In the next few months, I will be planning and building a program to convert from Standard MIDI Files (SMF) to MusicTeX. The program will be freely distributable, perhaps with some optional shareware components. If anybody has any suggestions or tips, I would appreciate hearing them. Since this program is essentially a compiler, I plan first to write a generic SMF parser using bison (GNU yacc). If someone else has done this already, please let me know. I have seen other SMF translation programs, but none of them use any grammar-based tools like lex/yacc. Once the parser is built, I'll add the MusicTeX support. I will try to make the program independent of MusicTeX, so that other people can use it to generate other languages like MuTeX or whatever kind of scoring language is desired. Toward this end, I'll need to invent lots of MusicTeX macros for common notation. If you have any great macros that you'd like to share, I'd love to see them. Finally, there's the issue of quantization. For now, I plan to force the user to do the quantization using his/her sequencer (or other tool) before running my converter. However, eventually I'd like for the converter to have some of its own heuristics for grouping MIDI data into chords and guessing durations. Any ideas about this would be appreciated. A major goal of this work is that the program will be portable. Anybody with a C compiler and an implementation of bison (freely available on all major microcomputers and UNIX, I believe) should be able to port it quickly. I'll distribute the code already "bisoned" too, so you won't even need bison to compile the program. All user-interface code will be kept separate from the "engine." I don't intend for this program to have any kind of graphic front-end. This would take more time than I can afford to spend (I am a graduate student right now). Possibly, there will be some kind of machine-specific graphic interface for turning options on and off before converting to MusicTeX. When finished, the program will run under UNIX and the Amiga operating system. (But it should port pretty easily to other platforms.) Like I said, I'm interested in hearing any ideas you have. I will be spending a long time planning the project before doing any coding (gosh... software engineering! :-)), so please let me know what features you might find useful. Dan //////////////////////////////////////\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ | Dan Barrett -- Dept of Computer Science, Lederle Graduate Research Center | | University of Massachusetts, Amherst, MA 01003 -- barrett@cs.umass.edu | \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\///////////////////////////////////// From pmcilroy@bt-sys.bt.co.uk Tue Sep 8 15:37:56 1992 Return-Path: Received: from zaphod.axion.bt.co.uk by stolaf.edu (4.1/SMI-4.1) id AA01219; Tue, 8 Sep 92 15:37:56 CDT Received: from roundabout.bt-sys.bt.co.uk by zaphod.axion.bt.co.uk with SMTP (PP) id <07331-0@zaphod.axion.bt.co.uk>; Tue, 8 Sep 1992 21:38:06 +0100 Received: from harpo.bt-sys.bt.co.uk by bt-sys.bt.co.uk (4.1/SMI-4.1) id AA10005; Tue, 8 Sep 92 21:33:18 BST Message-Id: <9209082033.AA10005@bt-sys.bt.co.uk> Received: by harpo (16.8/16.2) id AA15197; Tue, 8 Sep 92 21:37:26 +0100 Date: Tue, 8 Sep 92 21:37:26 +0100 From: Paul McIlroy To: mutex Subject: Re: SMF to MusicTeX converter being planned - ideas wanted Dan, have you seen the posting from KUYKENS@AMC.UVA.NL in the mutex archive (ftp.stolaf.edu:/pub/mutex/archive). Just in case you haven't seen it here it is:- ________________________________________________________________________________ >From KUYKENS@AMC.UVA.NL Fri Apr 3 09:47:47 1992 Return-Path: Received: from vx.acs.umn.edu by stolaf.edu (4.1/SMI-4.1) id AA17105; Fri, 3 Apr 92 09:47:47 CST Received: from HASARA5.BITNET by vx.acs.umn.edu; Fri, 3 Apr 92 09:51 CST Received: from VAX1.SARA.NL by SARA.NL for mutex@stolaf.edu; 3 Apr 92 17:52 MET Received: from AMC.UVA.NL by VAX1.SARA.NL; Fri, 3 Apr 92 17:45 MET Date: Fri, 3 Apr 92 17:43 MET >From: KUYKENS@AMC.UVA.NL Subject: Midi2TeX translator To: mutex mutex@stolaf.edu Message-Id: <77018573F8FD001663@AMC.UVA.NL> X-Envelope-To: mutex@stolaf.edu X-Vms-To: @SENDASK.GRP To all MusicTeX/MIDI users, In the past months I have been working on a translator program, MIDI2TEX which maps MIDI files to a MusicTeX file. Though not completely bug free the software could use some external input to test its proper function. Therefore, I would like to invite you to receive a test version of the software. The aim is that you try it on some of your MIDI files and report back your findings to me. The software is available for the Atari-ST and PC compatible. On the Atari the core program is of TTP type. I wrote a dedicated GEM shell which simplifies the use. Such a shell is not available for the PC version. Some features of MIDI2TEX are : * translation of notes into MusicTeX format * one or more MIDI tracks are supported * skip tracks * glue tracks into one (MusicTeX) instrument * selection of bass or violin cleff for any track * slurring of notes * selection of measure segmentation * debugging info to screen/file/printer If you are interested please tell me so by e-mail. I will then send you the software in ARC'ed and uuencoded format through e-mail. greetings : Hans Kuykens ________________________________________________________________________________ If you have not already done so you might want to check out Hans's program before writing your own. Regards, Paul McIlroy (pmcilroy@bt-sys.bt.co.uk) P.S. Forgive me if I should be minding my own business, but I thought you might save yourself some work. From icking@gmdzi.gmd.de Wed Sep 9 12:16:26 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA04707; Wed, 9 Sep 92 12:16:26 CDT Received: by gmdzi.gmd.de id AA10432 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Wed, 9 Sep 1992 19:16:04 +0200 Date: Wed, 9 Sep 1992 19:16:04 +0200 From: Werner Icking Message-Id: <199209091716.AA10432@gmdzi.gmd.de> To: mutex Subject: Re: Scale_and_Rests.tex >Message-Id: <9209071939.AA07419@bt-sys.bt.co.uk> >Date: Mon, 7 Sep 92 20:43:40 +0100 Hi Paul >I have just started learning how to use Daniel Taupin's music setting >package MusicTeX. As I had a bit of difficulty remembering the names >of notes and rests I made myself a little table of 52 note pitches and >their names, and another little table of all the rests and their names. >Since the code is very short, and since I thought it might help other >novices like myself I am posting the two tables here. The two tables >fit easily on a single A4 page. Nice idea, because ... some time ago I had a similar idea :-) but forgot to make it public :-( So I take the chance to combine yours and mine. The result you may find at the end. Take it as if it were yours. > >I hope any TeX wizzards reading this will forgive the awful way I have >coded this, but as I said I have just started learning. Nothing to forgive. But some remarks which may help you. 1. you have an out-of-date version as I could see by(? with in at?) your usage of \bottommargin; it was conflicting with LaTeX so Daniel renamed it to \staffbotmarg. 2. if you use the transposition feature of Musictex you need not remember the names of the pitches but only (within \notes ... \enotes) the transpose-register: \notes\qu{cdef}\enotes\barre\notes\qu{g'ab}\ql c\enotes\relax \barre\notes\ql{'dedc}\enotes\barre\notes\qu{'ba`gf}\enotes\relax \barre\notes\qu{ed}\wh c\enotes\relax Werner PS: And here is the combined musicref.tex - waiting for improvements --------------------------------------------------------------------------- \input musicnft\input musictex\input musicsty \vsize=25.5cm\hsize=18.5cm\hoffset=-14mm % for LaserWriter \parindent 0mm\nopagenumbers\def\wbarno{}\def\nbinstruments{1} \def\musictex{Music\TeX}% \centerline{\enorme Notes and Pitches in \musictex}\bigskip \debutmorceau\cleftoksi={{6}{}{}{}}\autolines{26}{1}{12}\temps\notes\relax \def\lbnt#1{\zcharnote{14}{#1}\wh{!#1}}\relax \lbnt {`A}\lbnt {`B}\lbnt {`C}\lbnt {`D}\lbnt {`E}\lbnt {`F}\lbnt {`G}\relax \lbnt A\lbnt B\lbnt C\lbnt D\lbnt E\lbnt F\lbnt G\lbnt H\lbnt I\relax \lbnt J\lbnt K\lbnt L\lbnt M\lbnt N\lbnt a\lbnt b\lbnt c\lbnt d\lbnt e\relax \enotes\cleftoksi={{0}{}{}{}}\alaligne\notes \def\lbnt#1{\zcharnote{-8}{#1}\wh{!#1}}\relax \lbnt a\lbnt b\lbnt c\lbnt d\lbnt e\lbnt f\lbnt g\lbnt h\lbnt i\relax \lbnt j\lbnt k\lbnt l\lbnt m\lbnt n\lbnt o\lbnt p\lbnt q\lbnt r\relax \lbnt s\lbnt t\lbnt u\lbnt v\lbnt w\lbnt x\lbnt y\lbnt z\relax \enotes\suspmorceau \def\mcra#1{\zcharnote{M}{$\backslash$#1}}\relax % Displays a macro \bigskip\debutmorceau\temps\NOtes\relax \mcra{zbv}\zbv i\sk\mcra{zsb}\zsb i\sk\enotes\Notes\relax \mcra{wh}\wh i\relax \mcra{hu}\hu f\mcra{hl}\hl l\relax \mcra{qu}\qu f\mcra{ql}\ql l\relax \mcra{cu}\cu f\mcra{cl}\cl l\enotes\NOtes\relax \mcra{ccu}\ccu f\mcra{ccl}\ccl l\relax \mcra{cccu}\cccu f\mcra{cccl}\cccl l\relax \mcra{ccccu}\ccccu f\mcra{ccccl}\ccccl l\enotes\suspmorceau % % extra rest definitions:- % \def\dq@soup{\musicnfont\char"41}% \def\dqs{\hbox to \noteskip{\dq@soup\hss}\advance\locx@skip by \noteskip}% \def\qq@soup{\musicnfont\char"42}% \def\qqs{\hbox to \noteskip{\qq@soup\hss}\advance\locx@skip by \noteskip}% % \def\mcra#1{\zcharnote{16}{$\backslash$#1}}\relax % Displays a macro \def\mcrb#1#2{\zcharnote{16}{$\backslash$#1}% \zcharnote{12}{$\backslash$#2}}\relax % Displays 2 alternative macro names \def\mcrc#1#2#3{\zcharnote{20}{$\backslash$#1}\zcharnote{16}{$\backslash$#2}% \zcharnote{12}{$\backslash$#3}}\relax % Displays 3 alternative macro names % \bigskip\centerline{\enorme Rests in \musictex}\bigskip \debutmorceau\NOtes\sk\relax \mcra{qqs}\qqs% hemi-demi-semi-quaver rest \mcra{dqs}\dqs% demi-semi-quaver rest \mcrc{quartsoupir}{qsoupir}{qs}\qs\sk% semi-quaver rest \mcrc{demisoupir}{dsoupir}{ds}\ds\sk% quaver rest \mcrb{soupir}{qp}\qp% crotchet rest \mcra{hpause}\hpause% minim rest \mcra{pause}\pause% semibreve rest \mcra{PAuse}\PAuse% ? rest \mcra{PAUSe}\PAUSe% ?? rest \enotes\suspmorceau % \bigskip\centerline{\enorme Symbols in \musictex}\bigskip \def\mcra#1{\zcharnote{17}{$\backslash$#1}}\relax \debutmorceau\NOtes\sk\relax \mcra{nTrille}\nTrille{n}1\sk\mcra{ntrille}\ntrille{n}1\sk\sk\relax \mcra{pince}\pince{n}\sk\mcra{Pince}\Pince{n}\sk\relax \mcra{mordant}\mordant{n}\sk\sk\relax \mcra{turn}\turn{n}\sk\mcra{backturn}\backturn{n}\sk\sk\relax \mcra{coda}\coda{n}\sk\mcra{segno}\segno{n}\sk\relax \enotes\alaligne\NOtes\sk\relax \def\mcra#1{\zcharnote{10}{$\backslash$#1}}\relax \mcra{dimin}\zcharnote b{\dimin}\sk\relax \mcra{Dimin}\zcharnote b{\Dimin}\sk\sk\relax \mcra{DImin}\zcharnote b{\DImin}\sk\sk\sk\relax \mcra{DIMin}\zcharnote b{\DIMin}\sk\sk\sk\sk\relax \enotes\alaligne\NOtes\sk\relax \mcra{cresc}\zcharnote b{\cresc}\sk\relax \mcra{Cresc}\zcharnote b{\Cresc}\sk\sk\relax \mcra{CResc}\zcharnote b{\CResc}\sk\sk\sk\relax \mcra{CREsc}\zcharnote b{\CREsc}\sk\sk\sk\sk\relax \enotes\alaligne\NOtes\sk\relax \def\mcra#1{\zcharnote{14}{$\backslash$#1}}\relax \mcra{pointdorgue}\pointdorgue{l}\wh k\sk\relax \mcra{pointdurgue}\pointdurgue{e}\wh f\sk\relax \mcra{PED}\PED\sk\mcra{DEP}\DEP\sk\relax \enotes\suspmorceau\bye From mau@beatles.CSELT.STET.IT Thu Sep 10 07:00:34 1992 Return-Path: Received: from pol90a (pol90a.polito.it) by stolaf.edu (4.1/SMI-4.1) id AA16583; Thu, 10 Sep 92 07:00:34 CDT Received: from EI3500.CSELT.IT by POLITO.IT (PMDF #12666) id <01GOMBCLO3MO94FRF3@POLITO.IT>; Thu, 10 Sep 1992 12:32 GMT+1 Received: from beatles.uf.cselt (125.0.90.142) by EI3500.CSELT.STET.IT; Thu, 10 Sep 92 12:29 GMT +1 Received: by beatles.uf.cselt (4.1/SMI-4.1) id AA06586; Thu, 10 Sep 92 12:28:24 +0200 Date: Thu, 10 Sep 92 12:28:24 +0200 From: mau@beatles.CSELT.STET.IT Subject: Re: Scale_and_Rests.tex To: mutex Message-Id: <9209101028.AA06586@beatles.uf.cselt> X-Envelope-To: mutex@stolaf.edu > \debutmorceau\cleftoksi={{6}{}{}{}}\autolines{26}{1}{12}\temps\notes\relax I found that the first clef is still a G one, unless \cleftoksi={{6}{}{}{}} is put *before* \debutmorceau ... ciao! .mau. From cdr Thu Sep 10 08:44:04 1992 Return-Path: Received: from sachiko.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA18106; Thu, 10 Sep 92 08:44:04 CDT Date: Thu, 10 Sep 92 08:44:04 CDT From: cdr (Craig D Rice) Message-Id: <9209101344.AA18106@stolaf.edu> To: mutex Subject: test This is a test message... Please ignore this... Craig From @pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Fri Sep 11 13:16:01 1992 Return-Path: <@pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA06732; Fri, 11 Sep 92 13:16:01 CDT Message-Id: <9209111816.AA06732@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 2551; Fri, 11 Sep 92 14:15:30 EDT Received: from FRUPS51.BITNET (TAUPIN) by PUCC.PRINCETON.EDU (Mailer R2.09 ptf000) with BSMTP id 9796; Fri, 11 Sep 92 13:29:07 EDT Date: 11 SEP 92 19:33:07.91-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: MusicTeX 4.76 To: mutex Version 4.76 posted at rsovax.ups.circe.fr = 130.84.128.100 Corrections: - some rests defined (1/32 and 1/64) - doc updated (slightly) - summary of pitches, notes and ornaments added in fine. From ryanr@mozart.CS.ColoState.EDU Sun Sep 13 19:10:23 1992 Return-Path: Received: from ccncsu.ColoState.EDU by stolaf.edu (4.1/SMI-4.1) id AA18886; Sun, 13 Sep 92 19:10:23 CDT Received: from mozart.cs.colostate.edu by ccncsu.ColoState.EDU (5.59/Ultrix2.0-B) id AA12208; Sun, 13 Sep 92 18:10:40 MDT Received: by mozart.CS.ColoState.EDU (5.57/Ultrix3.0-C) id AA10811; Sun, 13 Sep 92 18:10:21 -0600 From: ryanr@cs.colostate.edu (richard ryan) Message-Id: <9209140010.AA10811@mozart.CS.ColoState.EDU> Subject: sortindx (req: versions in C, Bourne shell script and/or pseudocode) To: mutex Date: Sun, 13 Sep 92 18:10:20 MDT X-Mailer: ELM [version 2.3 PL8] Hi, I'm about to ask for an awful lot, but I think a posting of the answers might be beneficial to many. Please brace yourselves. I was wondering if someone could give me the general idea of what sortindx does. If it sorts into directories, please post a listing of the directories and what's in them. If it does any formatting or processing of files, please include what the formatting and processing is with the names of the resultant files and what they're used for, and what directories they belong in. If anyone knows how to represent the algorithm of sortindx in pseudocode or in any other way, I'd really appreciate it if you could post that. (My ForTran is on the rusty side, even though I like the language.) Maybe if someone has a C version of it for UNIX or a Bourne shell script version they could post it. If there are any C versions of sortindx for any other operating systems, please post that and please include the version of C used and the operating system it's written for. If we have that then maybe it can be adapted. I'm not that great of a programmer, but if I can come up with something or if I can find someone who can, I'll post whatever I can. Thanks, Richard. -- mailing address: home phone: 813 W. Mountain Ave. (303)498-0828 Ft. Collins, Co. 80521 From icking@gmdzi.gmd.de Tue Sep 15 09:26:24 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA27297; Tue, 15 Sep 92 09:26:24 CDT Received: by gmdzi.gmd.de id AA26558 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Tue, 15 Sep 1992 16:26:08 +0200 Date: Tue, 15 Sep 1992 16:26:08 +0200 From: Werner Icking Message-Id: <199209151426.AA26558@gmdzi.gmd.de> To: mutex Subject: MusicTeX 4.76 on ftp.gmd.de PLUS new musicref.tex Daniel Taupin writes: > >Version 4.76 posted at rsovax.ups.circe.fr = 130.84.128.100 > and as usual it is available for anonymous ftp from: ftp.gmd.de music/musictex.zip and in addition here is the (pre-)ultimate enhanced one-page musicref.tex: --------------------------------------------------------------------------- \input musicnft\input musictex\input musicsty \advance\voffset by -10mm\advance\vsize by 20mm\advance\hoffset by -5mm \parindent 0mm\nopagenumbers\def\wbarno{}\def\nbinstruments{1} \def\musictex{Music\TeX}\def\zch{\zcharnote}% \centerline{\enorme \musictex\ Reference}\bigskip \centerline{\moyen Pitches}\bigskip \def\LBNT#1#2{\zch{!g}{#1#2}\wh{!#1#2}}\relax \def\lbnt#1{\zch g{#1}\wh{#1}}\relax \def\lbnu#1#2{\zch g{#1}\zch B{\hbox{\kern -3pt '#2}}\wh{#1}}\relax \cleftoksi={6000}\debutmorceau\autolines{26}{1}{12}\temps\relax % Pitches \notes\LBNT `A\LBNT `B\LBNT `C\LBNT `D\LBNT `E\LBNT `F\LBNT `G\enotes\relax \notes\lbnt A\lbnt B\lbnt C\lbnt D\lbnt E\lbnt F\lbnt G\enotes\relax \notes\lbnu HA\lbnu IB\lbnu JC\lbnu KD\lbnu LE\lbnu MF\lbnu NG\enotes\relax \notes\lbnt a\lbnt b\lbnt c\lbnt d\lbnt e\enotes\relax \def\lbnu#1#2{\zch K{#1}\zch a{\hbox{\kern -3pt '#2}}\wh{#1}}\relax \def\lbnv#1#2{\zch K{#1}\zch a{\hbox{\kern -4pt ''#2}}\wh{#1}}\relax \def\lbnw#1#2{\zch K{#1}\zch a{\hbox{\kern -5pt '{'}'#2}}\wh{#1}}\relax \cleftoksi={0000}\def\lbnt#1{\zch K{#1}\wh{#1}}\alaligne\notes\relax \lbnt a\lbnt b\lbnt c\lbnt d\lbnt e\lbnt f\lbnt g\relax \lbnu h a\lbnu i b\lbnu j c\lbnu k d\lbnu l e\lbnu m f\lbnu n g\relax \lbnv o a\lbnv p b\lbnv q c\lbnv r d\lbnv s e\lbnv t f\lbnv u g\relax \lbnw v a\lbnw w b\lbnw x c\lbnw y d\lbnw z e\enotes\suspmorceau % \bigskip\centerline{\moyen Notes, Accidentals, Accents, and Rests}\bigskip \def\mcra#1{\zch r{$\backslash$#1}}\relax \def\mcrx#1#2{\zch r{$\backslash$#1}\zch a{#2}}\relax % Notes & Accidentals \debutmorceau\temps\NOtes\relax \mcrx{zsb}{Accidentals:}\zsb i\sk\mcra{zbv}\zbv i\sk\enotes\Notes\relax \mcra{wh}\wh i\relax \mcrx{hu}{\tt>}\hu {>f}\mcra{hl}\hl l\relax \mcrx{qu}{\tt\^}\qu {^f}\mcra{ql}\ql l\relax \mcrx{cu}{\tt=}\cu {=f}\mcra{cl}\cl l\enotes\NOtes\relax \mcrx{ccu}{\tt\_}\ccu {_f}\mcra{ccl}\ccl l\relax \mcrx{cccu}{\tt<}\cccu { Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA01541; Mon, 21 Sep 92 13:47:05 CDT Message-Id: <9209211847.AA01541@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 5221; Mon, 21 Sep 92 14:46:04 EDT Received: from FRUPS51.BITNET (TAUPIN) by PUCC.PRINCETON.EDU (Mailer R2.09 ptf000) with BSMTP id 7080; Mon, 21 Sep 92 13:06:06 EDT Date: 21 SEP 92 19:09:50.02-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: MusicTeX version 4.77 To: mutex Version 4.77 available at 130.84.128.100 = rsovax.ups.circe.fr directory [anonymous.musictex] I suggest that ftp anonymous managers update if not done recently, since important changes were done in april/may 1992. From edf@minsky.csata.it Mon Sep 28 10:29:13 1992 Return-Path: Received: from minsky.csata.it by stolaf.edu (4.1/SMI-4.1) id AA13784; Mon, 28 Sep 92 10:29:13 CDT Message-Id: <9209281529.AA13784@stolaf.edu> Received: by minsky.csata.it (16.6/16.2) id AA22561; Mon, 28 Sep 92 16:30:34 +0100 From: Vincenzo De Florio Subject: changesignature macro To: mutex Date: Mon, 28 Sep 92 16:30:33 MET Mailer: Elm [revision: 66.25] Hi, in MusicTeX's Manual there's a reference to \changesignature. Coding that macro I always get the output: `undefined macro'. What can I do? My need is the following: I want that the signa- ture in my score changes at the end of a line and before the new one so that the music reader will notice the changing. Thank you very much for help and attenction, Vincenzo De Florio edf@minsky.csata.it deflorio@minsky.csata.it From ryanr@mozart.CS.ColoState.EDU Mon Sep 28 20:43:03 1992 Return-Path: Received: from ccncsu.ColoState.EDU by stolaf.edu (4.1/SMI-4.1) id AA05968; Mon, 28 Sep 92 20:43:03 CDT Received: from mozart.cs.colostate.edu by ccncsu.ColoState.EDU (5.59/Ultrix2.0-B) id AA09242; Mon, 28 Sep 92 19:43:33 MDT Received: by mozart.CS.ColoState.EDU (5.57/Ultrix3.0-C) id AA26218; Mon, 28 Sep 92 19:43:05 -0600 From: ryanr@cs.colostate.edu (richard ryan) Message-Id: <9209290143.AA26218@mozart.CS.ColoState.EDU> Subject: Re: Question about public domain music for MusicTeX To: mutex Date: Mon, 28 Sep 92 19:43:04 MDT Cc: mutex@stolaf.edu (MusicTeX/MuTeX) In-Reply-To: <199209210745.AA00350@tardis43.ethz.ch>; from "Tobias Oetiker" at Sep 21, 92 9:45 am X-Mailer: ELM [version 2.3 PL8] Tobias Oetiker > > Hi I just read your request ... for PD Music Tex Docs ... > Did you get any respons ??? > I would be Interested Too ... Hi, I haven't gotten any responses yet. I think we just need a few people to get the ball rolling. If people typeset a few scores of their own or typeset a few older public domain scores, it might really add to the MusicTeX users who may in turn find interest in some of the newer music they found written in MusicTeX. It might be interesting. Maybe people could use MusicTeX and the net to give their music some exposure. Though their music might be freely distributed, maybe the composers could keep performance rights or something. They could always write not-so-freely distributed music later. As for me, I've only recently started the music thing, while anything I've got to add in the way of musical output may not be worth much, when I get the time I'll try something. Maybe people will feel sorry enough for me that they'll say, "hey, let's help this poor misguided fellow out." Seeya, Richard. From ryanr@mozart.CS.ColoState.EDU Fri Oct 2 01:48:20 1992 Return-Path: Received: from ccncsu.ColoState.EDU by stolaf.edu (4.1/SMI-4.1) id AA18724; Fri, 2 Oct 92 01:48:20 CDT Received: from mozart.cs.colostate.edu by ccncsu.ColoState.EDU (5.59/Ultrix2.0-B) id AA04366; Fri, 2 Oct 92 00:48:42 MDT Received: by mozart.CS.ColoState.EDU (5.57/Ultrix3.0-C) id AA22524; Fri, 2 Oct 92 00:48:22 -0600 From: ryanr@cs.colostate.edu (richard ryan) Message-Id: <9210020648.AA22524@mozart.CS.ColoState.EDU> Subject: Re: Question about public domain music for MusicTeX To: mutex Date: Fri, 2 Oct 92 0:48:21 MDT Cc: mutex@stolaf.edu (MusicTeX/MuTeX) In-Reply-To: <01GPFVA1I61S000DBC@VAXA.CIS.UWOSH.EDU>; from "TRAVIS LISK" at Oct 1, 92 4:15 pm X-Mailer: ELM [version 2.3 PL8] TRAVIS LISK > > Date sent: 1-OCT-1992 16:14:07 > How does a subscriber either a) get scores or b) send scores > please reply!!!! > Travis A. Lisk > University of Wisconsin-Oshkosh > LISKT@OSHKOSHW.BITNET Hi, For a) some music comes with the MusicTeX package but outside of that, I haven't found any so I couldn't really tell you. For b) maybe someone could help me out here: would the mutex mail group be an all right place to start? It would probably take enough interested people to get some newsgroup started. Perhaps if there is a decent number of contributors here, someone might see their way clear to have a newsgroup to accommodate the composers, arrangers, transcribers, and of course, the typesetters here. Richard. From tim@maths.tcd.ie Fri Oct 2 06:08:26 1992 Return-Path: Received: from salmon.maths.tcd.ie by stolaf.edu (4.1/SMI-4.1) id AA27262; Fri, 2 Oct 92 06:08:26 CDT From: Timothy Murphy Subject: Re: Question about public domain music for MusicTeX To: mutex In-Reply-To: richard ryan's message of Fri, 2 Oct 92 0:48:21 MDT Date: Fri, 2 Oct 92 12:08:30 BST Sender: tim@maths.tcd.ie Message-Id: <9210021208.aa24203@salmon.maths.tcd.ie> > For b) maybe someone could help me out here: would the mutex mail group be > an all right place to start? It would probably take enough interested > people to get some newsgroup started. Perhaps if there is a decent > number of contributors here, someone might see their way clear to have a > newsgroup to accommodate the composers, arrangers, transcribers, and of > course, the typesetters here. A kind of musical Gutenberg project?! That would be great. But I've often wondered -- is there no standard way of entering music into the computer, as eg must be required for printing? Are there no SGML or SGML-like standards for music? Timothy Murphy e-mail: tim@maths.tcd.ie tel: +353-1-2842366 (home/office) +353-1-7021507 (university) fax: +353-1-2842295 s-mail: School of Mathematics, Trinity College, Dublin 2, Ireland From Robin.Fairbairns@cl.cam.ac.uk Fri Oct 2 07:48:45 1992 Return-Path: Received: from swan.cl.cam.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA28986; Fri, 2 Oct 92 07:48:45 CDT Received: from uk.ac.cam.cl.ely.cl.cam.ac.uk (actually rf@ely.cl.cam.ac.uk) by swan.cl.cam.ac.uk with SMTP (PP-6.2) to cl; Fri, 2 Oct 1992 13:48:15 +0100 To: mutex Cc: mutex@stolaf.edu, Robin.Fairbairns@cl.cam.ac.uk Subject: Re: Question about public domain music for MusicTeX In-Reply-To: Your message of Fri, 02 Oct 92 12:08:30 -0000. <9210021208.aa24203@salmon.maths.tcd.ie> Date: Fri, 02 Oct 92 13:48:03 +0100 From: Robin.Fairbairns@cl.cam.ac.uk Message-Id: <"swan.cl.ca.363:02.09.92.12.48.22"@cl.cam.ac.uk> |> > For b) maybe someone could help me out here: would the mutex mail group be |> > an all right place to start? It would probably take enough interested |> > people to get some newsgroup started. Perhaps if there is a decent |> > number of contributors here, someone might see their way clear to have a |> > newsgroup to accommodate the composers, arrangers, transcribers, and of |> > course, the typesetters here. |> |> A kind of musical Gutenberg project?! |> That would be great. Hear hear! |> But I've often wondered -- |> is there no standard way of entering music into the computer, |> as eg must be required for printing? |> Are there no SGML or SGML-like standards for music? There is a thing called SMDL*, but I don't know anything about its contents (i.e., whether it's a MIDI-level thing or a MusicTeX-level thing, as it were). I know about SMDL because it was mentioned as a potential point of liaison between those standardising graphics for multimedia and people working on sound representations. I believe the work is being done in ISO/IEC JTC1/SC18 - anyone know any better? Robin * Standard Music Description Language (cf SPDL = s _page_ dl); at the social event of the ISO meeting where I learnt about the existence of this thing, there was a memorable skit which substituted Meeting for Music. From ryanr@mozart.CS.ColoState.EDU Sat Oct 3 22:59:23 1992 Return-Path: Received: from ccncsu.ColoState.EDU by stolaf.edu (4.1/SMI-4.1) id AA25480; Sat, 3 Oct 92 22:59:23 CDT Received: from mozart.cs.colostate.edu by ccncsu.ColoState.EDU (5.59/Ultrix2.0-B) id AA10036; Sat, 3 Oct 92 21:59:48 MDT Received: by mozart.CS.ColoState.EDU (5.57/Ultrix3.0-C) id AA25219; Sat, 3 Oct 92 21:59:26 -0600 From: ryanr@cs.colostate.edu (richard ryan) Message-Id: <9210040359.AA25219@mozart.CS.ColoState.EDU> Subject: metafont files for dmr8 and dmbx12 To: mutex Date: Sat, 3 Oct 92 21:59:25 MDT X-Mailer: ELM [version 2.3 PL8] Hi, When I was trying to do a dvips on the musicdoc.dvi and euromtex.dvi files that came with the musictex.zip, it complained about needing fonts dmr8 and dmbx12. Does anyone know where I can get the metafont files for these? Thanks, Richard. -- mailing address: home phone: 813 W. Mountain Ave. (303)498-0828 Ft. Collins, Co. 80521 From igor@charles.ucdavis.edu Sun Oct 4 20:19:52 1992 Return-Path: Received: from ucdavis.ucdavis.edu by stolaf.edu (4.1/SMI-4.1) id AA17610; Sun, 4 Oct 92 20:19:52 CDT Received: from charles.ucdavis.edu by ucdavis.ucdavis.edu (5.61/UCD2.04) id AA25351; Sun, 4 Oct 92 18:10:34 -0700 Received: by charles.ucdavis.edu (4.1/UCD2.03) id AA11487; Sun, 4 Oct 92 18:14:00 PDT From: igor@charles.ucdavis.edu (Frog's Experimental Account) Date: Sun, 4 Oct 92 18:14:00 PDT Message-Id: <9210050114.AA11487@charles.ucdavis.edu> To: mutex Subject: Music notating |> > people to get some newsgroup started. Perhaps if there is a decent |> > number of contributors here, someone might see their way clear to have a |> > newsgroup to accommodate the composers, arrangers, transcribers, and of |> > course, the typesetters here. |> |> A kind of musical Gutenberg project?! |> That would be great. >Hear hear! Newsgroups abound... I would think most folks on this list learned about it from comp.music, as have I. A new one that would likely be appropriate is rec.music.compose (or is it, .composers?) There's also rec.music.makers. Perhaps if someone is a regular on all these, they could summarize relevant discussions to our list here. What we _need_ is a repository in the form of an ftp site, where folks could post their contributions: compositions, macro ideas, and utility programs like Midi2Tex for example. I even remember a long while back someone on comp.music discussing the idea of a melody database, filed by attributes of melodies' qualities. Anyone know about such work? |> But I've often wondered -- |> is there no standard way of entering music into the computer, |> as eg must be required for printing? |> Are there no SGML or SGML-like standards for music? >There is a thing called SMDL*, but I don't know anything about its >contents (i.e., whether it's a MIDI-level thing or a MusicTeX-level >thing, as it were). SMDL finally came out after long having calls for contribution to its design, but it seems pretty technical for general purpose composition or sharing of pieces. It seems more suited to the technically oriented, "computer music" academia mindset. It's probably not unlike MAX and such high-powered sound design tools, but I know not much about either and would love hear from someone who has a working familiarity with these things. As for a standard way for entering scores into a computer... if you have access to it, try the SCOre Translator (SCOT) language that comes with Csound, out of MIT. I find it a most sensible, straightforward approach to mapping musical notes to sequences of keyboard strokes. It's still pretty slow going though, typing in significant works, so we're all probably better off using keyboard interfaces like MidiToTex and cleaning up any interpretation errors that kind of software might make. Too bad we can't all sightread 4part scores! In the interest of increased collective productivity, I'd like to hear from anyone else who's been entering scores in SCOT. I'd be very delighted to hear about any converting software projects, to/from SCOT. I'll see if I can find the SCOT manual online, and perhaps quote some descriptive passages. Also, I know the official SMDL document is in ftp land somewhere. Happy netting, everyone. From icking@gmdzi.gmd.de Mon Oct 5 03:43:33 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA24474; Mon, 5 Oct 92 03:43:33 CDT Received: by gmdzi.gmd.de id AA09389 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Mon, 5 Oct 1992 09:43:15 +0100 Date: Mon, 5 Oct 1992 09:43:15 +0100 From: Werner Icking Message-Id: <199210050843.AA09389@gmdzi.gmd.de> To: mutex Subject: Re: metafont files for dmr8 and dmbx12 use cmr8, cmbx12, ... instead. Daniel Taupin explained me that these are so-called virtual fonts, which consist of TFMs and construction rules to generate the wanted characters (e.g. accented letters) from existing fonts. These should look better than those "made" by TeX by e.g. moving some dots nearly above some "o". If you re-process musicdoc.tex by plain-TeX you get an dvi-file which can be "dvips"-ed without any trouble. Hi Daniel, I'm not the only one who has difficulties with this dirt(ual) fonts. Werner From groak@math.mit.edu Mon Oct 5 11:52:19 1992 Return-Path: Received: from math.mit.edu (WEYL.MIT.EDU) by stolaf.edu (4.1/SMI-4.1) id AA08672; Mon, 5 Oct 92 11:52:19 CDT Received: from riesz (RIESZ.MIT.EDU) by math.mit.edu (4.1/Math-2.0) id AA07534; Mon, 5 Oct 92 12:47:13 EDT Received: by riesz; Mon, 5 Oct 92 12:52:26 EDT Date: Mon, 5 Oct 92 12:52:26 EDT From: groak@math.mit.edu Message-Id: <9210051652.AA04513@riesz> To: mutex Subject: MidiToTeX Hello all. Does there exist a version of MidiToTex for SUN platforms, or is it only available for PCs? And, if it does exist for SUNs, can anyone tell me the structure of the file it expects to receive? I've really no idea what the standard MIDI file is supposed to look like. (I would be trying to upload such files from an Amiga to a SUN, thence to processed by the translator.) If this is an absurd question, then feel free to chastise me either publicly or through eMail. Thanks, Paul. From bebe@fuw.edu.pl Wed Oct 7 15:47:49 1992 Return-Path: Received: from sunic.sunet.se by stolaf.edu (4.1/SMI-4.1) id AA20115; Wed, 7 Oct 92 15:47:49 CDT Received: from cocos.fuw.edu.pl by sunic.sunet.se (5.65c8/1.28) id AA05101; Wed, 7 Oct 1992 21:47:03 +0100 Received: from cclan.fuw.edu.pl by cocos.fuw.edu.pl (4.1/SMI-4.1) id AA18002; Wed, 7 Oct 92 21:45:45 +0100 Received: by cclan.fuw.edu.pl (4.1/SMI-4.1) id AA05500; Wed, 7 Oct 92 21:43:05 +0100 Date: Wed, 7 Oct 92 21:43:05 +0100 From: bebe@fuw.edu.pl Message-Id: <9210072043.AA05500@cclan.fuw.edu.pl> To: mutex Subject: MuTeX & X11 ? Dear Music TeXers ! Recently I had a look to archives of MuTeX mailing list and I found on very beginning: >Date: Tue, 26 Nov 91 21:11:06 -0800 >From: William Vera > > ... My eventual goal here is to >write an X-window front end for composing multi-part scores which will >output with MuTeX on a laser printer or previewer. I hear someone is >already working on extensions to increase the number of allowable staves. >... What happened with this very interesting project ? Any kind of information about it would be interesting. Thank you very much in advance Wojtek Bogusz e-mail: bebe@fuw.edu.pl From bebe@fuw.edu.pl Mon Oct 12 09:24:17 1992 Return-Path: Received: from sunic.sunet.se by stolaf.edu (4.1/SMI-4.1) id AA22124; Mon, 12 Oct 92 09:24:17 CDT Received: from cocos.fuw.edu.pl by sunic.sunet.se (5.65c8/1.28) id AA09197; Mon, 12 Oct 1992 15:23:44 +0100 Received: from cclan.fuw.edu.pl by cocos.fuw.edu.pl (4.1/SMI-4.1) id AA17385; Mon, 12 Oct 92 13:08:04 +0100 Received: by cclan.fuw.edu.pl (4.1/SMI-4.1) id AA09023; Mon, 12 Oct 92 13:05:20 +0100 Date: Mon, 12 Oct 92 13:05:20 +0100 From: bebe@fuw.edu.pl Message-Id: <9210121205.AA09023@cclan.fuw.edu.pl> To: mutex Subject: Fit in to page After trying several examples and several ways to over come this I'd like to ask. How to shift text on the page up and left to make it fit it to A4 page ? (I'd tryed to uncomment % **** \hsize 16cm \vsize 24cm in musictex.tex and it help nothing). Thanks in advance Wojtek Bogusz e-mail:bebe@fuw.edu.pl From cdr@stolaf.edu Mon Oct 12 10:50:11 1992 Return-Path: Received: from sachiko.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA26996; Mon, 12 Oct 92 10:50:11 CDT Received: by sachiko.acc.stolaf.edu (4.1/SMI-4.1) id AA13987; Mon, 12 Oct 92 10:50:09 CDT Message-Id: <9210121550.AA13987@sachiko.acc.stolaf.edu> To: mutex Subject: The Rare MuTeX policy posting Date: Mon, 12 Oct 92 10:50:09 -0500 From: cdr@stolaf.edu Greetings all. Just a bit of administrivia coming your way: Craig ----- CUT HERE ----- Last Updated: 15-January-1992 Welcome to the MuTeX mailing list. The following is some administrivia: This list is NOT moderated! Every message that is sent to the list mutex@stolaf.edu will be passed on to every member of the list Requests to have addresses added or removed from the list should NOT be sent to the entire list. Instead, they should be mailed to: mutex-request@stolaf.edu The MuTeX mailing list is currently archived on "ftp.stolaf.edu" in /pub/mutex/archive. -- Craig D. Rice UNIX Systems Specialist/Network Analyst cdr@acc.stolaf.edu Academic Computing Center, St. Olaf College +1 507 646-3631 1520 St. Olaf Avenue +1 507 646-3549 FAX Northfield, MN 55057-1098 USA From tim@maths.tcd.ie Mon Oct 12 11:15:42 1992 Return-Path: Received: from salmon.maths.tcd.ie by stolaf.edu (4.1/SMI-4.1) id AA29280; Mon, 12 Oct 92 11:15:42 CDT From: Timothy Murphy Subject: Re: Fit in to page To: mutex In-Reply-To: bebe@fuw.edu.pl's message of Mon, 12 Oct 92 13:05:20 +0100 Date: Mon, 12 Oct 92 17:15:42 BST Sender: tim@maths.tcd.ie Message-Id: <9210121715.aa20936@salmon.maths.tcd.ie> > After trying several examples and several ways to over come this > I'd like to ask. How to shift text on the page up and left to make it > fit it to A4 page ? (I'd tryed to uncomment % **** \hsize 16cm \vsize 24cm > in musictex.tex and it help nothing). I'd like to agree with this. It's a pity so much seems to be built in to MusicTeX. I really like the program. But wouldn't it be better if it were a LaTeX style, with page-size, type-size, margins, etc, choosable by the user? I imagine that would be quite difficult to implement, but it would increase the usability of the program enormously, IMHO. The reason given for making the page larger than a4 was that a4 is too small for music (as I recall). It seems to me that most people have access to photo-copiers that can enlarge the copy, so wouldn't it make sense to enable the music to be printed in a smaller size on an A4 sheet? Timothy Murphy e-mail: tim@maths.tcd.ie tel: +353-1-2842366 (home/office) +353-1-7021507 (university) fax: +353-1-2842295 s-mail: School of Mathematics, Trinity College, Dublin 2, Ireland From @orchard.la.locus.com:vera@oolong.la.locus.com Mon Oct 12 12:11:58 1992 Return-Path: <@orchard.la.locus.com:vera@oolong.la.locus.com> Received: from lear.Bos.Locus.COM by stolaf.edu (4.1/SMI-4.1) id AA01577; Mon, 12 Oct 92 12:11:58 CDT Received: from orchard.la.locus.com by lear.Bos.Locus.COM id aa04872; 12 Oct 92 13:13 EDT Received: by orchard.la.locus.com (5.61-AIX-1.2/1.0) from lotto.la.locus.com with SMTP id AA12180 (for mutex@stolaf.edu, from vera@prodnet.la.locus.com/vera@prodnet.la.locus.com); Mon, 12 Oct 92 10:07:16 -0700 Received: by prodnet.la.locus.com (5.61-AIX-1.2/0.07d) id AA819301 for vera@locus.com; Mon, 12 Oct 92 10:13:19 -0700 Date: Mon, 12 Oct 92 10:13:19 -0700 From: William Vera Message-Id: <9210121713.AA819301@prodnet.la.locus.com> To: mutex Cc: vera@lear.Bos.Locus.COM Subject: Re: Fit in to page In-Reply-To: Message of Mon, 12 Oct 92 17:15:42 BST from "Timothy Murphy " <9210121715.aa20936@salmon.maths.tcd.ie> Fcc: ------- > > From: bebe@fuw.edu.pl > > > > After trying several examples and several ways to over come this > > I'd like to ask. How to shift text on the page up and left to make it > > fit it to A4 page ? (I'd tryed to uncomment % **** \hsize 16cm \vsize 24cm > > in musictex.tex and it help nothing). This subject came up last December. According to Werner Icking (27 Jan 1992): Comment out lines 18-19 from musictex.tex (as above) and RESET with the proper sizes to fit your printer paper. (Apparently bebe@fuw.edu.pl didn't redefine this). The same lines can be found in musictex.sty line 354. > The reason given for making the page larger than a4 > was that a4 is too small for music (as I recall). > It seems to me that most people have access to photo-copiers > that can enlarge the copy, > so wouldn't it make sense to enable the music to be printed in a smaller size > on an A4 sheet? Provided paper larger than A4 size can be fed into a copier (to produce the enlargement), the idea also sounds good to me. > Timothy Murphy > e-mail: tim@maths.tcd.ie > s-mail: School of Mathematics, Trinity College, Dublin 2, Ireland ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^|^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ William Vera | vera@locus.com | MuTeX and MusicTeX are NOT for Locus Computing Corp. | typesetting country music! :-) (310)337-5162 | ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ From pmcilroy@bt-sys.bt.co.uk Mon Oct 12 14:16:17 1992 Return-Path: Received: from zaphod.axion.bt.co.uk by stolaf.edu (4.1/SMI-4.1) id AA05705; Mon, 12 Oct 92 14:16:17 CDT Received: from roundabout.bt-sys.bt.co.uk by zaphod.axion.bt.co.uk with SMTP (PP) id <02816-0@zaphod.axion.bt.co.uk>; Mon, 12 Oct 1992 20:15:58 +0100 Received: from harpo.bt-sys.bt.co.uk by bt-sys.bt.co.uk (4.1/SMI-4.1) id AA11095; Mon, 12 Oct 92 20:10:47 BST Message-Id: <9210121910.AA11095@bt-sys.bt.co.uk> Received: by harpo (16.8/16.2) id AA11907; Mon, 12 Oct 92 20:14:47 +0100 Date: Mon, 12 Oct 92 20:14:47 +0100 From: Paul McIlroy To: mutex Subject: Re: Fit in to page Changing \hsize, \vize, \hoffset and \voffset seems to be a fairly simple way of fitting a document to the page - Typing \hoffset=-14mm % for LaserWriter \voffset=-14mm % for LaserWriter just after the \vsize and \hsize assignments (near the top after all the \input lines) worked for me. Offsets of 14mm seem OK for an Apple Laserwriter, but you may need to experiment for other printers. Regards, Paul McIlroy (pmcilroy@bt-sys.bt.co.uk) From icking@gmdzi.gmd.de Tue Oct 13 03:37:32 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA28426; Tue, 13 Oct 92 03:37:32 CDT Received: by gmdzi.gmd.de id AA10058 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Tue, 13 Oct 1992 09:36:12 +0100 Date: Tue, 13 Oct 1992 09:36:12 +0100 From: Werner Icking Message-Id: <199210130836.AA10058@gmdzi.gmd.de> To: mutex Subject: Re: Fit in to page >After trying several examples and several ways to over come this >I'd like to ask. How to shift text on the page up and left to make it >fit it to A4 page ? (I'd tryed to uncomment % **** \hsize 16cm \vsize 24cm >in musictex.tex and it help nothing). It's a simple TeX-problem. Either shift the page during printing or use \hoffset and \voffset in the (Music)TeX input. I tried to maximise the output page with respect to HP-Laserjet as output-device: \hoffset=-21.16666666mm \hsize=197,9506666666mm \voffset=-20.32mm \vsize=286.9353333333mm A more TeX-like solution would look like: \advance \hoffset by -21mm \advance \hsize by 42mm "Normal" TeX assumes an output frame of 6,5" * 9" on a physical page of 8,5" * 11" yielding in 1" margins. Maximising the output frame requires precise control of the dvi-driver. My input for EmTeXs dvihplj7 looks like: /h=286.935333333mm %/ta=5.08mm dvihplj knows it better /w=197.950666667mm /la=4.233333333333mm Hope this helps. Werner PS: Most TeX-installations have a TeX-input-file named testpage.tex which may be used for printer adjustment. From @pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Tue Oct 13 15:22:33 1992 Return-Path: <@pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA04227; Tue, 13 Oct 92 15:22:33 CDT Message-Id: <9210132022.AA04227@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 2803; Tue, 13 Oct 92 16:17:36 EDT Received: from FRUPS51.BITNET (TAUPIN) by PUCC.PRINCETON.EDU (Mailer R2.08 ptf043) with BSMTP id 4323; Tue, 13 Oct 92 14:18:25 EDT Date: 13 OCT 92 20:23:05.66-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: To: mutex MusicTeX varsion 4.80 is available at anonymous ftp 130.84.128.100 (rsovax.ups.circe.fr). -- doc corrected for slight errors. -- in reply to a demand, quntuble beams are available. -- as suggested in prague, \fontdimen are used to save \newdimen registers, whose overloading could pose problems with LaTeX From icking@gmdzi.gmd.de Wed Oct 14 12:20:59 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA14069; Wed, 14 Oct 92 12:20:59 CDT Received: by gmdzi.gmd.de id AA02074 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Wed, 14 Oct 1992 18:20:46 +0100 Date: Wed, 14 Oct 1992 18:20:46 +0100 From: Werner Icking Message-Id: <199210141720.AA02074@gmdzi.gmd.de> To: mutex Subject: MusicTeX Version 4.80 at ftp.gmd.de Daniel Taupin writes: >MusicTeX version 4.80 is available at anonymous ftp 130.84.128.100 >(rsovax.ups.circe.fr). let me add: ... as usual available for anonymous ftp from ftp.gmd.de [129.26.8.90]: music/musictex/musictex.zip (ca. 500.000) musictex.477-480 (ca. 150.000) If you ftp the delta-file musictex.477-480 to a PC you may get a file musictex.477 which works with those unzippers I know, too. Werner From @pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Wed Oct 21 09:33:27 1992 Return-Path: <@pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA14109; Wed, 21 Oct 92 09:33:27 CDT Message-Id: <9210211433.AA14109@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 4139; Wed, 21 Oct 92 10:29:56 EDT Received: from FRUPS51.BITNET (TAUPIN) by PUCC.PRINCETON.EDU (Mailer R2.08 ptf043) with BSMTP id 7687; Wed, 21 Oct 92 09:43:26 EDT Date: 21 OCT 92 14:46:17.40-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: Musictex. Bugs corrected. To: mutex While musictex.tex and musicnft.tex were updated to version 4.80, there was a bug introduced when using musicadd.tex (big scores). This is corrected and updated releases of musicnft.tex and musicadd.tex are available at 130.84.128.100 (rsovax.ups.circe.fr). If you already have 4.80, it is useless to get the *.zip and *.bck fikles, just the two files quoted (in ASCII). From icking@gmdzi.gmd.de Wed Oct 21 11:02:46 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA17267; Wed, 21 Oct 92 11:02:46 CDT Received: by gmdzi.gmd.de id AA05825 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Wed, 21 Oct 1992 17:02:31 +0100 Date: Wed, 21 Oct 1992 17:02:31 +0100 From: Werner Icking Message-Id: <199210211602.AA05825@gmdzi.gmd.de> To: mutex Subject: MusicTeX version 4.81: >Date: 21 OCT 92 14:46:17.40-GMT >From: TAUPIN@FRUPS51.BitNet > >While musictex.tex and musicnft.tex were updated to version 4.80, >there was a bug introduced when using musicadd.tex (big scores). > >This is corrected and updated releases of musicnft.tex and musicadd.tex >are available at 130.84.128.100 (rsovax.ups.circe.fr). If you already >have 4.80, it is useless to get the *.zip and *.bck fikles, just >the two files quoted (in ASCII). Or get from ftp.gmd.de: music/musictex/musictex.480-481.zip (6608 bytes) (BInary) which contains the updated files (1929+26609 bytes) If you put it onto your PC it's name may be musictex.480 which can be handled by most unzippers I know. Otherwise rename it before unzipping it. Werner PS: Did you ever look into ftp.gmd.de: music/classical/... ? It contains Dave Lampson's buying guide for Classical CDs as ASCII or PostScript files. From cdr@stolaf.edu Wed Oct 21 11:43:47 1992 Return-Path: Received: from sachiko.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA18475; Wed, 21 Oct 92 11:43:47 CDT Received: by sachiko.acc.stolaf.edu (4.1/SMI-4.1) id AA23253; Wed, 21 Oct 92 11:43:45 CDT Message-Id: <9210211643.AA23253@sachiko.acc.stolaf.edu> To: mutex Subject: musictex-4.81.tar.Z Date: Wed, 21 Oct 92 11:43:44 -0500 From: cdr@stolaf.edu For those musictex users that prefer the compress tar format distribution of musictex, you can find the most recent version (4.80 with the two patches for 4.81) in ftp.stolaf.edu:/pub/mutex/musictex-4.81.tar.Z FYI, Craig -- Craig D. Rice UNIX Systems Specialist/Network Analyst cdr@stolaf.edu Academic Computing Center, St. Olaf College +1 507 646-3631 1520 St. Olaf Avenue +1 507 646-3549 FAX Northfield, MN 55057-1098 USA From bebe@fuw.edu.pl Tue Oct 27 12:57:21 1992 Return-Path: Received: from sunic.sunet.se by stolaf.edu (4.1/SMI-4.1) id AA21567; Tue, 27 Oct 92 12:57:21 CST Received: from cocos.fuw.edu.pl by sunic.sunet.se (5.65c8/1.28) id AA07803; Tue, 27 Oct 1992 19:57:08 +0100 Received: from albert1.fuw.edu.pl by cocos.fuw.edu.pl (4.1/SMI-4.1) id AA05277; Tue, 27 Oct 92 19:56:30 +0100 Received: by albert1.fuw.edu.pl (4.1/SMI-4.1) id AA02560; Tue, 27 Oct 92 19:55:55 +0100 Date: Tue, 27 Oct 92 19:55:55 +0100 From: bebe@fuw.edu.pl Message-Id: <9210271855.AA02560@albert1.fuw.edu.pl> To: mutex Subject: Note question Hello Music TeX Typesetters ! I would like ask, probably simple question: How can I do thing like this : _________ | | | O - half note head | | | .... @ - eighth note head O @ @ | | I was trying a bit to understand MusicTeX macros recently. But, well ... Maybe my TeX knowledge is steal not enought ... ( This for sure ) Any way it would be nice to have some more comments in side and particulary more in English. And one more think I thought (except leggato's/slurs witch are not looking to me nice when compared with one form notes book's) May be it would be nice to have some place where people would be able to put own designed macros with page of TeX description. May be if Daniel Tupin would find some of those sets interesting it would become a part of MuiscTeX sets of macros. Just like musicext.tex. Which is interesting but not described in manual. By description I understand one example and syntax of macro (I know that I can always look in side of file and try by me self to test things but ...). Regards Wojtek Bogusz Ps: I was asking time ago question about X11 & Mu/Music TeX. Thanks for reply. But I had some thing else in mind from that what was stated in hints I got. I thought about some kind of editor where one can set shape of score with mouse. Just like in paint programs. And after you get file in Mu...TeX format to correct only. But I think no body is working on thing like this, ???? Wojtek From @pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Wed Oct 28 08:10:19 1992 Return-Path: <@pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA20555; Wed, 28 Oct 92 08:10:19 CST Message-Id: <9210281410.AA20555@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 1726; Wed, 28 Oct 92 09:07:22 EST Received: from FRUPS51.BITNET (TAUPIN) by PUCC.PRINCETON.EDU (Mailer R2.08 ptf045) with BSMTP id 3528; Wed, 28 Oct 92 09:05:21 EST Date: 28 OCT 92 15:06:55.39-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: Musictex 4.82 To: mutex Minor corrections in MUSICTEX.DOC and oone bug corrected in MUSICTEX.TEX ftp anonymous: 130.84.128.100 (rsovax.ups.circe.fr) directory [anonymous.musictex] Only musictex.tex and musicdoc.tex need to be taken if you have 4.81 (sorry NOT musictex.doc BUT musicdoc.tex !!!) From bogusz@fuw.edu.pl Thu Oct 29 03:58:07 1992 Return-Path: Received: from sunic.sunet.se by stolaf.edu (4.1/SMI-4.1) id AA08459; Thu, 29 Oct 92 03:58:07 CST Received: from cocos.fuw.edu.pl by sunic.sunet.se (5.65c8/1.28) id AA00192; Thu, 29 Oct 1992 10:57:53 +0100 Received: from albert1.fuw.edu.pl by cocos.fuw.edu.pl (4.1/SMI-4.1) id AA17427; Thu, 29 Oct 92 10:57:17 +0100 Received: by albert1.fuw.edu.pl (4.1/SMI-4.1) id AA03901; Thu, 29 Oct 92 10:56:41 +0100 Date: Thu, 29 Oct 92 10:56:41 +0100 From: bogusz@fuw.edu.pl Message-Id: <9210290956.AA03901@albert1.fuw.edu.pl> To: mutex Subject: Back to barre Good morning ! Is it possible while typing interior of one barre to return to its beginning to type one more voice ? Is it correct to do it by placing first voice in \rlap{} ? Thanks Wojtek Bogusz From icking@gmdzi.gmd.de Thu Nov 5 17:43:32 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA07716; Thu, 5 Nov 92 17:43:32 CST Received: by gmdzi.gmd.de id AA14987 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Fri, 6 Nov 1992 00:42:45 +0100 Date: Fri, 6 Nov 1992 00:42:45 +0100 From: Werner Icking Message-Id: <199211052342.AA14987@gmdzi.gmd.de> To: mutex Subject: Re: Note question >Date: Tue, 27 Oct 92 19:55:55 +0100 >Message-Id: <9210271855.AA02560@albert1.fuw.edu.pl> > > How can I do thing like this : > > _________ > | | | O - half note head > | | | .... @ - eighth note head > O @ @ > | > | > by RTFM (musicdoc.dvi pg. 18): \def\nbinstruments{1}\generalmeter{\meterfrac 3 3}\debutextrait\relax \Notes\hl g\off{-1\noteskip}\ibu0g0\hh0 g\qh0 g\tqh0 g\enotes\finextrait\bye Werner From steiny!steiny@infoserv.com Mon Nov 9 13:02:59 1992 Return-Path: Received: from infoserv.com (infoserv.infoserv.COM) by stolaf.edu (4.1/SMI-4.1) id AA18975; Mon, 9 Nov 92 13:02:59 CST Received: by infoserv.com (SMAIL 3.1.25.1); Mon, 9 Nov 92 11:09 PST Message-Id: Subject: Dm fonts? To: mutex Date: Mon, 9 Nov 92 11:02:53 PST From: 0000-Admin(0000) X-Mailer: ELM [version 2.3 PL6] Content-Type: text Content-Length: 300 Hi, where do the dm fonts live? I got the MuTex distribution, but when I try and run the dvi files, I get a message that it can't find dm this or dm that. I have looked everywhere in the distribution and have even regotten then MuTexfonts tar, but I cannot find those fonts. Thanks. -don From icking@gmdzi.gmd.de Tue Nov 10 03:10:43 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA13023; Tue, 10 Nov 92 03:10:43 CST Received: by gmdzi.gmd.de id AA12273 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Tue, 10 Nov 1992 10:10:27 +0100 Date: Tue, 10 Nov 1992 10:10:27 +0100 From: Werner Icking Message-Id: <199211100910.AA12273@gmdzi.gmd.de> To: mutex Subject: Re: Dm fonts? dm-Fonts are virtual fonts -- either you find a way to deal with virtual fonts (font's having a TFM for TeX and some hints how to make the chars out of real (cm-)fonts -- some dvidrv can handle these fonts; some dvi-converters can convert dvi-files to reflect real-fonts) or you get a newer musictex-version, because Daniel Taupin has dropped using virtual fonts in the distribution-zip. Newest version on: ftp.gmd.de music/musictex/musictex.zip plus musictex.481-482.zip. which contains some minor corrections. Werner From odie!CLARK@shannon.ee.wits.ac.za Wed Nov 11 03:44:09 1992 Return-Path: Received: from shannon.ee.wits.ac.za by stolaf.edu (4.1/SMI-4.1) id AA28309; Wed, 11 Nov 92 03:44:09 CST Received: by shannon.ee.wits.ac.za (/\==/\ Smail3.1.22.1 #22.3) id ; Wed, 11 Nov 92 11:43 EET Received: From WITS_EE2/WORKQUEUE by cerberus.ee.wits.ac.za via Charon-4.0-VROOM with IPX id 100.921111084347.400; 11 Nov 92 11:35:00 -200 Message-Id: To: mutex From: "Alan Robert Clark" Date: 11 Nov 92 08:43:46 SAT Subject: Dual ending "Boxes" X-Pmrqc: 1 Priority: normal X-Mailer: Pegasus Mail v2.3 (R4). I need help in constructing a dual end box a la page 14, section 4.5 of the mutex documentation. No matter how I construct it, it spits out errors. I would appreciate receiving email of a working dual ending - or any pointers you may have. Thanks Alan. ========================================= ______________________ ******** *** Alan Robert Clark, Pr Eng / Electromagnetics Lab \ * ** * * Dept of Elec Eng | Wits University | * ** * * P.O.Wits |"Bugs are later known | ************ * 2050 South Africa | as Features" | * ** * * Fax (+ 27 11) 403 - 1929 | Ps 111:10;Ps 37/150 | * ** * * Tel (+ 27 11) 716 - 5404 \______________________/ * ** * *** Internet: clark@odie.ee.wits.ac.za From icking@gmdzi.gmd.de Wed Nov 11 10:37:32 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA13296; Wed, 11 Nov 92 10:37:32 CST Received: by gmdzi.gmd.de id AA01133 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Wed, 11 Nov 1992 17:29:13 +0100 Date: Wed, 11 Nov 1992 17:29:13 +0100 From: Werner Icking Message-Id: <199211111629.AA01133@gmdzi.gmd.de> To: mutex Subject: Re: Dual ending "Boxes" >Message-Id: >Date: 11 Nov 92 08:43:46 SAT > >I need help in constructing a dual end box a la page 14, section 4.5 >of the mutex documentation. No matter how I construct it, it spits >out errors. [...] May be that we have different page numbers but after some private commu- nication I found the problem. It's section 4.5 of Francois Jalberts guide to MuTeX. In "Anhang C" (Appendix C) Francois reports some problems in context with \1{}\2{}\* and suggests some improvements. I modified my MTEX.TEX that way and following worked without any problems: \beginsong\vio\C\meter2/4% \v9\v9\|\v9\v9\1{\v9\v9}\2{\v9\v9}\*\|\v9\v9\|\v9\v9\=% \endsong\bye I got following dvi-file which shows that there are some spacing problems as Francois noted. section 1 of uuencode 5.14 of file tst.dvi by R.E.M. begin 644 tst.dvi M]P(!@Y+`'#L``````^@;(%1E6"!O=71P=70@,3DY,BXQ,2XQ,3HQ-S$SBP`` M``$```````````````````````````````````````````````#_____C9_R M``".H`*#,]J-H/V&S":?#```GRQ,S(V-C9$4``"?\```B0``)F8!P<%'I`0` M`(D``"9F`<'!1Z&)```F9@'!P4>AB0``)F8!P<%'H8D``"9F`<'!1XZ.C8V1 M%0``\S(*=AI_\``"$``8`````3,R?!```JS$NCHZ1 M2RUZA```)F8`'P46CHZ?'```C8V12RUZA``0)F8``$S,C8V-C9$%Z/.?_``` MA``.`````$S,D?]F:)_R``#=(8Z.CHZ-C8V-D1H1Y)_\``"$``X`````3,R1 M_V9HG_(``"&.CHZ.CHZ.C9_D``"-C9%J,I"$```F9@`1YF*-GPH``(V?_``` MA``&`````$S,CHZ.CI\<``"-C8V1>)CTG_9F:(0``,S0``#,S)'_,S2?!``` MA```S-```,S,CI%[S":$`!`F9@``3,R.CHZ-G^0``(V-C9\*``"-D7Y_6)_\ M``"$``8`````3,R?!```JS(NCHZ1?G]8A```)F8`(+A*CHZ?'```C8V1?G]8 MA``0)F8``@``C8V-C9$%Z/.?_```A``.`````$S,D?]F:)_R``#=(8Z.CHZ- MC8V-D1H1Y)_\``"$``X`````3,R1_V9HG_(``"&.CHZ.CHZ.D@"Z.."$`!`F M9@``3,R-C8V-D0K""Y_\``"$``X`````3,R1_V9HG_(``"&.CHZ.C8V-C9$K MA=:?_```A``.`````$S,D?]F:)_R```ACHZ.CI9++7J$`!`F9@``3,R-C8V- MD0K""Y_\``"$``X`````3,R1_V9HG_(``"&.CHZ.C8V-C9$KA=:?_```A``. M`````$S,D?]F:)_R```ACHZ.CI.$`!`F9@``3,R1`F9FA``0)F8``@``CI\P M Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA02123; Mon, 30 Nov 92 05:22:35 CST Received: by gmdzi.gmd.de id AA18008 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Mon, 30 Nov 1992 12:20:28 +0100 Date: Mon, 30 Nov 1992 12:20:28 +0100 From: Werner Icking Message-Id: <199211301120.AA18008@gmdzi.gmd.de> To: mutex Subject: Re: MusicTex Cc: mutex@stolaf.edu I hope I'm allowed to answer a private mail with a public answer: >Date: Fri, 27 Nov 92 14:18:31 GMT >Message-Id: <9211271418.AA28823@lewis.dcs.gla.ac.uk> > >I tried to get this, but it's in "zip" format, and we don't have any "zip" >programs here (or any MS-DOS stuff whatever). What we do have is the usual >Unix compression/archiving tools - "pack", "compress", "tar" - and Mac >things like BinHex 4, StuffIt, and Compactor. Any chance of getting a >version that some combination of these can decode? 1. There is a freeware UNZIP for nearly an platform from the ZIP-Info Group. ZIP has nothing to do with MS-DOS (in the meantime :-). 2. There are a lot of out-of-date MusicTeX-archives all over the world. 3. I found with archie a lot of such versions, but that may be ok: Host sol.cs.ruu.nl Location: /TEX/MUSIC FILE -rw-r--r-- 776949 Oct 28 16:08 musictex.tar.Z > >Incidentally, a separate text file giving an index to the material would >help. Which file has the manual? The manual is musicdoc.dvi -- you need a dvi-printer-driver and you have to install the font-files (PK-files). The source musicdoc.tex may be used for initial information, too. Hope this hilft -- Werner From crath@bnr.ca Tue Dec 1 06:19:57 1992 Return-Path: Received: from bcars520 (x400gate.bnr.ca) by stolaf.edu (4.1/SMI-4.1) id AA07322; Tue, 1 Dec 92 06:19:57 CST X400-Received: by mta bcars520 in /PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/; Relayed; Tue, 1 Dec 1992 07:19:19 -0500 X400-Received: by /PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/; Relayed; Tue, 1 Dec 1992 07:18:55 -0500 X400-Received: by /PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/; Relayed; Tue, 1 Dec 1992 02:18:00 -0500 Date: Tue, 1 Dec 1992 07:18:00 +0000 X400-Originator: /DD.ID=CNT29168/G=Christopher/I=CJ/S=Rath/@bnr.ca X400-Mts-Identifier: [/PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/;bcars520.b.860:01.11.92.12.18.55] X400-Content-Type: P2-1984 (2) Content-Identifier: MIDI2TeX From: "Christopher (C.J.) Rath" Message-Id: <"18887 Tue Dec 1 07:19:07 1992"@bnr.ca> To: mutex Subject: MIDI2TeX Was Han's MIDI2TeX converter ever ported to the NeXT? Christopher --- Christopher Rath | crath@bnr.ca BNR Lab 5 | Ottawa, ON, Canada | "Hydrogen is a colourless, odourless gas which, given (613) 765-3141 | enough time, turns into people." -- Henry Hiebert From walt@GECKO.SLAC.Stanford.EDU Thu Dec 10 12:47:42 1992 Return-Path: Received: from SCS.SLAC.STANFORD.EDU by stolaf.edu (4.1/SMI-4.1) id AA21366; Thu, 10 Dec 92 12:47:42 CST Received: from GECKO.SLAC.Stanford.EDU by SCS.SLAC.STANFORD.EDU with PMDF#10283; Thu, 10 Dec 1992 10:47 PDT Received: by gecko.SLAC.Stanford.EDU (NX5.67c/NX3.0S) id AA22174; Thu, 10 Dec 92 10:47:26 -0800 Received: by NeXT.Mailer (1.87.1.RR) Received: by NeXT Mailer (1.87.1.RR) Date: Thu, 10 Dec 92 10:47:26 -0800 From: "Walter R. Innes" Subject: bagpipe.tex To: mutex Message-Id: <9212101847.AA22174@gecko.SLAC.Stanford.EDU> X-Envelope-To: mutex@stolaf.edu I have uploaded a new version of bagpipe.tex (1.21) to ftp.stolaf.edu /pub/mutex/contrib. This release fixes some minor bugs with little used grace note macros and adds a few new grace note macros. Bagpipe.tex is a macro-package for type setting Scottish Highland Bagpipe music. It requires Daniel Taupin's MusicTeX macro-package and the TeX technical type-setting program. The music is entered by typing the macro commands into an ascii file. The output produced by processing this file through the TeX program is of professional quality. I have just finished publishing a collection of 90 tunes plus several pages of exercises for my pipe band. With practise a complex four-part 6/8 march can be set, corrected, and adjusted in an hour. A simple two-part 3/4 retreat can be done ten minutes. If you use this package, please send me a brief e-mail notification (if you have not already done so). Thanks. From @pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Thu Dec 10 15:23:54 1992 Return-Path: <@pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA26778; Thu, 10 Dec 92 15:23:54 CST Message-Id: <9212102123.AA26778@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 4360; Thu, 10 Dec 92 16:11:39 EST Received: from FRUPS51.BITNET (TAUPIN) by PUCC.PRINCETON.EDU (Mailer R2.10 ptf000) with BSMTP id 8878; Thu, 10 Dec 92 13:12:26 EST Date: 10 DEC 92 19:16:34.46-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: Testing TeXting language command portability... To: mutex % Dear friends: % In order to have an idea of the portability or language dependent % TeX commands, please: % 1. run the following TeXt under your usual TeX. % 2. in case of errors or prompt, answer R to TeX's complaint % 3. Send me back the LOG (or *.LIS) of the execution. % (To me, not to the list... of course) % 4. THANKS % \catcode64=11\relax \show\language % \show\english \show\french \show\german % \show\ehyph \show\fhyph \show\ghyph % \show\GB \show\US \show\FR \show\DE % \show\l@english \show\l@USenglish \show\l@german \show\l@french % \showhyphens¤delegates‡ \csname french \endcsname \csname fhyph \endcsname \csname FR \endcsname \message¤\noexpand\language=\the\language ...‡ % \showhyphens¤vivisection‡ \showhyphens¤d\'el\'egations‡ \showhyphens¤d^^e9l^^e9gations‡ \bye From @pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Fri Dec 11 03:46:15 1992 Return-Path: <@pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA11930; Fri, 11 Dec 92 03:46:15 CST Message-Id: <9212110946.AA11930@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 8744; Fri, 11 Dec 92 04:46:35 EST Received: from FRUPS51.BITNET (TAUPIN) by PUCC.PRINCETON.EDU (Mailer R2.10 ptf000) with BSMTP id 0808; Fri, 11 Dec 92 04:46:35 EST Date: 11 DEC 92 10:51:31.44-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: Portability test. To: mutex I found that mutex list puts illegal characters when an opening brace is encountered. Please correct them before testing: The must be braces enclosing arguments of \message and \showhyphens... From TAUPIN@rsovax.ups.circe.fr Wed Jan 6 07:52:45 1993 Return-Path: Received: from lumiere.circe.fr by stolaf.edu (4.1/SMI-4.1) id AA12456; Wed, 6 Jan 93 07:52:45 CST Received: by lumiere.circe.fr (5.65/DEC-Ultrix/4.3) id AA23142; Wed, 6 Jan 1993 14:52:28 +0100 Message-Id: <9301061352.AA23142@lumiere.circe.fr> Date: 6-JAN-1993 14:57:18 GMT2 From: TAUPIN@rsovax.ups.circe.fr Subject: the good way of transferring MusicTeX To: mutex Especially for unix users, do not indulge in your usual way of transferring files BETWEEN two unix systems: note that the *.MF and *.TEX and *.STY files MUST be transferred in ASCII mode, not in binary. The reason is that the source is not necessarily ANOTHER unix, Use binary transfer only (and necessarily) for *.ZIP, *.DVI, *.PK, *.TFM. This will avoid control-M removing problems... From @cc1.kuleuven.ac.be:jqdoumen@vub.ac.be Wed Jan 6 09:55:49 1993 Return-Path: <@cc1.kuleuven.ac.be:jqdoumen@vub.ac.be> Received: from cc1.kuleuven.ac.be by stolaf.edu (4.1/SMI-4.1) id AA17637; Wed, 6 Jan 93 09:55:49 CST Received: from rc1.vub.ac.be by cc1.kuleuven.ac.be (IBM VM SMTP V2R1) with TCP; Wed, 06 Jan 93 16:54:40 +0100 Received: from is1.vub.ac.be (is1e) by rc1.vub.ac.be (4.1/RC1-921229) id AA12515; Wed, 6 Jan 93 16:55:14 +0100 Received: by is1.vub.ac.be (5.61/BFUCC-920211) id AA13895; Wed, 6 Jan 93 16:53:47 +0100 From: jqdoumen@vub.ac.be (Doumen Jan) Message-Id: <9301061553.AA13895@is1.vub.ac.be> Subject: ftp-site for music scores To: mutex Date: Wed, 6 Jan 93 16:53:46 MET In-Reply-To: <9301061352.AA23142@lumiere.circe.fr>; from "TAUPIN@rsovax.ups.circe.fr" at Jan 6, 93 3:36 pm X-Mailer: ELM [version 2.3 PL11] A few months back there was a small discussion about the opening of a ftp- site for dropping music-scores. (If we can read each others MusicTeX files we could learn a lot from each other !) On another music related discussion group Richard L. Byrd said that his site is open for dropping music-scores. Contact Richard L. Byrd : rbyrd@tbf.musicnet.ua.edu and ask him very politely if you can drop your scores their. -- DeJean. /=============================================================================\ | Doumen Jan Voice : 32 2 3590209 | | Vrije Universiteit Brussel Fax : 32 2 3590390 | | Instituut Voor Moleculaire Biologie | | Department For Ultra-structure Internet : jqdoumen@vub.ac.be | | B - 1640 Sint-Genesius-Rode | | Belgium EARN/BITNET : jqdoumen@BBRBFU60.BITNET | \=============================================================================/ From mark.janello@um.cc.umich.edu Wed Jan 6 11:19:21 1993 Return-Path: Received: from mailrus.cc.umich.edu by stolaf.edu (4.1/SMI-4.1) id AA06968; Wed, 6 Jan 93 11:19:21 CST Received: from him3.cc.umich.edu by mailrus.cc.umich.edu (5.65/1123-1.0) id AA00338; Wed, 6 Jan 93 12:18:28 -0500 Date: Wed, 6 Jan 93 12:17:44 EST From: mark.janello@um.cc.umich.edu To: mutex Message-Id: <18666818@um.cc.umich.edu> X-Mts-Userid: 7JK3 Subject: even distribution of extra space I would like to have the extra space in a line of music be distributed evenly between all the notes instead of only between \notes ... \enotes groups. Is there a way to find out (using \raggedlinestrue and something like \the\lastskip) how much excess space is left at the end of a line? Then I could compute some kind of space factor (for each line, of course) and rerun the file, producing an even-looking output. Any ideas on this would be greatly appreciated. --------- mark.janello@um.cc.umich.edu --------- Mark Janello University of Michigan School of Music --------- From dgold@basso.actrix.gen.nz Mon Jan 11 00:37:58 1993 Return-Path: Received: from blit386.actrix.gen.nz by stolaf.edu (4.1/SMI-4.1) id AA27274; Mon, 11 Jan 93 00:37:58 CST Received: from actrix.gen.nz by blit386.actrix.gen.nz id ; Mon, 11 Jan 1993 19:28:11 +1300 Received: from basso.UUCP by actrix.gen.nz id ; Mon, 11 Jan 1993 07:20:42 GMT Received: by basso.actrix.gen.nz (V1.16/Amiga) id AA00vrq; Mon, 11 Jan 93 19:06:53 PST Date: Mon, 11 Jan 93 19:06:53 PST Message-Id: <9301120306.AA00vrp@basso.actrix.gen.nz> X-Mailer: //\\miga Electronic Mail (AmiElm 1.17) Organization: New Zealand Symphony Orchestra Reply-To: dgold@basso.actrix.gen.nz Reply-To: dgold@basso.actrix.gen.nz From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Amiga Frontend for MusicTeX Hi, Have we got any Amiga users here? If so, I could use some beta-testers and advisors. I've been working on a mouse-driven Arexx program for MusicTeX on the Amiga and it might nearly be time for it to see the light of day. The goal is to save typing and to avoid typing and syntax errors in order to quickly create a rough draft of a new composition. In time, it might be possible for a total novice to create a reasonable MusicTeX score without knowing anything about MusicTeX! (but I'm not sure how much time I would be able or willing to devote to that...) Before you get too excited, there are currently some limitations. At the moment, it needs WB2.0, and Wshell. With some minor changes, it should work in a standard AmigaShell, but since I haven't used one for years, I'm not sure yet what the problem is. In theory, it should work under WB1.3, but I haven't had a chance to test that yet. RexxArpLib 3.0 is needed, but that's not a problem. If anyone is interested in trying it, please email me, and I'll send you a copy. I'd be especially interested in hearing from someone *without* Wshell who is fluent in Arexx who would be willing to fix it to work in a standard shell. I guess it's best to send requests to me directly rather than to mutex@stolaf.edu... Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From rouben@math13.math.umbc.edu Sun Jan 17 17:24:05 1993 Return-Path: Received: from math13.math.umbc.edu by stolaf.edu (4.1/SMI-4.1) id AA21923; Sun, 17 Jan 93 17:24:05 CST Received: by math13.math.umbc.edu (5.57/Ultrix3.0-C) id AA11092; Sun, 17 Jan 93 18:24:12 -0500 Date: Sun, 17 Jan 93 18:24:12 -0500 From: rouben@math13.math.umbc.edu (Rouben Rostamian) Message-Id: <9301172324.AA11092@math13.math.umbc.edu> To: mutex Subject: How to typeset alternate measures I have encountered a problem with typesetting a piece of music with MusicTeX and I hope that someone will be able to help me with it. I would like to typeset the horizontal square brackets that one often sees above some measures at a conclusion of a piece, distinguishing music to be played on the first pass from that on the second pass (i.e., after returning from a repeat.) These brackets, whose technical names I do not know, usually have numbers like 1. or 2. attached to them, indicating measures corresponding to the first or the second pass. I did not find a mention of these in musicdoc.tex. I printed a few of the sample pieces that came with MusicTeX, but they did not have what I was looking for. I would appreciate any help in directing me to the right place to look for such a construction. -- Rouben Rostamian From assmann@karlsruhe.gmd.de Mon Jan 18 04:23:49 1993 Return-Path: Received: from ibiza.karlsruhe.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA04007; Mon, 18 Jan 93 04:23:49 CST Message-Id: <9301181023.AA00848@ruegen> To: mutex Subject: chords Date: Mon, 18 Jan 93 11:23:23 +0100 From: "Uwe Assmann" Here comes a FAQ, probably. Nevertheless: Is there a macro package for MusicTex out there which supplies simple writing of chords, e.g. in the style of MuTex? I know that MuTex only can make one staff. What I want to do is writing chorals with 4 voices, sopran,alt,tenor,bass. So I don't need too much, only relatively easy chord writing. Would be nice if it had something for D7, C4, G and so on, i.e. for commonly used chords. Best regards Uwe Assmann /\ Uwe Assmann /fi\ GMD Forschungsstelle an der Universitaet Karlsruhe /deli\ Vincenz-Priessnitz-Str. 1 / tas \ 7500 Karlsruhe GERMANY ---------- Email: assmann@karlsruhe.gmd.de Tel: 0721/662255 Fax: 0721/6622968 From @PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Tue Jan 19 11:43:23 1993 Return-Path: <@PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA23204; Tue, 19 Jan 93 11:43:23 CST Message-Id: <9301191743.AA23204@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 7365; Tue, 19 Jan 93 12:37:28 EST Received: from FRUPS51.BITNET (NJE origin TAUPIN@FRUPS51) by PUCC.PRINCETON.EDU (LMail V1.1b/1.7e) with BSMTP id 6050; Tue, 19 Jan 1993 11:35:03 -0500 Date: 19 JAN 93 17:39:43.06-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: New version of MusicTeX To: mutex Dear music (& MusicTeX) lovers : First I wish you a happy new year, full of nice and beautiful music and all that kind of things. Secondly, the version 4.90 of MusicTeX is available at ftp anonymous, at site 130.84.128.100 (rsovax.ups.circe.fr) in directory [anonymous.musictex]. Updated files are musicnft.tex, musictex.tex and musicdoc.tex (or musicdoc.dvi). New and updated examples: angesca*.tex and avemaria.tex (Gounod's Ave Maria). Updated zips : musictex.zip, musicexa.zip. New feature : you call have staffs of different spacings in the same system, especially to typeset piano/organ music with songs of soloist instruments typeset in a smaller size. See avemaria.tex and angescao.tex. Have fun ! From icking@gmdzi.gmd.de Wed Jan 20 07:01:10 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA29097; Wed, 20 Jan 93 07:01:10 CST Received: by gmdzi.gmd.de id AA27794 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Wed, 20 Jan 1993 14:00:46 +0100 Date: Wed, 20 Jan 1993 14:00:46 +0100 From: Werner Icking Message-Id: <199301201300.AA27794@gmdzi.gmd.de> To: mutex Subject: Version 4.90 of MusicTeX Daniel Taupin writes: > >Secondly, the version 4.90 of MusicTeX is available at ftp anonymous, at site >130.84.128.100 (rsovax.ups.circe.fr) in directory [anonymous.musictex]. and as usual here, too -- and zip's with the modified files only and .tar.Z: ftp.gmd.de [129.26.8.90] music/musictex/ ... 365056 Jan 19 17:23 musictex.zip 162304 Jan 19 17:23 musicexa.zip 74545 Jan 19 17:23 musictex.482-490.zip 33032 Jan 19 17:23 musicexa.482-490.zip 512123 Jan 19 17:23 musictex-490.tar.Z 196059 Jan 19 17:23 musicexa-490.tar.Z ... musicXXX.482-490.zip contain the modified files only *but* *not* musicdoc.dvi because that can be produced easily by those who have version 4.82 already. >New feature : you can have staffs of different spacings in the same >system, especially to typeset piano/organ music with songs of soloist >instruments typeset in a smaller size. See avemaria.tex and angescao.tex. That's what I was already waiting for since a long time ... and what I never dared to ask for :-) (singing on my violin ;-) Daniel, thank you -- Werner From griffin@egr.msu.edu Sun Jan 24 13:47:35 1993 Return-Path: Received: from egr.msu.edu (kira.egr.msu.edu) by stolaf.edu (4.1/SMI-4.1) id AA18141; Sun, 24 Jan 93 13:47:35 CST Received: from eecae.ee.msu.edu by egr.msu.edu (5.61/1.34) id AA20386; Sun, 24 Jan 93 14:47:46 -0500 Received: by eecae.ee.msu.edu (5.61/SMI-4.0) id AA21052; Sun, 24 Jan 93 14:47:45 -0500 Date: Sun, 24 Jan 93 14:47:45 -0500 From: griffin@egr.msu.edu Message-Id: <9301241947.AA21052@eecae.ee.msu.edu> To: mutex Subject: \fhyph errors Greetings All I have just installed, for the first time, MusicTeX v4.90. I am having problems with the example score files that use the directive `\fhyph' (e.g. HPRELUDE.TEX). \fhyh is unknown, and if I comment it out I get a lot of errors when trying to process the file through TeX. (errors follow). I am using PasTeX on an Amiga. What is \fhyph, and what can I do about it? Thank you. Dan griffin@egr.msu.edu ---------------- begin error log -------------------- This is a PD-Version of Pas-TeX (made Aug 29 1991 [br]/[hes]) This is TeX, C Version 3.14 (hprelude.TEX (musicnft.tex) (musictex.tex) (musicsty.tex) ! Undefined control sequence. \nbinstruments ->\undefined \body ->\ifnum \noinstrument <\nbinstruments \relax \n@advance \selectinstr ... \iterate ->\body \let \next \iterate \else \let \next \relax \fi \next \computewidths ...cing \Internote \fi \fi \repeat \fi \ifdim \nullthick <\p@... l.13 \computewidths ? ----------------------- end --------------------------- From griffin@egr.msu.edu Sun Jan 24 13:49:04 1993 Return-Path: Received: from egr.msu.edu (kira.egr.msu.edu) by stolaf.edu (4.1/SMI-4.1) id AA18575; Sun, 24 Jan 93 13:49:04 CST Received: from eecae.ee.msu.edu by egr.msu.edu (5.61/1.34) id AA20390; Sun, 24 Jan 93 14:49:15 -0500 Received: by eecae.ee.msu.edu (5.61/SMI-4.0) id AA21057; Sun, 24 Jan 93 14:49:15 -0500 Date: Sun, 24 Jan 93 14:49:15 -0500 From: griffin@egr.msu.edu Message-Id: <9301241949.AA21057@eecae.ee.msu.edu> To: mutex Subject: MusicTeX, Amiga, and SpecialHost Greetings again! For those using MusicTeX on an Amiga, I'd like to ask you what is going on with regards to SpecialHost? The only \special commands I see in the MusicTeX v4.90 example scores are of the form: \special{hp: xy 10mm 15mm} Several `pictures' get loaded during dvi processing, but SpecialHost produces major Enforcer hits then, too. I suspect that \special for whatever platform it is intended for here (MS-DOS?) does something entirely different (like set the x and y page positions for an HP laserjet maybe) and thus should be eliminated in favor of the DVIprint x,y offsets. Dan griffin@egr.msu.edu From davisonj@ecn.purdue.edu Sun Jan 24 21:22:58 1993 Return-Path: Received: from en.ecn.purdue.edu by stolaf.edu (4.1/SMI-4.1) id AA27451; Sun, 24 Jan 93 21:22:58 CST Received: by en.ecn.purdue.edu (5.65/1.32jrs) id AA01510; Sun, 24 Jan 93 22:23:02 -0500 From: davisonj@ecn.purdue.edu (John M Davison) Message-Id: <9301250323.AA01510@en.ecn.purdue.edu> Subject: I would like to get started with a TeX-based notation program To: mutex Date: Sun, 24 Jan 93 22:23:01 EST X-Mailer: ELM [version 2.3 PL11] Would someone please give me some information regarding the variety and availability of public-domain TeX-based musical notation software? The only programs of which I am currently aware are Glenn Lewis' (glewis@fws204.intel.com, glewis@pcocd2.intel.com) SMUS2TeX program and Daniel Taupin's (Laboratoire de Physique des Solides) MusicTeX, and I haven't had any experience with either. Help! -- John Davison davisonj@ecn.purdue.edu From @PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Mon Jan 25 04:38:02 1993 Return-Path: <@PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA06176; Mon, 25 Jan 93 04:38:02 CST Message-Id: <9301251038.AA06176@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 2286; Mon, 25 Jan 93 05:36:47 EST Received: from FRUPS51.BITNET (NJE origin TAUPIN@FRUPS51) by PUCC.PRINCETON.EDU (LMail V1.1b/1.7e) with BSMTP id 4879; Mon, 25 Jan 1993 05:36:47 -0500 Date: 25 JAN 93 11:43:04.76-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: MusicTeX 4.91 To: mutex Small but annoying errors have been corrected. Version 4.91 of musicTeX available as usual at 130.84.128.100 (rsovax.ups.circe.fr), directory [anonymous.musictex] From icking@gmdzi.gmd.de Mon Jan 25 07:49:45 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA13683; Mon, 25 Jan 93 07:49:45 CST Received: by gmdzi.gmd.de id AA26316 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Mon, 25 Jan 1993 14:49:18 +0100 Date: Mon, 25 Jan 1993 14:49:18 +0100 From: Werner Icking Message-Id: <199301251349.AA26316@gmdzi.gmd.de> To: mutex Subject: Re: MusicTeX 4.91 (tar- & delta-files on ftp.gmd.de) ... Daniel Taupin's version 4.91 of MusicTeX (musictex.zip, musicexa.zip) is now available for anonymous ftp from ftp.gmd.de [129.26.8.90] too. As usual I've added musictex-491.tar.Z musicexa-491.tar.Z and the delta-files musictex.490-491.zip (17117 bytes) musicexa.490-491.zip ( 4708 bytes) Is this service of any help for anyone? please answer by private mail and **not** to the list. Werner From dgold@basso.actrix.gen.nz Mon Jan 25 22:44:04 1993 Return-Path: Received: from blit386.actrix.gen.nz by stolaf.edu (4.1/SMI-4.1) id AA17693; Mon, 25 Jan 93 22:44:04 CST Received: from actrix.gen.nz by blit386.actrix.gen.nz id ; Mon, 25 Jan 1993 20:20:29 +1300 Received: from basso.UUCP by actrix.gen.nz id ; Mon, 25 Jan 1993 08:25:48 GMT Received: by basso.actrix.gen.nz (V1.16/Amiga) id AA00x87; Mon, 25 Jan 93 20:27:33 PST Date: Mon, 25 Jan 93 20:27:33 PST Message-Id: <9301260427.AA00x86@basso.actrix.gen.nz> In-Reply-To: <9301241949.AA21057@eecae.ee.msu.edu> (from griffin@egr.msu.edu) (at Sun, 24 Jan 93 14:49:15 -0500) X-Mailer: //\\miga Electronic Mail (AmiElm 1.17) Organization: New Zealand Symphony Orchestra Reply-To: dgold@basso.actrix.gen.nz From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Re: MusicTeX, Amiga, and SpecialHost > For those using MusicTeX on an Amiga, I'd like to ask you what is going > on with regards to SpecialHost? The only \special commands I see in > the MusicTeX v4.90 example scores are of the form: > > \special{hp: xy 10mm 15mm} You shouldn't need SpecialHost for anything to do with MusicTeX. \special commands tend to be a bit machine-specific and I've always just commented them out to process stuff on my Amiga. You might have to fiddle with some PasTeX settings, but I doubt it... Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From dgold@basso.actrix.gen.nz Mon Jan 25 22:47:25 1993 Return-Path: Received: from blit386.actrix.gen.nz by stolaf.edu (4.1/SMI-4.1) id AA18162; Mon, 25 Jan 93 22:47:25 CST Received: from actrix.gen.nz by blit386.actrix.gen.nz id ; Mon, 25 Jan 1993 20:20:35 +1300 Received: from basso.UUCP by actrix.gen.nz id ; Mon, 25 Jan 1993 08:25:34 GMT Received: by basso.actrix.gen.nz (V1.16/Amiga) id AA00x7x; Mon, 25 Jan 93 20:17:13 PST Date: Mon, 25 Jan 93 20:17:13 PST Message-Id: <9301260417.AA00x7w@basso.actrix.gen.nz> In-Reply-To: <9301250323.AA01510@en.ecn.purdue.edu> (from davisonj@ecn.purdue.edu (John M Davison)) (at Sun, 24 Jan 93 22:23:01 EST) X-Mailer: //\\miga Electronic Mail (AmiElm 1.17) Organization: New Zealand Symphony Orchestra Reply-To: dgold@basso.actrix.gen.nz From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Re: I would like to get started with a TeX-based notation program Hi, John Davison asked: > Would someone please give me some information regarding the variety and >availability of public-domain TeX-based musical notation software? The only >programs of which I am currently aware are Glenn Lewis' >SMUS2TeX program and Daniel Taupin's MusicTeX, and I haven't had any >experience with either. Help! Well, you've found the right place to get help with MusicTeX! Glenn has gone on to other things and isn't terribly interested in supporting SMUS2TeX any more, although he was very helpful in some discussions I had with him last year. SMUS2TeX converts SMUS files (which are usually created by Deluxe Music on an Amiga) to MusicTeX code. It worked for Glenn, and not very well for me because we were working with different types of music - I think that chords were a major problem, and none of the old Deluxe Music files I tried it on resulted in anything very useful. Since SMUS2TeX is pretty old, the things it does do well are not up to current MusicTeX standards. However, C source code is available, and it's a project that would be well worth pursuing by someone with the know-how. Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From dgold@basso.actrix.gen.nz Thu Jan 28 00:47:38 1993 Return-Path: Received: from blit386.actrix.gen.nz by stolaf.edu (4.1/SMI-4.1) id AA29195; Thu, 28 Jan 93 00:47:38 CST Received: from actrix.gen.nz by blit386.actrix.gen.nz id ; Thu, 28 Jan 1993 19:32:42 +1300 Received: from basso.UUCP by actrix.gen.nz id ; Thu, 28 Jan 1993 07:28:41 GMT Received: by basso.actrix.gen.nz (V1.16/Amiga) id AA00xkk; Thu, 28 Jan 93 19:23:20 PST Date: Thu, 28 Jan 93 19:23:20 PST Message-Id: <9301290323.AA00xkj@basso.actrix.gen.nz> X-Mailer: //\\miga Electronic Mail (AmiElm 1.17) Organization: New Zealand Symphony Orchestra Reply-To: dgold@basso.actrix.gen.nz From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Amiga front end for MusicTeX, again Hi, I've sent this to all the people who requested it, but there have been some problems with outgoing email here and I don't know if it worked. If anyone who received it could let me know it would be one less thing to worry about. I tried to mail A4422DAE@VM.UNIVIE.AC.AT at both addresses you gave, and they seemed to fail at your end... sorry. Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From dgold@basso.actrix.gen.nz Thu Jan 28 05:19:00 1993 Return-Path: Received: from blit386.actrix.gen.nz by stolaf.edu (4.1/SMI-4.1) id AA04150; Thu, 28 Jan 93 05:19:00 CST Received: from actrix.gen.nz by blit386.actrix.gen.nz id ; Fri, 29 Jan 1993 00:04:08 +1300 Received: from basso.UUCP by actrix.gen.nz id ; Thu, 28 Jan 1993 11:54:16 GMT Received: by basso.actrix.gen.nz (V1.16/Amiga) id AA00xmp; Thu, 28 Jan 93 23:56:13 PST Date: Thu, 28 Jan 93 23:56:13 PST Message-Id: <9301290756.AA00xmo@basso.actrix.gen.nz> X-Mailer: //\\miga Electronic Mail (AmiElm 1.17) Organization: New Zealand Symphony Orchestra Reply-To: dgold@basso.actrix.gen.nz From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: MusicTeX 4.91 I just installed this yesterday from the musictex.490-491.zip archive at ftp.gmd.de [129.26.8.90] (hello Werner!) and it is failing on the simplest files: This is TeX, Amiga Version 3.14 (1.tex ! TeX capacity exceeded, sorry [input stack size=200]. etc, etc, Any \Ib type entries seem to cause this, and a simple: \notes\qu c\qu d\qu e\enotes \barre results in all the notes and the barline being stacked on top of each other. version 4.90 works fine. ??? Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From @sun.rhrk.uni-kl.de:knopper@rhrk.uni-kl.de Thu Jan 28 07:11:16 1993 Return-Path: <@sun.rhrk.uni-kl.de:knopper@rhrk.uni-kl.de> Received: from uni-kl.de (stepsun.uni-kl.de) by stolaf.edu (4.1/SMI-4.1) id AA11594; Thu, 28 Jan 93 07:11:16 CST Received: from sun.rhrk.uni-kl.de by stepsun.uni-kl.de id aa20767; 28 Jan 93 14:08 MET Subject: Re: MusicTeX 4.91 To: mutex Date: Thu, 28 Jan 93 14:10:26 MET From: "Klaus Knopper [ET]" Cc: mutex@stolaf.edu In-Reply-To: <9301290756.AA00xmo@basso.actrix.gen.nz>; from "Dale Gold" at Jan 28, 93 11:56 pm X-Mailer: ELM [version 2.3 PL11] Message-Id: <9301281410.aa07297@sun.rhrk.uni-kl.de> > > I just installed this yesterday from the musictex.490-491.zip > archive at ftp.gmd.de [129.26.8.90] (hello Werner!) and it is > failing on the simplest files: > > This is TeX, Amiga Version 3.14 > (1.tex > ! TeX capacity exceeded, sorry [input stack size=200]. > etc, etc, > > Any \Ib type entries seem to cause this, and a simple: > > \notes\qu c\qu d\qu e\enotes > \barre > > results in all the notes and the barline being stacked on top > of each other. version 4.90 works fine. > > ??? > Dale > > - dgold@basso.actrix.gen.nz > - Korokoro, New Zealand I believe that you use the commercial AmigaTeX. I dont know if you can change the memory config parameters with this TeX, but maybe you should try the PasTex from Georg Hessmann (forwiss.uni-passau.de). I think its the BEST TeX for Amiga you can get, with full Arexx Support (You can use it like from TexShell in EmTeX), a good Previewer and an EXCELLENT DVIPrint, AND, which is more, you can configure ALL TeX-Memory parameters yourself (for example the input stacksize, which seems to cause the problem here.) There is also a BigTeX version available in PasTeX, which i recommend for big scores with no \autolines. I worked with PasTeX and the MusicTex 4.4 macro package for a long time, and never got problems using it with the BigTeX (I use 80000 words of page memory, but there is almost no limit). ( Let's see if it will work with 4.91 ) -Klaus // Klaus Knopper // (knopper@rhrk.uni-kl.de) \\ // \X/ From griffin@egr.msu.edu Thu Jan 28 08:30:59 1993 Return-Path: Received: from egr.msu.edu (kira.egr.msu.edu) by stolaf.edu (4.1/SMI-4.1) id AA13544; Thu, 28 Jan 93 08:30:59 CST Received: from eecae.ee.msu.edu by egr.msu.edu (5.61/1.34) id AA27690; Thu, 28 Jan 93 09:31:08 -0500 Received: by eecae.ee.msu.edu (5.61/SMI-4.0) id AA09034; Thu, 28 Jan 93 09:31:08 -0500 Date: Thu, 28 Jan 93 09:31:08 -0500 From: griffin@egr.msu.edu Message-Id: <9301281431.AA09034@eecae.ee.msu.edu> To: mutex Subject: MusicTeX 4.91 dgold@basso.actrix.gen.nz (Dale Gold) writes: I just installed this yesterday from the musictex.490-491.zip archive at ftp.gmd.de [129.26.8.90] (hello Werner!) and it is failing on the simplest files: I also installed the 4.91 fixes, and it fixed the errors that 4.90 was giving me, but it still doesn't print out many sample files. To use the same examples as before, the prelude and fugue (HPRELFUG.TEX), I get the first page, and then nothing on page 2 or 3, then maybe I'll get page 4, 6, and 15. I can tell that the blank pages are supposed to contain only three bars by the bar numbering. I am fairly new to TeX, and very new to MusicTeX, but I suspect that I am having a page positioning problem and the staves are being `printed' off the page. Looking at the log I see things like: Overfull \vbox (29720.84679pt too high) detected at line 158 \vbox(751.15276+4.0)x526.37598 .\glue(\topskip) 0.0 plus 60.0 .\hbox(10527.19963+19948.79991)x526.37598, glue set 0.1644 ..\hbox(140.2+0.0)x0.0 ...\hbox(0.0+0.0)x0.0, glue set - 526.37598fil, shifted -15.0 [] ...\hbox(65.4+1.00009)x0.0, glue set - 7.5fil, shifted -60.0 [] ...\hbox(0.0+0.0)x0.0, glue set - 526.37598fil, shifted -60.0 [] ...\hbox(0.0+0.0)x0.0, glue set - 526.37598fil, shifted -105.0 [] ...\hbox(110.2+0.2)x0.0, glue set - 0.4fil, shifted -15.0 [] ...etc. ..\hbox(20.3125+0.0)x0.0, glue set - 15.99998fil, shifted -15.0 ...\hbox(20.3125+0.0)x15.99998 [] ...\glue 0.0 plus 1.0fil minus 1.0fil ..\hbox(20.3125+0.0)x0.0, glue set - 15.99998fil, shifted -60.0 ...\hbox(20.3125+0.0)x15.99998 [] ...\glue 0.0 plus 1.0fil minus 1.0fil ..\hbox(30.0+10.0)x0.0, glue set - 15.99998fil, shifted -105.0 ...\hbox(30.0+10.0)x15.99998 [] ...\glue 0.0 plus 1.0fil minus 1.0fil ..\kern 15.99998 ..etc. Um...it looks like some large sizes there! (Overfull vbox of 29000 [412 inches]??) MusicDoc prints out fine, as well as some of the scores (Praetorius, Angels We Have Heard On High, Pacifique are okay). Dan From @PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Fri Jan 29 06:09:05 1993 Return-Path: <@PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA20790; Fri, 29 Jan 93 06:09:05 CST Message-Id: <9301291209.AA20790@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 8179; Fri, 29 Jan 93 07:07:51 EST Received: from FRUPS51.BITNET (NJE origin TAUPIN@FRUPS51) by PUCC.PRINCETON.EDU (LMail V1.1b/1.7e) with BSMTP id 7788; Fri, 29 Jan 1993 07:07:51 -0500 Date: 29 JAN 93 13:13:58.50-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: Correction to musicnft.tex 4.91 --> 4.92 (\Ib... problems) To: mutex % Important correction to musicnft.tex % \def\computespecifics¤\ifnum\musicsize=0\relax\musicsize=20\relax\fi \ifnum\musicsize=20\relax \def\ppff¤\ppfftwenty‡% \def\beamnorfont¤\beamtwenty‡\def\musicnorfont¤\musictwenty‡% \def\beamsmallfont¤\beamsixteen‡\def\musicsmallfont¤\musicsixteen‡% \def\beamtinyfont¤\beamthirteen‡\def\musictinyfont¤\musicthirteen‡% \def\meternorfont¤\cmbx‡\def\metersmallfont¤\cmbxsmall‡% \def\metertinyfont¤\cmbxtiny‡\def\slurnorfont¤\slurntwenty‡% \def\meterbigfont¤\cmbxbig‡% \else \def\ppff¤\ppffsixteen‡% \def\beamnorfont¤\beamsixteen‡\def\musicnorfont¤\musicsixteen‡% \def\beamsmallfont¤\beamthirteen‡\def\musicsmallfont¤\musicthirteen‡% \def\beamtinyfont¤\beameleven‡\def\musictinyfont¤\musiceleven‡% \def\meternorfont¤\cmbxsmall‡\def\metersmallfont¤\cmbxtiny‡% \def\metertinyfont¤\cmbxmicro‡\def\slurnorfont¤\slurnsixteen‡% \def\meterbigfont¤\cmbx‡% \fi \Interligne=\musicsize pt\divide\Interligne by 4\relax % This (below) was the missing line \Internote=0.5\Interligne % End of correction \interbeam=\i@nterbeam \setbox\ch@box=\hbox¤\w@h‡\wn@width=\wd\ch@box \setbox\ch@box=\hbox¤\s@bv‡\sb@width=\wd\ch@box \setbox\ch@box=\hbox¤\b@rv‡\bv@width=\wd\ch@box \setbox\ch@box=\hbox¤\h@a‡\hn@width=\wd\ch@box \setbox\ch@box=\hbox¤\q@u‡\qn@width=\wd\ch@box \qd@skip=\qn@width\advance\qd@skip by -\hlthick \hd@skip=\hn@width\advance\hd@skip by -\hlthick \wd@skip=\wn@width\advance\wd@skip by -\hlthick ‡% From @PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Fri Jan 29 06:25:52 1993 Return-Path: <@PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA22039; Fri, 29 Jan 93 06:25:52 CST Message-Id: <9301291225.AA22039@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 8402; Fri, 29 Jan 93 07:24:38 EST Received: from FRUPS51.BITNET (NJE origin TAUPIN@FRUPS51) by PUCC.PRINCETON.EDU (LMail V1.1b/1.7e) with BSMTP id 8048; Fri, 29 Jan 1993 07:24:38 -0500 Date: 29 JAN 93 13:30:53.89-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: MusicTeX 4.92 To: mutex Due to some minor corrections but a big problem, version 4.92 is available at rsovax.ups.circe.fr as usual. Changes files: musictex.zip, musicexa.zip, musicnft.tex, marcellx.tex Note that some errors cause stack overflows. More friendly reaction is studied... From Robin.Fairbairns@cl.cam.ac.uk Fri Jan 29 06:58:44 1993 Return-Path: Received: from swan.cl.cam.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA23620; Fri, 29 Jan 93 06:58:44 CST Received: from lelaps.cl.cam.ac.uk (user rf (rfc931)) by swan.cl.cam.ac.uk with SMTP (PP-6.4) to cl; Fri, 29 Jan 1993 12:58:35 +0000 To: mutex Cc: mutex@stolaf.edu, Robin.Fairbairns@cl.cam.ac.uk Subject: Re: Correction to musicnft.tex 4.91 --> 4.92 (\Ib... problems) Date: Fri, 29 Jan 93 12:58:30 +0000 From: Robin Fairbairns Message-Id: <"swan.cl.ca.022:29.01.93.12.58.38"@cl.cam.ac.uk> Daniel writes: |> % Important correction to musicnft.tex |> % |> \def\computespecifics \ifnum\musicsize=0\relax\musicsize=20\relax\fi And so on throughout the message. Obviously the victim of Bitnet-> Internet code mistranslation. What is the (looking like a small circle with horns sticking out NE, SE, SW and NW) _supposed_ to be? Robin Fairbairns From JACYK@kcgl1.eng.ohio-state.edu Fri Jan 29 09:57:37 1993 Return-Path: Received: from kcgl1 (kcgl1.eng.ohio-state.edu) by stolaf.edu (4.1/SMI-4.1) id AA29664; Fri, 29 Jan 93 09:57:37 CST Received: from kcgl1.eng.ohio-state.edu by kcgl1.eng.ohio-state.edu (PMDF #12133) id <01GU375AYN8WD437DM@kcgl1.eng.ohio-state.edu>; Fri, 29 Jan 1993 10:57 EST Date: Fri, 29 Jan 1993 10:57 EST From: PAUL JACYK Subject: Please take me off the mailing list. To: mutex Message-Id: <01GU375AYN8WD437DM@kcgl1.eng.ohio-state.edu> X-Envelope-To: mutex@stolaf.edu X-Vms-To: IN%"mutex@stolaf.edu" I'm am sorry in advance if this message goes to everyone receiving the mutex mail. But, could I please be taken off the mutex mail list. thanks!!! From @sun.rhrk.uni-kl.de:knopper@rhrk.uni-kl.de Fri Jan 29 11:22:29 1993 Return-Path: <@sun.rhrk.uni-kl.de:knopper@rhrk.uni-kl.de> Received: from uni-kl.de (stepsun.uni-kl.de) by stolaf.edu (4.1/SMI-4.1) id AA08725; Fri, 29 Jan 93 11:22:29 CST Received: from sun.rhrk.uni-kl.de by stepsun.uni-kl.de id aa22908; 29 Jan 93 18:20 MET Subject: Re: MusicTeX 4.91 To: mutex Date: Fri, 29 Jan 93 18:22:14 MET From: "Klaus Knopper [ET]" Cc: mutex@stolaf.edu In-Reply-To: <9301281431.AA09034@eecae.ee.msu.edu>; from "griffin@egr.msu.edu" at Jan 28, 93 9:31 am X-Mailer: ELM [version 2.3 PL11] Message-Id: <9301291822.aa14022@sun.rhrk.uni-kl.de> > I also installed the 4.91 fixes, and it fixed the errors that 4.90 > was giving me, but it still doesn't print out many sample files. > To use the same examples as before, the prelude and fugue (HPRELFUG.TEX), > I get the first page, and then nothing on page 2 or 3, then maybe I'll > get page 4, 6, and 15. I can tell that the blank pages are supposed to > contain only three bars by the bar numbering. > > I am fairly new to TeX, and very new to MusicTeX, but I suspect that > I am having a page positioning problem and the staves are being > `printed' off the page. Looking at the log I see things like: > > Overfull \vbox (29720.84679pt too high) detected at line 158 > > \vbox(751.15276+4.0)x526.37598 > .\glue(\topskip) 0.0 plus 60.0 > .\hbox(10527.19963+19948.79991)x526.37598, glue set 0.1644 > ..\hbox(140.2+0.0)x0.0 > ...\hbox(0.0+0.0)x0.0, glue set - 526.37598fil, shifted -15.0 [] > ...\hbox(65.4+1.00009)x0.0, glue set - 7.5fil, shifted -60.0 [] > ...\hbox(0.0+0.0)x0.0, glue set - 526.37598fil, shifted -60.0 [] > ...\hbox(0.0+0.0)x0.0, glue set - 526.37598fil, shifted -105.0 [] > ...\hbox(110.2+0.2)x0.0, glue set - 0.4fil, shifted -15.0 [] > ...etc. > ..\hbox(20.3125+0.0)x0.0, glue set - 15.99998fil, shifted -15.0 > ...\hbox(20.3125+0.0)x15.99998 [] > ...\glue 0.0 plus 1.0fil minus 1.0fil > ..\hbox(20.3125+0.0)x0.0, glue set - 15.99998fil, shifted -60.0 > ...\hbox(20.3125+0.0)x15.99998 [] > ...\glue 0.0 plus 1.0fil minus 1.0fil > ..\hbox(30.0+10.0)x0.0, glue set - 15.99998fil, shifted -105.0 > ...\hbox(30.0+10.0)x15.99998 [] > ...\glue 0.0 plus 1.0fil minus 1.0fil > ..\kern 15.99998 > ..etc. > > Um...it looks like some large sizes there! (Overfull vbox of 29000 > [412 inches]??) > > MusicDoc prints out fine, as well as some of the scores (Praetorius, > Angels We Have Heard On High, Pacifique are okay). > > Dan Thats looks quite what i've got from the "small" version of PasTex. Some lines were completely missing (especially at the bottom of the page) and sometimes empty pages were generated in the middle of the scores. This always happened with "overfull vbox" messages. I think its a bug in the TeX Compiler, getting confused with too many box'es. Since i'm using the BigTex version of PasTex, these problems with the overfull vbox'es (which simply don't exist), never occured again. All scores are set perfectly now. I already contacted Georg Hessmann (the creator of PasTeX) and told him about this effect in the "small" TeX version. Bye and good luck. // Klaus Knopper // (knopper@rhrk.uni-kl.de) \\ // \X/ From griffin@egr.msu.edu Sat Jan 30 11:50:51 1993 Return-Path: Received: from egr.msu.edu (kira.egr.msu.edu) by stolaf.edu (4.1/SMI-4.1) id AA09820; Sat, 30 Jan 93 11:50:51 CST Received: from eecae.ee.msu.edu by egr.msu.edu (5.61/1.34) id AA04485; Sat, 30 Jan 93 12:51:01 -0500 Received: by eecae.ee.msu.edu (5.61/SMI-4.0) id AA20658; Sat, 30 Jan 93 12:51:01 -0500 Date: Sat, 30 Jan 93 12:51:01 -0500 From: griffin@egr.msu.edu Message-Id: <9301301751.AA20658@eecae.ee.msu.edu> To: mutex Subject: MusicTeX & Amigas Cc: griffin@egr.msu.edu I have recently installed MusicTeX for use on an Amiga, but was having several problems with printing out some of the sample scores. The 4.91 and 4.92 revisions have eliminated some of those problems, and I'd like to thank Daniel Taupin for MusicTeX and his help. I'd also like to thank Klaus Knopper (knopper@rhrk.uni-kl.de) for his suggestion to use bigTeX to eliminate the overfull box problem, and Dale Gold (dgold@basso.actrix.gen.nz) for his assistance. Now, only one problem remains: again, refering to the HPRELFUG score, it appears that there are supposed to be five staves per page, but due to the smaller USA paper size (11in x 8.5in) only four will fit on a page (without starting higher on the page). I have redefined \vsize smaller in both HPRELFUG and PRELUDE, and the \outmorc{\shipout\vbox to be smaller also, but the fifth line always comes out on a separate page all by itself. I do not see anything in the music that would define end-of-page or call for an eject in the mus\ic between bars 27 & 28, 42 & 43, etc. How do I redefine the page length so every page is full and has 4 staves? Dan From davisonj@ecn.purdue.edu Mon Feb 1 18:47:10 1993 Return-Path: Received: from en.ecn.purdue.edu by stolaf.edu (4.1/SMI-4.1) id AA21805; Mon, 1 Feb 93 18:47:10 CST Received: by en.ecn.purdue.edu (5.65/1.32jrs) id AA28479; Mon, 1 Feb 93 19:47:18 -0500 From: davisonj@ecn.purdue.edu (John M Davison) Message-Id: <9302020047.AA28479@en.ecn.purdue.edu> Subject: Problem encountered setting up MusicTeX on en.ecn.purdue.edu To: mutex Date: Mon, 1 Feb 93 19:47:17 EST X-Mailer: ELM [version 2.3 PL11] Today I attempted to install the latest freshly FTPed MusicTeX on en.ecn.purdue.edu (a UNIX machine running 4.3BSD-Tahoe), but the results were less than functional. An attempt to process the file "hadagim.tex" resulted in the following output: ------------------------------------------------------------------------------- Script started on Mon Feb 1 19:36:06 1993 [#11] en:[/hogs/davisonj/pub/MusicTeX]: tex /hogs/davisonj/pub/MusicTeX/inputs/hadagim.tex This is TeX, C Version 3.14 (/hogs/davisonj/pub/MusicTeX/inputs/hadagim.tex (/hogs/davisonj/pub/MusicTeX/inputs/musicnft.tex Version 4.92 -- January 29th, 1993 ! Font \cmmi=cmmi10 scaled 1200 not loadable: Metric (TFM) file not found. \relax l.16 \font\cmmi=cmmi10 scaled \magstep1 ? ! Emergency stop. \relax l.16 \font\cmmi=cmmi10 scaled \magstep1 No pages of output. Transcript written on hadagim.log. [#12] en:[/hogs/davisonj/pub/MusicTeX]: script done on Mon Feb 1 19:36:27 1993 ------------------------------------------------------------------------------- I cannot figure out why it can't find this font. Can anyone out there tell me why? Arrrrrrrgh! I'm not exactly a TeX jockey, so please be forgiving if I missed something obvious. Here is some pertinent information that may illuminate matters: TEXINPUTS = "/usr/unsup/lib/tex/inputs:/hogs/davisonj/pub/MusicTeX/inputs:." TEXFONTS = "/usr/unsup/lib/tex/fonts:/hogs/davisonj/pub/MusicTeX/fonts:/hogs/davisonj/pub/MusicTeX/fonts/gf:/hogs/davisonj/pub/MusicTeX/fonts/pk:/hogs/davisonj/pub/MusicTeX/fonts/pxl:/hogs/davisonj/pub/MusicTeX/fonts/tfm:/hogs/davisonj/pub/MusicTeX/fonts/vf:." TEXFORMATS = "/usr/unsup/lib/tex:/hogs/davisonj/pub/MusicTeX:." TEXPOOL = "/usr/unsup/lib/tex:/hogs/davisonj/pub/MusicTeX:." This is a listing of my directory tree "/hogs/davisonj/pub/MusicTeX", which is where I have my MusicTeX stuff. I am too naive to tell if something has been put in the wrong place...suggestions for better organization are welcome, as all I did was model my directory structure after the TeX directory structure ("/usr/unsup/tex") that resides on en.ecn.purdue.edu. ------------------------------------------------------------------------------- Script started on Mon Feb 1 19:26:24 1993 [#11] en:[/hogs/davisonj/pub/MusicTeX]: ls -R EN_README beamt20.mf musicd16.mf musicg16.mf slurdu16.mf aa_readme.text beamv20.mf musicd20.mf musicgen.mf slurgen.mf beamd20.mf euromtex.aux musicdef.mf musicn11.mf slurn16.mf beamn11.mf euromtex.dvi musicdoc.aux musicn13.mf slurn20.mf beamn13.mf fonts musicdoc.bat musicn16.mf slurud16.mf beamn16.mf inputs musicdoc.dvi musicn20.mf sluruu16.mf beamn20.mf modes.mf musicdoc.idx musicref.dvi sortindx.for beamngen.mf musicd11.mf musicdoc.inx recueil.dvi beamq20.mf musicd13.mf musicdoc.toc slurdd16.mf fonts: gf pk pxl tfm vf fonts/gf: fonts/pk: beamn11.pk circlew1.pk dpi300 musicn20.pk slurn20.pk beamn13.pk dpi100 musicn11.pk slurdd16.pk slurud16.pk beamn16.pk dpi118 musicn13.pk slurdu16.pk sluruu16.pk beamn20.pk dpi240 musicn16.pk slurn16.pk fonts/pk/dpi100: beamn11.pk beamn20.pk musicn16.pk slurdd16.pk slurn20.pk beamn13.pk musicn11.pk musicn20.pk slurdu16.pk slurud16.pk beamn16.pk musicn13.pk slur16.pk slurn16.pk sluruu16.pk fonts/pk/dpi118: beamn11.pk beamn20.pk musicn16.pk slurdd16.pk slurn20.pk beamn13.pk musicn11.pk musicn20.pk slurdu16.pk slurud16.pk beamn16.pk musicn13.pk slur16.pk slurn16.pk sluruu16.pk fonts/pk/dpi240: beamn11.pk beamn20.pk musicn16.pk slurdd16.pk slurn20.pk beamn13.pk musicn11.pk musicn20.pk slurdu16.pk slurud16.pk beamn16.pk musicn13.pk slur16.pk slurn16.pk sluruu16.pk fonts/pk/dpi300: beamn11.pk beamn20.pk musicn16.pk slurdd16.pk slurn20.pk beamn13.pk musicn11.pk musicn20.pk slurdu16.pk slurud16.pk beamn16.pk musicn13.pk slur16.pk slurn16.pk sluruu16.pk fonts/pxl: fonts/tfm: beamn11.tfm circlew1.tfm musicn16.tfm slurn16.tfm beamn13.tfm circlew10.tfm musicn20.tfm slurn20.tfm beamn16.tfm musicn11.tfm slurdd16.tfm slurud16.tfm beamn20.tfm musicn13.tfm slurdu16.tfm sluruu16.tfm fonts/vf: dmb10.vf dmcsc10.vf dmr6.vf dmss12.vf dmssi9.vf dmtt12.vf dmbx10.vf dmdunh10.vf dmr7.vf dmss17.vf dmssq8.vf dmtt8.vf dmbx12.vf dmff10.vf dmr8.vf dmss8.vf dmssqi8.vf dmtt9.vf dmbx5.vf dmfi10.vf dmr9.vf dmss9.vf dmtcsc10.vf dmu10.vf dmbx6.vf dmfib8.vf dmsl10.vf dmssbx10.vf dmti10.vf dmvtt10.vf dmbx7.vf dmitt10.vf dmsl12.vf dmssdc10.vf dmti12.vf dmbx8.vf dmr10.vf dmsl8.vf dmssi10.vf dmti7.vf dmbx9.vf dmr12.vf dmsl9.vf dmssi12.vf dmti8.vf dmbxsl10.vf dmr17.vf dmsltt10.vf dmssi17.vf dmti9.vf dmbxti10.vf dmr5.vf dmss10.vf dmssi8.vf dmtt10.vf inputs: a4report.sty dblecols.sty hcreatim.tex musicdoc.tex ostinato.tex accordeo.tex enhyph.tex hcreatio.tex musicext.tex pacifiqb.tex accordex.tex enhyphex.tex hfantais.tex musicnft.tex pacifiqn.tex adagio.tex euro92.sty hfugue.tex musicpln.tex pacifiqp.tex amourspe.tex euro92.tex hostinat.tex musicpos.tex praetori.tex amourspx.tex euromtex.tex howtoget.tex musicpre.tex praetorr.tex angescam.tex extras.tex hprelfug.tex musicref.tex praetorx.tex angescao.tex fantaisi.tex hprelude.tex musicsty.tex prelude.tex angescax.tex footnote.tex hrecit.tex musictex.sty purcell.tex aria.tex frhyph.tex hreves.tex musictex.tex purcellx.tex avemaria.tex fugue.tex hwidor.tex musictrp.sty recit.tex bigmusic.sty geslides.tex hymnepas.tex musictrp.tex recueil.tex campra.tex gloriab.tex ibmiso1.tex musicvbm.sty reves.tex carillon.tex glorias.tex lines.tex musicvbm.tex screatim.tex choral.tex hadagim.tex marcello.tex nlslides.tex souvenir.tex chorala.tex hadagio.tex marcellx.tex notreper.tex souvenix.tex choralb.tex haria.tex musicacc.tex notrepex.tex tierce.tex creation.tex hchoral.tex musicadd.tex nwidor.tex widor.tex [#12] en:[/hogs/davisonj/pub/MusicTeX]: script done on Mon Feb 1 19:26:36 1993 ------------------------------------------------------------------------------- -- John Davison davisonj@ecn.purdue.edu From @sun.rhrk.uni-kl.de:knopper@rhrk.uni-kl.de Tue Feb 2 05:47:41 1993 Return-Path: <@sun.rhrk.uni-kl.de:knopper@rhrk.uni-kl.de> Received: from uni-kl.de (stepsun.uni-kl.de) by stolaf.edu (4.1/SMI-4.1) id AA03558; Tue, 2 Feb 93 05:47:41 CST Received: from sun.rhrk.uni-kl.de by stepsun.uni-kl.de id aa21432; 2 Feb 93 12:45 MET Subject: Re: Problem encoun To: mutex Date: Tue, 2 Feb 93 12:47:39 MET From: "Klaus Knopper [ET]" Cc: "Klaus Knopper [ET]" , mutex@stolaf.edu In-Reply-To: <9302020047.AA28479@en.ecn.purdue.edu>; from "John M Davison" at Feb 1, 93 7:47 pm X-Mailer: ELM [version 2.3 PL11] Message-Id: <9302021247.aa12222@sun.rhrk.uni-kl.de> > > Today I attempted to install the latest freshly FTPed MusicTeX on > en.ecn.purdue.edu (a UNIX machine running 4.3BSD-Tahoe), but the results were > less than functional. An attempt to process the file "hadagim.tex" resulted in > the following output: > > ------------------------------------------------------------------------------- > Script started on Mon Feb 1 19:36:06 1993 > [#11] en:[/hogs/davisonj/pub/MusicTeX]: tex /hogs/davisonj/pub/MusicTeX/inputs/hadagim.tex > This is TeX, C Version 3.14 > (/hogs/davisonj/pub/MusicTeX/inputs/hadagim.tex > (/hogs/davisonj/pub/MusicTeX/inputs/musicnft.tex > Version 4.92 -- January 29th, 1993 > ! Font \cmmi=cmmi10 scaled 1200 not loadable: Metric (TFM) file not found. > > \relax > l.16 \font\cmmi=cmmi10 scaled \magstep1 > ? > ! Emergency stop. > > \relax > l.16 \font\cmmi=cmmi10 scaled \magstep1 > No pages of output. > Transcript written on hadagim.log. > [#12] en:[/hogs/davisonj/pub/MusicTeX]: > script done on Mon Feb 1 19:36:27 1993 > ------------------------------------------------------------------------------- > > I cannot figure out why it can't find this font. Can anyone out there > tell me why? Arrrrrrrgh! I'm not exactly a TeX jockey, so please be forgiving > if I missed something obvious. > > Here is some pertinent information that may illuminate matters: > > TEXINPUTS = "/usr/unsup/lib/tex/inputs:/hogs/davisonj/pub/MusicTeX/inputs:." > > TEXFONTS = "/usr/unsup/lib/tex/fonts:/hogs/davisonj/pub/MusicTeX/fonts:/hogs/davisonj/pub/MusicTeX/fonts/gf:/hogs/davisonj/pub/MusicTeX/fonts/pk:/hogs/davisonj/pub/MusicTeX/fonts/pxl:/hogs/davisonj/pub/MusicTeX/fonts/tfm:/hogs/davisonj/pub/MusicTeX/fonts/> vf:." > > TEXFORMATS = "/usr/unsup/lib/tex:/hogs/davisonj/pub/MusicTeX:." > > TEXPOOL = "/usr/unsup/lib/tex:/hogs/davisonj/pub/MusicTeX:." > > This is a listing of my directory tree "/hogs/davisonj/pub/MusicTeX", > which is where I have my MusicTeX stuff. I am too naive to tell if something > has been put in the wrong place...suggestions for better organization are > welcome, as all I did was model my directory structure after the TeX directory > structure ("/usr/unsup/tex") that resides on en.ecn.purdue.edu. > [... stuff deleted] > -- > John Davison > davisonj@ecn.purdue.edu Your problem is the absence of the tfm font descriptions for the cmmi fonts. This is a standard (math italics) TeX-Font, and not included in the MusicTeX Package. Even if this font is not used in your score, it is needed for the predefined font commands in musicTeX. So you have to generate at least the TFM file with the 'Metafont' Font generating program. If you use this fonts in your score, you also have to generate the Pixel (.pk) fonts with Metafont. How to do this is strongly machine-specific (ask your local TeX guru). On my machine (Amiga) i just have to start an Arexx-Script to generate missing fonts. The metafont Font-Descriptions for this case are in a file which should have the name "cmmi10.mf". I think that this font is used for the numbers at the top of each bar. I hope this may help you a bit (maybe some manpages for MF ?) .... // Klaus Knopper // (knopper@rhrk.uni-kl.de) \\ // \X/ From dgold@basso.actrix.gen.nz Tue Feb 9 17:37:52 1993 Return-Path: Received: from blit386.actrix.gen.nz by stolaf.edu (4.1/SMI-4.1) id AA28655; Tue, 9 Feb 93 17:37:52 CST Received: from actrix.gen.nz by blit386.actrix.gen.nz id ; Wed, 10 Feb 1993 12:38:56 +1300 Received: from basso.UUCP by actrix.gen.nz id ; Wed, 10 Feb 1993 00:15:40 GMT Received: by basso.actrix.gen.nz (V1.16/Amiga) id AA00ysf; Wed, 10 Feb 93 12:06:38 PST Date: Wed, 10 Feb 93 12:06:38 PST Message-Id: <9302102006.AA00yse@basso.actrix.gen.nz> X-Mailer: //\\miga Electronic Mail (AmiElm 1.17) Organization: New Zealand Symphony Orchestra Reply-To: dgold@basso.actrix.gen.nz From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Amiga Graphical Interface Hi, I've got an improved version of this ready, and it can be ftp'd from: rata.vuw.ac.nz and the file is called: guitex1_1.lha I assume that it will be in the \pub directory, but I'm not putting it up myself, so you might have to look around for it. If you don't see it, try again in a day or two. PLEASE, PLEASE don't browse around or download anything else. The University is doing this as a favour to me, and the system can't handle a lot of overseas traffic. About GUITeX: A mouse-driven interface which tries to do quick and error-free creation of a rough draft of a MusicTeX score. It tries to do a few things for you like automatic bar-numbering, and hopefully will make beams, ties and slurs easier to handle. Beam numbers are incremented automatically, and should always getting your notes hanging or sitting on the beams correctly. REQUIREMENTS: MusicTeX, and an Amiga. Of course. AmigaTeX, PasTeX, or some other version of TeX. ArpRexxLib.library 3.0. This only works with WB2.0 at the moment but theory should work under 1.3 when I get around to putting in some code for the ARP requesters. RexxArpLib is available via ftp from: Host wuarchive.wustl.edu (128.252.135.4) Location: /mirrors4/amiga.physik.unizh.ch/amiga/util/rexx FILE r--r--r-- 54272 Oct 11 04:40 RexxArpLib3_0.lzh And probably also directly from amiga.physik.unizh.ch. If you haven't got ftp access, let me know and I'll be happy to mail a copy to anyone who is willing to do a bit of testing. Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From crath@bnr.ca Wed Feb 10 07:56:39 1993 Return-Path: Received: from bcars520 (x400gate.bnr.ca) by stolaf.edu (4.1/SMI-4.1) id AA21409; Wed, 10 Feb 93 07:56:39 CST X400-Received: by mta bcars520 in /PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/; Relayed; Wed, 10 Feb 1993 08:55:39 -0500 X400-Received: by /PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/; Relayed; Wed, 10 Feb 1993 08:54:24 -0500 X400-Received: by /PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/; Relayed; Wed, 10 Feb 1993 03:54:00 -0500 Date: Wed, 10 Feb 1993 08:54:00 +0000 X400-Originator: /DD.ID=CNT29168/G=Christopher/I=CJ/S=Rath/@bnr.ca X400-Mts-Identifier: [/PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/;bcars520.b.221:10.01.93.13.54.24] X400-Content-Type: P2-1984 (2) Content-Identifier: Lead sheet pr... From: "Christopher (C.J.) Rath" Message-Id: <"16338 Wed Feb 10 08:55:13 1993"@bnr.ca> To: mutex Subject: Lead sheet production. I have been asked to look into producing a lead sheet, for a tape that's being produced locally. I've installed MusicTeX, and it certainly looks like it will do the job. However, it also looks like I've got a bit of a learning curve to climb. In this vein I have a couple of questions: Definition: Lead Sheet... By this I mean single staff melody line, with chords above the music and words below. 1) Does anyone have an example lead sheet (in MusicTeX source) that they would be willing to send me (or point me to an ftp site with an example)? 2) Is there any software out there to convert a midifile into MusicTeX source? It must compile or run on a NeXTstation. Thanks, Christopher --- Christopher Rath | crath@bnr.ca BNR Lab 5 | Ottawa, ON, Canada | "Hydrogen is a colourless, odourless gas which, given (613) 765-3141 | enough time, turns into people." -- Henry Hiebert From p.abbott@aston.ac.uk Fri Feb 12 14:14:14 1993 Return-Path: Received: from sun2.nsfnet-relay.ac.uk by stolaf.edu (4.1/SMI-4.1) id AB03311; Fri, 12 Feb 93 14:14:14 CST Message-Id: <9302122014.AB03311@stolaf.edu> Via: uk.ac.aston; Fri, 12 Feb 1993 19:14:34 +0000 Received: from localhost by email.aston.ac.uk with SMTP (PP) id <07496-0@email.aston.ac.uk>; Fri, 12 Feb 1993 12:25:52 +0000 To: mutex Cc: spqr@minster.york.ac.uk Subject: A number of questions Date: Fri, 12 Feb 93 12:25:24 +0000 From: Peter Abbott I have just unpacked musictex-492.tar.Z and musicexa-492.tar.Z I have tried some of the examples and the first major problem is that they are set up for paper sizes to which I do not have access. My laserprinter takes A4 paper and whilst I can edit each example file so that the appearance is acceptable, would it not be possible to provide a file which hsize and vsize which is included in each eample. This means that when trying out the software it is easy to tailor to fit the paper sizes available. My version was installed by an expert who understand my Sun, UNIX and TeX so I assume that the errors quoted here are not of our making. PACIFIQN TeX runs OK /work2/music/examples$ dvips pacifiqn -o This is dvips 5.495 Copyright 1986, 1992 Radical Eye Software ' TeX output 1993.02.12:1206' -> pacifiqn.ps . [1dvips: Unknown keyword (xy) in \special will be ignored dvips: Unknown keyword (12mm) in \special will be ignored dvips: Unknown keyword (18mm) in \special will be ignored dvips: Couldn't find figure file hp:; continuing ] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] PACIFIQB TeX runs OK dvips gives same error HADAGIO TeX error /work2/music/examples$ tex hadagio This is TeX, C Version 3.141 (hadagio.tex (/sys/tex/lib/styles/musicnft.tex Version 4.92 -- January 29th, 1993) (/sys/tex/lib/styles/musictex.tex Version 4.91 -- January 21th, 1993) ! Undefined control sequence. l.4 \fhyph CARILLON TeX run OK dvips same error PRAETORI TeX runs OK dvips same error ANGESCAO TeX run OK dvips same error HPRELFUG TeX runs OK dvips runs ok no error MARCELLO TeX runs OK dvips same error RECUEIL /work2/music/examples$ tex recueil This is TeX, C Version 3.141 (recueil.tex (/sys/tex/lib/styles/musicnft.tex Version 4.92 -- January 29th, 1993) (/sys/tex/lib/styles/musictex.tex Version 4.91 -- January 21th, 1993) (/sys/tex/lib/styles/musicvbm.tex) (/sys/tex/lib/styles/musicsty.tex) ! Missing number, treated as zero. \relax l.12 \font \geant=\fonthdg mbx12 scaled \magstep6 HWIDOR TeX runs OK dvips same error NWIDOR TeX runs OK dvips same error AVEMARIA TeX runs OK dvips no error I looked at the FAQ and 02 Where can I get MuTeX and MusicTeX? Most up to date version of musictex: rsovax.ups.circe.fr directory [anonymous.musictex] so Connected to rsovax.ups.circe.fr. but this simply gives a list of files do I have no idea if they are more uptodate than the ones I already have. Can anyone tell me how to avoid the errors? Will anyone update the examples to cope with a papersize file containing vsize and hsize? How can I tell I have the latest version? Thanks Peter From Robin.Fairbairns@cl.cam.ac.uk Fri Feb 12 14:42:55 1993 Return-Path: Received: from swan.cl.cam.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA05545; Fri, 12 Feb 93 14:42:55 CST Received: from lelaps.cl.cam.ac.uk (user rf (rfc931)) by swan.cl.cam.ac.uk with SMTP (PP-6.4) to cl; Fri, 12 Feb 1993 20:42:47 +0000 To: mutex Cc: mutex@stolaf.edu, spqr@minster.york.ac.uk, Robin.Fairbairns@cl.cam.ac.uk Subject: Re: A number of questions In-Reply-To: Your message of Fri, 12 Feb 93 12:25:24 +0000. <9302122014.AB03311@stolaf.edu> Date: Fri, 12 Feb 93 20:42:42 +0000 From: Robin Fairbairns Message-Id: <"swan.cl.ca.126:12.02.93.20.43.00"@cl.cam.ac.uk> Daniel typically stuffs maximum amounts onto the page (in a very Phil Taylor-ish way). I've found that offsetting his stuff by -0.75" in each axis (w.r.t. the usual {1",1"} origin that TeX uses), I get acceptable results. I've had no problems with TeXing or printing the examples (apart from the offset) on my emTeX system. So I would presume that the \specials are emTeX ones. Since I'm not at home just now, I can't investigate further - perhaps you have an emTeX to hand? Sebastian's stuff uploaded to Aston _is_ the latest thing. That's not your problem. Robin -- Robin (Keep Radio 3 != Classic FM) Fairbairns rf@cl.cam.ac.uk U of Cambridge Computer Lab, Pembroke St, Cambridge CB2 3QG, UK From tim@maths.tcd.ie Fri Feb 12 15:07:37 1993 Return-Path: Received: from salmon.maths.tcd.ie by stolaf.edu (4.1/SMI-4.1) id AA07472; Fri, 12 Feb 93 15:07:37 CST From: Timothy Murphy Subject: Re: A number of questions To: mutex In-Reply-To: Peter Abbott's message of Fri, 12 Feb 93 12:25:24 +0000 Date: Fri, 12 Feb 93 21:07:39 GMT Sender: tim@maths.tcd.ie Message-Id: <9302122107.aa25423@salmon.maths.tcd.ie> > Will anyone update the examples to cope with a papersize file containing > vsize and hsize? I'd like to support Peter's plea. MusicTeX seems like a really nice package to me, but it also seems unnecessarily rigid, eg over paper size. Maybe what is needed is a MusicLaTeX?? Timothy Murphy e-mail: tim@maths.tcd.ie tel: +353-1-2842366 (home/office) +353-1-7021507 (university) fax: +353-1-2842295 s-mail: School of Mathematics, Trinity College, Dublin 2, Ireland From spqr@minster.york.ac.uk Sat Feb 13 06:50:48 1993 Return-Path: Received: from minster.york.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA02619; Sat, 13 Feb 93 06:50:48 CST From: spqr@minster.york.ac.uk Date: Sat, 13 Feb 93 12:48:57 Message-Id: To: mutex Cc: mutex@stolaf.edu Subject: Re: A number of questions Peter Abbott writes: > > ' TeX output 1993.02.12:1206' -> pacifiqn.ps > . [1dvips: Unknown keyword (xy) in \special > will be ignored dvips: Unknown keyword (12mm) in \special will be > ignored dvips: Unknown keyword (18mm) in \special will be ignored > dvips: Couldn't find figure file hp:; continuing ] [2] [3] [4] [5] i dont think Daniel ever promised that MusicTeX would run with all drivers; as Robin notes, these are *emTeX* specials. i dont think we can expect Daniel to cope with more than this > ! Undefined control sequence. > l.4 \fhyph french hyphenation patterns requested. well, Daniel *is* French... > /work2/music/examples$ tex recueil .... > ! Missing number, treated as zero. > > \relax > l.12 \font \geant=\fonthdg mbx12 scaled \magstep6 curious. now sure how Daniel gets \magstep6 to work. change it to some other smaller number - its presumably only the headings > > How can I tell I have the latest version? > you trust the Comprehensive TeX Archive Network, of which Aston is a node, to function properly; we have a (weekly, I think) mirror of a German site which tracks Daniel closely. sebastian From p.abbott@aston.ac.uk Tue Feb 16 03:35:22 1993 Return-Path: Received: from sun2.nsfnet-relay.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA14982; Tue, 16 Feb 93 03:35:22 CST Message-Id: <9302160935.AA14982@stolaf.edu> Via: uk.ac.aston; Tue, 16 Feb 1993 09:35:01 +0000 Received: from localhost by email.aston.ac.uk with SMTP (PP) id <29462-0@email.aston.ac.uk>; Tue, 16 Feb 1993 09:30:56 +0000 To: mutex Cc: mutex@stolaf.edu, spqr@minster.york.ac.uk Subject: Re: A number of questions In-Reply-To: Your message of Fri, 12 Feb 93 20:42:42 +0000. <"swan.cl.ca.120:12.02.93.20.42.51"@cl.cam.ac.uk> Date: Tue, 16 Feb 93 09:30:55 +0000 From: Peter Abbott <"swan.cl.ca.120:12.02.93.20.42.51"@cl.cam.ac.uk> >Daniel typically stuffs maximum amounts onto the page (in a very >Phil Taylor-ish way). I've found that offsetting his stuff by -0.75" >in each axis (w.r.t. the usual {1",1"} origin that TeX uses), I get >acceptable results. OK I can do that but some users may not be able to change the offset easily. I still think that a separate file with hsize and vsize would be a boon. >I've had no problems with TeXing or printing the examples (apart from >the offset) on my emTeX system. So I would presume that the \specials >are emTeX ones. Since I'm not at home just now, I can't investigate >further - perhaps you have an emTeX to hand? As it happens I do not have emtex to hand, and neither will some other users. I choose to ignore the error but would suggest that the readme be amended to say the error will appear on non emtex dvips and can be ignored. >Sebastian's stuff uploaded to Aston _is_ the latest thing. That's not >your problem. I had assumed that but again the readme refers to a site which then does not give the details of the latest version, merely copies of the files. Please do not think that I am simply finding fault. I am just trying to ensure that access to software is as simple as possible, with minimum problems when used on platforms different to the originator. Peter From dgold@basso.actrix.gen.nz Wed Feb 17 16:22:08 1993 Return-Path: Received: from blit386.actrix.gen.nz by stolaf.edu (4.1/SMI-4.1) id AA23668; Wed, 17 Feb 93 16:22:08 CST Received: from actrix.gen.nz by blit386.actrix.gen.nz id ; Thu, 18 Feb 1993 11:22:18 +1300 Received: from basso.UUCP by actrix.gen.nz id ; Thu, 18 Feb 1993 11:15:12 +1200 Received: by basso.actrix.gen.nz (V1.16/Amiga) id AA00zew; Thu, 18 Feb 93 11:06:00 PST Date: Thu, 18 Feb 93 11:06:00 PST Message-Id: <9302181906.AA00zev@basso.actrix.gen.nz> X-Mailer: //\\miga Electronic Mail (AmiElm 1.17) Organization: New Zealand Symphony Orchestra Reply-To: dgold@basso.actrix.gen.nz From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Re: A number of questions Hi, on Feb 16 you wrote: > <"swan.cl.ca.120:12.02.93.20.42.51"@cl.cam.ac.uk> >>Daniel typically stuffs maximum amounts onto the page (in a very >>Phil Taylor-ish way). I think that that is in the nature of music printing rather than Daniel's style. Getting more information on the page means that there will be less page turns to worry the performers. Music is often printed on slightly larger paper than the size that most of us can use on our printers as well. > Please do not think that I am simply finding fault. I am just trying to ensure > that access to software is as simple as possible, with minimum problems > when used on platforms different to the originator. That would be a big help, although it seems difficult for a composer with a laser printer to have any idea what the requirements of an Epson would be, or vice versa. Perhaps if enough people send in their local 'fixes' for the demos to the mailing list, a help file about printing could be compiled from them some day. Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From Robin.Fairbairns@cl.cam.ac.uk Thu Feb 18 05:17:59 1993 Return-Path: Received: from swan.cl.cam.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA17852; Thu, 18 Feb 93 05:17:59 CST Received: from lelaps.cl.cam.ac.uk (user rf (rfc931)) by swan.cl.cam.ac.uk with SMTP (PP-6.4) to cl; Thu, 18 Feb 1993 11:16:48 +0000 To: mutex Cc: Robin.Fairbairns@cl.cam.ac.uk, mutex@stolaf.edu Subject: Re: A number of questions In-Reply-To: Your message of Thu, 18 Feb 93 11:06:00 -0800. <9302181906.AA00zev@basso.actrix.gen.nz> Date: Thu, 18 Feb 93 11:16:44 +0000 From: Robin Fairbairns Message-Id: <"swan.cl.ca.608:18.02.93.11.16.57"@cl.cam.ac.uk> Dale Gold wrote: |> Hi, on Feb 16 you wrote: |> |> > <"swan.cl.ca.120:12.02.93.20.42.51"@cl.cam.ac.uk> |> >>Daniel typically stuffs maximum amounts onto the page (in a very |> >>Phil Taylor-ish way). (That _was_ me) |> I think that that is in the nature of music printing rather than |> Daniel's style. Getting more information on the page means that |> there will be less page turns to worry the performers. Music is |> often printed on slightly larger paper than the size that most of |> us can use on our printers as well. Indeed. There is, in fact, a fundamental problem of standard vs American sizes here too. My reference to Phil was to do with an argument just completed within the UK TeX Users' Group committee, which Peter would have recognised; however, I believe that the difficulty of adjusting to strange (e.g., the various American) paper sizes is a fundamental TeX issue. Everyone who wants to do anything that stretches what was originally thought `useful' tends to hit up against this problem. Music has it in spades. |> > Please do not think that I am simply finding fault. I am just trying to ensure |> > that access to software is as simple as possible, with minimum problems |> > when used on platforms different to the originator. |> |> That would be a big help, although it seems difficult for a composer with |> a laser printer to have any idea what the requirements of an Epson would |> be, or vice versa. Perhaps if enough people send in their local 'fixes' |> for the demos to the mailing list, a help file about printing could be |> compiled from them some day. I've said in private mail to Peter Abbott (who was the originator of the text Dale quotes here) that there is a general problem of MusicTeX documentation in any case. I tend to regard the contents of MusicTeX as the archetypal black arts (I once tried to mend the tie/slur bug that was present in early version); having formed this opinion, I once thought of offering to work on the user documentation, but decided I couldn't commit to anything so far-reaching. A set of recipes for people to adapt scores to their local conditions would be a valuable addition to the documentation, however. I'm not the one to do it, since the only `other' person's scores I use are Daniel's, and he uses the same setup as I do, as far as I can tell... Robin -- Robin (Keep Radio 3 != Classic FM) Fairbairns rf@cl.cam.ac.uk U of Cambridge Computer Lab, Pembroke St, Cambridge CB2 3QG, UK From crath@bnr.ca Thu Feb 18 14:25:34 1993 Return-Path: Received: from bcars520 (x400gate.bnr.ca) by stolaf.edu (4.1/SMI-4.1) id AA12397; Thu, 18 Feb 93 14:25:34 CST X400-Received: by mta bcars520 in /PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/; Relayed; Thu, 18 Feb 1993 15:25:00 -0500 X400-Received: by /PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/; Relayed; Thu, 18 Feb 1993 15:23:41 -0500 X400-Received: by /PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/; Relayed; Thu, 18 Feb 1993 10:23:00 -0500 Date: Thu, 18 Feb 1993 15:23:00 +0000 X400-Originator: /DD.ID=CNT29168/G=Christopher/I=CJ/S=Rath/@bnr.ca X400-Mts-Identifier: [/PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/;bcars520.b.991:18.01.93.20.23.41] X400-Content-Type: P2-1984 (2) Content-Identifier: Lead sheet (i... From: "Christopher (C.J.) Rath" Sender: "Christopher (C.J.) Rath" Message-Id: <"6032 Thu Feb 18 15:24:06 1993"@bnr.ca> To: mutex Subject: Lead sheet (ie. melody line, words & chords) production I've posted messages several places regarding the production of lead sheets, and I have yet to hear from ANYONE who has actually produced a lead sheet. I did one using MuTeX. That was a lot of work: About 25 hours for a one page lead sheet, including the initial MuTeX learning curve. However, the end product was very nice. I estimate additional lead sheets would take 5 to 8 hours each, now that I know how to use MuTeX. I have looked at using MusicTeX, since it is supposed to be more powerful than MuTeX. But, I am unwilling to climb its learning curve. Has no one used any of the tools I keep reading about to create a lead sheet? A lead sheet boiler-plate (template) for MusicTeX might convince me to try that tool...however, I thought there were easier to use tools for my NeXTstation than MusicTeX. I am willing to purchase commercial software. However, first I want to hear first-hand from someone who has used such software. Signed, Disappointed. (Christopher) == Christopher Rath === crath@jetform.com === (613) 594-3026 == Jetform Corporation | "Hydrogen is a colourless, odourless 560 Rochester St. #400 | gas which, given enough time, turns Ottawa, Canada K1S 5K2 | into people." -- Henry Hiebert From p.abbott@aston.ac.uk Fri Feb 19 04:25:47 1993 Return-Path: Received: from sun2.nsfnet-relay.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA10335; Fri, 19 Feb 93 04:25:47 CST Message-Id: <9302191025.AA10335@stolaf.edu> Via: uk.ac.aston; Fri, 19 Feb 1993 10:21:41 +0000 Received: from localhost by email.aston.ac.uk with SMTP (PP) id <03760-0@email.aston.ac.uk>; Fri, 19 Feb 1993 10:09:41 +0000 To: mutex Cc: mutex@stolaf.edu Subject: Re: A number of questions In-Reply-To: Your message of Thu, 18 Feb 93 11:06:00 -0800. <9302181906.AA00zev@basso.actrix.gen.nz> Date: Fri, 19 Feb 93 10:09:40 +0000 From: Peter Abbott Dale >That would be a big help, although it seems difficult for a composer with >a laser printer to have any idea what the requirements of an Epson would >be, or vice versa. Perhaps if enough people send in their local 'fixes' >for the demos to the mailing list, a help file about printing could be >compiled from them some day. Rather than reinventing the wheel every time, if hsize and vsize were stuffed in a seperate file then the help on printing could simply say. Change the values of hsize and vsize for the paper size available to you. It could even offer suggestions as to the values for standard paper sizes. Peter From @PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Mon Feb 22 02:44:09 1993 Return-Path: <@PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA12296; Mon, 22 Feb 93 02:44:09 CST Message-Id: <9302220844.AA12296@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 6654; Mon, 22 Feb 93 03:43:54 EST Received: from FRUPS51.BITNET (NJE origin TAUPIN@FRUPS51) by PUCC.PRINCETON.EDU (LMail V1.1c/1.7e) with BSMTP id 5481; Mon, 22 Feb 1993 03:43:54 -0500 Date: 22 FEB 93 09:50:11.44-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: To solve \magstep problems in mnusictex examples ! To: mutex \def\magstep#1¤\ifcase#1 \@m\or 1200\or 1440\or 1728\or 2074\or 2488\or 2986\or 3583\or 4300\or 5160\fi\relax‡ From ryanr@mozart.CS.ColoState.EDU Tue Feb 23 13:36:36 1993 Return-Path: Received: from ccncsu.ColoState.EDU by stolaf.edu (4.1/SMI-4.1) id AA22260; Tue, 23 Feb 93 13:36:36 CST Received: from mozart.cs.colostate.edu by ccncsu.ColoState.EDU (5.59/Ultrix2.0-B) id AA29338; Tue, 23 Feb 93 12:38:22 MST Received: by mozart.CS.ColoState.EDU (5.57/Ultrix3.0-C) id AA27358; Tue, 23 Feb 93 12:36:29 -0700 From: ryanr@cs.colostate.edu (richard ryan) Message-Id: <9302231936.AA27358@mozart.CS.ColoState.EDU> Subject: chord question To: mutex Date: Tue, 23 Feb 93 12:36:28 MST X-Mailer: ELM [version 2.3 PL8] Hi, I'm trying to notate a guitar chord with \notes\uppz q\zql q\zql n\zql l\cl c\ds\soupir\enotes% The vertical line doesn't reach all the way to the bottom note. Is there any way to make it do that? Also, how would I get the coda and the segno symbols for something like "D.C. al " or "to " Thanks, Richard. From robz@runxtsa.runx.oz.au Mon Mar 1 09:07:49 1993 Return-Path: Received: from ipso.ips.oz.au by stolaf.edu (4.1/SMI-4.1) id AA01325; Mon, 1 Mar 93 09:07:49 CST Received: from runxtsa.runx.oz by ipso.ips.oz.au with SunIV 5.65c/IDA-1.4.4/IPS-1.3; id AA07004; Tue, 2 Mar 1993 02:07:50 +1100 (from robz@runxtsa.runx.oz.au for mutex%stolaf.edu) Received: by runxtsa.runx.oz.au (5.65b/IDA-1.4.3) id AA11093; Mon, 1 Mar 93 12:34:59 +1100 (from robz@runx.oz.au for mutex%stolaf.edu@ips.oz.au) From: Robert Zurynski Message-Id: <9303010134.AA11093@runxtsa.runx.oz.au> Subject: Unsubscription procedures To: mutex Date: Mon, 1 Mar 93 12:34:55 AESST X-Mailer: ELM [version 2.3 PL6] I recently unsubscribed to this mailing group due to a pending change of email address. I wasn't sure of how to do it properly, but I took a punt, and it seems to have worked, but I did get two bits of mail indicating that others have reservations on how to go about it, unless I got it all wrong and they're just sarcastic jibes 8->. ~(headers deleted ) >> >> I'll be getting a different address soon, so please unsubscribe from >> this group. >> Regards >> >> Robert Zurynski >> >> >Robert, >I don't remember the method to unsubscribe..Could you tell me? >Tom > >~(headers deleted ) > >Hello Robert, > > How do I go about unsubscribing ? > >.. matt .. > > and the reply I received from stolaf was: > >From cdr@stolaf.edu Tue Feb 23 02:14:26 1993 >Received: from stolaf.edu (via ipso.ips.oz) by runxtsa.runx.oz.au with SunIV (5.65b/IDA-1.4.3) > id AA27883; Tue, 23 Feb 93 02:14:25 +1100 > (from cdr@stolaf.edu for robz) >Received: from stolaf.edu (nic.stolaf.edu) by metro.ucc.su.OZ.AU with SMTP id AA18538 > (5.65c/IDA-1.4.4 for ); Tue, 23 Feb 1993 01:58:03 +1100 >Received: by stolaf.edu (4.1/SMI-4.1) > id AA23746; Mon, 22 Feb 93 08:57:35 CST >Date: Mon, 22 Feb 93 08:57:35 CST >From: cdr@stolaf.edu (Craig D. Rice, St. Olaf College) >Message-Id: <9302221457.AA23746@stolaf.edu> >To: robz@runxtsa.runx.oz.au >Subject: Unsubscribed from mutex@stolaf.edu >Status: RO > > >You are no longer subscribed to the mutex mailing list. > >mutex-request@stolaf.edu > Regards Robert ( ripple@sydney.dialix.oz.au ) From muzzle@cs.uq.oz.au Tue Mar 2 20:37:35 1993 Return-Path: Received: from uqcspe.cs.uq.oz.au by stolaf.edu (4.1/SMI-4.1) id AA05692; Tue, 2 Mar 93 20:37:35 CST Received: from raglan.cs.uq.oz.au by uqcspe.cs.uq.oz.au id ; Wed, 3 Mar 93 12:37:38 +1000 Date: Wed, 3 Mar 93 12:37:37 +1000 From: muzzle@cs.uq.oz.au Message-Id: <9303030237.AA00553@client> To: mutex Subject: Problem: spaces before barlines Hi there I have a problem with MusicTeX inserting too much space before a bar line. Any ideas on what I'm going wrong? Thanks, Murray From icking@gmdzi.gmd.de Wed Mar 3 10:56:50 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA20425; Wed, 3 Mar 93 10:56:50 CST Received: by gmdzi.gmd.de id AA28572 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Wed, 3 Mar 1993 17:55:22 +0100 Date: Wed, 3 Mar 1993 17:55:22 +0100 From: Werner Icking Message-Id: <199303031655.AA28572@gmdzi.gmd.de> To: mutex Subject: Re: Problem: spaces before barlines >Date: Wed, 3 Mar 93 12:37:37 +1000 >From: muzzle@cs.uq.oz.au >Message-Id: <9303030237.AA00553@client> > >I have a problem with MusicTeX inserting too much space before a bar line. >Any ideas on what I'm going wrong? That's neither a problem nor a bug, it's a feature :-( MusicTeX seems to collect the glue or space esp. just before a bar. But that shows why typesetting of music is a bigger problem than typesetting plain text. Music normally has only a few "words" (bars, notes, beams) in a line and nearly no hyphenation. What you can do is: finish your masterpiece using \raggedlinestrue At the very end do some handtuning: try to use \normal, \etroit, \large. If all lines have to much space reduce \hsize. Sometimes you have to insert "hyphenaion" (bars may be split from one line to the next using e.g. \zbarre in the middle of a bar). At least you have to optimize single lines. Start from the top go to the end. If a lines has too much space change some or all of the bars from \notes to \Notes, from \Notes to \NOtes, ... Maybe that you have to do this iteratively :-) When this type of work was done manually (Notenstecher) only craftsmen with a very high skill were able to "typeset" well-looking music. They need a lot of years of experience because the "Aufteilung" (division) of the complete piece into page was (and IS) so complicated. Hope this hilft -- Werner From walt@GECKO.SLAC.Stanford.EDU Wed Mar 3 11:44:08 1993 Return-Path: Received: from SCS.SLAC.STANFORD.EDU by stolaf.edu (4.1/SMI-4.1) id AA23375; Wed, 3 Mar 93 11:44:08 CST Received: from GECKO.SLAC.Stanford.EDU by SCS.SLAC.STANFORD.EDU with PMDF#10283; Wed, 3 Mar 1993 09:43 PDT Received: by gecko.SLAC.Stanford.EDU (NX5.67c/NX3.0S) id AA12498; Wed, 3 Mar 93 09:42:28 -0800 Received: by NeXT.Mailer (1.87.1.RR) Received: by NeXT Mailer (1.87.1.RR) Date: Wed, 3 Mar 93 09:42:28 -0800 From: "Walter R. Innes" Subject: To: mutex Message-Id: <9303031742.AA12498@gecko.SLAC.Stanford.EDU> X-Envelope-To: mutex@stolaf.edu > >Date: Wed, 3 Mar 93 12:37:37 +1000 > >From: muzzle@cs.uq.oz.au > >Message-Id: <9303030237.AA00553@client> > > > >I have a problem with MusicTeX inserting too much space before a bar line. > >Any ideas on what I'm going wrong? > > That's neither a problem nor a bug, it's a feature :-( > > MusicTeX seems to collect the glue or space esp. just before a bar. > But that shows why typesetting of music is a bigger problem than > typesetting plain text. Music normally has only a few "words" (bars, > notes, beams) in a line and nearly no hyphenation. > > What you can do is: finish your masterpiece using \raggedlinestrue > > At the very end do some handtuning: try to use \normal, \etroit, \large. > > If all lines have to much space reduce \hsize. > > Sometimes you have to insert "hyphenaion" (bars may be split from one > line to the next using e.g. \zbarre in the middle of a bar). > > At least you have to optimize single lines. Start from the top go to the > end. If a lines has too much space change some or all of the bars from > \notes to \Notes, from \Notes to \NOtes, ... Maybe that you have to do > this iteratively :-) > > Hope this hilft -- Werner > Inserting some \temps within the bars puts glue at places other than before the bar line thus spreading the space more evenly. \autolines provides a convenient way to do the same thing as using notes, Notes, NOtes etc. Happy music setting, Walt From @PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Wed Mar 3 12:26:50 1993 Return-Path: <@PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA26229; Wed, 3 Mar 93 12:26:50 CST Message-Id: <9303031826.AA26229@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 1116; Wed, 03 Mar 93 13:19:18 EST Received: from FRUPS51.BITNET (NJE origin TAUPIN@FRUPS51) by PUCC.PRINCETON.EDU (LMail V1.1d/1.7f) with BSMTP id 2550; Wed, 3 Mar 1993 13:10:15 -0500 Date: 3 MAR 93 19:17:02.33-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: Glue in MusicTeX To: mutex "Werner.Icking@gmd.de" says : > >Date: Wed, 3 Mar 93 12:37:37 +1000 > >From: muzzle@cs.uq.oz.au > >Message-Id: <9303030237.AA00553@client> > > > >I have a problem with MusicTeX inserting too much space before a bar line. > >Any ideas on what I'm going wrong? > > That's neither a problem nor a bug, it's a feature :-( > > MusicTeX seems to collect the glue or space esp. just before a bar. > But that shows why typesetting of music is a bigger problem than > typesetting plain text. Music normally has only a few "words" (bars, > notes, beams) in a line and nearly no hyphenation. > > What you can do is: finish your masterpiece using \raggedlinestrue > > At the very end do some handtuning: try to use \normal, \etroit, \large. > > If all lines have to much space reduce \hsize. > > Sometimes you have to insert "hyphenaion" (bars may be split from one > line to the next using e.g. \zbarre in the middle of a bar). > > At least you have to optimize single lines. Start from the top go to the > end. If a lines has too much space change some or all of the bars from > \notes to \Notes, from \Notes to \NOtes, ... Maybe that you have to do > this iteratively :-) > > When this type of work was done manually (Notenstecher) only craftsmen > with a very high skill were able to "typeset" well-looking music. They > need a lot of years of experience because the "Aufteilung" (division) of > the complete piece into page was (and IS) so complicated. > > Hope this hilft -- Werner You can also spread the glue in the middle of the bars, using the macro \temps. Only when no beam is pending. From muzzle@cs.uq.oz.au Wed Mar 3 17:49:07 1993 Return-Path: Received: from uqcspe.cs.uq.oz.au by stolaf.edu (4.1/SMI-4.1) id AA15010; Wed, 3 Mar 93 17:49:07 CST Received: from erebus.cs.uq.oz.au by uqcspe.cs.uq.oz.au id ; Thu, 4 Mar 93 09:49:14 +1000 Date: Thu, 4 Mar 93 09:49:14 +1000 From: muzzle@cs.uq.oz.au Message-Id: <9303032349.AA05526@client> To: mutex Subject: Space before barline: thanks! Hi there The best solution that I have been given is to use \raggedlinestrue, which seems to shuffle the bars in a nice way. The only drawback is that the staff continues to the side of the page after the double bar line at the end of the music. Thanks! Murray From @PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Thu Mar 4 08:58:27 1993 Return-Path: <@PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA28738; Thu, 4 Mar 93 08:58:27 CST Message-Id: <9303041458.AA28738@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 4364; Thu, 04 Mar 93 09:50:14 EST Received: from FRUPS51.BITNET (NJE origin TAUPIN@FRUPS51) by PUCC.PRINCETON.EDU (LMail V1.1d/1.7f) with BSMTP id 8537; Thu, 4 Mar 1993 09:35:40 -0500 Date: 4 MAR 93 15:42:47.66-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: Musictex DOC To: mutex MUSICDOC updated (together with MUSICTEX.ZIP and MUSICYEX.BCK) at rsovax.ups.circe.fr, directory [anonymous.musictex] From smoliar@iss.nus.sg Thu Mar 4 18:32:23 1993 Return-Path: Received: from nuscc.nus.sg by stolaf.edu (4.1/SMI-4.1) id AA13882; Thu, 4 Mar 93 18:32:23 CST Received: from bochap.iss.nus.sg by nuscc.nus.sg (5.65/1.34) id AA29632; Fri, 5 Mar 93 08:32:31 +0800 Received: from mongoose.iss.nus.sg by iss.nus.sg (4.1/SMI-4.1) id AA29074; Fri, 5 Mar 93 08:35:35+080 Date: Fri, 5 Mar 93 08:35:35+080 From: smoliar@iss.nus.sg (Stephen Smoliar) Message-Id: <9303050035.AA29074@iss.nus.sg> Received: by mongoose.iss.nus.sg (4.1/SMI-4.1) id AA11229; Fri, 5 Mar 93 08:35:28 SST To: mutex Cc: mutex@stolaf.edu In-Reply-To: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU's message of 4 MAR 93 15:42:47.66-GMT <9303041458.AA28738@stolaf.edu> Subject: Musictex DOC Daniel, May I make a small suggestion? Those of us with limited disk space often tend to work with some minimal functioning subset of MusicTeX. This makes it awkward to try to port over the "whole ball of wax" bundled in a single ZIP file. When you issue a new release, would it be too much trouble to announce which files have been updated? As far as I was able to determine, musictex.tex was the only file I had to change to upgrade to 4.93. Would you be so kind as to let me know if I missed anything? Steve From mark.janello@um.cc.umich.edu Thu Mar 4 21:06:21 1993 Return-Path: Received: from mailrus.cc.umich.edu by stolaf.edu (4.1/SMI-4.1) id AA21646; Thu, 4 Mar 93 21:06:21 CST Received: from him3.cc.umich.edu by mailrus.cc.umich.edu (5.65/1123-1.0) id AA11654; Thu, 4 Mar 93 22:05:31 -0500 Date: Thu, 4 Mar 93 21:08:20 EST From: mark.janello@um.cc.umich.edu To: mutex Message-Id: <20581360@um.cc.umich.edu> X-Mts-Userid: 7JK3 Subject: even spacing of lines of music Regarding the question of too much space before barlines, etc., I have come up with a system to spread the spacing out just enough to fill lines evenly. After having examined many well-engraved scores (I highly recommend the old Bach-Gesellschaft editions) I distilled the following rules: 1. there are two main "spacings" at any one time: close spacing (for the fastest notes, for example sixteenths), and open spacing, for the next and all levels above. Given the rhythm eighth sixteenth sixteenth, there would be a medium space between the first two notes, and a small space between the last two, and between the last one and the next group. 2. In the close spacing, there is not enough room for an accidental so an extra-small "accidental" skip is needed. This can be left out if there is room, e.g., if there is a rest before the accidental, or the altered note follows a wide enough interval that the accidental sign will not hit the first note, or, importantly, if the spacing of the whole line needs to be expanded so much that there actually room for the accidentals without a skip. I have made some macros to automate the use of these principals as much as possible. What I have done is to define the three spacings (close, open, and accidental (I call them \M (for Measurespacing), \m, and \ask)) using the general MusicTeX macro \vnotes, with an \mset macro as follows: \newskip\Mskip% \newskip\mskip% \newskip\mmmskip% % \def\mset M=#1,m=#2,ask=#3{\elemskip=4\Internote% \def\Mfact{#1}\def\mfact{#2}% \def\ask{\off{#3 pt}}% \Mskip=\Mfact\elemskip% \mskip=\mfact\elemskip% \mmmskip=\Mfact\elemskip% \advance\mmmskip by -\mfact\elemskip}% \def\M{\vnotes\Mfact\elemskip}% \def\m{\vnotes\mfact\elemskip}% The first three lines set up the skipsizes to be used. The usage of \mset is as follows: before the music to be spaced (I usually find that one setting per line is enough, but in complicated music with extreme changes in magnitude of rhythm (for instance, from thirtysecond notes to a series of whole notes) more than one setting per line is better), "set" the spacing as follows: \mset M=1.44,m=1.1,ask=3% the values of M, m, and ask are abitrary here, but these are good settings to start with. Note that the \ask is in points. This is like setting \Notes and \notes, but then instead of those, you use \M and \m to start off blocks of music, ending them normally with \enotes. The good thing is this, you set the values to some pretty compact spacing, then using \raggedlinestrue see how many measures will fit in a line, then you fiddle with \mset until the spacing is just enough to fill the line (a few points left over is OK, just comment out \raggedlines true and the space will spread out and be unnoticeable). Use \alaligne to break lines. The only time-consuming thing is trying out different values of \M and \m to make it work, though one gets pretty good at it. I usually get it perfectly after 2 or 3 tries. A few other macros that I use: \def\mtoM{\off{\mmmskip}}% turns m into M \def\Mtom{\off{-1\mmmskip}}% turns M in m These introduce skips that turn M into m spacing, etc. Sometimes it is just too tedious to always be switching from \M to \m, and with these skips available one can set the eighth sixteenth sixteenth rhythm mentioned above with: \m% small spacing \cu c\mtoM\ccu {de}% \enotes% I admit that this method can be tedious, because each line needs to be manually adjusted, and care needs to be taken that \ask is inserted in all parts to make everything line up, but the results are spectacular, comparable to the finest engraving. I have used several other, well-regarded music typesetting systems, but they all fail miserably at providing attractive spacing. A practical tip: set the first line, then put it in a separate file; set each separate line and append it to the first. This means you don't have to wait for TeX to process stuff you have already done to get to the stuff you are working on. I have also written some METAFONT programs to make slurs. I use TeX to dump information into a file, which is then read to make a "font" containing slurs. These also look fabulous, and can be infinitely variable in shape and size. I am still fine-tuning these programs but if anyone is interested I would be glad to send my METAFONT code and the MusicTeX macros that I have written. If anyone tries out the \mset system please tell me how you like it and how you modify to your own ends. Sorry for the long post. Mark Janello Composition Dept. University of Michigan School of Music Ann Arbor, MI, USA From @relay.cs.toronto.edu,@ark.vis.toronto.edu:jservice@vis.toronto.edu Fri Mar 5 08:33:20 1993 Return-Path: <@relay.cs.toronto.edu,@ark.vis.toronto.edu:jservice@vis.toronto.edu> Received: from relay.cs.toronto.edu by stolaf.edu (4.1/SMI-4.1) id AA24488; Fri, 5 Mar 93 08:33:20 CST Received: from ark.vis.toronto.edu ([128.100.3.88]) by relay.cs.toronto.edu with SMTP id <150192>; Fri, 5 Mar 1993 09:33:08 -0500 Received: by ark.vis.toronto.edu id <91538>; Fri, 5 Mar 1993 09:32:46 -0500 From: "James R. R. Service" To: mutex Subject: \interinstrument does not seem to work for my application Reply-To: jservice@rd.hydro.on.ca Message-Id: <93Mar5.093246est.91538@ark.vis.toronto.edu> Date: Fri, 5 Mar 1993 09:32:35 -0500 Most of my work with MusicTeX to date has been to typeset music for voice and piano. I use \interfacteur to set the spacing between staves. But, if I try and use \interstrumenti=5pt, for example, to add additional spacing between the piano accompaniment and the voice part to make room for text, the upper staff is moved upwards but the notes remain in the same place as when then \interstrumenti code is not there. Is there some particular order to using these vertical spacing adjustments? Could someone post an extract of how this might be done properly? Thanks -- James (Jim) R.R. Service Internet: jservice@rd.hydro.on.ca Ontario Hydro jservice@vis.toronto.edu 800 Kipling Ave. - Room KR132 FAX: (416) 207-6384 Toronto, Ontario, CANADA M8Z 5S4 voice: (416) 207-6946 From dmnhieu@math.purdue.edu Fri Mar 5 11:41:37 1993 Return-Path: Received: from euclid.math.purdue.edu by stolaf.edu (4.1/SMI-4.1) id AA07137; Fri, 5 Mar 93 11:41:37 CST Received: by euclid.math.purdue.edu (4.1/Purdue_Math_1.0) id AA00215; Fri, 5 Mar 93 12:41:46 EST Date: Fri, 5 Mar 93 12:41:46 EST From: dmnhieu@math.purdue.edu (Duy-Minh NHIEU) Message-Id: <9303051741.AA00215@euclid.math.purdue.edu> To: mutex Subject: musictex output in dvi format requested... Hi, I have limited (disk space/knowledge) access to the computer system. So to install musictex and enter some music myself is difficult at the moment. However, I would like to see how musictex's output are like. If someone already have any example of output of musictex in .dvi format (ie, I can just lpr it), would you please send me one copy (probably you have to uuencode it first) so that I can see how the output is like? I am currently using SongWright V to restore some very old music and I am not quite satisfied with the look! From prw-b@minster.york.ac.uk Fri Mar 5 12:00:14 1993 Return-Path: Received: from minster.york.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA08483; Fri, 5 Mar 93 12:00:14 CST From: prw-b@minster.york.ac.uk Date: Fri, 5 Mar 93 17:55:49 Subject: Message-Id: To: mutex Having only been using MusicTeX for a few days now, and not really knowing TeX all that well anyway, I have run into a few problems. I have a few questions :- [1] I am having problems using \autolinesx. I don't fully understand the explanation in the manual, and TeX gives me a 'underfull \hbox' error. Could somebody explain any pre-requsits and conditions for this command to work. [2] What is the difference between :- \debutextrait and \debutmorcea and how (if at all) does it affect \autolines. [3] How do I print my masterpeice onto A4 paper (Lasered), what values to which variables, and do I need any additional '\input's. ---------- Help would be appriciated, as I am totally stumped on these points. I will reply to any questions asked about my system. Thanks in advance, Peter Wainwright. From M.R.Smith@open.ac.uk Sat Mar 6 09:21:55 1993 Return-Path: Received: from sun2.nsfnet-relay.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA19698; Sat, 6 Mar 93 09:21:55 CST Via: uk.ac.open; Sat, 6 Mar 1993 15:21:29 +0000 Received: from bean.open.ac.uk by mercury.open.ac.uk with SMTP (PP) id <00128-0@mercury.open.ac.uk>; Sat, 6 Mar 1993 15:21:27 +0000 Received: from [137.108.5.22] (M22.MATHEMATICS-17.open.ac.uk) by bean.open.ac.uk (4.1/SMI-4.1) id AA14683; Sat, 6 Mar 93 15:18:37 GMT Date: Sat, 6 Mar 93 15:18:36 GMT Message-Id: <9303061518.AA14683@bean.open.ac.uk> To: mutex From: M.R.Smith@open.ac.uk (Matt Smith) Subject: announcement of AI/Music/ workshop Sender: M.R.Smith@open.ac.uk Although this announcement is not about MuTeX, I thought that it would be of interest to subscribers. .. matt .. >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>><<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< >>>>>>>>>>>>>>> call for participation <<<<<<<<<<<<<<<< >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>><<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< ***************************************************************** * Music Education : An Artificial Intelligence Perspective * ***************************************************************** A half-day workshop to be held on the afternoon of Wednesday 25th August, 1993. (probably in the Department of Music, University of Edinburgh) A part of AI-ED 93, the World Conference on Artificial Intelligence in Education, 23rd-27th August, 1993, Edinburgh, Scotland, UK. Organizing Committee: Matt Smith (Chair), Department of Computing, The Open University Eduardo Miranda (Local Chair), Dept. of Music, University of Edinburgh Simon Holland, Department of Computing, The Open University Geraint Wiggins, Department of Artificial Intelligence, Univ. of Edinburgh Alan Smaill, Department of Artificial Intelligence, University of Edinburgh Nigel Morgan, Wakefield, West Yorkshire Tim Anderson, Department of Electronics, University of York The workshop : The workshop will deal with the theory and practice of AI and education for musical knowledge and skills. The activities of music composition, analysis and performance involve the learning and development of a range of different forms of knowledge. Music offers AI and education researchers challenges not found in many traditional, less open-ended domains (e.g. arithmetic, computer programming, and categorical knowledge leaning). The aims of the workshop are to bring together researchers in AI and education, AI and music, and music education, and to explore the theoretical and empirical work aiming to explain and model musical activities, focusing on how such knowledge and skills are learnt and on ways in which AI can help us understand and support this learning. By bringing together researchers from these different, but related, fields, we intend to clarify the areas of agreement of the most important problems to tackle, and encourage informed discussion of the most appropriate and promising techniques developed to date. Specific areas of focus for the workshop : Researchers are invited to submit work in all areas related to music and AI/Education, including (but not limited to) the following : (1) representation of musical knowledge, (2) modelling of musical activities, (3) modelling and supporting learning of musical knowledge. (1) Representation of musical knowledge To date, many methods of representation have been used, including logic, production rules, constraints, and sub-symbolic systems (not to mention early statistical approaches). Such varied methods have been used to try to cope with the many tasks and forms of knowledge involved in the range of musical activities. It would appear that for certain activities different representations are more appropriate; the questions here are which representations are most effective, can we find evidence to suggest which representations humans use, and how does this knowledge get converted to other forms, during the process of learning and the retrieval and processing requirements of different musical activities? (2) Modelling of musical activities It may be useful to view music skills and knowledge as not a single task or knowledge structure, but as many, related ones. To date AI systems have been developed for such musical tasks as style and performance learning, composition, harmonic and rhythmic analysis. Can we find relationships between these activities (perhaps common sub-tasks, or shared knowledge structures), which will lead to more competent systems and further understanding of music cognition? (3) Modelling and supporting learning of musical knowledge Of the musical activities mentioned above, those involving learning (for example of style, performance skills, harmonic and rhythmic 'norms') are most interesting to the AI and education researcher - since AI systems that can demonstrate human-like learning offer ideas for student modelling techniques. Perhaps AI learning systems can help to indicate the more 'important' attributes of music for certain tasks - this would be useful in educational dialogue and environment design. Form of workshop : The afternoon will mainly take to form of presentations by authors. Other activities such as a panel-type discussion and demonstrations of software will be arranged closer to the workshop (when full details of room allocations are known). It is hoped that proceedings of the workshop may be published as a book. Submission deadlines (email abstracts are preferred) : April 1st : submission of 2 or 4 page abstracts (to workshop chair) (please include details of any special equipment requirements) May 1st : notification of acceptance (requirements for camera-ready papers will also be included) June 1st : submission of camera-ready papers (to workshop chair) Workshop submissions and enquiries should be sent to : Matt Smith (music education workshop chair) Dept. Computing, Faculty of Mathematics, Open University, Walton Hall, Milton Keynes, Bucks MK7 6AA, UK email: m.r.smith@open.ac.uk FAX: +44 908 652140 / 653744 Tel: +44 908 652682 / 652816 Note: The workshop is free to delegates registered for the full AI-ED 93 programme, those wishing to attend only the workshop can register for a half-day (for more information contact the AI-ED organisers, below) For registration and accommodation details, and more information on AI-ED 93 contact : AI-ED 93 c/o Helen Pain, Department of Artificial Intelligence, 80, South Bridge, Edinburgh EH1 1HN SCOTLAND email: AIED93@aisb.ed.ac.uk tel: (31) 650-2719/20 fax: (31) 650-6516 ----------------------------------------------------------------------------- Matt Smith ::: Tutoring Melody Composition using Artificial Intelligence ----------------------------------------------------------------------------- \_\_ \_\_ \_\_ \_\_\_\_ \_\_\_\_ Raincoats come \_ \_\_ \_ \_ \_ \_ \_ and go, but \_ \_ \_ \_\_\_\_ \_ \_ friends can last \_ \_ \_ \_ \_ \_ a lifetime ... ----------------------------------------------------------------------------- Dept. Computing, Faculty of Mathematics, email: m.r.smith@open.ac.uk The Open University, Walton Hall, Tel: +44 0908 652682/652816 Milton Keynes, Bucks MK7 6AA United Kingdom FAX: +44 0908 652140/653744 ----------------------------------------------------------------------------- >>> Afternoon, Wednesday 25th August 1993, Edinburgh, Scotland, UK <<< >>> AI-ED 93 workshop <<< >>> Music Education : An Artificial Intelligence Perspective <<< ---------------------------------------------------------------------------- - From prw-b@minster.york.ac.uk Sat Mar 6 17:50:26 1993 Return-Path: Received: from minster.york.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA11678; Sat, 6 Mar 93 17:50:26 CST From: prw-b@minster.york.ac.uk Date: Sat, 6 Mar 93 23:30:51 Message-Id: To: mutex I have another problem with MusicTex ... By what method do I attach chords to beams ? Regards, Peter Wainwright. PS. Thanks to all those who helped out with my last query. I'm quickly learning the ropes. From icking@gmdzi.gmd.de Mon Mar 8 03:56:03 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA08969; Mon, 8 Mar 93 03:56:03 CST Received: by gmdzi.gmd.de id AA12608 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Mon, 8 Mar 1993 10:54:29 +0100 Date: Mon, 8 Mar 1993 10:54:29 +0100 From: Werner Icking Message-Id: <199303080954.AA12608@gmdzi.gmd.de> To: mutex Subject: autolines, debut..., A4-papersize "underful hbox" means "to few ""words"" (bars) in a line"; may be that you have to increase the second parameter of autolines (then yielding in "overful hbox" :-) debutextrait starts an small music-example (normally a centered one-liner) debutmorceau starts - as Daniel says - your masterpiece. Both do not affect \autolines. A4-printing needs adjustment of Tex's vsize, voffset, hsize and hoffset. These are normally set for american lettersize paper and one inch margins. For A4-paper you may use e.g. \hsize=170mm % 210mm - 25mm left margin - 15mm right margin \voffset=-5mm % only 20mm top margin relative to 1 inch dvidrv offset \vsize=257mm % 297mm - 2mm top margin - 15mm bottom margin or to maximize the output e.g for a Laserjet: \hoffset=-20mm \hsize=196mm \voffset=-19mm \vsize=285mm Hope this hilft -- Werner From icking@gmdzi.gmd.de Mon Mar 8 04:58:22 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA12031; Mon, 8 Mar 93 04:58:22 CST Received: by gmdzi.gmd.de id AA23610 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Mon, 8 Mar 1993 11:57:02 +0100 Date: Mon, 8 Mar 1993 11:57:02 +0100 From: Werner Icking Message-Id: <199303081057.AA23610@gmdzi.gmd.de> To: mutex Subject: Re: \interinstrument does not seem to work for my application >[...] Is there some particular order to using these vertical >spacing adjustments? Could someone post an extract of how this might >be done properly? RTFM and test e.g. :-) \input musicnft\input musictex \def\nbinstruments{2}\relax \debutextrait\notes\qu f&\qu f\enotes\finextrait \def\interinstrumenti{10\Interligne}\relax %def\interfacteur{9} \debutextrait\notes\qu f&\qu f\enotes\finextrait \def\interinstrumenti{0\Interligne}\def\interfacteur{20}\relax \debutextrait\notes\qu f&\qu f\enotes\finextrait \def\interinstrumenti{10\Interligne}\def\interfacteur{20}\relax \debutextrait\notes\qu f&\qu f\enotes\finextrait \bye ... and report after that your problems and your findings and solution to the list I believe that interfacteur and interinstrumentX are cumulative. - Werner From icking@gmdzi.gmd.de Mon Mar 8 05:27:18 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA13689; Mon, 8 Mar 93 05:27:18 CST Received: by gmdzi.gmd.de id AA25376 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Mon, 8 Mar 1993 12:25:55 +0100 Date: Mon, 8 Mar 1993 12:25:55 +0100 From: Werner Icking Message-Id: <199303081125.AA25376@gmdzi.gmd.de> To: mutex Subject: Re: Musictex DOC Stephen, would it be possible for you to wait until I make a diff of the ZIPs and provide a ZIP which contains the modified files only? Most of the time I could do this within one working-day (Monday to thursday for me). I would like to give Daniel all the time he can spent on improving MusicTeX. Here we go -- new on: ftp.gmd.de music/musictex/musictex.zip musictex-493.tar.Z musictex.492-493.zip musictex.492-493.zip contains everything new in version 4.93 except musicdoc.dvi and euromtex.dvi which may be generated using the other files in this archive. ftp-users on a PC normally have to rename this file e.g. to musictex.493 -- get musictex.492-493.zip musictex.493. Hope this hilft -- Werner From @relay.cs.toronto.edu,@ark.vis.toronto.edu:jservice@vis.toronto.edu Mon Mar 8 08:24:27 1993 Return-Path: <@relay.cs.toronto.edu,@ark.vis.toronto.edu:jservice@vis.toronto.edu> Received: from relay.cs.toronto.edu by stolaf.edu (4.1/SMI-4.1) id AA25541; Mon, 8 Mar 93 08:24:27 CST Received: from ark.vis.toronto.edu ([128.100.3.88]) by relay.cs.toronto.edu with SMTP id <150204>; Mon, 8 Mar 1993 09:24:21 -0500 Received: by ark.vis.toronto.edu id <91538>; Mon, 8 Mar 1993 09:24:06 -0500 From: "James R. R. Service" To: mutex Subject: Re: \interinstrument does not seem to work for my application Reply-To: jservice@rd.hydro.on.ca Message-Id: <93Mar8.092406est.91538@ark.vis.toronto.edu> Date: Mon, 8 Mar 1993 09:23:55 -0500 I RTFM on the weekend and discovered that I had confused the definitions of |, separating staves of the same instrument, and &, separating staves of different instruments. Once I had replaced | with & in the appropriate places, \interinstrument worked fine. -- James (Jim) R.R. Service Internet: jservice@rd.hydro.on.ca Ontario Hydro jservice@vis.toronto.edu 800 Kipling Ave. - Room KR132 FAX: (416) 207-6384 Toronto, Ontario, CANADA M8Z 5S4 voice: (416) 207-6946 From dmnhieu@math.purdue.edu Thu Mar 11 14:08:05 1993 Return-Path: Received: from sobolev.math.purdue.edu by stolaf.edu (4.1/SMI-4.1) id AA11676; Thu, 11 Mar 93 14:08:05 CST Received: by sobolev.math.purdue.edu (4.1/Purdue_Math_1.0) id AA03696; Thu, 11 Mar 93 15:08:15 EST Date: Thu, 11 Mar 93 15:08:15 EST From: dmnhieu@math.purdue.edu (Duy-Minh NHIEU) Message-Id: <9303112008.AA03696@sobolev.math.purdue.edu> To: mutex Subject: Questions on installing musictex After convincing my system manager that musictex is a good program, he finally decided to install it on our system. However, he has the following question: (Hope that some musictex expert out there can help!) From sjh Thu Mar 11 08:43:10 1993 Received: from localhost.purdue.edu by banach.math.purdue.edu (4.1/Purdue_Math_1.0) id AA27058; Thu, 11 Mar 93 08:43:09 EST Message-Id: <9303111343.AA27058@banach.math.purdue.edu> To: mutex Reply-To: sjh Subject: Re: faq is in this mail In-Reply-To: Your message of Fri, 05 Mar 93 18:03:22 EST. <9303052303.AA08929@sobolev.math.purdue.edu> Date: Thu, 11 Mar 93 08:43:08 -0500 From: sjh Status: R MusicTeX: Could you correspond with other MusicTeX experts and find out how I generate useable fonts from the pk files in the distribution? Printing the notice.dvi file gets errors complaining about missing .300pk fonts. I have installed the pk files in the fonts dir, but that isn't enough. Thanks, Steve. From @relay.cs.toronto.edu,@ark.vis.toronto.edu:jservice@vis.toronto.edu Fri Mar 12 08:54:03 1993 Return-Path: <@relay.cs.toronto.edu,@ark.vis.toronto.edu:jservice@vis.toronto.edu> Received: from relay.cs.toronto.edu by stolaf.edu (4.1/SMI-4.1) id AA08740; Fri, 12 Mar 93 08:54:03 CST Received: from ark.vis.toronto.edu ([128.100.3.88]) by relay.cs.toronto.edu with SMTP id <150180>; Fri, 12 Mar 1993 09:54:01 -0500 Received: by ark.vis.toronto.edu id <91538>; Fri, 12 Mar 1993 09:53:46 -0500 From: "James R. R. Service" To: mutex Subject: RE: Questions on installing musictex [renaming the pk fonts] Reply-To: jservice@rd.hydro.on.ca Message-Id: <93Mar12.095346est.91538@ark.vis.toronto.edu> Date: Fri, 12 Mar 1993 09:53:33 -0500 > MusicTeX: Could you correspond with other MusicTeX experts and find > out how I generate useable fonts from the pk files in the > distribution? Printing the notice.dvi file gets errors complaining > about missing .300pk fonts. I have installed the pk files in the > fonts dir, but that isn't enough. MusicTeX is zipped for the PC distribution so that the distributed pk fonts are filed in directories corresponding to their resolution. I installed the musictex fonts on a unix system by adding back the resolution to the file name and moving the pk font files to my local TEXFONTS directory. for example: % mv musictex/pk/dpi300/beamn16.pk $TEXFONTS/beam16.300pk (Of course this is easier if you use something like perl or Tree-Dired in emacs to rename all the files using an appropriate regexp.) If there is a need, I could re-zip the renamed pk fonts and deposit them at some convenient spot for anonymous ftp retrieval. -- James (Jim) R.R. Service Internet: jservice@rd.hydro.on.ca Ontario Hydro jservice@vis.toronto.edu 800 Kipling Ave. - Room KR132 FAX: (416) 207-6384 Toronto, Ontario, CANADA M8Z 5S4 voice: (416) 207-6946 From skenny@dsg.cs.tcd.ie Tue Mar 16 10:27:04 1993 Return-Path: Received: from longvalley.dsg.cs.tcd.ie by stolaf.edu (4.1/SMI-4.1) id AA20026; Tue, 16 Mar 93 10:27:04 CST Received: from goodman.dsg.cs.tcd.ie by longvalley.dsg.cs.tcd.ie id aa26584; 16 Mar 93 16:27 WET To: mutex Subject: *** Trip;ets Date: Tue, 16 Mar 93 16:29:24 GMT From: Stephen Kenny Message-Id: <9303161627.aa26584@longvalley.dsg.cs.tcd.ie> I'm a beginner at MusicTeX, and would like to know if anyone knows of a good way to encode triplets. My attempts so far are not pleasant to look at. (I would like to be able to do triplets comprising three beamed quavers with a nice slur under/over the note heads (not under over the actual beam), and a figure "3" outside the slur. (I think outside is the convention ... ? ). Thanks for an advice. Stephen Kenny System Manager E-Mail: skenny@dsg.cs.tcd.ie Distributed Systems Group Phone: +353 1 702 1222 Dept. of Computer Science Fax: +373 1 77 22 04 Trinity College Dublin 2 Ireland From cdr@stolaf.edu Tue Mar 16 11:26:47 1993 Return-Path: Received: from lars.acc-admin.stolaf.edu (lars.acc.stolaf.edu) by stolaf.edu (4.1/SMI-4.1) id AA24225; Tue, 16 Mar 93 11:26:47 CST Received: by lars.acc-admin.stolaf.edu (4.1/SMI-4.1) id AA14226; Tue, 16 Mar 93 11:26:45 CST Message-Id: <9303161726.AA14226@lars.acc-admin.stolaf.edu> To: mutex Subject: Japanese Language MuTeX users guide Date: Tue, 16 Mar 1993 11:26:44 -0600 From: "Craig D. Rice" Thanks to the efforts of Hirokawa Rui , a Japanese language version of MuTeX User's Guide Version 1.1 <29 August 1989> is now available. You may retrieve it via anonymous FTP from: ftp.stolaf.edu:pub/mutex/jguide.tar.Z Its availability is also added to the MuTeX FAQ, enclosed below. Craig -- Craig D. Rice UNIX Systems Specialist/Network Analyst cdr@stolaf.edu Academic Computing Center, St. Olaf College +1 507 646-3631 1510 St. Olaf Avenue +1 507 646-3549 FAX Northfield, MN 55057-1097 USA ----- CUT HERE ----- FAQ 930315: Frequently Asked Questions pertaining to MusicTeX and MuTeX ------------------------------------------------------------------------------- NOTE: This is a bare bones beginning of what will constitute a more substantial "Frequently Asked Questions" for MuTeX and MusicTeX. Please mail your contributions to this to "mutex@stolaf.edu" ------------------------------------------------------------------------------- TABLE OF CONTENTS ------------------------------------------------------------------------------- 01 What is MuTeX? 02 Where can I get MuTeX and MusicTeX? 03 Where are the archives of MuTeX mailing list? 04 With MusicTeX I get notes and beams, but they are badly aligned, beams and slurs are offset to the right etc. 05 I obtained easily the .TEX files but the .PK and .TFM are wrong. 06 There is no documentation with MusicTeX. 07 I run MusicTeX on SUNOS (or some other big computer) but I have memory problems with MSDOS 08 Where's the glue? it's not clear to me when to use or not use \temps or just what it really does. 09 When and why do you really need to put \relax at the end of a line? 10 What are the advantages or disadvantages of using ^ instead of \sh? Is one more flexible, or is it just a matter of typing style? 11 How can I put something somewhere in the MusicTeX staffs. 12 I cannot print notice.tex with american paper. 13 How can I make triplets? 14 How can I offset vertically the rests, in order to avoid collision with beams or other notes in polyphonic music: ------------------------------------------------------------------------------- This FAQ list is kept up to date by the contributions of the members of the mutex mailing list. To participate in mutex and musictex discussions, you can subscribe to (or unsubscribe from) the "mutex" mailing list at the address: mutex-request@stolaf.edu To send a question to the entire membership of the mutex mailing list, use the address: mutex@stolaf.edu ------------------------------------------------------------------------------- 01 What is MuTeX? The MuTeX package is a set of macros allowing TeX to typeset music. It was written by Andrea Steinbach and Angelika Schofer, as a master's thesis at Rheinische Friedrich-Wilhelms University. MuTeX allows you to typeset single-staff music and lyrics. 01 What is MusicTeX? Another powerful package which allows the typesetting of orchestral and polifonic music is MusicTeX, written by Daniel Taupin. The main difference between MuTeX and MusicTeX is that - MusicTeX deals with multiple staves (staffs?) - MuTeX produces a nicer output. The reason that MuteX produces nicer output seems to be that it can handle only single-staff music and therefore can easier put glue between the notes. A second reason is that it makes "real" slurs and not some sort of rotated brackets (braces, ...). But MusicTeX is getting better and better because Daniel Taupin maintains it whilst nearly nobody continues the development of MuTeX ------------------------------------------------------------------------------- 02 Where can I get MuTeX and MusicTeX? Most up to date version of musictex: rsovax.ups.circe.fr directory [anonymous.musictex] Different versions of MuTeX and MusicTeX are available from many other sites, including: ftp.stolaf.edu /pub/mutex/MuTeX.tar.Z ftp.stolaf.edu /pub/mutex/MuTeX_doc.tar.Z ftp.gmd.de /music/mutex/mutex.zip ccadfa.cc.adfa.oz.au /pub/tex/MuTeX.tar.Z clouso.crim.ca /pub/MuTeX.tar.Z sol.cs.ruu.nl /pub/TEX/mtex.tar.Z ymir.claremont.edu [anonymous.tex.music.mtex] MusicTeX ftp.stolaf.edu /pub/mutex/musictex-4.31.tar.Z ftp.gmd.de /music/musictex/musictex.zip /music/musictex/musictex-nnn.tar.Z ymir.claremont.edu [anonymous.tex.music.musictex]. alfred.ccs.carleton.ca /pub/tex/MusicTeX.tar.Z aix370.rrz.uni-koeln.de /tex/musictex.tar.Z bach.cs.umb.edu /pub/tex/musictex.tar.Z cs.dal.ca /pub/comp.archives/musictex emx.utexas.edu /pub/mnt/source/tex/musictex.tar.Z forwiss.uni-passau.de /pub/tex/macros/musictex.tar.Z iraun1.ira.uka.de /tex/musictex.tar.Z kth.se /tex/umb/musictex.tar.Z wraith.cs.uow.edu.au /cache/ftp.cs.umb.edu/pub/tex/musictex.tar.Z qed.rice.edu /pub/musictex.tar.Z sol.cs.ruu.nl /TEX/musictex.tar.Z srawgw.sra.co.jp /.a/sranha/arch/arch/comp.archives/musictex srawgw.sra.co.jp /.a/sranha/arch/arch/comp.archives/music/notation/musictex Other Related Stuff arisia.xerox.com /pub/musictexdemo.PS athene.uni-paderborn.de /pcsoft/amiga/tex/fonts/musictex.lzh nz20.rz.uni-karlsruhe.de /pub/pctex/texutl/macros/musictex.lzh ftp.gmd.de /music/midi2tex/... midi to MusicTeX For those without FTP access, you can e-mail to: mail-server@cs.ruu.nl TEX/musictex.tar.Z or mailserv@ymir.claremont.edu (Submitted by: dgold@basso.actrix.gen.nz (Dale Gold)) ------------------------------------------------------------------------------- 03 Where are the archives of the MuTeX mailing list? Archives for the MuTeX mailing list are available via anonymous FTP from: ftp.stolaf.edu:/pub/mutex/archive (actual size: 0.5 MB!) ------------------------------------------------------------------------------- 04 With MusicTeX I get notes and beams, but they are badly aligned, beams and slurs are offset to the right etc. Remove all unnecessary spaces, i.e. ALL (all, not most of them) spaces which do not follow a TeX or MusicTeX control sequence. E.g.: do not write \qu h | \ibu0i3 \qu b \qu c \enotes but \qu h|\ibu0i3\qu b\qu c\enotes \relax at the end of each line not ending with \enotes Answer thanks to TAUPIN@FRUPS51.bitnet ------------------------------------------------------------------------------- 05 I obtained easily the .TEX files but the .PK and .TFM are wrong. You probably forgot to say BINARY to your ftp before GETting the binary files. As a rule the .TEX and .STY are ASCII, as well as the .MF. But the .PK, .ZIP, .TFM and (for VMS) .BCK files must be transferred in BINARY Answer thanks to TAUPIN@FRUPS51.bitnet ------------------------------------------------------------------------------- 06 There is no documentation with MusicTeX. There is one, named musicdoc.tex. You may process it by plain TeX after installing the tfm-files from the distribution. The result is musicdoc.dvi -- which is in the distribution, too. Print it with you favourite dvi-driver. If you do not have all fonts, put dummy ones and read the text. It will not be beautiful, but still informative... Japanese language documentation for MuTeX is provide by Hirokawa Rui and is available from: ftp.stolaf.edu:pub/mutex/jguide.tar.Z ------------------------------------------------------------------------------- 07 I run MusicTeX on SUNOS (or some other big computer) but I have memory problems with MSDOS Two solutions: a) insert compulsory line breaks (\alaligne) and page breaks (\alapage) b) use Eberhardt Mattes's bigtex (btex286) (or the beta-test version of tex386 if you have at least a 386-machine) ------------------------------------------------------------------------------- 08 Where's the glue? it's not clear to me when to use or not use \temps or just what it really does. Glue occurs each time you say \barre or \temps or \alaligne or \alapage \temps is used to put glue between groups of notes. You can disable it and look how ugly it looks... ------------------------------------------------------------------------------- 09 When and why do you really need to put \relax at the end of a line? Put \relax at end of lines whenever the last item is not a control sequence. Because in this case the spaces are swallowed by TeX as a final part of the control sequence. Thus I use \relax when I need a control sequence to swallow end of line spaces (and new line code). ------------------------------------------------------------------------------- 10 What are the advantages or disadvantages of using ^ instead of \sh? Is one more flexible, or is it just a matter of typing style? The ^ is used within collective coding, \sh is used outside. You may write \sh k\qu k or \qu$^k ------------------------------------------------------------------------------- 11 How can I put something somewhere in the MusicTeX staffs. Read the musicdoc and use \zcharnote\244\207\244\207 If you want it spacing use \charnote\244...\207\244...\207 Within those macros you can put anything, including maths below, in the middle of, above the staffs. To be used inside tne \notes....\enotes. ------------------------------------------------------------------------------- 12 I cannot print notice.tex with american paper. don't print it :-) you have an old version. New versions of MusicTeX contain musicdoc.dvi a LaTeX-document which fits on american paper. ------------------------------------------------------------------------------- 13 How can I make triplets? It's already in musictex.tex, but without the `slur' you wanted. \xtuplet is the routine that puts a number under your beam, and the line: \def\triolet{\xtuplet3}% will provide you with a number under or over your beam and it could be adapted for sextuplets or anything else. This will make you a nice triplet: \Notes\ibl0j0\triolet M\qb0{jk}\tbl0\qb0j\enotes ------------------------------------------------------------------------------- 14 How can I offset vertically the rests, in order to avoid collision with beams or other notes in polyphonic music: Write \raise \internote\ds or \raise \internote\soupir All rests are \hbox-es, so you can prefix them with \raise The (or \internote or \Interligne) can be negative. ------------------------------------------------------------------------------- From icking@gmdzi.gmd.de Tue Mar 16 11:43:29 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA27489; Tue, 16 Mar 93 11:43:29 CST Received: by gmdzi.gmd.de id AA08473 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Tue, 16 Mar 1993 18:42:04 +0100 Date: Tue, 16 Mar 1993 18:42:04 +0100 From: Werner Icking Message-Id: <199303161742.AA08473@gmdzi.gmd.de> To: mutex Subject: Separating parts froms scores Daniel Taupin writes in musicdoc.tex: "Another question is: `can I write an orchestral score and extract the separate scores for individual instruments?' The answer is 95 % "yes": in fact, you can define your own macros ..." Here is my solution ... or let me say: what's working for me and what's waiting for your enhancements :-) First I have a SPITBOL-programme which separates the voices. The programme reads in a MusicTeX input and puts all which belongs to all voices and the first voice to one output channel and all which belong to all voices and the other voices to another output channel. So if you apply that program iteratively you'll get what you need. Oh, you do not have SPITBOL? A free Vanilla-SNOBOL is available from Simtel (or oak.oakland.edu) in the directory . But then remains the problem that in a score the different voices need adjustments which are ugly for single voices, and that e.g. whole-notes under sixteenths are defined with the spacing for sixteenth, what does not look well in the parts. Here's an example from Mozart KV423 for vl & va: \Takt{07}\Notes\qu b\relax &\ITenu1{'e}\ibl1d0\qbp1d\enotes\relax \notes\relax &\nbbbl1\qb1{'e}\tqb1d\enotes\relax \Notes\ql e\relax &\tten1\ibl1{'c}{-3}\qb1c\tqb1b\enotes\relax \Notes\ql c\sk\ql d\relax &\ITenl1g\ibu1{'b}{-3}\qh1b\tten1\qh1{ag}\tqh1f\enotes\relax Some comments: \Takt is the same as \barre; I use \notes for sixteenths, \Notes for eigths, \NOtes for quarternotes, ... If I now separate the voices I get for the viola (1st voice): \Notes\qu b\enotes\relax \notes\enotes\relax \Notes\ql e\enotes\relax \Notes\ql c\sk\ql d\enotes\relax instead of something like \NOtes\qu b\ql{ecd}\enotes ... wrong spacing, a disturbing \sk ... and a similar non-sense for the violin. Therefore I introduce new macros which have a different definition for score or parts \def\Sk{\sk} \def\Sk{} \def\Qsk{\qsk} \def\Qsk{} \def\Off{\off} \def\Off#1{} \def\noten{} \def\noten{\enotes\notes} \def\Noten{} \def\Noten{\enotes\Notes} ... \def\NOTEN{} \def\NOTEN{\enotes\NOTEN} and modify the example to: \Takt{07}\Notes\NOten\qu b\relax % added \NOten &\ITenu1{'e}\ibl1d0\qbp1d\enotes\relax \notes\relax &\nbbbl1\qb1{'e}\tqb1d\enotes\relax \Notes\NOten\ql e\relax % added \NOten &\tten1\ibl1{'c}{-3}\qb1c\tqb1b\enotes\relax \Notes\NOten\ql c\Sk\ql d\relax % \NOten \Sk &\ITenl1g\ibu1{'b}{-3}\qh1b\tten1\qh1{ag}\tqh1f\enotes\relax This is the same as the original because \Sk evaluates to \sk and \NOten is dummy if used with the score macros. If I now extract the viola part I get: \Notes\NOten\qu b\enotes\relax \notes\enotes\relax \Notes\NOten\ql e\enotes\relax \Notes\NOten\ql c\Sk\ql d\enotes\relax which is equivalent to: \NOtes\qu b\enotes\NOtes\ql e\enotes\NOtes\ql c\ql d\enotes or \NOtes\qu b\ql {ecd}\enotes :-) And because I like to read the extracted voices, too, I wrote another SPITBOL program for beautifying the voice-output by removing empty lines (" notes\enotes\relax") and simplifying e.g. "Notes\NOten" to "NOtes". Your comments? Your corrections, enhancements? Your solution? Werner PS: If someone is interested in proof-reading the 1st movement of KV423 I'll provide the DVIs for anonymous ftp. ------- SEPARATE.SPT ----------------------------------------------------- input('input',0) output('voiceo1',1) output('voiceor',2) notes = '\notes' | '\Notes' | '\NOtes' | '\NOTes' | '\NOTEs' | '\NOTES' enotes = '\enotes' voicesep = '&' loop in = input :F(END) in arb . head1st notes . note1st '\' = '\' :s(get1st) voiceo1 = in voiceor = in :(loop) get1st headrem = head1st noterem = note1st in arb . voice1st voicesep = :s(getrem) in arb . voice1st '' . voicerem enotes . enote = :s(putrem) voiceo1 = head1st note1st in head1st = note1st = loop1st in = input :f(error1st) in arb . voice1st voicesep = :s(getrem) in arb . voice1st '' . voicerem enotes . enote = :s(putrem) voiceo1 = in :s(loop1st) getrem in arb . voicerem enotes . enote = :s(putrem) voiceor = headrem noterem in headrem = noterem = looprem in = input :f(errorrem) in arb . voicerem enotes . enote = :s(putrem) voiceor = in :s(looprem) putrem voiceo1 = head1st note1st voice1st enote in voiceor = headrem noterem voicerem enote in :(loop) END ------- PRETTY.SPT --------------------------------------------------------- input('input',0) output('pretty',1) notesen = table() notesen['\notes\Noten'] = '\Notes' notesen['\notes\NOten'] = '\NOtes' notesen['\notes\NOTen'] = '\NOTes' notesen['\notes\NOTEn'] = '\NOTEs' notesen['\notes\NOTEN'] = '\NOTES' notesen['\Notes\NOten'] = '\NOtes' notesen['\Notes\NOTen'] = '\NOTes' notesen['\Notes\NOTEn'] = '\NOTEs' notesen['\Notes\NOTEN'] = '\NOTES' notesen['\NOtes\NOTen'] = '\NOTes' notesen['\NOtes\NOTEn'] = '\NOTEs' notesen['\NOtes\NOTEN'] = '\NOTES' notesen['\NOTes\NOTEn'] = '\NOTEs' notesen['\NOTes\NOTEN'] = '\NOTES' notesen['\NOTEs\NOTEN'] = '\NOTES' noten = '\notes\Noten' | '\notes\NOten' | '\notes\NOTen' | '\notes\NOTEn' | '\notes\NOTEN' | . '\Notes\NOten' | '\Notes\NOTen' | '\Notes\NOTEn' | '\Notes\NOTEN' | . '\NOtes\NOTen' | '\NOtes\NOTEn' | '\NOtes\NOTEN' | . '\NOTes\NOTEn' | '\NOTes\NOTEN' | . '\NOTEs\NOTEN' notes = '\notes' | '\Notes' | '\NOtes' | '\NOTes' | '\NOTEs' | '\NOTES' enotes = '\enotes' relax = '\relax' loop in = input :F(eof) in noten . x = notesen[x] in pos(0) span(' ') enotes relax rpos(0) :f(out) last relax rpos(0) = enotes relax :s(loop) out eq(size(last),0) :s(note) last pos(0) span(' ') notes enotes relax rpos(0) = :s(note) pretty = last note last = in :(loop) eof eq(size(last),0) :s(end) pretty = last END ------- SEPARATE.BAT ------------------------------------------------------ call snobol /0=vlva.tex /1=va.tmp /2=vl.tmp separate call snobol /0=vl.tmp /1=vl.tex pretty call snobol /0=va.tmp /1=va.tex pretty --------------------------------------------------------------------------- Attention: The programs are SPITBOL programs. If you want to use them with Vanilla-Snobol the input/output statements have to be modified slightly. If you are unable or unwilling to do that I'll help you :-) Oh, what I forgot to say: the Snobol-programmes ignore completely the TeX-syntax e.g. comments starting with %. So the programme will detect "&" as voice separator in comments, too; same for \notes, \enotes, ... which may result in garbage-output. From prw-b@minster.york.ac.uk Tue Mar 16 12:11:19 1993 Return-Path: Received: from minster.york.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA00967; Tue, 16 Mar 93 12:11:19 CST From: prw-b@minster.york.ac.uk Date: Tue, 16 Mar 93 18:05:59 Message-Id: To: mutex Subject: triplets I have a problem with spacing and triplets. I require 8 quavers, beamed in two sets of four in the lower hand (piano) and 4 triplets, in the upper hand (12 notes). Thnaks in advance, peter From sjh@math.purdue.edu Tue Mar 16 13:17:18 1993 Return-Path: Received: from banach.math.purdue.edu by stolaf.edu (4.1/SMI-4.1) id AA05365; Tue, 16 Mar 93 13:17:18 CST Received: from localhost.purdue.edu by banach.math.purdue.edu (4.1/Purdue_Math_1.0) id AA08442; Tue, 16 Mar 93 14:17:27 EST Message-Id: <9303161917.AA08442@banach.math.purdue.edu> To: mutex Reply-To: sjh@math.purdue.edu Subject: Initial trials Date: Tue, 16 Mar 93 14:17:26 -0500 From: sjh@math.purdue.edu I have just installed MusicTex here and am trying to run what I assume are examples which came with the distribution. Background: Sun 670MP running SunOS 4.1.2 (Unix) and Tex 3.14t3. Every one of the files I try gets errors. I would be forever grateful if someone would give me a little handholding help to get started. Case in point: gloriab.tex appears to be a complete example. If I tex it I get: banach 216 $ tex /p3/MusicTex/gloriab.tex This is TeX, C Version 3.14t3 (/p3/MusicTex/gloriab.tex (/usr/local/TeX/tex/inputs/musicnft.tex Version 4.92 -- January 29th, 1993) (/usr/local/TeX/tex/inputs/musictex.tex Version 4.93 -- February 21th, 1993) bar 1 bar 2 bar 3 bar 4 bar 5 bar 6 bar 7 bar 8 [1] Line 1: bar 9 bar 10 bar 11 Line 2: bar 12 bar 13 bar 14 bar 15 bar 16 bar 17 [2] Line 1: bar 18 bar 19 bar 20 bar 21 Line 2: bar 22 bar 23 bar 24 bar 25 bar 26 bar 27 bar 28 [3] Line 1: bar 29 bar 30 bar 31 bar 32 Line 2: bar 33 bar 34 bar 35 bar 36 bar 37 bar 38 bar 39 bar 40 ! Undefined control sequence. \it le \aujourdhui \rightline #1->\line {\hss #1 } l.277 \medskip\rightline{\it le \aujourdhui} ^^M ? at which point I just ^D to get out. At least it appears to have found all the input files (others don't). Please send email direct if you are willing to help a poor novice and not a very knowledgeabe TeX user. Thanks, Steve. ==================================================================== Steve Holmes \ Bitnet: sjh%math.purdue.edu@purccvm Systems Administrator \ Internet: sjh@math.purdue.edu Dept. of Mathematics \ uucp: ...!purdue!sjh Purdue University, \ phone: (317) 494-6055 W. Lafayette, Indiana 47907 \ Fax: (317) 494-0548 ==================================================================== From piet@cs.ruu.nl Wed Mar 17 02:15:10 1993 Return-Path: Received: from infix.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA16590; Wed, 17 Mar 93 02:15:10 CST Received: from alchemy.cs.ruu.nl (gnu.cs.ruu.nl) by infix.cs.ruu.nl with SMTP id AA18091 (5.65c/IDA-1.4.4); Wed, 17 Mar 1993 09:15:17 +0100 Received: by alchemy.cs.ruu.nl id AA16368 (5.65c/IDA-1.4.4); Wed, 17 Mar 1993 09:15:15 +0100 Date: Wed, 17 Mar 1993 09:15:15 +0100 From: Piet van Oostrum Message-Id: <199303170815.AA16368@alchemy.cs.ruu.nl> To: mutex Cc: mutex@stolaf.edu Subject: MuTeX FAQ In-Reply-To: <9303161726.AA14226@lars.acc-admin.stolaf.edu> References: <9303161726.AA14226@lars.acc-admin.stolaf.edu> Please note the following changes: >>>>> "Craig D. Rice" (CDR) writes: CDR> sol.cs.ruu.nl /pub/TEX/mtex.tar.Z ftp.cs.ruu.nl /pub/TEX/MUSIC/MuTeX.tar.Z CDR> sol.cs.ruu.nl /TEX/musictex.tar.Z ftp.cs.ruu.nl /pub/TEX/MUSIC/musictex.tar.Z (musictex.zip + musicexa.zip) CDR> mail-server@cs.ruu.nl TEX/musictex.tar.Z mail-server@cs.ruu.nl TEX/MUSIC/musictex.tar.Z Piet* van Oostrum, Dept of Computer Science, Utrecht University, Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 531806 Uucp: uunet!mcsun!ruuinf!piet Telefax: +31 30 513791 Internet: piet@cs.ruu.nl (*`Pete') From icking@gmdzi.gmd.de Wed Mar 17 05:00:32 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA23530; Wed, 17 Mar 93 05:00:32 CST Received: by gmdzi.gmd.de id AA17649 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Wed, 17 Mar 1993 11:59:11 +0100 Date: Wed, 17 Mar 1993 11:59:11 +0100 From: Werner Icking Message-Id: <199303171059.AA17649@gmdzi.gmd.de> To: mutex Subject: Re: triplets >I have a problem with spacing and triplets. >I require 8 quavers, beamed in two sets of four in the lower hand (piano) >and 4 triplets, in the upper hand (12 notes). Where's the problem? ... except in playing that! (I'm a violinist :-) \def\nbinstruments{2}\generalmeter{\meterC}\debutextrait\relax \Notes\ibu0f0\qh0c\qsk\qh0g&\ibu1d3\qh1{ce}\tqh1g\enotes \Notes\qh0e\qsk\tqh0g&\ibu1d3\qh1{ce}\tqh1g\enotes \Notes\ibu0f0\qh0c\qsk\qh0g&\ibu1d3\qh1{ce}\tqh1g\enotes \Notes\qh0e\qsk\tqh0g&\ibu1d3\qh1{ce}\tqh1g\enotes \finextrait\bye The trick is to use more than one pair of \notes...\enotes because each pair starts a new synchronisation point. In addition the \qsk moves the second, fourth, ... quaver a little bit to the right, so that it is a little bit later than the second note of the triplet. Werner From icking@gmdzi.gmd.de Wed Mar 17 05:05:01 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA24269; Wed, 17 Mar 93 05:05:01 CST Received: by gmdzi.gmd.de id AA17863 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Wed, 17 Mar 1993 12:03:40 +0100 Date: Wed, 17 Mar 1993 12:03:40 +0100 From: Werner Icking Message-Id: <199303171103.AA17863@gmdzi.gmd.de> To: mutex Subject: Re: *** Trip;ets Here is what I found in my collection. May be that you could have found it in the archive of this mailing list at ftp.stolaf.edu ... or not: \def\ctl#1#2#3#4#5#6{\relax \ibl{#1}{#2}{#3}\qb{#1}{#4}\relax {\advance\transpose by -10\relax \zcharnote{#5}{\kern -0.4\elemskip\hbox{\it 3}}}\relax \qb{#1}{#5}\tbl{#1}\qb{#1}{#6}}\relax \def\ctu#1#2#3#4#5#6{\relax \ibu{#1}{#2}{#3}\qh{#1}{#4}\relax {\advance\transpose by 8\relax \zcharnote{#5}{\kern 0.4\elemskip\hbox{\it 3}}}\relax \qh{#1}{#5}\tbu{#1}\qh{#1}{#6}}\relax \def\ctlt#1#2#3#4#5#6#7{\relax \itenu{#1}{#2}\ibl{#1}{#3}{#4}\qb{#1}{#5}\relax {\advance\transpose by -10\relax \zcharnote{#6}{\kern -0.4\elemskip\hbox{\it 3}}}\relax \qb{#1}{#6}\tbl{#1}\tten{#1}\qb{#1}{#7}}\relax \def\ctut#1#2#3#4#5#6#7{\relax \itenl{#1}{#2}\ibu{#1}{#3}{#4}\qh{#1}{#5}\relax {\advance\transpose by 8\relax \zcharnote{#6}{\kern 0.4\elemskip\hbox{\it 3}}}\relax \qh{#1}{#6}\tten{#1}\tbu{#1}\qh{#1}{#7}}\relax \def\cctl#1#2#3#4#5#6{\relax \ibbl{#1}{#2}{#3}\qb{#1}{#4}\relax {\advance\transpose by -11\relax \zcharnote{#5}{\kern -0.4\elemskip\hbox{\it 3}}}\relax \qb{#1}{#5}\tbl{#1}\qb{#1}{#6}}\relax \def\cctu#1#2#3#4#5#6{\relax \ibbu{#1}{#2}{#3}\qh{#1}{#4}\relax {\advance\transpose by 9\relax \zcharnote{#5}{\kern 0.4\elemskip\hbox{\it 3}}}\relax \qh{#1}{#5}\tbu{#1}\qh{#1}{#6}}\relax \def\nbinstruments{1}\relax \debutextrait\transpose=7\relax \Notes\ctl0 c0ccc\ctl0 c0ece\ctl0 g{-6}gec\ctl0 d3def\enotes\relax \barre\Notes\cctl0 c0ccc\cctl0 c0ece\cctl0 g{-6}gec\cctl0 d3def\enotes\relax \finextrait \debutextrait\transpose=0\relax \Notes\ctu0 e0eee\ctu0 g0ege\ctu0 c6ceg\ctu0 f{-3}fed\enotes\relax \barre\Notes\cctu0 e0eee\cctu0 g0ege\cctu0 c6ceg\cctu0 f{-3}fed\enotes\relax \finextrait \debutextrait\transpose=7\relax \Notes\ctlt0 dc0ccc\ctlt0 fc0ece\ctlt0 hg{-6}gec\relax \ctlt0 gd3def\enotes\relax \transpose=0\relax \barre\Notes\ctut0 de0eee\ctut0 dg0ege\ctut0 bc6ceg\relax \ctut0 cf{-3}fed\enotes\relax \finextrait \enorme But \rm it does'nt work with accidentals or transposition or if the position of the second note does not "correspond" to the position or the slope of the beam. \debutextrait\transpose=7\relax \Notes\ctl0c0c{'c}{`c}\ctl0 c0e{^c}e\enotes\relax \finextrait \bye Does it solve your problem or do I have to read your message? -- Werner From icking@gmdzi.gmd.de Wed Mar 17 07:45:24 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA05427; Wed, 17 Mar 93 07:45:24 CST Received: by gmdzi.gmd.de id AA27587 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Wed, 17 Mar 1993 14:43:59 +0100 Date: Wed, 17 Mar 1993 14:43:59 +0100 From: Werner Icking Message-Id: <199303171343.AA27587@gmdzi.gmd.de> To: mutex Subject: Re: triplets >>I have a problem with spacing and triplets. >>I require 8 quavers, beamed in two sets of four in the lower hand (piano) >>and 4 triplets, in the upper hand (12 notes). > >Where's the problem? ... except in playing that! (I'm a violinist :-) ... was my first answer and I got a reply from TME (The MusicTeX-Authority): > >The difficulty is to have spacing 2/3 or 4/3 at one staff. >This obviouly occurs mainly in choirs or piano scores ! > So here is my next solution (some lines are longer than 80): \def\nbinstruments{1}\generalmeter{\meterC}\debutextrait\relax \Notes\ibu1{'c}3\qh1{ce}\tqh1g\off{-3\noteskip}\ibl0{`e}0\qb0c\qsk\qb0g\qsk\enotes \Notes\ibu1{'c}3\qh1{ce}\tqh1g\off{-3\noteskip}\qb0{`e}\qsk\tqb0g\qsk\enotes \Notes\ibu1{'c}3\qh1{ce}\tqh1g\off{-3\noteskip}\ibl0{`e}0\qb0c\qsk\qb0g\qsk\enotes \Notes\ibu1{'c}3\qh1{ce}\tqh1g\off{-3\noteskip}\qb0{`e}\qsk\tqb0g\qsk\enotes \finextrait\bye And of course all in C-Major. Hey, Daniel, it's MusicTeX! Where's the problem? Werner From cdr@stolaf.edu Wed Mar 17 09:49:36 1993 Return-Path: Received: from lars.acc-admin.stolaf.edu (lars.acc.stolaf.edu) by stolaf.edu (4.1/SMI-4.1) id AA13008; Wed, 17 Mar 93 09:49:36 CST Received: by lars.acc-admin.stolaf.edu (4.1/SMI-4.1) id AA10070; Wed, 17 Mar 93 09:49:34 CST Message-Id: <9303171549.AA10070@lars.acc-admin.stolaf.edu> To: mutex Cc: MUTEX@stolaf.edu Subject: Re: Japanese Language MuTeX users guide In-Reply-To: Your message of Wed, 17 Mar 1993 09:27:01 +0100. <553*/S=bartho/OU=scsun/O=unige/PRMD=switch/ADMD=arcom/C=ch/@MHS> Date: Wed, 17 Mar 1993 09:49:33 -0600 From: "Craig D. Rice" Paul, > Getting the sources of the japanese guide was very easy, but installing the > full jTeX is a kind of nonsense if you do not plan to use it for real. > Could you (or any one else with jTeX) make a jguide.ps available ? Good point. I'll see what I can do. I have a feeling that the .ps version of jguide will require a printer with Japanese PostScript fonts builtin, but that might be good enough. Thanks for the note, Craig -- Craig D. Rice UNIX Systems Specialist/Network Analyst cdr@stolaf.edu Academic Computing Center, St. Olaf College +1 507 646-3631 1510 St. Olaf Avenue +1 507 646-3549 FAX Northfield, MN 55057-1097 USA From prw-b@minster.york.ac.uk Sun Mar 21 20:40:14 1993 Return-Path: Received: from minster.york.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA24692; Sun, 21 Mar 93 20:40:14 CST From: prw-b@minster.york.ac.uk Date: Mon, 22 Mar 93 02:21:03 Message-Id: To: mutex Subject: beaming Question -------- Can two beams on different staves of the same instrument (piano) be referenced by the same number ? So would \enotes\.beam0on..notes..beam0off|.beam0on..notes..beam0off\enotes eork correctly ?? Regards, Peter Wainwright. From prw-b@minster.york.ac.uk Tue Mar 30 10:52:53 1993 Return-Path: Received: from minster.york.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA11549; Tue, 30 Mar 93 10:52:53 CST From: prw-b@minster.york.ac.uk Date: Tue, 30 Mar 93 16:34:17 Message-Id: To: mutex Subject: "Aligning" I have a question; why, when printed out are the upper and lower parts not aligned ? ------------------------------------------------------------------------------- % \def\beamU#1#2#3{\ibu0{#3}0\qh0{#1}\tbu0\qh0{#2}} % \barre % bar 2 \notes\hu{.C}\beamU CD{D}| \hu{.J}\beamU JK{K}\enotes % ------------------------------------------------------------------------------- This is taken exactly from my .tex file. Cheers Peter Wainwright. From prw-b@minster.york.ac.uk Tue Mar 30 13:30:48 1993 Return-Path: Received: from minster.york.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA21752; Tue, 30 Mar 93 13:30:48 CST From: prw-b@minster.york.ac.uk Date: Tue, 30 Mar 93 19:26:06 Message-Id: To: mutex Subject: aligning Using the \relax worked. Thanks Peter From cdr@stolaf.edu Wed Mar 31 10:21:49 1993 Return-Path: Received: from lars.acc-admin.stolaf.edu (lars.acc.stolaf.edu) by stolaf.edu (4.1/SMI-4.1) id AA02691; Wed, 31 Mar 93 10:21:49 CST Received: by lars.acc-admin.stolaf.edu (4.1/SMI-4.1) id AA26070; Wed, 31 Mar 93 10:21:47 CST Message-Id: <9303311621.AA26070@lars.acc-admin.stolaf.edu> To: mutex Subject: [hirokawa rui: ] Date: Wed, 31 Mar 1993 10:21:46 -0600 From: "Craig D. Rice" Many thanks to Hirokawa Rui for submitting a Japanese PostScript version of the MuTeX user's guide. It requires a Japanese-PostScript-handling printer or GhostScript v2.41 with a Japanese-handling patch. jguide.ps.z is available via anonymous FTP from ftp.stolaf.edu:pub/mutex/jguide.ps.z The file is in gzip compressed format. -rw-r--r-- 1 root wheel 812 Mar 31 10:18 jguide.ps.README -rw-r--r-- 1 root wheel 67565 Mar 31 10:16 jguide.ps.z Craig -- Craig D. Rice UNIX Systems Specialist/Network Analyst cdr@stolaf.edu Academic Computing Center, St. Olaf College +1 507 646-3631 1510 St. Olaf Avenue +1 507 646-3549 FAX Northfield, MN 55057-1097 USA From prw-b@minster.york.ac.uk Sat Apr 3 07:40:09 1993 Return-Path: Received: from minster.york.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA27957; Sat, 3 Apr 93 07:40:09 CST From: prw-b@minster.york.ac.uk Date: Sat, 3 Apr 93 13:17:24 Message-Id: To: mutex Subject: Macros This is more of a TeX question than a MusicTeX question, but anyway :- How can I remove the last character from a parameter passed to a macro defined by \def. eg. #1 may be {EFGabN}; how do I extract the {N} and {EFGab} for use ? Regards, Peter Wainwright. From prw-b@minster.york.ac.uk Sat Apr 3 12:30:04 1993 Return-Path: Received: from minster.york.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA10282; Sat, 3 Apr 93 12:30:04 CST From: prw-b@minster.york.ac.uk Date: Sat, 3 Apr 93 18:15:43 Message-Id: To: mutex Subject: Repeats A question :- What is the advised method of doing first and second time repeats in piano music. Regards, Peter Wainwright. From jlf@palm.cray.com Fri Apr 9 15:01:16 1993 Return-Path: Received: from cray.com (timbuk.cray.com) by stolaf.edu (4.1/SMI-4.1) id AA23994; Fri, 9 Apr 93 15:01:16 CDT Received: from poplar12.cray.com by cray.com (4.1/CRI-MX 2.17) id AA17808; Fri, 9 Apr 93 15:01:24 CDT Received: by poplar12.cray.com id AA10145; 4.1/CRI-5.6; Fri, 9 Apr 93 15:01:21 CDT From: jlf@palm.cray.com (John Freeman) Message-Id: <9304092001.AA10145@poplar12.cray.com> Subject: beginner questions To: mutex Date: Fri, 9 Apr 93 15:01:15 CDT X-Mailer: ELM [version 2.3 PL11b-CRI] I have been tinkering with MusicTex for about a day, and have some questions about coding things. 1) The examples in the manual all have \begin {music}, but that generates an error from tex for me. 2) I want a 16th rest before measure one. I get that but it is left justified in the measure instead of right justified. I do it the same as the example in section 2.18.1 -- code below. 3) After using {!`G}, specifying A comes out as {!`A}. Different coding provided the correct output, but I don't understand why it failed. See line commented out. 4) What is wrong with my code that I get this error? Underfull \hbox (badness 4048) in paragraph at lines 11--17 [][][][][][][] [][] [][] [][][][] [][] [][] [] [] [1] ) (see the transcript file for additional information) ------------------------------------------------------------------------------- \input musicnft \input musictex \parindent 1cm \def\nbinstruments{1}\relax \def\instrumenti{Piano} \cleftoksi={{6}{6}{0}{0}} % two bass clefs \nbporteesi=2\relax \generalsignature{+1}\relax % one sharp \generalmeter{\meterfrac 34}\relax \normal \debutmorceau % line 11 \Notes\qs|\qs\enotes \barre % \Notes\hu {!`G}\qu A|\hu G\qu H\enotes %doesn't work \Notes\hu {!`G} \sk|\hu G \sk\enotes \Notes\qu A|\qu H\enotes \finmorceau \end{music} \bye From @relay.cs.toronto.edu,@ark.vis.toronto.edu:jservice@vis.toronto.edu Tue Apr 13 08:46:42 1993 Return-Path: <@relay.cs.toronto.edu,@ark.vis.toronto.edu:jservice@vis.toronto.edu> Received: from relay.cs.toronto.edu by stolaf.edu (4.1/SMI-4.1) id AA23027; Tue, 13 Apr 93 08:46:42 CDT Received: from ark.vis.toronto.edu ([128.100.3.88]) by relay.cs.toronto.edu with SMTP id <150183>; Tue, 13 Apr 1993 09:46:45 -0400 Received: by ark.vis.toronto.edu id <91539>; Tue, 13 Apr 1993 09:46:29 -0400 From: "James R. R. Service" To: mutex Subject: RE: beginner questions Reply-To: jservice@vis.toronto.edu Message-Id: <93Apr13.094629edt.91539@ark.vis.toronto.edu> Date: Tue, 13 Apr 1993 09:46:17 -0400 >>>>> On Fri, 9 Apr 1993 17:11:57 -0400, jlf@palm.cray.com (John Freeman) said: > I have been tinkering with MusicTex for about a day, and have some > questions about coding things. > 1) The examples in the manual all have \begin {music}, but that generates > an error from tex for me. This is a LaTeX command used to typeset the manual. See M. Taupin's examples for typeset music. > 2) I want a 16th rest before measure one. I get that but it is left > justified in the measure instead of right justified. I do it the same > as the example in section 2.18.1 -- code below. With \sk you are adding a "note space". Try inserting \Notes\temps\enotes before to added a stretchable space before your sixteenth rests. > 3) After using {!`G}, specifying A comes out as {!`A}. Different coding > provided the correct output, but I don't understand why it failed. See > line commented out. You have to put the entire group in {}: \Notes{\hu {`G}}\qu A|\hu G\qu H\enotes Otherwise, the effect of ` continues until the \enotes. I believe the ! just moves the note left slightly so I removed this for clarity. > 4) What is wrong with my code that I get this error? > Underfull \hbox (badness 4048) in paragraph at lines 11--17 > [][][][][][][] [][] [][] [][][][] [][] [][] [] [] > [1] ) > (see the transcript file for additional information) This is a TeX error. There's not enough stuff ("glue") to fill out the line so TeX complains. Adding \raggedlinestrue or using \debutextrait ... \finextrait will stop this message. Here's my hacked up version of your piece of music. %------------------------------------------------------------------------------ \input musicnft \input musictex \parindent 1cm \def\nbinstruments{1}\relax \def\instrumenti{Piano} \cleftoksi={{6}{6}{0}{0}} % two bass clefs \nbporteesi=2\relax \generalsignature{+1}\relax % one sharp \generalmeter{\meterfrac 34}\relax \normal \debutextrait % line 11, changed morceau to extrait \Notes\temps\enotes % add a stretchable space \Notes\qs|\qs\enotes \barre \Notes{\hu {`G}}\qu A|\hu G\qu H\enotes %doesn't work, now it does :-) \barre \Notes\hu {`G}|\hu G\enotes % removed ! \Notes\qu A|\qu H\enotes \finextrait % changed morceau to extrait \bye %------------------------------------------------------------------------------ -- James (Jim) R.R. Service Internet: jservice@rd.hydro.on.ca Ontario Hydro jservice@vis.toronto.edu 800 Kipling Ave. - Room KR132 FAX: (416) 207-6384 Toronto, Ontario, CANADA M8Z 5S4 voice: (416) 207-6946 From joel@wam.umd.edu Thu Apr 15 14:11:13 1993 Return-Path: Received: from csc-srv.wam.umd.edu by stolaf.edu (4.1/SMI-4.1) id AA03566; Thu, 15 Apr 93 14:11:13 CDT Received: from rac3.wam.umd.edu by csc-srv.wam.umd.edu with SMTP id AA21561 (5.65c/IDA-1.4.4 for ); Thu, 15 Apr 1993 15:11:17 -0400 Received: by rac3.wam.umd.edu id AA08096 (5.65c/IDA-1.4.4 for stolaf.edu!mutex); Thu, 15 Apr 1993 15:11:12 -0400 Received: by excaliber.uucp (Smail3.1.28.1 #6) id m0njZHY-0000RGC; Thu, 15 Apr 93 15:07 EDT Message-Id: Date: Thu, 15 Apr 93 15:07 EDT From: joel@wam.umd.edu (Joel M. Hoffman) To: mutex Subject: symbolic music notation <--> Mu(sic)Tex ?? I'm looking for a convenient way to store music (neither MuTeX nor MusicTeX is especially easy or convenient) and a program to convert that format to Mu(sic)TeX that will let me a) transpose the music, and b) set it on any staff. Does such notation already exist? Does software to convert to/from TeX exist? Many thanks! -joel (joel@wam.umd.edu) From igor@charles.ucdavis.edu Fri Apr 16 19:09:42 1993 Return-Path: Received: from ucdavis.ucdavis.edu by stolaf.edu (4.1/SMI-4.1) id AA07202; Fri, 16 Apr 93 19:09:42 CDT Received: from charles.ucdavis.edu by ucdavis.ucdavis.edu (5.61/UCD2.04) id AA05416; Fri, 16 Apr 93 17:03:32 -0700 Received: from godfrey.ucd-music by charles.ucdavis.edu (4.1/UCD2.03) id AA04788; Fri, 16 Apr 93 17:07:31 PDT From: igor@charles.ucdavis.edu (Frog's Experimental Account) Date: Fri, 16 Apr 93 17:07:31 PDT Message-Id: <9304170007.AA04788@charles.ucdavis.edu> To: mutex Subject: Re: symbolic music notation <--> Mu(sic)Tex ?? Joel asked for a more useable notation format for music storage, allowing transposition and conversion to MTex etc. Surely there are many, but I've occasionally urged folks to use/share files in the SCOT format, which stands for SCore Translator. This package comes with MIT's Csound, available by ftp from ems-media.mit.edu (i could be wrong on the exact syntax of that address). It doesn't have direct to TeX that I know of, but does have MIDI converting utility, and there is MIDI<->TeX (though i think we're still all looking for the source, not just ibm and amiga binaries.) So consider SCOT. From mig@ciup1.ncc.up.pt Fri Apr 23 10:45:57 1993 Return-Path: Received: from ciup1.ncc.up.pt ([192.26.239.52]) by stolaf.edu (4.1/SMI-4.1) id AA01664; Fri, 23 Apr 93 10:45:57 CDT Received: by ciup1.ncc.up.pt id AA03679 (5.65c/IDA-1.4.4); Mon, 19 Apr 1993 04:25:19 -0700 Date: Mon, 19 Apr 1993 04:25:19 -0700 From: Miguel Filgueiras Message-Id: <199304191125.AA03679@ciup1.ncc.up.pt> To: mutex Cc: jalmeida@ciup1.ncc.up.pt, jno@di.uminho.pt, jj@ciup1.ncc.up.pt, zp@ciup1.ncc.up.pt Subject: symbolic music notation <--> Mu(sic)Tex ? Following the question of Joel and the answer from Igor: we are working here at a system (SceX; please read "skegh", for "score TeX") for translating a "score language" into MusicTeX. The idea is to have a "voice language" for describing voices, together with a "score language" for describing scores and translators between them and to MusicTeX. Our main concern is that the amount of formatting MusicTeX does is very limited and in most cases it should be possible to apply some general rules on how to put notes/symbols/bars on the formatted score (exactly as TeX does when putting words/lines/paragraphs on the formatted text). By now we have a preliminary definition of both SceX Voice Language (SVL) and SceX Score Language (SSL) and a translator of ConcertWare Plus score files into SVL (ConcertWare Plus is an old music software for the Macs in which I happen to have a large number of scores). Although bot SVL and SSL can be edited with a normal text editor, we are working at a graphical editor based on X-Windows and we are starting the work on the SVL to SSL translator (which will be easy to do). Note that this project is quite recent and we are very interested to know about other symbolic notations for music. I've tried ftp from ems-media.mit.edu to get SCOT but this address is wrong. So I would appreciate any more reliable information on how to get SCOT, as well as information on other similar languages. Miguel ______________________________________________________________________________ Miguel Filgueiras mig@ncc.up.pt Centro de Informatica Universidade do Porto R. do Campo Alegre 823 Tel: 351-2-6001672 4100 Porto / Portugal Fax: 351-2-6003654 ______________________________________________________________________________ From igor@charles.ucdavis.edu Sun Apr 25 17:54:02 1993 Return-Path: Received: from ucdavis.ucdavis.edu by stolaf.edu (4.1/SMI-4.1) id AA18594; Sun, 25 Apr 93 17:54:02 CDT Received: from charles.ucdavis.edu by ucdavis.ucdavis.edu (5.61/UCD2.04) id AA04633; Sun, 25 Apr 93 15:37:09 -0700 Received: from godfrey.ucd-music by charles.ucdavis.edu (4.1/UCD2.03) id AA11167; Sun, 25 Apr 93 15:43:06 PDT From: igor@charles.ucdavis.edu (Frog's Experimental Account) Date: Sun, 25 Apr 93 15:43:06 PDT Message-Id: <9304252243.AA11167@charles.ucdavis.edu> To: mutex Subject: Re: symbolic music notation <--> Mu(sic)Tex ? Cc: jalmeida@ciup1.ncc.up.pt, jj@ciup1.ncc.up.pt, jno@di.uminho.pt, zp@ciup1.ncc.up.pt Sorry about the wrong address for Csound (including ScoT) materials.. let it be a lesson to all that such things recalled from simply human memory are often not accurate. Egreping all files in my sitelist directory for the string "media.mit" I have found the sought-after reference: cecelia.media.mit.edu (18.85.0.2) directory /music/.... there is also listings with the address number as 18.85.0.104, so try that in a bind. You'll probably need to descend into the Csound directory, and maybe others, to find the manuals (for a good description of the language) which come in at least Postscript and probably other formats. I'd be glad to post relevant sections sometime soon if anyone would benefit from this. It'll be nice to see folks using and communicating musically with SCOT! Also, as for developing tools in this area, one might consider incorporation of the Standard Musical Description Language, which came out oh, about two years ago (?). I believe there's a copy at the ftpsite ucsd.edu. It's very technical though, more suited to computer-only and funky-tuning musics. This mention of it is meant to appease those who like to work toward standardizing all things networked (not a bad cause.) From john@cs.uct.ac.za Tue May 11 09:16:46 1993 Return-Path: Received: from cs.uct.ac.za by stolaf.edu (4.1/SMI-4.1) id AA11464; Tue, 11 May 93 09:16:46 CDT Received: from sun-4.cs.uct.ac.za by cs.uct.ac.za with smtp (Smail3.1.28.1 #1) id m0nsv8F-00096BC; Tue, 11 May 93 16:16 SAT (+0200) Message-Id: From: john@cs.uct.ac.za (John Green) Subject: Problem getting SCOT To: mutex Date: Tue, 11 May 1993 16:16:25 +0200 (SAT) X-Mailer: ELM [version 2.4 PL13] Content-Type: text Content-Length: 579 Greetings All I am very interested in getting hold of the ScoT description since I am transcribing lots of music to computer using MusicTex. I got hold of CSound from cecelia.media.mit.edu, but when I tried to remove the files from the tar, I got a 'directory checksum error'. I tried using both UNIX System V/386/486 and SunOS (UNIX). Is it possible for someone to e-mail just the ScoT description to me, please? If not, any pointers to help will be gratefully accepted. Yours John S Green Department of Computer Science University of Cape Town e-mail: john@cs.uct.ac.za From @FRMOP11.CNUSC.FR:TAUPIN@FRUPS51.BITNET Tue May 18 03:14:09 1993 Return-Path: <@FRMOP11.CNUSC.FR:TAUPIN@FRUPS51.BITNET> Received: from FRMOP11.CNUSC.FR by stolaf.edu (4.1/SMI-4.1) id AA12381; Tue, 18 May 93 03:14:09 CDT Message-Id: <9305180814.AA12381@stolaf.edu> Received: from FRUPS51.BITNET by FRMOP11.CNUSC.FR (IBM VM SMTP V2R2) with BSMTP id 1710; Tue, 18 May 93 10:14:00 GMT Date: 18 MAY 93 10:18:02.93-GMT From: TAUPIN%FRUPS51.BITNET@FRMOP11.CNUSC.FR Subject: MUSICTEX To: mutex MUSICTEX VERSION 4.94 is now available at anonymous ftp: rsovax.ups.circe.fr (130.84.128.100) A few bugs corrected and doc updated. Archive managers, please update... From icking@gmdzi.gmd.de Tue May 18 07:43:07 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA28221; Tue, 18 May 93 07:43:07 CDT Received: by gmdzi.gmd.de id AA19661 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Tue, 18 May 1993 14:42:26 +0200 Date: Tue, 18 May 1993 14:42:26 +0200 From: Werner Icking Message-Id: <199305181242.AA19661@gmdzi.gmd.de> To: mutex Subject: Re: MUSICTEX Daniel Taupin writes at 18 MAY 93 10:18:02.93-GMT > >MUSICTEX VERSION 4.94 is now available at anonymous ftp: >Archive managers, please update... Done at ftp.gmd.de: /ftp/music/musictex -rw-r--r-- 1 icking system 129905 May 17 14:23 musicexa-494.tar.Z -rw-r--r-- 1 icking system 173568 May 17 14:23 musicexa.zip -rw-r--r-- 1 icking system 313941 May 17 14:24 musictex-494.tar.Z -rw-r--r-- 1 icking system 372224 May 17 14:24 musictex.zip -rw-r--r-- 1 icking system 198656 May 17 14:25 recueil.zip /ftp/music/musictex/diff-files -rw-r--r-- 1 icking system 65410 May 17 14:23 musicexa.493-494.zip -rw-r--r-- 1 icking system 71238 May 17 14:24 musictex.493-494.zip Werner From @FRMOP11.CNUSC.FR:TAUPIN@FRUPS51.BITNET Fri May 28 09:04:31 1993 Return-Path: <@FRMOP11.CNUSC.FR:TAUPIN@FRUPS51.BITNET> Received: from FRMOP11.CNUSC.FR by stolaf.edu (4.1/SMI-4.1) id AA02269; Fri, 28 May 93 09:04:31 CDT Message-Id: <9305281404.AA02269@stolaf.edu> Received: from FRUPS51.BITNET by FRMOP11.CNUSC.FR (IBM VM SMTP V2R2) with BSMTP id 1671; Fri, 28 May 93 16:04:01 GMT Date: 28 MAY 93 16:08:09.75-GMT From: TAUPIN%FRUPS51.BITNET@FRMOP11.CNUSC.FR Subject: MusicTeX 4.95 To: mutex Version 4.95 available at rsovax.ups.circe.fr Just a little beauty change noted by a referree of TUG congress. Archive and mirror managers, please update. From cdr Wed Jun 2 08:18:36 1993 To: /var/spool/ftp/pub/mutex/archive Subject: Re: MusicTeX 4.95 >From icking@gmdzi.gmd.de Tue Jun 1 06:13:01 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA17520; Tue, 1 Jun 93 06:13:01 CDT Received: by gmdzi.gmd.de id AA20875 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Tue, 1 Jun 1993 13:12:00 +0200 Date: Tue, 1 Jun 1993 13:12:00 +0200 From: Werner Icking Message-Id: <199306011112.AA20875@gmdzi.gmd.de> To: mutex Subject: Re: MusicTeX 4.95 >From owner-mutex@stolaf.edu Fri May 28 16:25:02 1993 >Received: from stolaf.edu (nic.stolaf.edu) by gmdzi.gmd.de with SMTP id AA04410 > (5.65c/IDA-1.4.4 for ); Fri, 28 May 1993 16:24:57 +0200 >Version 4.95 available at rsovax.ups.circe.fr > >Just a little beauty change noted by a referree of TUG congress. > >Archive and mirror managers, please update. Done. -- And because only two lines in musictex.tex are changed and only some \special in musicexa.zip are dropped I recommend to retrieve the diff-files from our ftp-server: ftp.gmd.de [129.26.8.90] music/musictex/diff-files/musictex.494-495.zip musicexa.494-495.zip On a PC you have to rename the files when getting them via anonymous ftp. The standard zip-files and the ...tar.Z files are available too (and this time without compressing them with gzip and naming them nevertheless .Z) Damned gnu-tar! Werner From SETTELS@amc.uva.nl Wed Jul 14 07:30:06 1993 Return-Path: Received: from VX.CIS.UMN.EDU by stolaf.edu (4.1/SMI-4.1) id AA10428; Wed, 14 Jul 93 07:30:06 CDT Received: from HASARA5.BITNET (MAILGATE@HASARA5) by vx.cis.umn.edu (PMDF V4.2-13 #2574) id <01H0IWCM9O0GAFUBKQ@vx.cis.umn.edu>; Wed, 14 Jul 1993 07:31:57 CDT Received: from SARA.NL by SARA.NL for mutex@stolaf.edu; 14 Jul 93 14:30 MET Received: from amc.uva.nl by SARA.NL with PMDF#10201; Wed, 14 Jul 1993 14:29 MET Received: from amc.uva.nl by amc.uva.nl (PMDF #2498 ) id <01H0JAWPM19O0001FL@amc.uva.nl>; Wed, 14 Jul 1993 14:29:04 MET Date: Wed, 14 Jul 1993 14:29:04 +0100 (MET) From: SETTELS@amc.uva.nl Subject: new address To: mutex Message-Id: <01H0JAWPM19Q0001FL@amc.uva.nl> X-Envelope-To: mutex@stolaf.edu X-Vms-To: STOLAF Mime-Version: 1.0 Content-Transfer-Encoding: 7BIT Precedence: bulk Hello, The e-mail address kuykens@amc.uva.nl is no longer valid. e-mail for BMI-TNO and Hans Kuykens until further notice can be send to settels@amc.uva.nl. Hans Kuykens From louis@wizard.ladc.lockheed.com Thu Jul 15 12:24:15 1993 Return-Path: Received: from eagle.is.lmsc.lockheed.com by stolaf.edu (4.1/SMI-4.1) id AA26580; Thu, 15 Jul 93 12:24:15 CDT Received: by eagle.is.lmsc.lockheed.com (5.57/Ultrix3.0-C) id AA07293; Thu, 15 Jul 93 10:24:15 -0700 Received: by wizard.ladc.lockheed.com (4.0/SMI-4.1) id AA26258; Thu, 15 Jul 93 10:23:34 PDT Date: Thu, 15 Jul 93 10:23:34 PDT From: louis@wizard.ladc.lockheed.com (Louis Wilson x0868) Message-Id: <9307151723.AA26258@wizard.ladc.lockheed.com> To: mutex Subject: Previewing MuTeX on a NeXT Precedence: bulk I am having problems previewing using the TeXView provided with my NeXTStation. After I have used metafont to create the PK files in the correct DPI (91) and try to view my DVI file I get an error that says "lost sync in pk file" or something like this. Do you have any ideas about why this happens? By the way, when use dvips and print the music, everything works fine. Louis Wilson louis@wizard.ladc.lockheed.com From MCNBJTB@cms.manchester-computing-centre.ac.uk Wed Jul 21 03:50:47 1993 Return-Path: Received: from sun2.nsfnet-relay.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA25790; Wed, 21 Jul 93 03:50:47 CDT Message-Id: <9307210850.AA25790@stolaf.edu> Via: uk.ac.manchester-computing-centre.cms; Wed, 21 Jul 1993 09:50:16 +0100 X-Delivery-Notice: SMTP MAIL FROM does not correspond to sender. Received: from UK.AC.MCC.CMS (MCNBJTB) by MCC.CMS (Mailer R2.03B) with BSMTP id 2861; Wed, 21 Jul 93 09:50:08 BST Date: Wed, 21 Jul 93 09:39:20 BST From: "Bernard J. Treves Brown" Organization: DIAS - UMIST - MANCHESTER - UK Subject: Unison Music & Keyboard To: mutex Pp-Warning: Parse error in original version of preceding line Original-To: mutex%stolaf. edu@ UK.AC.NSF Precedence: bulk Hi, As far as I can tell no-one has asked this before: I am trying to transcribe some manuscript unison music. There is a single piano part on two staves, joined by the usual { symbol, but the vocal line is between the staves. I can see how to put comments between the staves, but is there a way of inserting an instrument (voice) into the middle of another one, (piano) so that the text moves at the same speed as the music? Having read the manual and looked at a few of the examples I can't see how this can be done. Many thanks for any help you can offer. Bernard. From mig@ciup1.ncc.up.pt Wed Jul 21 05:35:53 1993 Return-Path: Received: from ciup1.ncc.up.pt by stolaf.edu (4.1/SMI-4.1) id AA02601; Wed, 21 Jul 93 05:35:53 CDT Received: by ciup1.ncc.up.pt id AA20344 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Wed, 21 Jul 1993 04:28:32 -0700 Date: Wed, 21 Jul 1993 04:28:32 -0700 From: Miguel Filgueiras Message-Id: <199307211128.AA20344@ciup1.ncc.up.pt> To: mutex Subject: Beams and note stems in MusicTeX Precedence: bulk I would appreciate getting help on the following problems in using MusicTeX. I am trying to code the lower staff of bar 65 of Chopin's Scherzo in B minor op. 31. There is a F-clef, a sequence of quarter notes with stems up and linked (Kadfda in MusicTeX notation), with K doubled with stem down. I tried to code this as: \temps\Notes\ibu0f0\zq{K}\cl{K}\qu{adfd}\tbu0\qu{a}\enotes but 1) only the stem of f reaches the beam; lowering the beam makes that stem to cross the beam. This is clearly in contradiction with what is said in the manual (last but one paragraph, page 17). 2) I get only the K with the stem down but not the one with stem up. Any help will be most welcome! Miguel Filgueiras From mig@ciup1.ncc.up.pt Wed Jul 21 05:38:54 1993 Return-Path: Received: from ciup1.ncc.up.pt by stolaf.edu (4.1/SMI-4.1) id AA02785; Wed, 21 Jul 93 05:38:54 CDT Received: by ciup1.ncc.up.pt id AA20344 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Wed, 21 Jul 1993 04:28:32 -0700 Date: Wed, 21 Jul 1993 04:28:32 -0700 From: Miguel Filgueiras Message-Id: <199307211128.AA20344@ciup1.ncc.up.pt> To: mutex Subject: Beams and note stems in MusicTeX Precedence: bulk I would appreciate getting help on the following problems in using MusicTeX. I am trying to code the lower staff of bar 65 of Chopin's Scherzo in B minor op. 31. There is a F-clef, a sequence of quarter notes with stems up and linked (Kadfda in MusicTeX notation), with K doubled with stem down. I tried to code this as: \temps\Notes\ibu0f0\zq{K}\cl{K}\qu{adfd}\tbu0\qu{a}\enotes but 1) only the stem of f reaches the beam; lowering the beam makes that stem to cross the beam. This is clearly in contradiction with what is said in the manual (last but one paragraph, page 17). 2) I get only the K with the stem down but not the one with stem up. Any help will be most welcome! Miguel Filgueiras From sbeck@marais.math.lsu.edu Wed Jul 21 14:01:51 1993 Return-Path: Received: from marais.math.lsu.edu by stolaf.edu (4.1/SMI-4.1) id AA13348; Wed, 21 Jul 93 14:01:51 CDT Received: from julia by marais.math.lsu.edu (NX5.67c/NX3.0M) id AA24821; Wed, 21 Jul 93 14:01:57 -0500 From: Stephen David Beck Message-Id: <9307211901.AA24821@marais.math.lsu.edu> Received: by julia.math.lsu.edu (NX5.67c/NX3.0X) id AA08493; Wed, 21 Jul 93 14:01:56 -0500 Date: Wed, 21 Jul 93 14:01:56 -0500 Received: by NeXT.Mailer (1.87.1.RR) Received: by NeXT Mailer (1.87.1.RR) To: mutex Subject: SEAMUS '94 Precedence: bulk = = = = = = = = = S E A M U S ' 9 4 = = = = = = = = = The 1994 National Conference of the Society for Electro-Acoustic Music in the United States April 7-9, 1994 Middlebury College Middlebury, VT The Society for Electro-Acoustic Music in the United States (SEAMUS) announces its 1994 National Conference to be hosted by the Department of Music at Middlebury College in Middlebury, Vermont. = = = = = = = CALL FOR PAPER PRESENTATIONS & PANELS = = = = = = = SEAMUS is announcing a call for papers and panel discussions to be presented during the conference. This call is open to all residents of the United States, and is not restricted to SEAMUS members. Papers may be on any topic relating to Electro-Acoustic Music including but not limited to the following: interactive performance systems electro-acoustic music and performance ethics and aesthetics Participants must submit an abstract of no more than 500 words describing the nature of the presentation, including any technical resources that will be needed. Panel sessions should be proposed using the same format. DEADLINE: All paper/panel presentation submissions must arrive at the following address no later than Friday, September 3, 1993: SEAMUS 1994 Paper/Panel Selection Committee Professor Jon Appleton Department of Music - Hopkins Center Dartmouth College Hanover, New Hampshire 03755 = = = = = = = = = = = = CALL FOR SCORES AND TAPES = = = = = = = = = SEAMUS is announcing a call for musical works to be presented during the conference. This call is open to all residents of the United States, and is not restricted to SEAMUS members. Submissions are judged by blind audition and are selected for the conference strictly on quality of work and feasability of performance. Preference will be given to works shorter than 14 minutes in length. Music Submission Guidelines: Composers may submit works of any genre or style in the following categories: (A) Music for tape (B) Music for performer(s) and tape (including interactive performance) (C) Music videos SEAMUS strongly encourages student composers to submit works for consideration. Student works will be considered by the music committee separately, and special recognition will be given to works displaying unusual talent and/or significant potential. All composers may submit one work per category. Submissions by SEAMUS members are without cost. Submissions by non-members must include a $5.00 submission fee for each work. SEAMUS members may submit more than one work per category if accompanied by a $5.00 submission fee per additional entry. All submission fees are non-refundable. Checks should be made out to SEAMUS. Each work submitted in categories A & B, must be recorded on a cassette tape (one work per tape), preferably with Dolby B NR. Scores for works in category B must have all appearances of the composer's name blocked out or erased. Works submitted in category C must be recorded on VHS Hi-Fi. Submission materials will only be returned if accompanied by a self-addressed stamped envelope (SASE). Please include specific technical requirements needed for the presentation of submitted works. The conference will be responsible for all sound and video diffusion resources. While the conference will assist in providing additional technical resources (i.e., computers, synthesizers), composers will be ultimately responsible for any additional technical needs. DEADLINE: All submissions must include the following application form. Incomplete submissions or submissions which do not adhere to the preceding guidelines may not be considered. All materials must arrive at the following address no later than Friday, September 3, 1993: SEAMUS 1994 Music Committee Professor George Todd Department of Music Middlebury College Middlebury, VT 05753 ============================================================ SEAMUS 1994 Music Submission Form Name: Address: City, State, Zip: SEAMUS Membership: Member Non-member Submission: General Entry Student Entry (must be currently enrolled in degree program) Title of Work: Length: Instrumentation: Circle Category: (A) Music for tape (B) Music for performer(s) and tape (including interactive performance) (C) Music videos Technical Requirements: Tape playback format (i.e., DAT, 1/4-track analog, VHS): Other technical needs (i.e. computers, synths, live sound): ============================================================ All materials will returned if a self-addressed stamped envelope is included with this form. Submissions by non-members must include a $5.00 submission fee for each work. SEAMUS members may submit more than one work per category if accompanied by a $5.00 submission fee per additional entry. All submission fees are non-refundable. Checks should be made out to SEAMUS. DEADLINE: This form and accompaning materials must arrive no later than Friday, September 3, 1993 at the following address: SEAMUS 1994 Music Committee Professor George Todd Department of Music Middlebury College Middlebury, VT 05753 ============================================================= From TAUPIN@rsovax.ups.circe.fr Thu Jul 22 03:47:58 1993 Return-Path: Received: from lumiere.circe.fr by stolaf.edu (4.1/SMI-4.1) id AA04985; Thu, 22 Jul 93 03:47:58 CDT Received: by lumiere.circe.fr (5.57/DEC-Ultrix/4.3) id AA13871; Thu, 22 Jul 93 10:47:08 +0200 Message-Id: <9307220847.AA13871@lumiere.circe.fr> Date: 22-JUL-1993 10:54:02 GMT2 From: TAUPIN@rsovax.ups.circe.fr Subject: how to change my address in mutex list. To: mutex Precedence: bulk To whom should I send my UNSUBSCRIBE/SUBSCRIBE commande. In vact listserv@stolaf.edu seems to be unknown and I would change my address from taupin@frups51.birnet to taupin@rsovax.ups.circe.fr Thanks for help. From TAUPIN@rsovax.ups.circe.fr Fri Jul 23 05:33:02 1993 Return-Path: Received: from lumiere.circe.fr by stolaf.edu (4.1/SMI-4.1) id AA12963; Fri, 23 Jul 93 05:33:02 CDT Received: by lumiere.circe.fr (5.57/DEC-Ultrix/4.3) id AA15672; Fri, 23 Jul 93 12:30:10 +0200 Message-Id: <9307231030.AA15672@lumiere.circe.fr> Date: 23-JUL-1993 12:37:02 GMT2 From: TAUPIN@rsovax.ups.circe.fr Subject: MusicTeX 4.97 To: mutex <@lumiere.circe.fr:tex-euro@DHDURZ1.bitnet>, <@lumiere.circe.fr:info-tex@shsu.edu>, <@lumiere.circe.fr:mutex@stolaf.edu> Precedence: bulk MusicTeX 4.97 now available at rsovax.ups.circe.fr (130.84.128.100) Changes: updated doc for previous lacks updated musictex.* and musicdoc.* several new examples corrected position of bar numbering (remark by DEK himself!) add feature to solve collision of beams with bars abd clef changes Archive and mirror managers, please update. From TAUPIN@rsovax.ups.circe.fr Fri Jul 23 10:06:10 1993 Return-Path: Received: from lumiere.circe.fr by stolaf.edu (4.1/SMI-4.1) id AA04455; Fri, 23 Jul 93 10:06:10 CDT Received: by lumiere.circe.fr (5.57/DEC-Ultrix/4.3) id AA16358; Fri, 23 Jul 93 17:05:05 +0200 Message-Id: <9307231505.AA16358@lumiere.circe.fr> Date: 23-JUL-1993 17:11:56 GMT2 From: TAUPIN@rsovax.ups.circe.fr Subject: 3.1415926535 megatons of apologies! To: mutex <@lumiere.circe.fr:info-tex@shsu.edu>, <@lumiere.circe.fr:tex-euro@DHDURZ1.bitnet>, <@lumiere.circe.fr:emtex-user@chemie.fu-berlin.de> Precedence: bulk I announced version 4.97 of musictex 3 heours ago, but my update was wrong. Unless other complaints, it is now really updated. Archive and mirror managers, thank you for your patience. From matcp@luxor.latrobe.edu.au Sun Jul 25 21:11:40 1993 Return-Path: Received: from luga.latrobe.edu.au by stolaf.edu (4.1/SMI-4.1) id AA05909; Sun, 25 Jul 93 21:11:40 CDT Received: from luxor.latrobe.edu.au by luga.latrobe.edu.au with SMTP id AA23069 (5.65+/IDA-1.3.5/LTU-1.0 for mutex@stolaf.edu); Mon, 26 Jul 93 12:11:10 +1000 Received: by luxor.latrobe.edu.au (AIX 3.1/UCB 5.61/4.03) id AA17208; Mon, 26 Jul 93 12:10:50 +1000 From: matcp@luxor.latrobe.edu.au Message-Id: <9307260210.AA17208@luxor.latrobe.edu.au> Subject: winjammer and midi2tex To: mutex Date: Mon, 26 Jul 1993 12:10:50 +22322538 (EST) X-Mailer: ELM [version 2.4 PL20] Content-Type: text Content-Length: 739 Precedence: bulk Dear fellow subscribers, I have a problem which someone must have already had. I recently obtained a copy of Winjammer. I have tried to run midi2tex with the midi files that it outputs but find that it doesn't work. A tex file is created but all the bars are empty and it seems that the binary midi data is placed in some uptext which describes the parts. I have successfully used midi2tex with the output of band-in-a-box. The midi files of winjammer can be read by other sequencers. As these are both commonly used programs I assume there are others which have come across the problem. I thought it would be best to try this mailing list before bothering the authors of the respective programs. Thanks Carmelo Pisani From john@cs.uct.ac.za Mon Jul 26 06:31:44 1993 Return-Path: Received: from cs.uct.ac.za by stolaf.edu (4.1/SMI-4.1) id AA05993; Mon, 26 Jul 93 06:31:44 CDT Received: from sun-4.cs.uct.ac.za by cs.uct.ac.za with smtp (Smail3.1.28.1 #2) id m0oKQkU-00096FC; Mon, 26 Jul 93 13:29 SAT (+0200) Message-Id: From: john@cs.uct.ac.za (John Green) Subject: Re: Beams and note stems in MusicTeX To: mutex Date: Mon, 26 Jul 1993 13:29:41 +0200 (SAT) Cc: mutex@stolaf.edu In-Reply-To: <199307211128.AA20344@ciup1.ncc.up.pt> from "Miguel Filgueiras" at Jul 21, 93 04:28:32 am X-Mailer: ELM [version 2.4 PL22] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 1331 Precedence: bulk > > I would appreciate getting help on the following problems in using > MusicTeX. I am trying to code the lower staff of bar 65 of Chopin's > Scherzo in B minor op. 31. There is a F-clef, a sequence of quarter > notes with stems up and linked (Kadfda in MusicTeX notation), with > K doubled with stem down. I tried to code this as: > > \temps\Notes\ibu0f0\zq{K}\cl{K}\qu{adfd}\tbu0\qu{a}\enotes > > but > 1) only the stem of f reaches the beam; lowering the beam makes that > stem to cross the beam. This is clearly in contradiction with what is > said in the manual (last but one paragraph, page 17). You have to use \qh and \qb (instead of \qu and \ql) to force MusicTex to make the stems the correct length. The command \qh makes the stems hang from the beam, \qb makes them stand on the beam. > 2) I get only the K with the stem down but not the one with stem up. To get two notes on the same spot when you only have spacing commands (like \cl and the beam commands \qh and \qb), I use "rlap" which cancels the spacing, and lets you put the notes on top of each other. The coding would thus be: \temps\Notes\ibu0f0\rlap{\cl{K}}\qh0{K}\cl{K}\qh0{adfd}\tbu0\qh0{a}\enotes > Any help will be most welcome! > > Miguel Filgueiras If there is a better method than rlap, I would be glad to know about it. -- John Green From john@cs.uct.ac.za Mon Jul 26 06:59:03 1993 Return-Path: Received: from cs.uct.ac.za by stolaf.edu (4.1/SMI-4.1) id AA12136; Mon, 26 Jul 93 06:59:03 CDT Received: from sun-4.cs.uct.ac.za by cs.uct.ac.za with smtp (Smail3.1.28.1 #2) id m0oKRBx-00098hC; Mon, 26 Jul 93 13:58 SAT (+0200) Message-Id: From: john@cs.uct.ac.za (John Green) Subject: Re: Unison Music & Keyboard To: mutex Date: Mon, 26 Jul 1993 13:58:04 +0200 (SAT) Cc: mutex@stolaf.edu In-Reply-To: <9307210850.AA25790@stolaf.edu> from "Bernard J. Treves Brown" at Jul 21, 93 09:39:20 am X-Mailer: ELM [version 2.4 PL22] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 1171 Precedence: bulk > > Hi, > As far as I can tell no-one has asked this before: > I am trying to transcribe some manuscript unison music. There is a single > piano part on two staves, joined by the usual { symbol, but the vocal line > is between the staves. I can see how to put comments between the staves, > but is there a way of inserting an instrument (voice) into the middle > of another one, (piano) so that the text moves at the same speed as the music? > > Having read the manual and looked at a few of the examples I can't see how > this can be done. > > Many thanks for any help you can offer. > Bernard. > I don't know whether this is the best method, but it works! ---------------------------------------------------------------------- \def\nbinstruments{1} \nbporteesi=1\relax \cleftoksi={{6}{6}{0}{0}}% % \def\interinstrument{2cm}% Use any size which makes the gap big enough. % % ... % \debutmorceau % \notes bass-clef-notes | \rlap{ words } treble-clef-notes \enotes \barre % % ... % ---------------------------------------------------------------------- The words can be put in with \charnote (instead of \zcharnote) to give the correct spacing. -- John Green From mig@ciup1.ncc.up.pt Mon Jul 26 07:04:10 1993 Return-Path: Received: from ciup1.ncc.up.pt by stolaf.edu (4.1/SMI-4.1) id AA13148; Mon, 26 Jul 93 07:04:10 CDT Received: by ciup1.ncc.up.pt id AA13593 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Mon, 26 Jul 1993 06:00:42 -0700 Date: Mon, 26 Jul 1993 06:00:42 -0700 From: Miguel Filgueiras Message-Id: <199307261300.AA13593@ciup1.ncc.up.pt> To: mutex Cc: mutex@stolaf.edu In-Reply-To: John Green's message of Mon, 26 Jul 1993 13:29:41 +0200 (SAT) Subject: Beams and note stems in MusicTeX Precedence: bulk Thanks for your help. Meanwhile Daniel Taupin kindly gave me advice on how to solve these and some other problems. He just issued a new release of MusicTeX with enhancements that solve problems I had with beams. Instead of \rlap (that, by the way, I cannot find in the manual) one can use \zcX (which were not mentioned in the previous manual), and \zccX, \zcccX, \zccccX (which are not mentioned in the current version of the manual), X=u or X=l. Miguel Filgueiras From kon@ime.usp.br Tue Jul 27 08:04:34 1993 Return-Path: Received: from farofa.ime.usp.br ([143.107.45.21]) by stolaf.edu (4.1/SMI-4.1) id AA05972; Tue, 27 Jul 93 08:04:34 CDT Received: from brucutu (brucutu.ime.usp.br) by farofa.ime.usp.br (4.1/1.34) id AA08146; Tue, 27 Jul 93 10:05:40-030 Received: by brucutu (4.1/1.34) id AA05994; Tue, 27 Jul 93 10:05:39-030 Date: Tue, 27 Jul 93 10:05:39-030 From: Fabio Kon Message-Id: <9307271305.AA05994@brucutu> To: mutex Subject: RE: winjammer and midi2tex References: <9307260210.AA17208@luxor.latrobe.edu.au> Precedence: bulk matcp@luxor.latrobe.edu.au writes: > Dear fellow subscribers, > I have a problem which someone must have already > had. I recently obtained a copy of Winjammer. I have tried to run > midi2tex with the midi files that it outputs but find that it doesn't > work. A tex file is created but all the bars are empty and it seems > that the binary midi data is placed in some uptext which describes > the parts. I tried to run midi2tex with the midi files generated by Voyetra's SPG and by Copyist last year. I got the same kind of problem you have just described. Bye, Fabio Kon. From icking@zsv.gmd.de Wed Jul 28 08:32:09 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA13794; Wed, 28 Jul 93 08:32:09 CDT Received: from sunick.gmd.de (sunick) by gmdzi.gmd.de with SMTP id AA26956 (5.65c/IDA-1.4.4 for ); Wed, 28 Jul 1993 15:30:33 +0200 Received: by sunick.gmd.de id AA00385 (5.65c/IDA-1.4.4); Wed, 28 Jul 1993 15:31:57 +0200 Date: Wed, 28 Jul 1993 15:31:57 +0200 From: Werner Icking Message-Id: <199307281331.AA00385@sunick.gmd.de> To: mutex Subject: Re: Beams and note stems in MusicTeX Precedence: bulk > Instead of \rlap (that, by the way, I cannot find in the manual) one > can use \zcX (which were not mentioned in the previous manual), and > \zccX, \zcccX, \zccccX (which are not mentioned in the current version > of the manual), X=u or X=l. Another possibility is to use MusicTex's \off esp. if you want to (back)space more than one note: \qu{'abcd}\off{-3\noteskip}\ql{a`gfe} Especially when usings overlapping beams this technique is very useful: \ibbl0g0\qb0{ggg}\tqb0g\off{-4\noteskip}\ibbu1{'b}0\qh1{bbb}\tqh1g Werner PS: I'm back from holiday so the above examples may be erroneous because I'm not well trained writing MusicTeX in the momemt. PPS: For the same reason the update of our ftp-archive (ftp.gmd.de) was a little bit later than usual. On the other hand as usual not only the complete zip-archives are available but the tar-versions and the delta files, too; /diff-files/musictex.495-497.zip does not contain the changed musicdoc.dvi -- you have to generate it by yourself. From celestin@triglav.lerc.nasa.gov Thu Jul 29 12:09:10 1993 Return-Path: Received: from aruba.lerc.nasa.gov ([139.88.35.16]) by stolaf.edu (4.1/SMI-4.1) id AA13515; Thu, 29 Jul 93 12:09:10 CDT Received: from triglav.lerc.nasa.gov by aruba.lerc.nasa.gov with SMTP (920330.SGI/LeRC/DLW/TAF(1.22-main)) id AA06835; Thu, 29 Jul 93 13:09:21 -0400 Received: by triglav.lerc.nasa.gov (920330.SGI/LeRC/DLW/TAF(1.21-local)) id AA14540; Thu, 29 Jul 93 13:09:15 -0400 Date: Thu, 29 Jul 93 13:09:15 -0400 From: celestin@triglav.lerc.nasa.gov (Mark Celestina) Message-Id: <9307291709.AA14540@triglav.lerc.nasa.gov> To: mutex Subject: MusicTex on an SGI PI Precedence: bulk To Whomever Has An Answer, I was able to download the MusicTex files from rsovax.ups.circe.fr to an SGI PI running 4.0.5 and have unzip'ped the appropriate files. We run TeX from central servers so as not to clutter up disk space on our machines. My question is what should I do to let TeX know the fonts needed to translate the TeX commands in some of the .tex files from rsovax.ups.circe.fr. I currently get messages that the appropriate fonts are not available and that another is being substituted instead. The notes do not look right along for one although the music lines seem to be fine. Mark ----------------------------------------------------------------------------- Mark L Celestina | phone: 216-433-5935 M.S. 5-9 | NASA Lewis Research Center | Cleveland, Ohio 44135 | email: celestin@lerc.nasa.gov ----------------------------------------------------------------------------- From icking@zsv.gmd.de Thu Jul 29 12:48:34 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA16512; Thu, 29 Jul 93 12:48:34 CDT Received: from sunick.gmd.de (sunick) by gmdzi.gmd.de with SMTP id AA25955 (5.65c/IDA-1.4.4 for ); Thu, 29 Jul 1993 19:47:18 +0200 Received: by sunick.gmd.de id AA00926 (5.65c/IDA-1.4.4); Thu, 29 Jul 1993 19:48:42 +0200 Date: Thu, 29 Jul 1993 19:48:42 +0200 From: Werner Icking Message-Id: <199307291748.AA00926@sunick.gmd.de> To: mutex Subject: Re: MusicTex on an SGI PI Precedence: bulk Ask Someone-Whoever-Knows-The-Answer what environment-variables you have to set that TeX and the DVI-drivers will find the TFM- and the PK- files. In addition it may be neccessary to rename xyz.PK to xyz.300PK. In addition it may be neccessary to run Metafont on the MF-files if your TeX-installation needs the fonts with a resolution different from 300 dpi (or different from the resolutions found in musicpk.zip). The music-lines, the stems, ... do not need a special font; therefor they may look nice to give you a first impression of the good performance of MusicTeX. And a last advice: did you look into the (a little bit old) FAQ? But I do not know whether your problem is mentioned there :-) The FAQ is available by anonymous ftp from ftp.gmd.de /music/musictex/... Hope this hilft -- Werner PS: What's an SGI PI with 4.0.5 and why is that thing related in any way to TeX? :-) From matcp@luxor.latrobe.edu.au Sun Aug 1 23:33:47 1993 Return-Path: Received: from luga.latrobe.edu.au by stolaf.edu (4.1/SMI-4.1) id AA10411; Sun, 1 Aug 93 23:33:47 CDT Received: from luxor.latrobe.edu.au by luga.latrobe.edu.au with SMTP id AA07615 (5.65+/IDA-1.3.5/LTU-1.0 for mutex@stolaf.edu); Mon, 2 Aug 93 14:33:39 +1000 Received: by luxor.latrobe.edu.au (AIX 3.1/UCB 5.61/4.03) id AA15387; Mon, 2 Aug 93 14:33:33 +1000 From: matcp@luxor.latrobe.edu.au Message-Id: <9308020433.AA15387@luxor.latrobe.edu.au> Subject: Re: winjammer and midi2tex To: mutex Date: Mon, 2 Aug 1993 14:33:33 +22322538 (EST) In-Reply-To: from "matcp" at Jul 26, 93 12:10:50 pm X-Mailer: ELM [version 2.4 PL20] Content-Type: text Content-Length: 1103 Precedence: bulk > > Dear fellow subscribers, > I have a problem which someone must have already > had. I recently obtained a copy of Winjammer. I have tried to run > midi2tex with the midi files that it outputs but find that it doesn't > work. A tex file is created but all the bars are empty and it seems > that the binary midi data is placed in some uptext which describes > the parts. I have successfully used midi2tex with the output of band-in-a-box. > The midi files of winjammer can be read by other sequencers. As these > are both commonly used programs I assume there are others which have > come across the problem. I thought it would be best to try this > mailing list before bothering the authors of the respective programs. > > Thanks > > Carmelo Pisani > > Dear people, I have found the problem. Using mft2 to convert the midi files to readable form, I found that Winjammer put in some meta events (Meta 0x21). As these seemed to be the only unusual entries in the midi file, I deleted them. Midi2tex then processed the file with no problems. kind regards Carmelo Pisani From akenning@spam.adelaide.edu.au Mon Aug 9 01:23:59 1993 Return-Path: Received: from athos.maths.adelaide.edu.au by stolaf.edu (4.1/SMI-4.1) id AA23942; Mon, 9 Aug 93 01:23:59 CDT Received: by athos.maths.adelaide.edu.au (5.64+1.3.1+0.50/UA-5.19) id AA17831; Mon, 9 Aug 1993 15:54:00 +0930 Date: Mon, 9 Aug 1993 15:54:00 +0930 From: Alan Kennington Message-Id: <9308090624.AA17831@athos.maths.adelaide.edu.au> To: mutex Subject: MusicTeX discussions... Cc: akenning@spam.adelaide.edu.au Precedence: bulk Could you please add me to the list for MusicTeX discussions? Many Thanks, Alan Kennington. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Alan Kennington TRC/Applied Mathematics University of Adelaide Work: +61 8 303 5075 Adelaide SA 5005 Fax: +61 8 224 0227 Australia Internet: akenning@maths.adelaide.edu.au X.400: C=au A=telememo P=oz.au DDA.RFC-822=akenning(a)maths.adelaide.edu.au From cdr@stolaf.edu Mon Aug 9 15:47:14 1993 Return-Path: Received: from lars.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA26176; Mon, 9 Aug 93 15:47:14 CDT Received: by lars.acc.stolaf.edu (4.1/SMI-4.1) id AA26067; Mon, 9 Aug 93 15:47:11 CDT Message-Id: <9308092047.AA26067@lars.acc.stolaf.edu> To: mutex Subject: FAQ Date: Mon, 09 Aug 1993 15:47:11 -0500 From: "Craig D. Rice" Precedence: bulk The following is a posting of the MusicTeX frequently asked questions file. It is likely a bit out of date, so contributions and corrections are welcome! Thanks, Craig -- Craig D. Rice UNIX Systems Specialist/Network Analyst cdr@stolaf.edu Academic Computing Center, St. Olaf College +1 507 646-3631 1510 St. Olaf Avenue +1 507 646-3549 FAX Northfield, MN 55057-1097 USA FAQ 930317: Frequently Asked Questions pertaining to MusicTeX and MuTeX ------------------------------------------------------------------------------- NOTE: This is a bare bones beginning of what will constitute a more substantial "Frequently Asked Questions" for MuTeX and MusicTeX. Please mail your contributions to this to "mutex@stolaf.edu" ------------------------------------------------------------------------------- TABLE OF CONTENTS ------------------------------------------------------------------------------- 01 What is MuTeX? 02 Where can I get MuTeX and MusicTeX? 03 Where are the archives of MuTeX mailing list? 04 With MusicTeX I get notes and beams, but they are badly aligned, beams and slurs are offset to the right etc. 05 I obtained easily the .TEX files but the .PK and .TFM are wrong. 06 There is no documentation with MusicTeX. 07 I run MusicTeX on SUNOS (or some other big computer) but I have memory problems with MSDOS 08 Where's the glue? it's not clear to me when to use or not use \temps or just what it really does. 09 When and why do you really need to put \relax at the end of a line? 10 What are the advantages or disadvantages of using ^ instead of \sh? Is one more flexible, or is it just a matter of typing style? 11 How can I put something somewhere in the MusicTeX staffs. 12 I cannot print notice.tex with american paper. 13 How can I make triplets? 14 How can I offset vertically the rests, in order to avoid collision with beams or other notes in polyphonic music: ------------------------------------------------------------------------------- This FAQ list is kept up to date by the contributions of the members of the mutex mailing list. To participate in mutex and musictex discussions, you can subscribe to (or unsubscribe from) the "mutex" mailing list at the address: mutex-request@stolaf.edu To send a question to the entire membership of the mutex mailing list, use the address: mutex@stolaf.edu ------------------------------------------------------------------------------- 01 What is MuTeX? The MuTeX package is a set of macros allowing TeX to typeset music. It was written by Andrea Steinbach and Angelika Schofer, as a master's thesis at Rheinische Friedrich-Wilhelms University. MuTeX allows you to typeset single-staff music and lyrics. 01 What is MusicTeX? Another powerful package which allows the typesetting of orchestral and polifonic music is MusicTeX, written by Daniel Taupin. The main difference between MuTeX and MusicTeX is that - MusicTeX deals with multiple staves (staffs?) - MuTeX produces a nicer output. The reason that MuteX produces nicer output seems to be that it can handle only single-staff music and therefore can easier put glue between the notes. A second reason is that it makes "real" slurs and not some sort of rotated brackets (braces, ...). But MusicTeX is getting better and better because Daniel Taupin maintains it whilst nearly nobody continues the development of MuTeX ------------------------------------------------------------------------------- 02 Where can I get MuTeX and MusicTeX? Most up to date version of musictex: rsovax.ups.circe.fr directory [anonymous.musictex] Different versions of MuTeX and MusicTeX are available from many other sites, including: ftp.stolaf.edu /pub/mutex/MuTeX.tar.Z ftp.stolaf.edu /pub/mutex/MuTeX_doc.tar.Z ftp.gmd.de /music/mutex/mutex.zip ccadfa.cc.adfa.oz.au /pub/tex/MuTeX.tar.Z clouso.crim.ca /pub/MuTeX.tar.Z ftp.cs.ruu.nl /pub/TEX/MUSIC/MuTeX.tar.Z ymir.claremont.edu [anonymous.tex.music.mtex] MusicTeX ftp.stolaf.edu /pub/mutex/musictex-4.31.tar.Z ftp.gmd.de /music/musictex/musictex.zip /music/musictex/musictex-nnn.tar.Z ymir.claremont.edu [anonymous.tex.music.musictex]. alfred.ccs.carleton.ca /pub/tex/MusicTeX.tar.Z aix370.rrz.uni-koeln.de /tex/musictex.tar.Z bach.cs.umb.edu /pub/tex/musictex.tar.Z cs.dal.ca /pub/comp.archives/musictex emx.utexas.edu /pub/mnt/source/tex/musictex.tar.Z forwiss.uni-passau.de /pub/tex/macros/musictex.tar.Z iraun1.ira.uka.de /tex/musictex.tar.Z kth.se /tex/umb/musictex.tar.Z wraith.cs.uow.edu.au /cache/ftp.cs.umb.edu/pub/tex/musictex.tar.Z qed.rice.edu /pub/musictex.tar.Z ftp.cs.ruu.nl /pub/TEX/MUSIC/musictex.tar.Z (musictex.zip + musicexa.zip) srawgw.sra.co.jp /.a/sranha/arch/arch/comp.archives/musictex srawgw.sra.co.jp /.a/sranha/arch/arch/comp.archives/music/notation/musictex Other Related Stuff arisia.xerox.com /pub/musictexdemo.PS athene.uni-paderborn.de /pcsoft/amiga/tex/fonts/musictex.lzh nz20.rz.uni-karlsruhe.de /pub/pctex/texutl/macros/musictex.lzh ftp.gmd.de /music/midi2tex/... midi to MusicTeX For those without FTP access, you can e-mail to: mail-server@cs.ruu.nl TEX/MUSIC/musictex.tar.Z or mailserv@ymir.claremont.edu (Submitted by: dgold@basso.actrix.gen.nz (Dale Gold)) ------------------------------------------------------------------------------- 03 Where are the archives of the MuTeX mailing list? Archives for the MuTeX mailing list are available via anonymous FTP from: ftp.stolaf.edu:/pub/mutex/archive (actual size: 0.5 MB!) ------------------------------------------------------------------------------- 04 With MusicTeX I get notes and beams, but they are badly aligned, beams and slurs are offset to the right etc. Remove all unnecessary spaces, i.e. ALL (all, not most of them) spaces which do not follow a TeX or MusicTeX control sequence. E.g.: do not write \qu h | \ibu0i3 \qu b \qu c \enotes but \qu h|\ibu0i3\qu b\qu c\enotes \relax at the end of each line not ending with \enotes Answer thanks to TAUPIN@FRUPS51.bitnet ------------------------------------------------------------------------------- 05 I obtained easily the .TEX files but the .PK and .TFM are wrong. You probably forgot to say BINARY to your ftp before GETting the binary files. As a rule the .TEX and .STY are ASCII, as well as the .MF. But the .PK, .ZIP, .TFM and (for VMS) .BCK files must be transferred in BINARY Answer thanks to TAUPIN@FRUPS51.bitnet ------------------------------------------------------------------------------- 06 There is no documentation with MusicTeX. There is one, named musicdoc.tex. You may process it by plain TeX after installing the tfm-files from the distribution. The result is musicdoc.dvi -- which is in the distribution, too. Print it with you favourite dvi-driver. If you do not have all fonts, put dummy ones and read the text. It will not be beautiful, but still informative... Japanese language documentation for MuTeX is provide by Hirokawa Rui and is available from: ftp.stolaf.edu:pub/mutex/jguide.tar.Z ------------------------------------------------------------------------------- 07 I run MusicTeX on SUNOS (or some other big computer) but I have memory problems with MSDOS Two solutions: a) insert compulsory line breaks (\alaligne) and page breaks (\alapage) b) use Eberhardt Mattes's bigtex (btex286) (or the beta-test version of tex386 if you have at least a 386-machine) ------------------------------------------------------------------------------- 08 Where's the glue? it's not clear to me when to use or not use \temps or just what it really does. Glue occurs each time you say \barre or \temps or \alaligne or \alapage \temps is used to put glue between groups of notes. You can disable it and look how ugly it looks... ------------------------------------------------------------------------------- 09 When and why do you really need to put \relax at the end of a line? Put \relax at end of lines whenever the last item is not a control sequence. Because in this case the spaces are swallowed by TeX as a final part of the control sequence. Thus I use \relax when I need a control sequence to swallow end of line spaces (and new line code). ------------------------------------------------------------------------------- 10 What are the advantages or disadvantages of using ^ instead of \sh? Is one more flexible, or is it just a matter of typing style? The ^ is used within collective coding, \sh is used outside. You may write \sh k\qu k or \qu$^k ------------------------------------------------------------------------------- 11 How can I put something somewhere in the MusicTeX staffs. Read the musicdoc and use \zcharnote\244\207\244\207 If you want it spacing use \charnote\244...\207\244...\207 Within those macros you can put anything, including maths below, in the middle of, above the staffs. To be used inside tne \notes....\enotes. ------------------------------------------------------------------------------- 12 I cannot print notice.tex with american paper. don't print it :-) you have an old version. New versions of MusicTeX contain musicdoc.dvi a LaTeX-document which fits on american paper. ------------------------------------------------------------------------------- 13 How can I make triplets? It's already in musictex.tex, but without the `slur' you wanted. \xtuplet is the routine that puts a number under your beam, and the line: \def\triolet{\xtuplet3}% will provide you with a number under or over your beam and it could be adapted for sextuplets or anything else. This will make you a nice triplet: \Notes\ibl0j0\triolet M\qb0{jk}\tbl0\qb0j\enotes ------------------------------------------------------------------------------- 14 How can I offset vertically the rests, in order to avoid collision with beams or other notes in polyphonic music: Write \raise \internote\ds or \raise \internote\soupir All rests are \hbox-es, so you can prefix them with \raise The (or \internote or \Interligne) can be negative. ------------------------------------------------------------------------------- From matcp@luxor.latrobe.edu.au Wed Aug 11 19:00:26 1993 Return-Path: Received: from luga.latrobe.edu.au by stolaf.edu (4.1/SMI-4.1) id AA12498; Wed, 11 Aug 93 19:00:26 CDT Received: from luxor.latrobe.edu.au by luga.latrobe.edu.au with SMTP id AA17916 (5.65+/IDA-1.3.5/LTU-1.0 for mutex@stolaf.edu); Thu, 12 Aug 93 10:00:17 +1000 Received: by luxor.latrobe.edu.au (AIX 3.1/UCB 5.61/4.03) id AA21921; Thu, 12 Aug 93 10:00:13 +1000 From: matcp@luxor.latrobe.edu.au Message-Id: <9308120000.AA21921@luxor.latrobe.edu.au> Subject: Re: winjammer and midi2tex To: mutex Date: Thu, 12 Aug 1993 10:00:13 +22322538 (EST) X-Mailer: ELM [version 2.4 PL20] Content-Type: text Content-Length: 1200 Precedence: bulk Tried to send this last week but it bounced for some reason. > > Dear fellow subscribers, > I have a problem which someone must have already > had. I recently obtained a copy of Winjammer. I have tried to run > midi2tex with the midi files that it outputs but find that it doesn't > work. A tex file is created but all the bars are empty and it seems > that the binary midi data is placed in some uptext which describes > the parts. I have successfully used midi2tex with the output of band-in-a-box. > The midi files of winjammer can be read by other sequencers. As these > are both commonly used programs I assume there are others which have > come across the problem. I thought it would be best to try this > mailing list before bothering the authors of the respective programs. > > Thanks > > Carmelo Pisani > > Dear people, I have found the problem. Using mft2 to convert the midi files to readable form, I found that Winjammer put in some meta events (Meta 0x21). As these seemed to be the only unusual entries in the midi file, I deleted them. Midi2tex then processed the file with no problems. kind regards Carmelo Pisani From milos@erebor.ics.muni.cs Thu Aug 12 05:00:04 1993 Return-Path: Received: from aragorn.ics.muni.cz by stolaf.edu (4.1/SMI-4.1) id AA14159; Thu, 12 Aug 93 05:00:04 CDT Received: from erebor.ics.muni.cz by aragorn.ics.muni.cz with SMTP id AA13112 (5.67a/IDA-1.4.4 for ); Thu, 12 Aug 1993 11:59:58 +0200 Received: by erebor.ics.muni.cz id AA01627 (5.67a/IDA-1.4.4 for mutex@stolaf.edu); Thu, 12 Aug 1993 12:01:02 +0200 Message-Id: <199308121001.AA01627@erebor.ics.muni.cz> Subject: A few questions about MuTeX To: mutex Date: Thu, 12 Aug 1993 12:00:59 +0200 (MET DST) From: Miloslav Blazek X-Mailer: ELM [version 2.4 PL21] Content-Type: text Content-Length: 1421 Precedence: bulk Hi Music-\TeX Wizards ! Excuse me for my English, which is not my mother tongue. I am using Andrea Steinbach and Angelika Schofer's MuTeX for typesetting of songs. I'm fond of a perfect output of this system, but several problems here needs solution. I thing that somebody other using MuTeX had to meet with this, but I found no mention about it in >600K archive of MuTeX discussion list. If you are using MuTeX too, please be so kind and devote a bit of your time to the next questions. 1) In MuTeX fonts (file noten16.mf) are bad all lower flags (nn flag nach oben produces no output). Did anybody fix this mistake ? (In similar MusicTeX fonts this is OK; but I cannot use these fonts which have different metrics from MuTeX's.) 2) I'm not very fond of design of macros \group, \beamlist, \uslur etc.. Made anybody alternative macros for typesetting of slurs and beams (MusicTeX - like \ibu0 \tbu0 ... with reference numbers), with positions derived from the position of last note as in MuTeX macro \. ? 3) \1\2\* works not very good 4) Does exist any interactive graphic preprocessor for MuTeX on PC or SUN (DOS, WINDOWS, X11) ? If you know some solution of any mentioned problem, or know where I can learn more, please take notice to me. All tips are appreciated! Miloslav Blazek milos@ics.muni.cz Inst. of Comp. Sci. Masaryk University Buresova 20 601 77 Brno Czech Republic From skenny@dsg.cs.tcd.ie Mon Aug 16 06:33:39 1993 Return-Path: Received: from longvalley.dsg.cs.tcd.ie by stolaf.edu (4.1/SMI-4.1) id AA18005; Mon, 16 Aug 93 06:33:39 CDT Received: from basie.dsg.cs.tcd.ie by longvalley.dsg.cs.tcd.ie id aa02567; 16 Aug 93 12:34 WET DST To: mutex Subject: *** Help with understanding praetorx.tex Date: Mon, 16 Aug 93 12:33:49 +0100 From: Stephen Kenny Message-Id: <9308161234.aa02567@longvalley.dsg.cs.tcd.ie> Precedence: bulk I'm new to MusicTeX, trying to work through one of the examples. There's one thing that I'm having difficulty in trying to understand. In praetorx.tex, there's a line that says: \catcode`\@=13 "@" is used later on in the encoding of the notes, in positions where I would have expected the normal staff separator sign ("&") to appear. Not being very knowledgeable about TeX generally, I don't see what's happening here. (I have a copy of the TeXbook to hand, but haven't managed to figure this out from it). Why is the "&" not used to separate staffs as one might expect ? Thanks for any enlightenment, Stephen Kenny Dept. of Computer Science Trinity College Dublin 2 Ireland From skenny@dsg.cs.tcd.ie Mon Aug 16 07:15:31 1993 Return-Path: Received: from ashe (ashe.cs.tcd.ie) by stolaf.edu (4.1/SMI-4.1) id AA20771; Mon, 16 Aug 93 07:15:31 CDT Received: from longvalley.dsg.cs.tcd.ie by ashe.cs.tcd.ie with SMTP (PP) id <18361-0@ashe.cs.tcd.ie>; Mon, 16 Aug 1993 13:11:52 +0000 Received: from basie.dsg.cs.tcd.ie by longvalley.dsg.cs.tcd.ie id aa03104; 16 Aug 93 13:11 WET DST To: mutex Subject: *** Help with praetori - arrgh!! Date: Mon, 16 Aug 93 13:10:38 +0100 From: Stephen Kenny Message-Id: <9308161311.aa03104@longvalley.dsg.cs.tcd.ie> Precedence: bulk If I had taken the trouble to read the line following the \catcode line (\def@ etc). it would have helped Apologies for wasting bandwidth, (and more with this message ...) Stephen Kenny From EPRFIS@vm1.sdi.uam.es Fri Aug 20 09:04:59 1993 Return-Path: Received: from vm1.sdi.uam.es by stolaf.edu (4.1/SMI-4.1) id AA06262; Fri, 20 Aug 93 09:04:59 CDT Message-Id: <9308201404.AA06262@stolaf.edu> Received: from vm1.sdi.uam.es by vm1.sdi.uam.es (IBM VM SMTP V2R2) with BSMTP id 0355; Fri, 20 Aug 93 16:04:56 HOE Received: from vm1.sdi.uam.es (EPRFIS) by vm1.sdi.uam.es (Mailer R2.08) with BSMTP id 1527; Fri, 20 Aug 93 16:04:55 HOE Date: Fri, 20 Aug 93 16:03:55 HOE From: Agustin Martin Organization: Native address: Subject: Some questions To: mutex Precedence: bulk Hi, I am having a problem coding percussion staffs with MusicTeX. In music enclosed within repetition symbols, sometimes I find parts to be played during the first part and parts to be played during the repetition. They are usually represented by enclosing each one within horizontal upper square brackets, marking which one is to be played during the first time and which one is to be played during the second one. Unfortunately I have no idea about how to code it. Can anybody help me?. By the way, Is anybody coding percussion staffs? Thanks, Agustin Martin Domingo Depto. Fisica e Instalaciones ETS Arquitectura Madrid Avda Juan de Herrera, 4 E-28040 Madrid SPAIN Tel. (1) 336 6536 Fax (1) 544 2481 or Departamento de Fisica de Materiales C-IV Universidad Autonoma de Madrid E-28049 MADRID Tel. (1)397 5028 Fax. (1)397 8579 From @relay.cs.toronto.edu,@ark.vis.toronto.edu:jservice@vis.toronto.edu Fri Aug 20 10:13:54 1993 Return-Path: <@relay.cs.toronto.edu,@ark.vis.toronto.edu:jservice@vis.toronto.edu> Received: from relay.cs.toronto.edu by stolaf.edu (4.1/SMI-4.1) id AA11329; Fri, 20 Aug 93 10:13:54 CDT Received: from ark.vis.toronto.edu ([128.100.3.88]) by relay.cs.toronto.edu with SMTP id <452136>; Fri, 20 Aug 1993 11:13:58 -0400 Received: by ark.vis.toronto.edu id <91538>; Fri, 20 Aug 1993 11:14:25 -0400 From: "James R. R. Service" To: mutex In-Reply-To: Agustin Martin's message of Fri, 20 Aug 1993 10:40:02 -0400 <199308201440.AA04043@jabez.rd.hydro.on.ca> Subject: RE: Some questions Message-Id: <93Aug20.111425edt.91538@ark.vis.toronto.edu> Date: Fri, 20 Aug 1993 11:14:20 -0400 Precedence: bulk >>>>> Agustin Martin writes: Agustin> Hi, I am having a problem coding percussion staffs with MusicTeX. Agustin> In music enclosed within repetition symbols, sometimes I find parts Agustin> to be played during the first part and parts to be played during Agustin> the repetition. They are usually represented by enclosing each one Agustin> within horizontal upper square brackets, marking which one is to be Agustin> played during the first time and which one is to be played during Agustin> the second one. Unfortunately I have no idea about how to code it. Agustin> Can anybody help me?. I have used the \ovbkt macro from the musicext.tex file: \Notes\Uptext{\ovbkt {j}{10}{0}}\uptext{\ \ 1,2}%... -- James (Jim) R.R. Service Internet: jservice@rd.hydro.on.ca Ontario Hydro jservice@vis.toronto.edu 800 Kipling Ave. - Room KR132 FAX: (416) 207-6384 Toronto, Ontario, CANADA M8Z 5S4 voice: (416) 207-6946, (416) 978-0783 From netad@uds01.unix.st.it Mon Aug 23 11:56:58 1993 Return-Path: Received: from POL90A.POLITO.IT by stolaf.edu (4.1/SMI-4.1) id AA13265; Mon, 23 Aug 93 11:56:58 CDT Received: from AG-IN by polito.it (PMDF #3020 ) id <01H239LQR8LS8ZE922@polito.it>; Mon, 23 Aug 1993 18:16:14 GMT+1 Received: from uds01.uds01 (uds01-gw) by agr04.st.it (PMDF #3020 ) id <01H23C8ZOTI800039L@agr04.st.it>; Mon, 23 Aug 1993 17:11:31 DST Received: by uds01.uds01 (4.1/SMI-4.1) id AA07702; Mon, 23 Aug 93 17:01:45 +0200 Date: 23 Aug 1993 17:01:45 +0200 From: netad@uds01.unix.st.it (NetAdvertiser) Subject: The Net ADvertiser To: mutex Message-Id: <9308231501.AA07702@uds01.uds01> X-Envelope-To: mutex@stolaf.edu Content-Type: TEXT/PLAIN; CHARSET=US-ASCII Content-Transfer-Encoding: 7BIT Precedence: bulk ***************************************************************************** Are you trying to sell your car, your home, your drums, your whole Jimi Hendrix's bootlegs collection? Are you going to rent your flat at Aspen for the summer time? Or maybe you are looking for a car, or for a new job, or for friends to spend all the nights watching Peter Greenaways's movies or playing Diplomacy. Even if you are offering jobs and managing a commercial company you can enter the world of: T H E N E T A D V E R T I S E R The Net Advertiser is a mailing list created to give all the Internet community the opportunity to widespread private sales, rent, offer messages. Everybody can find a place in The Net Advertiser digest, even commercial companies. This is a list maintained by the InfoNet Project, a group of computer science experts, students and consultants whose aim is the propagation of all kind of information across the Internet and CREN world. Advertising in the digest is completely free, except for commercial companies which must submit a 75 $ fee in order to support the InfoNet Project work. For any information, subscription and submission write to: netad@uds01.unix.st.it. ***************************************************************************** From dgold@basso.actrix.gen.nz Mon Aug 23 18:12:46 1993 Return-Path: Received: from blit386.actrix.gen.nz by stolaf.edu (4.1/SMI-4.1) id AA09909; Mon, 23 Aug 93 18:12:46 CDT Received: from actrix.gen.nz by blit386.actrix.gen.nz id ; Tue, 24 Aug 1993 10:44:32 +1200 Received: from basso.UUCP by actrix.gen.nz id ; Mon, 23 Aug 1993 23:12:59 GMT Received: by basso.actrix.gen.nz (V1.16/Amiga) id AA01dc0; Tue, 24 Aug 93 10:28:44 PST Date: Tue, 24 Aug 93 10:28:44 PST Message-Id: <9308241828.AA01dbz@basso.actrix.gen.nz> In-Reply-To: <9308201404.AA06262@stolaf.edu> (from Agustin Martin ) (at Fri, 20 Aug 93 16:03:55 HOE) X-Mailer: //\\miga Electronic Mail (AmiElm 2.253) Organization: New Zealand Symphony Orchestra Reply-To: dgold@basso.actrix.gen.nz From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Re: Some questions Precedence: bulk Hi, on Aug 20 Agustin Martin Domingo wrote: > In music > enclosed within repetition symbols, sometimes I find parts to be played > during the first part and parts to be played during the repetition. They > are usually represented by enclosing each one within horizontal upper square > brackets, marking which one is to be played during the first time and which > one is to be played during the second one. I think you mean 'first and second endings', also known as 'prima volta and segunda volta'. Here's how I do them: \def\nbinstruments{1}\relax \generalmeter{\meterfrac{4}{4}}\relax %%% %%% 1st & 2nd ending macro % the \ending macro takes two arguments: % #1 = the number of the ending % #2 = number of noteskips it will cover. % \def\ending#1#2{\uptext{\kern-\elemskip\relax \rlap{\hbox{\vrule height 3\interligne {\bf\ #1.}}}\relax \raise 3\interligne\hbox to #2\noteskip{\leaders\hrule\hfil}}} % \centerline{\moyen 1st and 2nd Endings}\bigskip \debutextrait \Notes\qu{gfed}\enotes % bar numbers should be turned off in the bar % prior to the 1st ending: \def\freqbarno{9999} \barre \Notes\ending 1 {10}\qu{cdef}\enotes \barre \setrightrepeat \Notes\qu{gh}\ql{ij}\enotes \barre \NOtes\ending 2 3\hu c\qu{de}\enotes \finextrait \end %%%% I usually have to experiment with the number of noteskips to make it look good. I wonder if anyone can see a way to make the macro work more automatically? Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From finostro@vangogh.die.udec.cl Sat Aug 28 18:02:27 1993 Return-Path: Received: from vangogh.die.udec.cl ([152.74.19.16]) by stolaf.edu (4.1/SMI-4.1) id AA15574; Sat, 28 Aug 93 18:02:27 CDT Message-Id: <9308282302.AA15574@stolaf.edu> Received: by vangogh.die.udec.cl (16.8/16.2) id AA17448; Sat, 28 Aug 93 19:04:01 -0400 Date: Sat, 28 Aug 93 19:04:01 -0400 From: Francisco Inostroza Subject: Apparently-To: mutex@stolaf.edu Precedence: bulk Hello all you musical TeXers, Some time ago I saw an output of the archie facility mentioning a file like MUSICTEX_DEMO.PS Unfortunately the FTP site was dead and that interesting file was not available elsewhere. Can anybody point me to an archive where to obtain this PostScript file. As I have not yet installed MuTeX or MusicTeX the file should contain all the fonts needed in PS form. From livesey@atm.ox.ac.uk Wed Sep 1 06:11:33 1993 Return-Path: Received: from oxpln2.atm.ox.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA22226; Wed, 1 Sep 93 06:11:33 CDT Received: from OXATM.DECnet MAIL11D_V3 by oxpln2.atm.ox.ac.uk with SMTP (5.65c+/IDA-1.4.4-UK for ) id AA02624; Wed, 1 Sep 1993 11:11:27 GMT Date: Wed, 1 Sep 1993 11:11:27 GMT Message-Id: <199309011111.AA02624@oxpln2.atm.ox.ac.uk> From: livesey@atm.ox.ac.uk To: mutex Cc: LIVESEY@atm.ox.ac.uk Subject: Alignment of lyrics in MusicTex. Precedence: bulk I am using MusicTeX to typeset some simple one-line music with lyrics. MusicTex seems to align the left-hand side of the words with that of the note. This is fine in most cases. However, sometimes when I have a long syllable, it looks odd. I think in these cases being able to align the centres of the words to the note centres would be an advantage. Does anyone know of a way to do this? Thanks in advance. Nathaniel Livesey University of Oxford Dept of Atmospheric Physics From @relay.cs.toronto.edu,@ark.vis.toronto.edu:jservice@vis.toronto.edu Wed Sep 1 07:42:06 1993 Return-Path: <@relay.cs.toronto.edu,@ark.vis.toronto.edu:jservice@vis.toronto.edu> Received: from relay.cs.toronto.edu by stolaf.edu (4.1/SMI-4.1) id AA04509; Wed, 1 Sep 93 07:42:06 CDT Received: from ark.vis.toronto.edu ([128.100.3.88]) by relay.cs.toronto.edu with SMTP id <452096>; Wed, 1 Sep 1993 08:42:01 -0400 Received: by ark.vis.toronto.edu id <91538>; Wed, 1 Sep 1993 08:42:29 -0400 From: "James R. R. Service" To: mutex Subject: RE: Alignment of lyrics in MusicTex. Reply-To: jservice@vis.toronto.edu Message-Id: <93Sep1.084229edt.91538@ark.vis.toronto.edu> Date: Wed, 1 Sep 1993 08:42:29 -0400 Precedence: bulk >>>>> livesey@atm.ox.ac.uk writes: livesey> I am using MusicTeX to typeset some simple one-line music with livesey> lyrics. MusicTex seems to align the left-hand side of the words livesey> with that of the note. This is fine in most cases. However, livesey> sometimes when I have a long syllable, it looks odd. I think in livesey> these cases being able to align the centres of the words to the livesey> note centres would be an advantage. Does anyone know of a way to livesey> do this? % I include several "kerning" macros at the beginning of the piece \`a la M. % Taupin's examples: \def\!{\kern -3pt}%small backspace \def\BS{\kern -6pt}%larger backspace \def\FS{\kern 6pt}%larger forward space % and then I add \! and \BS accordingly. % For example, I define my lyrics position with a macro \htxt, then I can % move the lyrics up or down by just changing one character in the \htxt % definition. \def\htxt#1{\zcharnote L{\normalf{#1}}}\relax % Then I adjust the word spacing with \! or \BS as this extract shows (other % non-musictex macro definitions have been omitted.): \Notes\tup\qup F\sk\sk\qup J\sk\sk\qu F|\tup% \ds\upDup chaf\ds\upDup acff\ds\CHordup af&% \htxt{\!my-}\cu h\htxt{\!ste -}\qu i\sk\htxt{\!ry}\cu j\qp\sk\htxt{\BS Save him, \_\_}\Ibl0mk2\qb0m\itenu1m\tbl0\qb0k\enotes -- James (Jim) R.R. Service Internet: jservice@rd.hydro.on.ca Ontario Hydro jservice@vis.toronto.edu 800 Kipling Ave. - Room KR132 FAX: (416) 207-6384 Toronto, Ontario, CANADA M8Z 5S4 voice: (416) 207-6946, (416) 978-0783 From cyril@iitb.fhg.de Thu Sep 2 06:24:51 1993 Return-Path: Received: from fhg.de by stolaf.edu (4.1/SMI-4.1) id AA01578; Thu, 2 Sep 93 06:24:51 CDT Received: by fhg.de (mail-gw.fhg.de) with PRESMTP; Thu, 2 Sep 93 13:25:26 +0200 from FHG-GATEWAY Received: by fhg.de (mail-gw.fhg.de) with SMTP; Thu, 2 Sep 93 13:25:22 +0200 from iitb.iitb.fhg.de Received: by iitb.fhg.de; Thu, 2 Sep 93 13:28:34 +0200 Received: from esr16.esrneu by esr3.iitb.fhg.de (4.1/SMI-4.1) id AA02402; Thu, 2 Sep 93 13:24:42 +0200 Date: Thu, 2 Sep 93 13:24:42 +0200 From: cyril@iitb.fhg.de (Cyril) Subject: Message-Id: <9309021124.AA02402@esr3.iitb.fhg.de> To: mutex Precedence: bulk Hello, I am a beginner with musictex and I am learning piano too ! - How can I put a number above each note ? The number describes which finger should play the note. It is very helpfull and is a very common notation in publications for beginners in piano ? - Can the MuTex mailing list serve to exchange music scores ? From icking@zsv.gmd.de Thu Sep 2 08:29:41 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA16043; Thu, 2 Sep 93 08:29:41 CDT Received: from sunick.gmd.de (sunick) by gmdzi.gmd.de with SMTP id AA29348 (5.65c/IDA-1.4.4 for ); Thu, 2 Sep 1993 15:28:04 +0200 Received: by sunick.gmd.de id AA00932 (5.65c/IDA-1.4.4); Thu, 2 Sep 1993 15:29:20 +0200 Date: Thu, 2 Sep 1993 15:29:20 +0200 From: Werner Icking Message-Id: <199309021329.AA00932@sunick.gmd.de> To: mutex Subject: Fingering notation Precedence: bulk > Hello, I am a beginner with musictex and I am learning piano too ! (Nevertheless you could supply a Subject:-line :-) > > - How can I put a number above each note ? The number describes which finger > should play the note. It is very helpfull and is a very common notation in publications for beginners in piano ? I use following macros which put fingering info just above the (violin-key) system or at a given pitch. In addition there are two macro two globally switch the display of fingering information. (I left the german comments because your mailing-address points at a german site). Take it as a model: ------------------------------------------------------------------------------- % Fingersaetze ueber (\FS) oder unter (\fS) dem System (fuer Violinschluessel) % auch mit Tonhoehenangabe \Fs, \fs % Fingersaetze AUS: \def\nofs{\global\def\Fs##1##2{}\global\def\fs##1##2{}} % Fingersaetze EIN: \def\yesfs{\global \def\Fs##1##2{{\advance\transpose by 2\zcharnote{##2}{\kern 0.7pt \hbox{\sevenbf ##1}}}} \def\FS##1{{\transpose=7\Fs{##1}{e}}} \def\fs##1##2{{\advance\transpose by -4\zcharnote{##2}{\kern 0.7pt \hbox{\sevenbf ##1}}}} \def\fS##1{{\transpose=0\fs{##1}{f}}}} \yesfs % Fuer Streicher: Aufstrich, Abstrich \def\upbow{\kern -1.0pt\hbox{$\vee$}} \def\downbow{\kern -1.0pt\hbox{$\sqcap$}} ------------------------------------------------------------------------------- > > - Can the MuTex mailing list serve to exchange music scores ? > Why not. Either as MusicTeX-input or as Postscript-Files or as uuencoded compressed dvi-files or ... as message, that you have put such a beast (pardon, your masterpiece) with my help on ftp.gmd.de for anonymous ftp by everybody. Werner PS: Anyone is interrested in my MusicTeX-score and -parts of Mozarts KV 423 (G-major (1st) Duo for violin und viola)? The 2nd is "under construction". From cdr@stolaf.edu Fri Sep 3 09:39:00 1993 Return-Path: Received: from mari.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA12664; Fri, 3 Sep 93 09:39:00 CDT Received: by mari.acc.stolaf.edu (4.1/SMI-4.1) id AA05905; Fri, 3 Sep 93 09:38:58 CDT Message-Id: <9309031438.AA05905@mari.acc.stolaf.edu> To: mutex Subject: [Miloslav Blazek: Help with MuTeX] Date: Fri, 03 Sep 1993 09:38:57 -0500 From: "Craig D. Rice" Precedence: bulk Greetings mutex readers, I received the following request from a subscriber in the Czech Republic. Are there any MuTeX users (as opposed to MusicTeX) users out there who might be able to help out? Thanks! Craig -- Craig D. Rice UNIX Systems Specialist/Network Analyst cdr@stolaf.edu Academic Computing Center, St. Olaf College +1 507 646-3631 1510 St. Olaf Avenue +1 507 646-3549 FAX Northfield, MN 55057-1097 USA ------- Forwarded Message Date: Fri, 3 Sep 1993 09:52:27 +0200 (MET DST) From: Miloslav Blazek Hello Craig, you are presented as the translator of MuTeX manual from German to English, so I'm turning to you for some help. I'm using Steinbach and Sch\"ofer's MuTeX and I thing, it is very nice, but I have some problems with it, which must have, on my opinion, somebody solved. Several weeks I send question to mutex Mailing-list, but got no answer. Maybe everybody here uses Taupin's MusicTeX. My demand to you is next: Could you please send me e-mail addresses of some people using in present MuTeX ? It may be very helpful for me. Thank you in advance! Miloslav Blazek, Masaryk Univerzity Brno, Czech Republic milos@ics.muni.cz ------- End of Forwarded Message From icking@zsv.gmd.de Mon Sep 13 13:33:06 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA14602; Mon, 13 Sep 93 13:33:06 CDT Received: from sunick.gmd.de (sunick) by gmdzi.gmd.de with SMTP id AA03312 (5.65c/IDA-1.4.4 for ); Mon, 13 Sep 1993 20:31:13 +0200 Received: by sunick.gmd.de id AA00952 (5.65c/IDA-1.4.4); Mon, 13 Sep 1993 20:32:33 +0200 Date: Mon, 13 Sep 1993 20:32:33 +0200 From: Werner Icking Message-Id: <199309131832.AA00952@sunick.gmd.de> To: mutex Subject: Mozart's KV423 with MusicTeX - Duo for violin and viola Precedence: bulk I've finished my work on typesetting the G-major Duo for violin and viola of Wolfgang Amadeus Mozart (KV423). I used MusicTeX and produced some selfcontained postscript files with the score and the parts (and a transposed part for a 2nd violini :-). You can get the files as ZIP-archive (~ 650.000 bytes) by anonymous ftp from ftp.gmd.de [129.26.8.90] music/lists/mozart/kv423-ps.zip Enjoy -- Werner PS: For those of you who remember an earlier posting of me concerning the separation of parts from the score: that's the result. -- Werner Icking Werner.Icking@gmd.de (+49 2241) 14-2443 __o GMD - Gesellschaft fuer Mathematik und Datenverarbeitung mbH _`\<,_ Schloss Birlinghoven, PO-Box 1316, D-53731 Sankt Augustin, Germany (_)/ (_) "Der Dativ ist dem Genitiv sein Tod." ~~~~~~~~~~~ From assmann@shetland.karlsruhe.gmd.de Tue Sep 14 01:57:28 1993 Return-Path: Received: from ibiza.karlsruhe.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA21749; Tue, 14 Sep 93 01:57:28 CDT Message-Id: <9309140657.AA15960@shetland> To: mutex Subject: chorals Date: Tue, 14 Sep 1993 08:57:39 +0200 From: "Uwe Assmann" Precedence: bulk I'm looking for some examples of chorals with 4 voices (sopran, alt, tenor, basso). I'd just like to learn how to set such a thing with musictex. Thanks Uwe /\ Uwe Assmann /fi\ GMD Forschungsstelle an der Universitaet Karlsruhe /deli\ Vincenz-Priessnitz-Str. 1 / tas \ 76131 Karlsruhe GERMANY ---------- Email: assmann@karlsruhe.gmd.de Tel: 0721/662255 Fax: 0721/6622968 From @relay.cs.toronto.edu,@ark.vis.toronto.edu:jservice@vis.toronto.edu Tue Sep 14 07:31:35 1993 Return-Path: <@relay.cs.toronto.edu,@ark.vis.toronto.edu:jservice@vis.toronto.edu> Received: from relay.cs.toronto.edu by stolaf.edu (4.1/SMI-4.1) id AA09743; Tue, 14 Sep 93 07:31:35 CDT Received: from ark.vis.toronto.edu ([128.100.3.88]) by relay.cs.toronto.edu with SMTP id <428506>; Tue, 14 Sep 1993 08:31:43 -0400 Received: by ark.vis.toronto.edu id <91538>; Tue, 14 Sep 1993 08:32:30 -0400 From: "James R. R. Service" To: mutex In-Reply-To: "Uwe Assmann"'s message of Tue, 14 Sep 1993 04:20:42 Subject: RE: chorals Message-Id: <93Sep14.083230edt.91538@ark.vis.toronto.edu> Date: Tue, 14 Sep 1993 08:32:25 -0400 Precedence: bulk >>>>> "Uwe Assmann" writes: Uwe> I'm looking for some examples of chorals with 4 voices (sopran, alt, Uwe> tenor, basso). I'd just like to learn how to set such a thing with Uwe> musictex. There are several examples in M. Daniel Taupin's file, MUSICEXA.ZIP. I looked at angesca*.tex in that file to learn how to set four part, multi-verse choral music. The archive is found on rsovax.ups.circe.fr and probably other places. -- James (Jim) R.R. Service Internet: jservice@rd.hydro.on.ca Ontario Hydro jservice@vis.toronto.edu 800 Kipling Ave. - Room KR132 FAX: (416) 207-6384 Toronto, Ontario, CANADA M8Z 5S4 voice: (416) 207-6946, (416) 978-0783 From icking@zsv.gmd.de Wed Sep 15 15:25:39 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA06713; Wed, 15 Sep 93 15:25:39 CDT Received: from sunick.gmd.de (sunick) by gmdzi.gmd.de with SMTP id AA04999 (5.65c/IDA-1.4.4 for ); Wed, 15 Sep 1993 22:24:28 +0200 Received: by sunick.gmd.de id AA01728 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Wed, 15 Sep 1993 22:25:50 +0200 Date: Wed, 15 Sep 1993 22:25:50 +0200 From: Werner Icking Message-Id: <199309152025.AA01728@sunick.gmd.de> To: mutex Subject: Re: Mozart's KV423 with MusicTeX - Duo for violin and viola Precedence: bulk > I've finished my work on typesetting the G-major Duo for violin and > viola of Wolfgang Amadeus Mozart (KV423). I used MusicTeX and produced > some selfcontained postscript files with the score and the parts (and > a transposed part for a 2nd violini :-). I wrote that and got some responses complaining that the printing requires A4-size paper (as stated in the documentation). If you prefer letter-size paper you may modify the ps-files by inserting the folling just in front of the first PostScript commands (/TeXDict ...): ----------------------------------------------------------------------------- /GMD_realshowpage /showpage load def /GMD_myshowpage { GMD_realshowpage 0.94 0.94 scale 19 45 translate } bind def /showpage { GMD_myshowpage } bind def 0.94 0.94 scale 19 45 translate ----------------------------------------------------------------------------- The output is downscaled by factor 0.94 and moved to origin (19,49); 19 and 49 are in 72th inch. Please let me know, if you find "better" numbers. Hope this hilft -- Werner PS: I do not know much about PostScript, but I know a colleague "who knows" :-) PPS: This solution is independent of MusicTeX From piet@cs.ruu.nl Thu Sep 16 01:58:11 1993 Return-Path: Received: from infix.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA09557; Thu, 16 Sep 93 01:58:11 CDT Received: from alchemy.cs.ruu.nl (gnu.cs.ruu.nl) by infix.cs.ruu.nl with SMTP id AA18712 (5.65c/IDA-1.4.4 for ); Thu, 16 Sep 1993 08:58:20 +0200 Received: by alchemy.cs.ruu.nl id AA04752 (5.65c/IDA-1.4.4); Thu, 16 Sep 1993 08:58:17 +0200 Date: Thu, 16 Sep 1993 08:58:17 +0200 From: Piet van Oostrum Message-Id: <199309160658.AA04752@alchemy.cs.ruu.nl> To: mutex Cc: mutex@stolaf.edu Subject: Re: Mozart's KV423 with MusicTeX - Duo for violin and viola In-Reply-To: <199309152025.AA01728@sunick.gmd.de> References: <199309152025.AA01728@sunick.gmd.de> Precedence: bulk >>>>> Werner Icking (WI) writes: >> I've finished my work on typesetting the G-major Duo for violin and >> viola of Wolfgang Amadeus Mozart (KV423). I used MusicTeX and produced >> some selfcontained postscript files with the score and the parts (and >> a transposed part for a 2nd violini :-). WI> I wrote that and got some responses complaining that the printing requires WI> A4-size paper (as stated in the documentation). If you prefer letter-size WI> paper you may modify the ps-files by inserting the folling just in front WI> of the first PostScript commands (/TeXDict ...): WI> ----------------------------------------------------------------------------- WI> /GMD_realshowpage /showpage load def WI> /GMD_myshowpage { GMD_realshowpage 0.94 0.94 scale 19 45 translate } bind def WI> /showpage { GMD_myshowpage } bind def WI> 0.94 0.94 scale 19 45 translate WI> ----------------------------------------------------------------------------- WI> The output is downscaled by factor 0.94 and moved to origin (19,49); 19 and WI> 49 are in 72th inch. Please let me know, if you find "better" numbers. The disadvantage of scaling is that the bitmap fonts that are used probably don't look very nice after scaling. I haven't tried it, however. Why don't you just distribute the TeX code? Piet van Oostrum From icking@zsv.gmd.de Thu Sep 16 04:25:44 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA15876; Thu, 16 Sep 93 04:25:44 CDT Received: from sunick.gmd.de (sunick) by gmdzi.gmd.de with SMTP id AA10978 (5.65c/IDA-1.4.4 for ); Thu, 16 Sep 1993 11:24:16 +0200 Received: by sunick.gmd.de id AA01790 (5.65c/IDA-1.4.4); Thu, 16 Sep 1993 11:25:51 +0200 Date: Thu, 16 Sep 1993 11:25:51 +0200 From: Werner Icking Message-Id: <199309160925.AA01790@sunick.gmd.de> To: mutex Subject: Re: Mozart's KV423 with MusicTeX - Duo for violin and viola Cc: mutex@stolaf.edu Precedence: bulk > The disadvantage of scaling is that the bitmap fonts that are used probably > don't look very nice after scaling. I haven't tried it, however. I tried it and it looked better than I'd expected it. But I tried it on HP-Laserjet 4si (600 dpi). > > Why don't you just distribute the TeX code? Should I? I think it's always not so easy for someone to distribute source code :-( There is one TeX-source for the score (plus two small file mytex.tex and mysictex.tex modifying/extending MusicTeX a little bit). A SPITBOL programm is used to seperate the parts. The complete work uses heavily \autolines omptimized for A4-paper. I'm not sure how many users would be able to modify this in a way I would like it to be done. Do you understand such misgivings (? ungutes Gefuehl)? Should I? Werner From maray@fix.fsz.bme.hu Thu Sep 16 09:07:17 1993 Return-Path: Received: from fix.fsz.bme.hu by stolaf.edu (4.1/SMI-4.1) id AA03207; Thu, 16 Sep 93 09:07:17 CDT Received: by fix.fsz.bme.hu id AA10876 (5.65a++/IDA-BME-1.4.2 for mutex@stolaf.edu); Thu, 16 Sep 93 16:07:06 +0200 From: Maray Tamas Message-Id: <9309161407.AA10876@fix.fsz.bme.hu> Subject: upper-lower song instrument To: mutex Date: Thu, 16 Sep 1993 16:07:02 +0200 (MET DST) X-Mailer: ELM [version 2.4 PL21] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 885 Precedence: bulk Is there anybody who has already used the \lowersonginstrum - \uppersonginstrum macro pair of MusicTeX? I would need that feature, but it doesn't work. When I use these macros, nothing happens. In spite of the documentation, I have not found examples of using this feature. (It is intended to tie human voices together with a left thick vertical rule.) All suggestions or help is greatly appreciated! Tamas ======================================================================== Tamas MARAY E-Mail: maray@fsz.bme.hu Technical University of Budapest Phone: +36 1 1667-392 Department of Process Control Fax: +36 1 1852-658 Computer Center 1111 Muegyetem rkp. 9., R.203 Budapest, HUNGARY ======================================================================== From maray@fix.fsz.bme.hu Thu Sep 23 03:52:31 1993 Return-Path: Received: from fix.fsz.bme.hu by stolaf.edu (4.1/SMI-4.1) id AA10690; Thu, 23 Sep 93 03:52:31 CDT Received: by fix.fsz.bme.hu id AA11630 (5.65a++/IDA-BME-1.4.2 for mutex@stolaf.edu); Thu, 23 Sep 93 10:52:21 +0200 From: Maray Tamas Message-Id: <9309230852.AA11630@fix.fsz.bme.hu> Subject: upper-lower song instrument - solution To: mutex Date: Thu, 23 Sep 1993 10:52:17 +0200 (MET DST) X-Mailer: ELM [version 2.4 PL21] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 1148 Precedence: bulk A couple of days ago I complained of using the MusicTeX facility lower and uppersonginstrum had not been successful. I got a message from Werner Icking, where he had given the solution. If you want to use \lowersonginstrum and \uppersonginstrum to get special vertical rule for the songs, you have to DEFINE these values. (The example in the musicdoc is not good!) So, just type something like this: \def\lowersonginstrum{3} \def\uppersonginstrum{5} instead of \lowersonginstrum=3 \uppersonginstrum=5 and it will work properly. I've also got a message from Daniel Taupin, and he promised to correct the mistake and give examples in the next version of MusicTeX. ======================================================================== Tamas MARAY E-Mail: maray@fsz.bme.hu Technical University of Budapest Phone: +36 1 1667-392 Department of Process Control Fax: +36 1 1852-658 Computer Center 1111 Muegyetem rkp. 9., R.203 Budapest, HUNGARY ======================================================================== From maray@fix.fsz.bme.hu Thu Sep 23 03:59:33 1993 Return-Path: Received: from fix.fsz.bme.hu by stolaf.edu (4.1/SMI-4.1) id AA11331; Thu, 23 Sep 93 03:59:33 CDT Received: by fix.fsz.bme.hu id AA11690 (5.65a++/IDA-BME-1.4.2 for mutex@stolaf.edu); Thu, 23 Sep 93 10:59:23 +0200 From: Maray Tamas Message-Id: <9309230859.AA11690@fix.fsz.bme.hu> Subject: distance of notes from bars To: mutex Date: Thu, 23 Sep 1993 10:59:18 +0200 (MET DST) X-Mailer: ELM [version 2.4 PL21] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 584 Precedence: bulk Another question. Could somebody tell me, how to control the distance of the first note from the bar? ======================================================================== Tamas MARAY E-Mail: maray@fsz.bme.hu Technical University of Budapest Phone: +36 1 1667-392 Department of Process Control Fax: +36 1 1852-658 Computer Center 1111 Muegyetem rkp. 9., R.203 Budapest, HUNGARY ======================================================================== From icking@zsv.gmd.de Thu Sep 23 05:05:31 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA15249; Thu, 23 Sep 93 05:05:31 CDT Received: from sunick.gmd.de (sunick) by gmdzi.gmd.de with SMTP id AA15694 (5.65c/IDA-1.4.4 for ); Thu, 23 Sep 1993 12:03:40 +0200 Received: by sunick.gmd.de id AA03573 (5.65c/IDA-1.4.4); Thu, 23 Sep 1993 12:05:22 +0200 Date: Thu, 23 Sep 1993 12:05:22 +0200 From: Werner Icking Message-Id: <199309231005.AA03573@sunick.gmd.de> To: mutex Subject: Re: distance of notes from bars Precedence: bulk > Another question. Could somebody tell me, how to control the distance of > the first note from the bar? use \off for positioning within \notes...\enotes. \debutextrait\Notes\off{-6\noteskip}\qu{cccc}\enotes\finextrait or with more sense \debutextrait\Notes\ql{gggg}\off{-4\noteskip}\qu{'bbbb}\enotes\finextrait Hope this hilft -- Werner PS: For a more general solution for the distance of the first note from the first bar of a line you may use \def\atnextline. PPS: ... and for every bar ... use \takt instead of \barre e.g. \def\takt{\barre\off{}} From TAUPIN@rsovax.ups.circe.fr Thu Sep 23 07:46:55 1993 Return-Path: Received: from ciripa.circe.fr by stolaf.edu (4.1/SMI-4.1) id AA22109; Thu, 23 Sep 93 07:46:55 CDT Received: from rsovax.ups.circe.fr by ciripa.circe.fr with SMTP id AA29899 (5.65c+/IDA-1.4.4 for <@ciripa:mutex@stolaf.edu>); Thu, 23 Sep 1993 14:45:57 +0200 Message-Id: <199309231245.AA29899@ciripa.circe.fr> Date: 23-SEP-1993 14:53:13 GMT2 From: TAUPIN@rsovax.ups.circe.fr Subject: public answer to somebody the mailers do not find. To: mutex Precedence: bulk From: ENP%"MAILER-DAEMON@circe.fr" 23-SEP-1993 12:13:34.08 To: TAUPIN CC: Subj: Returned mail: Host unknown Return-Path: Received: from ciripa.circe.fr by rsovax : 23-SEP-1993 12:13:24 GMT2 Received: by ciripa.circe.fr id AA26213 (5.65c+/IDA-1.4.4 for ); Thu, 23 Sep 1993 12:05:25 +0200 Date: Thu, 23 Sep 1993 12:05:25 +0200 From: Mail Delivery Subsystem Message-Id: <199309231005.AA26213@ciripa.circe.fr> To: mutex ----- Transcript of session follows ----- 550 fix.fsz.bme.edu (TCP)... 550 Host unknown 554 <@ciripa:maray@fix.fsz.bme.edu>... 550 Host unknown (Authoritative answer from name server) ----- Unsent message follows ----- Received: from rsovax.ups.circe.fr by ciripa.circe.fr with SMTP id AA26209 (5.65c+/IDA-1.4.4 for <@ciripa:maray@fix.fsz.bme.edu>); Thu, 23 Sep 1993 12:05:25 +0200 Message-Id: <199309231005.AA26209@ciripa.circe.fr> Date: 23-SEP-1993 12:12:51 GMT2 From: TAUPIN@rsovax.ups.circe.fr Subject: distance of nots from the bar To: mutex After barre and before \notes...\enotes you can say \hskip what-you-want (>0 or <0) From TAUPIN@rsovax.ups.circe.fr Thu Sep 23 07:49:07 1993 Return-Path: Received: from ciripa.circe.fr by stolaf.edu (4.1/SMI-4.1) id AA22670; Thu, 23 Sep 93 07:49:07 CDT Received: from rsovax.ups.circe.fr by ciripa.circe.fr with SMTP id AA29905 (5.65c+/IDA-1.4.4 for <@ciripa:mutex@stolaf.edu>); Thu, 23 Sep 1993 14:48:12 +0200 Message-Id: <199309231248.AA29905@ciripa.circe.fr> Date: 23-SEP-1993 14:55:33 GMT2 From: TAUPIN@rsovax.ups.circe.fr Subject: using \off in musicTeX To: mutex Precedence: bulk \off seems to work outside \notes...\enotes but it causes holes in the slurs. From jsc@slayer.mit.edu Sun Sep 26 20:32:35 1993 Return-Path: Received: from slayer.mit.edu by stolaf.edu (4.1/SMI-4.1) id AA26636; Sun, 26 Sep 93 20:32:35 CDT Received: by slayer.mit.edu id AA01024 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Sun, 26 Sep 1993 21:33:10 GMT Date: Sun, 26 Sep 1993 21:33:10 GMT From: jsc@slayer.mit.edu Message-Id: <199309262133.AA01024@slayer.mit.edu> To: mutex Subject: Source for MIDI2TeX available? Precedence: bulk A friend of mine is attempting to use MIDI2TeX to typeset some of his MIDI files, and has encountered some problems with its output. We were wondering if the source to MIDI2TeX is freely available so that we might modify it, and perhaps even get it compiled on a UNIX machine...) (FYI, we are using v1.1. One of the problems we encountered is that no \debutmorceau is emitted, causing heinous output on the first page.) From mig@ncc.up.pt Wed Sep 29 12:49:37 1993 Return-Path: Received: from ciup1.ncc.up.pt by stolaf.edu (4.1/SMI-4.1) id AA25055; Wed, 29 Sep 93 12:49:37 CDT Received: by ciup1.ncc.up.pt id AA03628 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Wed, 29 Sep 1993 18:49:48 GMT Date: Wed, 29 Sep 1993 18:49:48 GMT From: Miguel Filgueiras Message-Id: <199309291849.AA03628@ciup1.ncc.up.pt> To: mutex Subject: MusicTeX on Mac Precedence: bulk Does anyone have experience in porting MusicTeX to a Macintosh? I am trying to do that for a Powerbook with a 68000 processor. I installed OzTeX only to find out that it needs a 68020. With it I got a Metafont program that works. Now, is it possible to use the output of Metafont with, for instance, Textures? Or any other TeX for Mac (running on a 68000)? Thanks in advance for any help, Miguel Filgueiras From icking@zsv.gmd.de Thu Sep 30 03:42:13 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA26473; Thu, 30 Sep 93 03:42:13 CDT Received: from sunick.gmd.de (sunick) by gmdzi.gmd.de with SMTP id AA08896 (5.65c/IDA-1.4.4 for ); Thu, 30 Sep 1993 09:40:48 +0100 Received: by sunick.gmd.de id AA04890 (5.65c/IDA-1.4.4); Thu, 30 Sep 1993 09:42:28 +0100 Date: Thu, 30 Sep 1993 09:42:28 +0100 From: Werner Icking Message-Id: <199309300842.AA04890@sunick.gmd.de> To: mutex Subject: Re: MusicTeX on Mac Precedence: bulk > Does anyone have experience in porting MusicTeX to a Macintosh? I've already helped some others and they succeeded. > > I am trying to do that for a Powerbook with a 68000 processor. I > installed OzTeX only to find out that it needs a 68020. With it I got > a Metafont program that works. Now, is it possible to use the output > of Metafont with, for instance, Textures? Or any other TeX for Mac > (running on a 68000)? Normally you do not need to run metafont. 300dpi fonts are part of the package, other resolutions can be found in musikpk.zip. You have to rename them only. For OzTeX (:-() I put them into the appropriate folder OzTeX:PK-MusicTeX:300 under names like beamn16, musicn16, ...; that's for OzTeX 1.6; in earlier versions the folder was OzTeX:PK-files:300 because I didn't find a way to define a "path" (that's DOS-terminologie?) to the PK-files. Hope this hilft -- Werner From mig@ncc.up.pt Thu Sep 30 04:02:59 1993 Return-Path: Received: from ciup1.ncc.up.pt by stolaf.edu (4.1/SMI-4.1) id AA28464; Thu, 30 Sep 93 04:02:59 CDT Received: by ciup1.ncc.up.pt id AA20729 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Thu, 30 Sep 1993 10:02:46 GMT Date: Thu, 30 Sep 1993 10:02:46 GMT From: Miguel Filgueiras Message-Id: <199309301002.AA20729@ciup1.ncc.up.pt> To: mutex Cc: mutex@stolaf.edu In-Reply-To: Werner Icking's message of Thu, 30 Sep 1993 09:42:28 +0100 <199309300842.AA04890@sunick.gmd.de> Subject: MusicTeX on Mac Precedence: bulk Thanks for your message. I have installed MusicTeX in a Unix machine and it is running well. But my problem is with the Mac. Paul McIlroy (pmcilroy@bt-sys.bt.co.uk) tells me that OzTeX 1.4 runs on a Mac Plus, which is not the case with version 1.6 that needs a 68020 processor. So I was wandering whether I could generate fonts for any other TeX on the Mac (Textures for instance) from the MusicTeX files, maybe using the Metafont that I got with OzTeX 1.6. Regards, Miguel Filgueiras From TAUPIN@rsovax.ups.circe.fr Sun Oct 3 13:38:39 1993 Return-Path: Received: from ciripa.circe.fr by stolaf.edu (4.1/SMI-4.1) id AA19278; Sun, 3 Oct 93 13:38:39 CDT Received: from rsovax.ups.circe.fr by ciripa.circe.fr with SMTP id AA16692 (5.65c+/IDA-1.4.4 for <@ciripa:mutex@stolaf.edu>); Sun, 3 Oct 1993 19:37:47 +0100 Message-Id: <199310031837.AA16692@ciripa.circe.fr> Date: 3-OCT-1993 19:37:50 GMT2 From: TAUPIN@rsovax.ups.circe.fr Subject: MusicTeX 4.98 To: mutex Precedence: bulk Version 4.98 of musicTeX posted at rsovax.ups.circe.fr 130.84.128.100 Features: enhanced repeat coding; updated DOC; possible separation of bars between distinct instruments. From smoliar@iss.nus.sg Sun Oct 3 23:42:16 1993 Return-Path: Received: from bochap.iss.nus.sg by stolaf.edu (4.1/SMI-4.1) id AA18240; Sun, 3 Oct 93 23:42:16 CDT Received: from argon.iss.nus.sg by bochap.iss.nus.sg (4.1/SMI-4.1) id AA02804; Mon, 4 Oct 93 12:43:43+080 Date: Mon, 4 Oct 93 12:43:43+080 From: smoliar@iss.nus.sg (Stephen Smoliar) Message-Id: <9310040443.AA02804@bochap.iss.nus.sg> Received: by argon.iss.nus.sg (4.1/SMI-4.1) id AA00802; Mon, 4 Oct 93 12:43:38 SST To: mutex Cc: mutex@stolaf.edu In-Reply-To: TAUPIN@rsovax.ups.circe.fr's message of 3-OCT-1993 19:37:50 GMT2 <199310031837.AA16692@ciripa.circe.fr> Subject: These are bugs, right? Precedence: bulk Daniel, I have printed my new manual and cruised the directory to figure out which files have been updated. My usual algorithm is to check for anything of the form music*.tex with a recent date. It did not take long to establish that the date in question was October 3; but this algorithm turned up two strange and unexpected files: MUSICEXA.TEX MUSICPK.TEX Upon close inspection these did not look very much like TeX files. Upon even closer inspection they turned out to be the same size as a pair of ZIP files with the same first names? I assume, then, that neither of these files has to be ported to the OzTeX on my Macintosh for installation. Am I right? Steve From SETTELS@amc.uva.nl Mon Oct 4 09:14:12 1993 Return-Path: Received: from VX.CIS.UMN.EDU by stolaf.edu (4.1/SMI-4.1) id AA13984; Mon, 4 Oct 93 09:14:12 CDT Received: from HASARA5.BITNET (MAILGATE@HASARA5) by vx.cis.umn.edu (PMDF V4.2-13 #2574) id <01H3PJTD3K5SB630KC@vx.cis.umn.edu>; Mon, 4 Oct 1993 09:14:43 CDT Received: from AMCCCA.AMC.UVA.NL by SARA.NL for mutex@stolaf.edu; 4 Oct 93 15:14 MET Received: from amc.uva.nl by amc.uva.nl (PMDF #2498 ) id <01H3PW7WY4WG0004YB@amc.uva.nl>; Mon, 4 Oct 1993 15:13:07 MET Date: Mon, 04 Oct 1993 15:13:07 +0100 (MET) From: SETTELS@amc.uva.nl Subject: looking for music FTP site To: mutex Message-Id: <01H3PW7WY4WI0004YB@amc.uva.nl> X-Envelope-To: mutex@stolaf.edu X-Vms-To: STOLAF Mime-Version: 1.0 Content-Transfer-Encoding: 7BIT Precedence: bulk Hello, I am searching for an FTP site where I can find lyrics, MIDI and maybe MusicTeX files. I am sure there must be some good ones around. At this moment I am looking for mellow stuff; musical type things, Peggy Lee, Frank Sinatra, Marlene Dietrich, Liza Minelli. Does anyone in this group have suggestions where to look ? thanks, Hans From TAUPIN@rsovax.ups.circe.fr Wed Oct 6 03:22:31 1993 Return-Path: Received: from ciripa.circe.fr by stolaf.edu (4.1/SMI-4.1) id AA16607; Wed, 6 Oct 93 03:22:31 CDT Received: from rsovax.ups.circe.fr by ciripa.circe.fr with SMTP id AA17648 (5.65c+/IDA-1.4.4 for <@ciripa:mutex@stolaf.edu>); Wed, 6 Oct 1993 09:21:36 +0100 Message-Id: <199310060821.AA17648@ciripa.circe.fr> Date: 6-OCT-1993 09:21:47 GMT2 From: TAUPIN@rsovax.ups.circe.fr Subject: IP addressing destroyed... To: mutex Precedence: bulk ********************************************** * Catastrophic changes in INTERNET addresses * ********************************************** Due to the disparition and replacement of the Computing Center of CNRS (CIRCE vanishes), the INTERNET domain "ups.circe.fr" will DISAPPEAR in a few hours or days. In the same time, all absolute IP addresses "130.84.128.1**" will be cancelled and replaces with "193.55.39.1**" (where "**" stands for 2 digits). This means that: "rsovax.ups.circe.fr" immediately becomes "rsovax.lps.u-psud.fr" 130.84.128.100 immediately becomes 193.55.39.100 Aliasing is attempted for ftp and telnet connections, BUT no FORWARDING will be possible for MAIL. Therefore: -- any mail to @rsovax.ups.circe.fr should be sent to both: @rsovax.ups.circe.fr @rsovax.lps.u-psud.fr -- any ftp/telnet connection to "rsovax.ups.circe.fr" should be also tried to: "rsovax.lps.u-psud.fr" -- any ftp/telnet connection to 130.84.128.1** should be also tried to: 193.55.29.1** Apologies from taupin@rsovax.ups.circe.fr alias taupin@rsovax.lps.u-psud.fr alias taupin@frups51.bitnet From TAUPIN@rsovax.lps.u-psud.fr Fri Oct 8 06:52:14 1993 Return-Path: Received: from hprib.lps.u-psud.fr ([193.55.39.152]) by stolaf.edu (4.1/SMI-4.1) id AA21148; Fri, 8 Oct 93 06:52:14 CDT Message-Id: <9310081152.AA21148@stolaf.edu> Received: from rsovax.lps.u-psud.fr by hprib.lps.u-psud.fr with SMTP (1.37.109.4/16.2) id AA17479; Fri, 8 Oct 93 12:55:00 +0100 Date: 8-OCT-1993 12:12:28 GMT2 From: TAUPIN@rsovax.lps.u-psud.fr Subject: rsovax address changes To: mutex Precedence: bulk Since the addresses of rsovax have recently changed (both absolute and names) the package has been updated at anonymous ftp: 193.55.39.100 = rsovax.lps.u-psud.fr same directories as usual. Version unchanged = 4.98 (doc updated) From owner-mutex Tue Oct 19 11:22:31 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA18266; Tue, 19 Oct 93 11:21:54 CDT Return-Path: Received: from fix.fsz.bme.hu by stolaf.edu (4.1/SMI-4.1) id AA18210; Tue, 19 Oct 93 11:21:31 CDT Received: by fix.fsz.bme.hu id AA09429 (5.65a++/IDA-BME-1.4.2 for mutex@stolaf.edu); Tue, 19 Oct 93 17:18:33 +0100 From: Maray Tamas Message-Id: <9310191618.AA09429@fix.fsz.bme.hu> Subject: test, drop away To: mutex Date: Tue, 19 Oct 1993 17:18:29 +0100 (MET) X-Mailer: ELM [version 2.4 PL21] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 516 Precedence: bulk Just a connectivity test. Drop it away! ======================================================================== Tamas MARAY E-Mail: maray@fsz.bme.hu Technical University of Budapest Phone: +36 1 1667-392 Department of Process Control Fax: +36 1 1852-658 Computer Center 1111 Muegyetem rkp. 9., R.203 Budapest, HUNGARY ======================================================================== From cdr Tue Oct 26 13:56:06 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA19490; Tue, 26 Oct 93 13:55:38 CDT Return-Path: Received: by stolaf.edu (4.1/SMI-4.1) id AA19444; Tue, 26 Oct 93 13:55:34 CDT Date: Tue, 26 Oct 93 13:55:34 CDT From: cdr (Craig D. Rice, St. Olaf College) Message-Id: <9310261855.AA19444@stolaf.edu> To: mutex Subject: asdf Precedence: bulk asdf asdf From owner-mutex Thu Oct 28 11:22:31 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA19975; Thu, 28 Oct 93 10:33:54 CDT Return-Path: Received: from zaphod.axion.bt.co.uk by stolaf.edu (4.1/SMI-4.1) id AA19909; Thu, 28 Oct 93 10:33:43 CDT Received: from bt-sys.bt.co.uk (actually roundabout.bt-sys.bt.co.uk) by zaphod.axion.bt.co.uk with SMTP (PP); Thu, 28 Oct 1993 15:33:29 +0000 Received: from harpo.bt-sys.bt.co.uk by bt-sys.bt.co.uk (4.1/SMI-4.1) id AA18309; Thu, 28 Oct 93 15:30:07 GMT Message-Id: <9310281530.AA18309@bt-sys.bt.co.uk> Received: by harpo.bt-sys.bt.co.uk (16.8/16.2) id AA05752; Thu, 28 Oct 93 15:33:22 GMT Date: Thu, 28 Oct 93 15:33:22 GMT From: Paul McIlroy To: mutex Subject: 72 dpi music fonts Precedence: bulk I would like to be able to preview MusicTeX dvi files on my old MacPlus at 72dpi (much faster than 300dpi). However, this means getting hold of 72dpi pk files for the music and slur fonts. Does anybody know if 72dpi music pk files are available anywhere for ftp, or must I learn how to use Metafont and convert the mf files myself ? Any advice or suggestions gratefully received. Paul McIlroy (pmcilroy@bt-sys.bt.co.uk) From owner-mutex Thu Oct 28 12:22:31 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA28896; Thu, 28 Oct 93 12:03:11 CDT Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA28844; Thu, 28 Oct 93 12:03:01 CDT Received: from sunick.gmd.de (sunick) by gmdzi.gmd.de with SMTP id AA22521 (5.65c8/IDA-1.4.4 for ); Thu, 28 Oct 1993 18:01:03 +0100 Received: by sunick.gmd.de id AA00809 (5.65c/IDA-1.4.4); Thu, 28 Oct 1993 18:02:23 +0100 Date: Thu, 28 Oct 1993 18:02:23 +0100 From: Werner Icking Message-Id: <199310281702.AA00809@sunick.gmd.de> To: mutex Subject: Re: 72 dpi music fonts Precedence: bulk > I would like to be able to preview MusicTeX dvi files on my old MacPlus > at 72dpi (much faster than 300dpi). However, this means getting hold > of 72dpi pk files for the music and slur fonts. Does anybody know if > 72dpi music pk files are available anywhere for ftp, or must I learn > how to use Metafont and convert the mf files myself ? As usual :-) ftp.gmd.de music/musictex/musicpk72.zip It will be there up to the time Daniel Taupin puts it into his musicpk.zip It was a pleasure for me to learn again how to fight against emTeX's MFJOB and MetaFont. It took me only some minutes i.e. that must be good programs (or I prepared it well in former times :-) Please tell me soon if the fonts do not work properly because I did not make any test. Werner From owner-mutex Thu Nov 4 22:22:30 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA12549; Thu, 4 Nov 93 21:46:48 CST Return-Path: Received: from uxa.ecn.bgu.edu by stolaf.edu (4.1/SMI-4.1) id AA12508; Thu, 4 Nov 93 21:46:44 CST From: gf00151@uxa.ecn.bgu.edu Received: by uxa.ecn.bgu.edu id AA10163 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Thu, 4 Nov 1993 21:46:40 -0600 Date: Thu, 4 Nov 1993 21:42:51 -0600 (CST) Subject: request for info To: mutex Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Precedence: bulk researching impact of lyrics in popular music on teens/society. Know of any discussion groups on network that can help? Any ideas welcome. Thank you. From owner-mutex Mon Nov 8 21:22:31 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA11420; Mon, 8 Nov 93 21:03:51 CST Return-Path: Received: from madvax.maths.uwa.edu.au by stolaf.edu (4.1/SMI-4.1) id AA11370; Mon, 8 Nov 93 21:03:41 CST Message-Id: <9311090303.AA11370@stolaf.edu> Received: by madvax.maths.uwa.edu.au (5.61+IDA+MU) id AA09829; Tue, 9 Nov 1993 11:03:57 +0800 Date: Tue, 9 Nov 1993 11:03:57 +0800 From: hartley@maths.uwa.edu.au (Michael Hartley) To: mutex Subject: Information regarding ftp site... Precedence: bulk Dear Everyone, A while before I unsubscribed from this list, people were asking about the possibility of an ftp site to place musical scores ready for typesetting. I don't know whether you've found one or not, of course, but I thiought the following exerpt from a README file I just found might be of interest to you all. ---SNIP--- This site is aliased to ftp.uwp.edu. For ease of transition in the future, please only refer to the site as ftp.uwp.edu in any documentation you release. If this site ever changes, the name will continue to be ftp.uwp.edu. Thanks for your help. The complete recursed directory for the site is in the file /ls-lR If you run a music-related mailing list and need a place for your archives, please contact ftp@ftp.uwp.edu to set up the details. Thank you Dave Datta@ftp.uwp.edu For your information: UWP stands for University of Wisconsin-Parkside. It is located in Kenosha, Wisconsin, U.S.A. For you geography buffs, Kenosha is on the southwest edge of Lake Michigan, the southern most of the five great lakes in the mid-eastern United States. Kenosha is almost exactly half way between Chicago, Illinois and Milwaukee, Wisconsin. ---SNIP--- Although the guy is only offering a place to store archives, maybe he'd be willing to store scores as well, and copies of the mutex and musictex source. Let me know how it goes. Yours, Mike H... "Me Transmitte Sursum, Caledoni!" / / . . . . . __O Michael Hartley _-_|\ -\<, hartley@madvax.maths.uwa.oz.au / \ . . . . . . ()/ () -----------------> *_.-._/ v From owner-mutex Thu Nov 11 12:22:31 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA06226; Thu, 11 Nov 93 11:25:58 CST Return-Path: Received: from sun2.nsfnet-relay.ac.uk by stolaf.edu (4.1/SMI-4.1) id AB06120; Thu, 11 Nov 93 11:25:48 CST Via: uk.ac.heriot-watt.maths.cara; Thu, 11 Nov 1993 16:37:10 +0000 From: Vasileios Metaftsis Date: Thu, 11 Nov 93 16:35:52 GMT Message-Id: <16723.9311111635@cara.ma.hw.ac.uk> Received: from hirta.hw.maths by cara.ma.hw.ac.uk; Thu, 11 Nov 93 16:35:52 GMT To: mutex Precedence: bulk I just got a copy of MusicTeX and I'm trying to install it in a SUNOS system. I tried to compile musicdoc.tex and it seems that everything is o.k. But when I try to xdvi or print the file I get the following messages Can't find font beamn13; using cmr10 instead at 300 dpi Can't find font beamn20; using cmr10 instead at 300 dpi Can't find font musicn13; using cmr10 instead at 300 dpi Can't find font slurn20; using cmr10 instead at 300 dpi Can't find font musicn16; using cmr10 instead at 300 dpi Can't find font musicn20; using cmr10 instead at 300 dpi and of cource the print out has nothing to do with music sheet. The files I have are FAQ euro92.sty musicdoc.dvi musicn20.tfm slurdd16.mf README euro92.tex musicdoc.idx musicnft.log slurdd16.tfm a4report.sty euromtex.aux musicdoc.inx musicnft.tex slurdu16.mf beamd20.mf euromtex.dvi musicdoc.log musicpln.tex slurdu16.tfm beamn11.mf euromtex.tex musicdoc.ps musicpos.tex slurgen.mf beamn11.pk extras.log musicdoc.tex musicpre.log slurn16.mf beamn11.tfm extras.tex musicdoc.toc musicpre.tex slurn16.pk beamn13.mf howtoget.dvi musicext.tex musicref.dvi slurn16.tfm beamn13.pk howtoget.log musicg16.mf musicref.tex slurn20.mf beamn13.tfm howtoget.tex musicgen.mf musicsty.tex slurn20.pk beamn16.mf lines.tex musicn11.mf musictex.sty slurn20.tfm beamn16.pk musicacc.log musicn11.pk musictex.tex slurud16.mf beamn16.tfm musicacc.tex musicn11.tfm musictrp.sty slurud16.tfm beamn20.mf musicadd.tex musicn13.mf musictrp.tex sluruu16.mf beamn20.pk musicd11.mf musicn13.pk musicvbm.sty sluruu16.tfm beamn20.tfm musicd13.mf musicn13.tfm musicvbm.tex sortindx.exe beamngen.mf musicd16.mf musicn16.mf racine.log sortindx.for beamq20.mf musicd20.mf musicn16.pk racine.tex beamt20.mf musicdef.mf musicn16.tfm screatim.dvi beamv20.mf musicdoc.aux musicn20.mf screatim.log bigmusic.sty musicdoc.bat musicn20.pk screatim.tex Is there anything missing ? Does anyone know how to solve such a problem (which propably is trivial but I don't know how to solve it) ? From owner-mutex Thu Nov 11 13:22:33 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA14062; Thu, 11 Nov 93 12:41:08 CST Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA13962; Thu, 11 Nov 93 12:40:47 CST Received: from sunick.gmd.de (sunick) by gmdzi.gmd.de with SMTP id AA10207 (5.65c8/IDA-1.4.4 for ); Thu, 11 Nov 1993 19:36:34 +0100 Received: by sunick.gmd.de id AA01215 (5.65c/IDA-1.4.4); Thu, 11 Nov 1993 19:38:06 +0100 Date: Thu, 11 Nov 1993 19:38:06 +0100 From: Werner Icking Subject: Message-Id: <199311111838.AA01215@sunick.gmd.de> To: mutex Precedence: bulk > I just got a copy of MusicTeX and I'm trying to install it in a SUNOS system. > I tried to compile musicdoc.tex and it seems that everything is o.k. > But when I try to xdvi or print the file I get the following messages > > Can't find font beamn13; using cmr10 instead at 300 dpi >[...] > and of cource the print out has nothing to do with music sheet. > The files I have are > [...] > beamn11.pk beamn13.pk beamn16.pk beamn20.pk musicn16.pk [...] > > Is there anything missing ? I don't think so. > > Does anyone know how to solve such a problem (which propably is trivial but > I don't know how to solve it) ? There is more than one possibility. xdvi does not find the files which are now named e.g. beamn11.pk. Try to rename them to beamn11.300pk or put them into an appropiate directory .../fonts/300dpi/beamn11.pk or look which enviromentvariable has to be defined or ... I hope that my first proposal hilft. -- Werner From owner-mutex Thu Nov 11 14:22:31 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA16921; Thu, 11 Nov 93 13:14:25 CST Return-Path: Received: from morpheus.chpc.utexas.edu by stolaf.edu (4.1/SMI-4.1) id AA16869; Thu, 11 Nov 93 13:14:17 CST Received: by morpheus.chpc.utexas.edu (4.1/SMI-4.1) id AA15188; Thu, 11 Nov 93 13:14:42 CST From: mwitten@chpc.utexas.edu Message-Id: <9311111914.AA15188@morpheus.chpc.utexas.edu> Subject: Music Tex and Solaris To: mutex Date: Thu, 11 Nov 1993 13:14:41 -0600 (CST) X-Mailer: ELM [version 2.4 PL23] Content-Type: text Content-Length: 647 Precedence: bulk I am curious if anyone has attempted to build MusicTex on a Solaris 2.x x>0 environment. I am about to do it and could use any help I can get. Also, where is the most recent MusicTex ftp site. I want to check and make sure I have the complete package. Thanks, Matthew Witten -- _____________________________________________________________________ Matthew Witten UT System Center For High Performance Computing Balcones Research Center, 1.154 CMS 10100 Burnet Road, Austin, TX 78758-4497 USA Phone: (512) 471-2472 FAX: (512) 471-2445 E-MAIL MWITTEN@CHPC.UTEXAS.EDU _____________________________________________________________________ From owner-mutex Thu Nov 11 17:25:01 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA07528; Thu, 11 Nov 93 17:16:08 CST Return-Path: <@pizza.unix-ag.uni-kl.de:knopper@unix-ag.uni-kl.de> Received: from uni-kl.de (stepsun.uni-kl.de) by stolaf.edu (4.1/SMI-4.1) id AA07469; Thu, 11 Nov 93 17:15:55 CST Received: from pizza.unix-ag.uni-kl.de by stepsun.uni-kl.de id aa14213; 12 Nov 93 0:15 MET Received: by pizza.unix-ag.uni-kl.de (5.0/SMI-SVR4) id AA25320; Fri, 12 Nov 93 00:15:36 +0100 From: Klaus Knopper Message-Id: <9311112315.AA25320@pizza.unix-ag.uni-kl.de> Subject: Re: Music Tex and Solaris To: mutex Date: Fri, 12 Nov 1993 00:15:35 +0100 (MET) Cc: mutex@stolaf.edu In-Reply-To: <9311111914.AA15188@morpheus.chpc.utexas.edu> from "mwitten@chpc.utexas.edu" at Nov 11, 93 01:14:41 pm X-Mailer: ELM [version 2.4 PL21] Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Length: 1238 Precedence: bulk > I am curious if anyone has attempted to build MusicTex > on a Solaris 2.x x>0 environment. I am about to do it > and could use any help I can get. Also, where is the > most recent MusicTex ftp site. I want to check and > make sure I have the complete package. Thanks, > > Matthew Witten Hi, Matthew! Yes, its no problem at all. (I'm running Solaris 2.2 on a Sparc 10). What you need is sparctex (or any TeX you like), and the musictex.tar.z (new version) from ftp.gmd.de or anywhere else. Note, that the TeX-Sources may be in "MSDOS" Style Text-Format (additional CR's and ^Z as end-of-file-character). You will then have to strip the additional CR's and remove everything below the ^Z char in the *.tex, *.mf files. Put the *.tex files in the search path for you TeX Compiler, and the *.mf files in the search path for metafont, rename the *.pk fonts to *.300pk and put them to your pixel-font directory (for all XDVI fonts). At last, you will need to put all *.tfm files to the TFM Fontmetric Directory of TeX. Thats all. Now you can use the greatest Music typesetting program ever ;-). If you have unusual problems, please feel free to mail me at knopper@unix-ag.uni-kl.de. Bye -Klaus Knopper (knopper@unix-ag.uni-kl.de) From owner-mutex Fri Nov 12 06:22:31 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA13594; Fri, 12 Nov 93 05:56:48 CST Return-Path: Received: from leeman.york.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA13549; Fri, 12 Nov 93 05:56:38 CST Received: from tower.york.ac.uk by leeman.york.ac.uk with SMTP (PP) id <17456-0@leeman.york.ac.uk>; Fri, 12 Nov 1993 11:45:15 +0000 Received: by tower.york.ac.uk (920330.SGI/920502.SGI) for @leeman.york.ac.uk:mutex@stolaf.edu id AA14299; Fri, 12 Nov 93 11:54:44 GMT From: cmp2@tower.york.ac.uk (Chris Peckham) Message-Id: <9311121154.AA14299@tower.york.ac.uk> Subject: (guitar) tablature To: mutex Date: Fri, 12 Nov 93 11:54:42 GMT X-Mailer: ELM [version 2.3 PL11] Precedence: bulk Just a quick question from an absolute beginner: can MusicTeX handle guitar tablature? OK, two questions: what ftp site should I go to (and directory) to read about what MusicTeX can do, and what I need to do it with? Many thanks -- Chris Peckham cmp2@tower.york.ac.uk Department of Chemistry University of York UK From owner-mutex Mon Nov 15 04:22:32 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA15394; Mon, 15 Nov 93 03:26:51 CST Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA15355; Mon, 15 Nov 93 03:26:42 CST Received: from sunick.gmd.de (sunick) by gmdzi.gmd.de with SMTP id AA09052 (5.65c8/IDA-1.4.4 for ); Mon, 15 Nov 1993 10:25:07 +0100 Received: by sunick.gmd.de id AA00323 (5.65c/IDA-1.4.4); Mon, 15 Nov 1993 10:26:42 +0100 Date: Mon, 15 Nov 1993 10:26:42 +0100 From: Werner Icking Message-Id: <199311150926.AA00323@sunick.gmd.de> To: mutex Subject: Re: Music Tex and Solaris Precedence: bulk > What you need is sparctex (or any TeX you like), and > the musictex.tar.z (new version) from ftp.gmd.de or anywhere else. > > Note, that the TeX-Sources may be in "MSDOS" Style Text-Format > (additional CR's and ^Z as end-of-file-character). > You will then have to strip the additional CR's and remove > everything below the ^Z char in the *.tex, *.mf files. Not neccessary if you take the Zip-file and the INFO-Zip UNZIP programme with the -a option. Should I generate muscitex.tar.Z that way? And another question: should I use gzip (musictex.tar.gz) instead of compress? Werner From owner-mutex Mon Nov 15 12:22:31 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA10732; Mon, 15 Nov 93 11:57:37 CST Return-Path: Received: from sun2.nsfnet-relay.ac.uk by stolaf.edu (4.1/SMI-4.1) id AB10651; Mon, 15 Nov 93 11:57:31 CST Via: uk.ac.heriot-watt.maths.cara; Mon, 15 Nov 1993 17:16:06 +0000 From: Vasileios Metaftsis Subject: Date: Mon, 15 Nov 93 17:15:29 GMT Message-Id: <26650.9311151715@cara.ma.hw.ac.uk> To: mutex Precedence: bulk > >I just got a copy of MusicTeX and I'm trying to install it in a SUNOS system. >I tried to compile musicdoc.tex and it seems that everything is o.k. >But when I try to xdvi or print the file I get the following messages > >Can't find font beamn13; using cmr10 instead at 300 dpi >Can't find font beamn20; using cmr10 instead at 300 dpi >Can't find font musicn13; using cmr10 instead at 300 dpi >Can't find font slurn20; using cmr10 instead at 300 dpi >Can't find font musicn16; using cmr10 instead at 300 dpi >Can't find font musicn20; using cmr10 instead at 300 dpi > >and of cource the print out has nothing to do with music sheet. >The files I have are > >FAQ euro92.sty musicdoc.dvi musicn20.tfm slurdd16.mf >README euro92.tex musicdoc.idx musicnft.log slurdd16.tfm >a4report.sty euromtex.aux musicdoc.inx musicnft.tex slurdu16.mf >................ > >Is there anything missing ? > >Does anyone know how to correct such a problem (which propably is trivial but >I don't know how to solve it) ? > Thanks everybody for the suggestions, I managed to sort things out. Vassilis From owner-mutex Thu Nov 18 09:22:31 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA00715; Thu, 18 Nov 93 08:37:43 CST Return-Path: Received: from bartok.physics.ncsu.edu by stolaf.edu (4.1/SMI-4.1) id AA00676; Thu, 18 Nov 93 08:37:38 CST Received: by bartok.physics.ncsu.edu (AIX 3.2/UCB 5.64/4.03) id AA15733; Thu, 18 Nov 1993 09:38:06 -0500 Date: Thu, 18 Nov 1993 09:38:06 -0500 From: elessar@bartok.physics.ncsu.edu Subject: Message-Id: <9311181438.AA15733@bartok.physics.ncsu.edu> To: mutex Precedence: bulk Hello. I have recently pulled down the musictex package, musictex-498 and am trying to tex a document i know to be valid. I invariably get this response: (musictex.tex Version 4.98 -- October 2nd, 1993 ! Font \ppffsixteen=cmbxti10 not loadable: Metric (TFM) file not found. \font l.16 \font \ppfftwenty=\fonthdg\fonthdge bxti10 scaled \magstep1^^M ? Now i have looked in the faq and the only blurb pertaining is to check and see if the ftp was binary,...it was. If tex could not find this font, why would it not make a substitution? the faq also mentions that this .tfm is vms related? If this is a font problem, does anyone have the fonts i need? Thanks in advance. -srm From owner-mutex Thu Nov 25 00:22:31 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA19309; Wed, 24 Nov 93 23:52:09 CST Return-Path: Received: from hprib.lps.u-psud.fr by stolaf.edu (4.1/SMI-4.1) id AA19270; Wed, 24 Nov 93 23:52:03 CST Message-Id: <9311250552.AA19270@stolaf.edu> Received: from rsovax.lps.u-psud.fr by hprib.lps.u-psud.fr with SMTP (1.37.109.4/16.2) id AA11742; Tue, 23 Nov 93 14:47:32 +0100 Date: 23-NOV-1993 14:44:59 GMT2 From: TAUPIN@rsovax.lps.u-psud.fr Subject: Tugboat 14/3 To: mutex Precedence: bulk Subject: Tugboat 14/3 Due to delays between submission and printing, the INTERNET address to get MusicTeX has changed: It is now: rsovax.lps.u-psud.fr 193.55.39.100 D. Taupin From owner-mutex Thu Nov 25 02:22:31 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA22429; Thu, 25 Nov 93 01:36:35 CST Return-Path: Received: from unidui.uni-duisburg.de by stolaf.edu (4.1/SMI-4.1) id AA22383; Thu, 25 Nov 93 01:36:28 CST Received: by unidui.uni-duisburg.de (1.37.109.4/SMI-3.2) id AA28671; Thu, 25 Nov 93 08:36:36 +0100 Date: Thu, 25 Nov 93 08:36:36 +0100 From: hm308ba@unidui.uni-duisburg.de (Mathias Bartsch) Message-Id: <9311250736.AA28671@unidui.uni-duisburg.de> To: mutex Subject: Trying to typeset one staff music with lyrics Precedence: bulk Kind MuTeXers, I intend to typest a booklet with childrens' songs (might not be the right term...). The layout should be like this: One staff for the single voice melody, lyrics for several verses underneath, perhaps chord names above. Inter-note space should be large... The last staff should NOT necessarily fill the whole page width, as it seems to do per default. Last but not least I would prefer LaTeX. Is there some kind soul that would provide me with an illustrative example? (I spent a few hours on trying to get text under a single staff in a nondestroying manner :) ...) BTW: Anyone interested in the results (if any :) ?) Thanks in advance Best wishes Mathias -- Mathias Bartsch, Uni-GH-Duisburg, Lab.f.Festkoerperphysik, 47048 Duisburg Lotharstr. 1, tel: (0203) 379-3476, fax: (0203) 379-3163 From owner-mutex Thu Nov 25 04:22:31 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA26267; Thu, 25 Nov 93 03:54:05 CST Return-Path: Received: from unidui.uni-duisburg.de by stolaf.edu (4.1/SMI-4.1) id AA26222; Thu, 25 Nov 93 03:53:36 CST Received: by unidui.uni-duisburg.de (1.37.109.4/SMI-3.2) id AA13090; Thu, 25 Nov 93 10:53:38 +0100 Date: Thu, 25 Nov 93 10:53:38 +0100 From: hm308ba@unidui.uni-duisburg.de (Mathias Bartsch) Message-Id: <9311250953.AA13090@unidui.uni-duisburg.de> To: mutex Subject: I meant "MusicTeX", not "MuTeX" Sorry! Precedence: bulk I just said "Kind MuTeXers" .... What I meant to say was: "Kind MusicTeXers" .... Sorry for that! Best wishes Mathias -- Mathias Bartsch, Uni-GH-Duisburg, Lab.f.Festkoerperphysik, 47048 Duisburg Lotharstr. 1, tel: (0203) 379-3476, fax: (0203) 379-3163 From owner-mutex Thu Nov 25 06:22:30 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA29912; Thu, 25 Nov 93 05:32:59 CST Return-Path: Received: from hprib.lps.u-psud.fr by stolaf.edu (4.1/SMI-4.1) id AA29873; Thu, 25 Nov 93 05:32:55 CST Message-Id: <9311251132.AA29873@stolaf.edu> Received: from rsovax.lps.u-psud.fr by hprib.lps.u-psud.fr with SMTP (1.37.109.4/16.2) id AA25665; Thu, 25 Nov 93 12:35:48 +0100 Date: 25-NOV-1993 12:33:16 GMT2 From: TAUPIN@rsovax.lps.u-psud.fr Subject: lyrics in MusicTeX To: mutex Precedence: bulk The most recent doc (musicdoc.tex, ....ps, .dvi) explains how to deal with lyrics under MusicTeX. Get it at version 4.98. D. Taupin. From owner-mutex Thu Nov 25 07:29:46 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA01455; Thu, 25 Nov 93 06:15:54 CST Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA01409; Thu, 25 Nov 93 06:15:43 CST Received: from sunick.gmd.de (sunick) by gmdzi.gmd.de with SMTP id AA21083 (5.65c8/IDA-1.4.4 for ); Thu, 25 Nov 1993 13:13:43 +0100 Received: by sunick.gmd.de id AA00736 (5.65c/IDA-1.4.4); Thu, 25 Nov 1993 13:15:19 +0100 Date: Thu, 25 Nov 1993 13:15:19 +0100 From: Werner Icking Message-Id: <199311251215.AA00736@sunick.gmd.de> To: mutex Subject: Re: Trying to typeset one staff music with lyrics Precedence: bulk > I intend to typest a booklet with childrens' songs (might not be the > right term...). > > The layout should be like this: > > One staff for the single voice melody, lyrics for several verses > underneath, perhaps chord names above. Inter-note space should be large... > > The last staff should NOT necessarily fill the whole page width, as it seems > to do per default. > > Last but not least I would prefer LaTeX. > > Is there some kind soul that would provide me with an illustrative example? > (I spent a few hours on trying to get text under a single staff in a > nondestroying manner :) ...) The kind soul is Daniel Taupin who gave us ANGESCAX.TEX and some hints in the docs. Look for "lyrics". Another is me who played 'round a little bit (less than one hour avoiding LaTeX :-): ----------------------------------------------------------------------- \input musicnft \input musictex %\input mymusic ---------------------------------------------------------- % Texte relativ ber oder unter dem Notensystem \Text{n}{...} \text{n}{...} % (n = 0, 1, ...) \newcount\t@i \def\Text#1#2{\resetstem\t@i=#1\advance \t@i by 8\raise +\t@i\internote\rlap{#2}} \def\text#1#2{\resetstem\t@i=#1\advance \t@i by 3\raise -\t@i\internote\rlap{#2}} %--------------------------------------------------------------------------- \def\nbinstruments{3}\nbporteesi=0\nbporteesii=0 \parindent 0pt\debutextrait\relax \NOTes Stock&Hns-&\Text1{C}\qu g\enotes\relax \NOTes und&chen&\qu e\enotes\relax \NOTEs Hut&klein&\Text1{Am}\hu e\enotes\relax \barre \NOTes stehn&ging&\Text1{F}\qu f\enotes\relax \NOTes ihm&al-&\qu d\enotes\relax \NOTes gut&lein&\Text1{Dm}\hu d\enotes\relax \finextrait \vskip 2cm\debutmorceau\relax \NOTes Stock&Hns-&\Text1{C}\qu g\enotes\relax \NOTes und&chen&\qu e\enotes\relax \NOTEs Hut&klein&\Text1{Am}\hu e\enotes\relax \barre \NOTes stehn&ging&\Text1{F}\qu f\enotes\relax \NOTes ihm&al-&\qu d\enotes\relax \NOTes gut&lein&\Text1{Dm}\hu d\enotes\relax \barre \NOTes Stock&Hns-&\Text1{C}\qu g\enotes\relax \NOTes und&chen&\qu e\enotes\relax \NOTEs Hut&klein&\Text1{Am}\hu e\enotes\relax \barre \NOTes stehn&ging&\Text1{F}\qu f\enotes\relax \NOTes ihm&al-&\qu d\enotes\relax \NOTes gut&lein&\Text1{Dm}\hu d\enotes\relax \barre \NOTes Stock&Hns-&\Text1{C}\qu g\enotes\relax \NOTes und&chen&\qu e\enotes\relax \NOTEs Hut&klein&\Text1{Am}\hu e\enotes\relax \barre \NOTes stehn&ging&\Text1{F}\qu f\enotes\relax \NOTes ihm&al-&\qu d\enotes\relax \NOTes gut&lein&\Text1{Dm}\hu d\enotes\relax \barre \NOTes Stock&Hns-&\Text1{C}\qu g\enotes\relax \NOTes und&chen&\qu e\enotes\relax \NOTEs Hut&klein&\Text1{Am}\hu e\enotes\relax \barre \NOTes stehn&ging&\Text1{F}\qu f\enotes\relax \NOTes ihm&al-&\qu d\enotes\relax \NOTes gut&lein&\Text1{Dm}\hu d\enotes\relax \finmorceau \vskip 2cm\raggedlinestrue\debutmorceau\relax \NOTes Stock&Hns-&\Text1{C}\qu g\enotes\relax \NOTes und&chen&\qu e\enotes\relax \NOTEs Hut&klein&\Text1{Am}\hu e\enotes\relax \barre \NOTes stehn&ging&\Text1{F}\qu f\enotes\relax \NOTes ihm&al-&\qu d\enotes\relax \NOTes gut&lein&\Text1{Dm}\hu d\enotes\relax \barre \NOTes Stock&Hns-&\Text1{C}\qu g\enotes\relax \NOTes und&chen&\qu e\enotes\relax \NOTEs Hut&klein&\Text1{Am}\hu e\enotes\relax \barre \NOTes stehn&ging&\Text1{F}\qu f\enotes\relax \NOTes ihm&al-&\qu d\enotes\relax \NOTes gut&lein&\Text1{Dm}\hu d\enotes\relax \barre \NOTes Stock&Hns-&\Text1{C}\qu g\enotes\relax \NOTes und&chen&\qu e\enotes\relax \NOTEs Hut&klein&\Text1{Am}\hu e\enotes\relax \barre \NOTes stehn&ging&\Text1{F}\qu f\enotes\relax \NOTes ihm&al-&\qu d\enotes\relax \NOTes gut&lein&\Text1{Dm}\hu d\enotes\relax \barre \NOTes Stock&Hns-&\Text1{C}\qu g\enotes\relax \NOTes und&chen&\qu e\enotes\relax \NOTEs Hut&klein&\Text1{Am}\hu e\enotes\relax \barre \NOTes stehn&ging&\Text1{F}\qu f\enotes\relax \NOTes ihm&al-&\qu d\enotes\relax \NOTes gut&lein&\Text1{Dm}\hu d\enotes\relax \finmorceau \bye ----------------------------------------------------------------------- I didn't find a way to reduce the space between the lines of text. I found that \interinstrumenti{-...} shortens the barlines vertically. > BTW: Anyone interested in the results (if any :) ?) At least me. Werner From owner-mutex Tue Dec 7 12:22:41 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA17077; Tue, 7 Dec 93 11:35:42 CST Return-Path: Received: from zaphod.axion.bt.co.uk by stolaf.edu (4.1/SMI-4.1) id AA17022; Tue, 7 Dec 93 11:35:22 CST Received: from bt-sys.bt.co.uk (actually roundabout.bt-sys.bt.co.uk) by zaphod.axion.bt.co.uk with SMTP (PP); Tue, 7 Dec 1993 17:35:12 +0000 Received: from harpo.bt-sys.bt.co.uk by bt-sys.bt.co.uk (4.1/SMI-4.1) id AA14892; Tue, 7 Dec 93 17:31:36 GMT Message-Id: <9312071731.AA14892@bt-sys.bt.co.uk> Received: by harpo.bt-sys.bt.co.uk (16.8/16.2) id AA24552; Tue, 7 Dec 93 17:34:56 GMT Date: Tue, 7 Dec 93 17:34:56 GMT From: Paul McIlroy To: mutex Subject: How to set four quavers with widely varying pitches ? Precedence: bulk I have been using musicvbm to typeset groups of four quavers. I wrote \def\quadu#1#2#3#4#5% #1 = beam number. #2, #3, #4, #5 are notes {\Ibu{#1}{#2}{#5}3\qh{#1}{#2#3#4}\tbu{#1}\qh{#1}{#5}}\relax to set four notes using \Ibu. This works well, except when the notes leap around a lot. \quadu0cjjc, \quadu0cjcj, \quadu0jcjc and \quadu0cjgc all look rather silly, because the beam is not high enough to clear the middle notes. In the music books I have at home the beam is always 3 or more \Interligne above the end notes, and 2 or more \Interligne above the middle notes. So I thought I would write a macro to check if the beam was high enough and if not, raise the second and third parameters to \Ibu. Thus minded I typed \newcount\myna \newcount\mynb \newcount\mync \newcount\mynd \def\quadu#1#2#3#4#5% #1 = beam number. #2, #3, #4, #5 are notes {\getn@i{#2}\myna=\n@i \getn@i{#3}\mynb=\n@i \getn@i{#4}\mync=\n@i \getn@i{#5}\mynd=\n@i \message{myna is \the\myna} \Ibu{#1}{\the\myna}{#5}3\qh{#1}{#2#3#4}\tbu{#1}\qh{#1}{#5}}\relax just to check that I could get started. With \quadu0cjjc I get the message myna is -2, which is a good sign, but then tex balks at \Ibu{#1}{\the\myna} and says "! Dimension too large.". I tried changing the definition to \Ibu{#1}{\noexpand\the\myna}, but with no improvement. I am puzzled, because \Ibu{#1}{-2} works just fine, and if myna is -2 then I feel \Ibu{#1}{\the\myna} should work. Are there any tex wizzards out there who could tell me what I'm doing wrong. I really would like to have a general macro which would set four quavers no matter how much they leap up and down, but I can't even get started if I can't pass \Ibu the values of my (possibly incremented) count variables. Any help or advice gratefully received. Paul McIlroy (pmcilroy@bt-sys.bt.co.uk) From owner-mutex Wed Dec 8 09:22:41 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA24391; Wed, 8 Dec 93 09:08:36 CST Return-Path: Received: from sun2.nsfnet-relay.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA24214; Wed, 8 Dec 93 09:06:37 CST Via: uk.ac.greenwich; Wed, 8 Dec 1993 14:47:07 +0000 Received: from groom by odin.greenwich.ac.uk with SMTP (PP) id <26785-0@odin.greenwich.ac.uk>; Wed, 8 Dec 1993 14:46:32 +0000 From: wc0zxr Message-Id: <25606.9312081447@groom> Subject: Announcing abc2mtex To: mutex Date: Wed, 8 Dec 1993 14:47:53 +0000 (GMT) X-Mailer: ELM [version 2.4 PL17] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 1845 Precedence: bulk ***************************************************************** ********** Announcing version 1.0 of abc2mtex ********** ***************************************************************** This is a package designed to notate tunes stored in an ascii format (henceforth abc notation). It was designed primarily for folk and traditional tunes of Western European origin (such as Irish, English and Scottish) which can be written on one stave in standard classical notation. However, it should be extendible to many other types of music. As an example the tune Paddy O'Rafferty would be written out as T:Paddy O'Rafferty C:Trad. M:6/8 K:D dff cee|def gfe|dff cee|dfe dBA|dff cee|def gfe|faf gfe|[1 dfe dBA:|[2 dfe dcB|| ~A3 B3|gfe fdB|AFA B2c|dfe dcB|~A3 ~B3|efe efg|faf gfe|[1 dfe dcB:|[2 dfe dBA|| fAA eAA|def gfe|fAA eAA|dfe dBA|fAA eAA|def gfe|faf gfe|dfe dBA:| The tune is then read in by the program and MusicTeX output gen- erated (in a matter of seconds). TeX can then be run on this out- put to "typeset beautiful music". The package is small (about 60 KByte), easy to use and features, amongst other things, the ability to transpose both music and abc notation. It will also create an index of all the tunes you have transcribed. The ability to write tunes in abc notation means that they can be easily and portably stored or transported electronically. This package allow you to typeset them easily too. The package has been written on top of MusicTeX , Daniel Taupin's music typesetting package, itself written on top of TeX, Donald Knuth's typesetting package. To run it you will need TeX, MusicTeX (available by ftp from a number of sources), a C com- piler and access to a postscript printer. To get a copy of the package send an email request to C.Walshaw@gre.ac.uk From owner-mutex Wed Dec 8 13:25:34 1993 From owner-mutex Thu Dec 9 10:22:41 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA15339; Thu, 9 Dec 93 09:40:24 CST Return-Path: Received: from nd.edu by stolaf.edu (4.1/SMI-4.1) id AA15294; Thu, 9 Dec 93 09:40:17 CST Received: from bashful.helios.nd.edu by nd.edu with SMTP (PP) id <15643-0@nd.edu>; Thu, 9 Dec 1993 10:39:20 -0500 Received: by bashful.helios.nd.edu (4.1/1.34) id AA04378; Thu, 9 Dec 93 10:39:16 EST From: jtran@bashful.helios.nd.edu (john tran) Message-Id: <9312091539.AA04378@bashful.helios.nd.edu> Subject: lates version of mutex To: mutex Date: Thu, 9 Dec 1993 10:39:15 -0500 (EST) X-Mailer: ELM [version 2.4 PL21] Content-Type: text Content-Length: 201 Precedence: bulk Can some one please inform as to where I can get the lastest version of mutex? Preferably a site that is UNIX based and not VAX based. thanks, -- John Tran 219-277-4391 / e-mail: john.tran@nd.edu From owner-mutex Thu Dec 9 19:22:41 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA10721; Thu, 9 Dec 93 18:44:31 CST Return-Path: Received: from sis.logicon.com by stolaf.edu (4.1/SMI-4.1) id AA10681; Thu, 9 Dec 93 18:44:26 CST Received: by sis.logicon.com; Thu, 9 Dec 93 16:43:36 PST Date: Thu, 9 Dec 93 16:38:11 PST Message-Id: <9XX7+nMw,ha@sis.logicon.com> From: dsimons@logicon.com To: mutex Subject: latest version of mutex X-Incognito-Sn: 217 X-Incognito-Format: VERSION=1.45 ENCRYPTED=NO Precedence: bulk >Can some one please inform >as to where I can get >the lastest version of >mutex? Preferably a site >that is UNIX based and not >VAX based. > >thanks, > >-- >John Tran >219-277-4391 / e-mail: john.tran@nd.edu I got mine by anonymous ftp from stolaf.edu (directory pub/mutex) From owner-mutex Fri Dec 10 07:22:41 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA10331; Fri, 10 Dec 93 06:30:36 CST Return-Path: Received: from sun2.nsfnet-relay.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA10285; Fri, 10 Dec 93 06:30:10 CST Via: uk.ac.greenwich; Fri, 10 Dec 1993 12:26:28 +0000 Received: from vogon by odin.greenwich.ac.uk with SMTP (PP) id <13806-0@odin.greenwich.ac.uk>; Fri, 10 Dec 1993 12:24:50 +0000 From: wc0zxr Message-Id: <27240.9312101224@vogon> Subject: calling Johan Vromans (re abc2mtex) To: mutex Date: Fri, 10 Dec 1993 12:24:45 +0000 (GMT) X-Mailer: ELM [version 2.4 PL23] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 463 Precedence: bulk Sorry to use the mailing list like this but ... After my announcement of abc2mtex I had a request for a copy from Johan.Vromans@net.NL I have tried every possible variation on this address but my mailer won't recognise it. So Johan if you want a copy you can ftp it from ftp.uni-koeln.de in the directory /tex/misc/abc2mtex or mail me with an alternative address. Please could you also mail me to acknowledge that you have seen this message. Chris Walshaw From owner-mutex Tue Dec 14 07:22:41 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA08301; Tue, 14 Dec 93 06:41:57 CST Return-Path: Received: from eros.britain.eu.net by stolaf.edu (4.1/SMI-4.1) id AA08253; Tue, 14 Dec 93 06:41:49 CST Received: from careful.co.uk by eros.britain.eu.net with UUCP id ; Tue, 14 Dec 1993 12:22:14 +0000 From: Don Ward Date: Tue, 14 Dec 93 11:31:23 GMT Message-Id: <14594.9312141131@zippy.careful.uucp> Received: by zippy.careful.uucp (4.1/UK-2.1/zippy/HACK-1); Tue, 14 Dec 93 11:31:23 GMT To: mutex Subject: Highland Bagpipe key signature Precedence: bulk I want to typeset some music for the Highland pipes. The usual practise, (which is confusing to non pipers) is to set it with no sharps or flats at all. Another emerging convention, which is much better, is to have a signature with 2 sharps (C and F) and one natural (G). It looks like the key of A major but with the top sharp replaced by a natural to indicate the scale that the chanter plays. I think I know how to modify things (for this special case only) but before I start, has anybody already done it? Don Ward don@careful.co.uk +44 (0) 21 472 1555 Careful Computing Ltd. Fax +44 (0) 21 608 3004 80 Witherford Way, Birmingham B29 4AS, United Kingdom. From owner-mutex Mon Dec 20 17:22:42 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA09577; Mon, 20 Dec 93 16:34:17 CST Return-Path: Received: from condor.CC.UMontreal.CA by stolaf.edu (4.1/SMI-4.1) id AA09530; Mon, 20 Dec 93 16:34:04 CST Received: from proust.CERCA.UMontreal.CA by condor.CC.UMontreal.CA with SMTP id AA06316 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Mon, 20 Dec 1993 17:31:50 -0500 Received: from maillet.CERCA.UMontreal.CA by proust.CERCA.UMontreal.CA (920330.SGI/5.17) id AA04240; Mon, 20 Dec 93 17:31:59 -0500 Received: by maillet.CERCA.UMontreal.CA (920330.SGI/5.17) id AA22550; Mon, 20 Dec 93 17:31:41 -0500 Date: Mon, 20 Dec 93 17:31:41 -0500 From: richer@CERCA.UMontreal.CA Message-Id: <9312202231.AA22550@maillet.CERCA.UMontreal.CA> To: mutex Subject: MusicTeX on Mac: fontdimen26->bug Precedence: bulk Hi, I have been trying to install MusicTeX on my Mac for use with Textures. I had it working last year with OzTeX, and because of memory limitations, I switched to Textures. But I can't make it work. First, I had to compile all the fonts at 72dpi and 300dpi, to generate the necessary font suitcase and metric files. These appear to be fine. At least, I can view the bitmaps like any other Mac font, using Font D/A mover, for example. Now, when I try to use them with Textures, either to print the documentation, or just to dump a new format for music, TeX invariably jams on the first \fontdimen statement it hits in file musicnft.tex. It give a capacity exceeded message (too many fonts!) and print some related numerical value, like [font=8000].. sorry, I don't remember the exact wording, and I am not near my mac at the moment. I tried commenting out the first two \fontdimen's, like: \font\musictwenty=musicn20 %\fontdimen26\musictwenty=0pt\relax \font\musicsixteen=musicn16 \font\slurntwenty=slurn20 \font\slurnsixteen=slurn16 \font\musicthirteen=musicn13 \font\musiceleven=musicn11 \font\beamtwenty=beamn20 %\fontdimen50\beamtwenty=0pt\relax \font\beamsixteen=beamn16 \font\beamthirteen=beamn13 \font\beameleven=beamn11 and TeX proceeded happily to the next one, several lines below. Has anyone seen this problem before? Is it something wrong with the metric files? P.S.: I used Bluesky Research's METAFONT. --------------------------------------------------------------------------- Jacques Richer, Ph.D. TEL: (514) 369-5234 Centre de Recherche en Calcul Applique FAX: (514) 343-3880 5160, boul. Decarie, bureau 434, INTERNET: richer@cerca.umontreal.ca Montreal, PQ, CANADA H3X 2H9 --------------------------------------------------------------------------- From owner-mutex Wed Dec 22 04:22:41 1993 Received: by stolaf.edu (4.1/SMI-4.1) id AA26848; Wed, 22 Dec 93 04:07:07 CST Return-Path: Received: from hprib.lps.u-psud.fr by stolaf.edu (4.1/SMI-4.1) id AA26808; Wed, 22 Dec 93 04:06:59 CST Message-Id: <9312221006.AA26808@stolaf.edu> Received: from rsovax.lps.u-psud.fr by hprib.lps.u-psud.fr with SMTP (1.37.109.4/16.2) id AA15656; Wed, 22 Dec 93 11:09:49 +0100 Date: 22-DEC-1993 11:08:08 GMT2 From: TAUPIN@rsovax.lps.u-psud.fr Subject: Addresses in France To: mutex, tex-euro@DHDURZ1.bitnet Precedence: bulk Dear postmaster: please transmit this message to all the lists depending on your computing center. =============================================================================== BITNET disappears from France. Stating from now (December 1993) all e-mail addresses in France of the BITNET syntax (i.e. of the form "xxx@FRyyydd.bitnet" where -- xxx is a userid up to 8 chars, -- yyy is a set of 1 to 4 letters, -- dd is a set of 2 digits) become obsolete. They will be unreachable in a FEW months. Starting from now, the only valid e-mail addresses in France are of the form "xxx@something.fr", "xxx@something.somewhere.fr", etc., i.e. INTERNET addresses whose last field is ".fr". Address conversion for messages coming from abroad is provided by node frmop11.cnusc.fr at least until April 30th 1994, but not later than June 30th 1994. THUS: if you have French correspondants whose e-mail address is of the form "xxx@FRyyydd.bitnet", you must: -- either change your personal directory if you know their up-to-date address, -- or send them a message and ask them their new e-mail address (maybe they do not know, but if they are able to reply, then the "From:" field of the answer will give you the answer). D. Taupin = taupin@rsovax.lps.u-psud.fr (formerly taupin@frups51.bitnet) From owner-mutex Mon Jan 3 08:22:51 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA03840; Mon, 3 Jan 94 07:28:55 CST Return-Path: Received: from hprib.lps.u-psud.fr by stolaf.edu (4.1/SMI-4.1) id AA03795; Mon, 3 Jan 94 07:28:47 CST Message-Id: <9401031328.AA03795@stolaf.edu> Received: from rsovax.lps.u-psud.fr by hprib.lps.u-psud.fr with SMTP (1.37.109.4/16.2) id AA01066; Mon, 3 Jan 94 14:31:52 +0100 Date: 3-JAN-1994 14:30:40 GMT2 From: TAUPIN@rsovax.lps.u-psud.fr Subject: MusicTeX 4.99 and happy new year! To: mutex Precedence: bulk New version 4.99 of MusicTeX available at anonymous ftp: rsovax.lps.u-psud.fr = 193.55.39.100 directory [anonymous.musictex] Changes: to make MusicTeX compatible with the french.sty provided by the GUTenberg (French) association, the handling of \catcode's have been reviewed to bypass the fact that french.sty makes punctuation marks \active, i.e. ";", ">", "<", ":", "!", "?". In the same way, there is no more incompatibility between MusicTeX and the use of "&" as a tabulation character. The updated musicdoc (provided as a DVI and as musicdoc.ps) should be read carefully. Last point: happy new year to all of you, folks. Daniel Taupin From owner-mutex Thu Jan 6 13:22:51 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA17741; Thu, 6 Jan 94 12:39:02 CST Return-Path: <@ohmg.hydro.on.ca:jservice@rd.hydro.on.ca> Received: from ohmg.hydro.on.ca by stolaf.edu (4.1/SMI-4.1) id AA17698; Thu, 6 Jan 94 12:38:53 CST Received: from eagle.hydro.on.ca by ohmg.hydro.on.ca with SMTP id <66629>; Thu, 6 Jan 1994 14:16:47 -0500 Received: by eagle.hydro.on.ca (4.1/SMI-4.1) id AA04182; Thu, 6 Jan 94 13:45:25 EST Received: from jabez.rd.hydro.on.ca by ohrd.rd.hydro.on.ca with SMTP id AA19645 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Thu, 6 Jan 1994 13:38:28 -0500 Received: by jabez.rd.hydro.on.ca id AA25025 (5.65c/IDA-1.4.4 for taupin@rsovax.lps.u-psud.fr); Thu, 6 Jan 1994 13:38:22 -0500 Date: Thu, 6 Jan 1994 13:38:22 -0500 From: Jim Service Message-Id: <199401061838.AA25025@jabez.rd.hydro.on.ca> To: mutex Subject: Typesetting lyrics Reply-To: jservice@rd.hydro.on.ca Precedence: bulk My after-hours hobby is being a bass-baritone soloist. One thing I have used MusicTeX for is to transpose pieces into a singable (for me) key. Over the holidays I worked up some macros to insert "note-centred" lyrics. The results are attached. If you would like the postscript or dvi output of the attached TeX extract, send me email. -- James (Jim) R.R. Service Internet: jservice@rd.hydro.on.ca Ontario Hydro jservice@vis.toronto.edu 800 Kipling Ave. - Room KR132 FAX: (416) 207-6384 Toronto, Ontario, CANADA M8Z 5S4 voice: (416) 207-6946 ----8<----8<----8<----8<----8<----8<----8<----8<----8<----8<----8<---- % Example lyrics type-setting with MusicTeX % \input musicnft \input musictex % % Macros to add lyrics to music set by D. Taupin's MusicTeX macro package. % \newdimen\centreskip \newbox\lyricbox \catcode`\@=13 % Define @ so it can define the lyric macro later on. % % Offset text #2 so as to centre in a dimension of #1 noteskips. % \def\centrednotebox[#1]#2% noteskips, text {\setbox\lyricbox=\hbox{#2} % make 2nd argument an hbox \centreskip=#1\noteskip % first argument is the number of notes \advance\centreskip by -1.0\noteskip % subtract part of a noteskip \advance\centreskip by -\wd\lyricbox % subtract width of box \divide\centreskip by 2 % divide by 2 {\kern\centreskip\box\lyricbox}} % % lyric macro: [number of noteskips], lines of text where each line separated % is separated by \cr, uses halign and a template to % centre each line in a vbox. % % Example: @[3]One fine day\cr In the month* % % This will put the text ``One fine day'' and underneath ``In the month'' % centred on the next three noteskips. % \def@[#1]#2*{\centrednotebox[#1]{\vtop{\halign{\hfil##\hfil\cr#2\cr}}}} % % (default) note position of text % \def\lyricpitch{c} % % Put lyrics at a certain position on the staff. This will maintain the lyrics % at a constant pitch position throughout the piece. Sections of lyrics may be % moved by enclosing the section in {\def\lyricpitch{N} ... }, for example. % % Example: \zlyric{@[3]One fine day\cr In the month*} % \def\zlyric#1% lyric text {\zcharnote \lyricpitch{#1}} % % Example 1: Put lyrics on a ``hidden'' staff using the \char`@...* macro. \bigskip % \def\etwoup% two eighth note run, +ve slope, upper beam #1% slope #2% note 1 #3% note 2 {\ibu0{#3}{#1}\qh0{#2}\tbu0\qh0{#3}} % \def\nbinstruments{2} \global\nbporteesii=1\relax \nbporteesi=0\relax \global\cleftoksii={{0}{0}{0}{0}}\relax % turn off automatic bar numbering \def\freqbarno{9999} % put a bar number at the beginning of each line \def\everystaff{\notes&\Uptext{\kern -1.5em\the\barno}\enotes} % \generalsignature{1} \generalmeter{\meterfrac 44} % % This extract was taken from Micheal Jackson's song, ``Heal the World''. % \debutextrait \elemskip=3ex \Notes@[2]lit - tle\cr bet - ter*&\ibu0i{-2}\qh0i\tbu0\qh0h\enotes \Notes@[2]space,\cr world,*&\hsk\hu h\hsk\enotes \Notes&\ds\enotes \Notes@[2]make a\cr make a*&\ibbu0e{-2}\qh0e\tbu0\qh0d\enotes \barre \Notes@[2]bet - ter\cr bet - ter*&\ibu0e{-2}\qh0e\tbu0\qh0d\enotes \Notes@[2]place.\cr world.*&\hsk\hu d\hsk\enotes \Notes@[3]Heal the*&\hsk\etwoup{2}{d}{e}\hsk\enotes \barre \Notes@[1]world,*&\hup g\enotes \Notes@[3]make it a*&\ibu0i0\qh0i\nbbu0\qh0i\tbu0\qh0i\enotes \finextrait % \bigskip Example 2: Put the lyrics below the staff using the $\backslash$zlyric macro. \bigskip % \def\nbinstruments{1} \global\nbporteesi=1\relax \def\everystaff{\notes\Uptext{\kern -1.5em\the\barno}\enotes} \def\lyricpitch{M} \generalsignature{1} \generalmeter{\meterfrac 44} \debutextrait \elemskip=3ex \Notes\zlyric{@[2]lit - tle\cr bet - ter*}\ibu0i{-2}\qh0i\tbu0\qh0h\enotes \Notes\zlyric{@[2]space,\cr world,*}\hsk\hu h\hsk\enotes \Notes\ds\enotes \Notes\zlyric{@[2]make a\cr make a*}\ibbu0e{-2}\qh0e\tbu0\qh0d\enotes \barre \Notes\zlyric{@[2]bet - ter\cr bet - ter*}\ibu0e{-2}\qh0e\tbu0\qh0d\enotes \Notes\zlyric{@[2]place.\cr world.*}\hsk\hu d\hsk\enotes {\def\lyricpitch{K}% move single verse down a bit \Notes\zlyric{@[3]Heal the*}\hsk\etwoup{2}{d}{e}\hsk\enotes \barre \Notes\zlyric{@[1]world,*}\hup g\enotes \Notes\zlyric{@[3]make it a*}\ibu0i0\qh0i\nbbu0\qh0i\tbu0\qh0i\enotes }% end of changed \lyricpitch \finextrait \bye From owner-mutex Thu Jan 6 19:22:52 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA09188; Thu, 6 Jan 94 18:22:22 CST Return-Path: Received: from banzai.netstar.com by stolaf.edu (4.1/SMI-4.1) id AA09144; Thu, 6 Jan 94 18:22:17 CST Received: by banzai.netstar.com (4.1/Netstar/v1.0.4(931202)) id AA18008; Thu, 6 Jan 94 18:22:31 CST Date: Thu, 6 Jan 94 18:22:31 CST From: knight@netstar.com (Steven Knight) Message-Id: <9401070022.AA18008@banzai.netstar.com> To: mutex Subject: \zbarre oddness -- no staff lines! Precedence: bulk I'm trying to use MusicTeX to prepare a modern edition, without bar lines, of an early fifteenth-century piece for three voices. (We early music types are like that; no bar lines makes it easier to see how the lines break up into perfections and imperfections.) Given that I'd still like MusicTeX to perform lines breaks, though, I thought I'd put \zbarre macros wherever I'd normally put \barre. This kind of works. Everything goes along just fine, and then for some reason MusicTeX decides to print a system (or two or three) without any staff lines... The notes are all there, and look just fine, but there just aren't any staff lines to give you a clue as to what pitch you're supposed to be singing--which is a slight problem. (Additionally, these systems without staff lines have no clefs; the first notes printed line up at far left, where the clefs would be, which makes a wierd kind of intuitive sense to me.) I can, myself, detect absolutely no pattern to when it decides to do this--i.e., there's nothing obvious like "if the last measure of the previous system contains such-and-such a sequence". I am, however, far from either a TeX guru or a MusicTeX guru. I've tried obvious things I've read about like scrubbing the file clean of all extraneous spaces, tried additional magic like enclosing all the text I want printed in braces, etc. No luck. Has anyone out there tried anything like this (pieces with out bar lines), and been successful? Any suggested solutions? Or is there, perhaps, someone who'd be interested/willing to take a look? Steven Knight knight@netstar.com From owner-mutex Fri Jan 7 05:22:51 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA04269; Fri, 7 Jan 94 05:12:32 CST Return-Path: Received: from eros.britain.eu.net by stolaf.edu (4.1/SMI-4.1) id AA04229; Fri, 7 Jan 94 05:12:24 CST Received: from careful.co.uk by eros.britain.eu.net with UUCP id ; Fri, 7 Jan 1994 11:11:50 +0000 From: Don Ward Date: Fri, 7 Jan 94 10:49:40 GMT Message-Id: <1539.9401071049@zippy.careful.uucp> Received: by zippy.careful.uucp (4.1/UK-2.1/zippy/HACK-1); Fri, 7 Jan 94 10:49:40 GMT To: mutex Cc: mutex@stolaf.edu In-Reply-To: <9401070022.AA18008@banzai.netstar.com> (knight@netstar.com) Subject: Re: \zbarre oddness -- no staff lines! Precedence: bulk > Has anyone out there tried anything like this (pieces with out bar > lines), and been successful? Any suggested solutions? Or is there, > perhaps, someone who'd be interested/willing to take a look? Have you tried looking through the source to find out what \barre does, where it actually writes out the line, and changing it so it does nothing. From a very cursory inspection, and following, of macro calls, the business seems to be achieved by a macro called \thinvrule \def\thinvrule{\think@vrule{\lthick}}% Try putting \def\thinvrule{}% in your source and see if it works. If it doesn't, try a custom version of musictex.tex with the replaced \thinvrule. Don Ward don@careful.co.uk +44 (0) 21 472 1555 Careful Computing Ltd. Fax +44 (0) 21 608 3004 80 Witherford Way, Birmingham B29 4AS, United Kingdom. From owner-mutex Fri Jan 7 08:22:51 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA09758; Fri, 7 Jan 94 07:55:42 CST Return-Path: Received: from cc4.crl.aecl.ca by stolaf.edu (4.1/SMI-4.1) id AA09713; Fri, 7 Jan 94 07:55:35 CST Received: from bart.candu.aecl.ca by crl.aecl.ca (PMDF V4.2-15 #3601) id <01H7E8ROANRK91WOIM@crl.aecl.ca>; Fri, 7 Jan 1994 08:53:21 EST Received: from homer.bart.candu.aecl.ca by bart.candu.aecl.ca (4.1/SMI-4.1) id AA10917; Fri, 7 Jan 94 08:55:31 EST Received: by homer.bart.candu.aecl.ca (4.1/SMI-4.1) id AA04344; Fri, 7 Jan 94 08:55:29 EST Date: Fri, 07 Jan 1994 08:55:31 -0500 (EST) From: jservice@bart.candu.aecl.ca (Jim Service) Subject: Re: \zbarre oddness -- no staff lines! To: mutex Reply-To: jservice@rd.hydro.on.ca Message-Id: <9401071355.AA10917@bart.candu.aecl.ca> Content-Transfer-Encoding: 7BIT Precedence: bulk > Given that I'd still like MusicTeX to perform lines breaks, though, I > thought I'd put \zbarre macros wherever I'd normally put \barre. > This kind of works. Everything goes along just fine, and then for > some reason MusicTeX decides to print a system (or two or three) > without any staff lines... The notes are all there, and look just > fine, but there just aren't any staff lines to give you a clue as to > what pitch you're supposed to be singing--which is a slight problem. > (Additionally, these systems without staff lines have no clefs; the > first notes printed line up at far left, where the clefs would be, > which makes a wierd kind of intuitive sense to me.) Two things to check come to mind: 1. Check the "preamble" before the \debutmorceau to be sure you have defined the correct number of staffs. 2. If you are adding words, make sure they are enclosed in one of the text addition macros such as \charnote, \zcharnote, \uptext, etc. And there are no ``naked'' spaces. Otherwise I have found that TeX will make a new line (sometimes with a space you didn't notice) and the next line of music will be typeset without staff lines. You might also check that you only have \[nN][oO][tT]es...\enotes groups after the \debutmorceau. Any other control sequence has to be terminated with a % or a \relax so that no extra spaces are accidentally introduced. For example: \elemskip = 20pt% <- This % or a \relax must be here. --Jim -- James (Jim) R.R. Service E-mail: jservice@rd.hydro.on.ca Mail: Ontario Hydro Technologies/800 Kipling Ave. - Room KR132 Toronto, Ontario, CANADA M8Z 5S4 (416) 207-6946 From owner-mutex Fri Jan 7 09:22:51 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA11149; Fri, 7 Jan 94 08:27:00 CST Return-Path: Received: from eros.britain.eu.net by stolaf.edu (4.1/SMI-4.1) id AA11104; Fri, 7 Jan 94 08:26:51 CST Received: from careful.co.uk by eros.britain.eu.net with UUCP id ; Fri, 7 Jan 1994 14:22:09 +0000 From: Don Ward Date: Fri, 7 Jan 94 14:16:22 GMT Message-Id: <1609.9401071416@zippy.careful.uucp> Received: by zippy.careful.uucp (4.1/UK-2.1/zippy/HACK-1); Fri, 7 Jan 94 14:16:22 GMT To: mutex Cc: mutex@stolaf.edu In-Reply-To: <9401070022.AA18008@banzai.netstar.com> (knight@netstar.com) Subject: Re: \zbarre oddness -- no staff lines! Precedence: bulk > Has anyone out there tried anything like this (pieces with out bar > lines), and been successful? Any suggested solutions? Or is there, > perhaps, someone who'd be interested/willing to take a look? Have you tried looking through the source to find out what \barre does, where it actually writes out the line, and changing it so it does nothing. From a very cursory inspection, and following, of macro calls, the business seems to be achieved by a macro called \thinvrule \def\thinvrule{\think@vrule{\lthick}}% Try putting \def\thinvrule{}% in your source and see if it works. If it doesn't, try a custom version of musictex.tex with the replaced \thinvrule. Don Ward don@careful.co.uk +44 (0) 21 472 1555 Careful Computing Ltd. Fax +44 (0) 21 608 3004 80 Witherford Way, Birmingham B29 4AS, United Kingdom. From owner-mutex Tue Jan 11 10:22:51 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA21324; Tue, 11 Jan 94 09:31:55 CST Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA21279; Tue, 11 Jan 94 09:31:44 CST Received: from zsv.gmd.de (zsv) by gmdzi.gmd.de with SMTP id AA11805 (5.65c8/IDA-1.4.4 for ); Tue, 11 Jan 1994 16:29:55 +0100 Received: from sunick.gmd.de by zsv.gmd.de with SMTP id AA29841 (5.65c/IDA-1.4.4); Tue, 11 Jan 1994 16:31:42 +0100 Received: by sunick.gmd.de (5.0/SMI-SVR4) id AA01792; Tue, 11 Jan 1994 16:31:38 --100 Date: Tue, 11 Jan 1994 16:31:38 --100 From: Werner.Icking@gmd.de (Werner Icking) Message-Id: <9401111531.AA01792@sunick.gmd.de> To: mutex Subject: Re: MusicTeX 4.99 and happy new year! X-Sun-Charset: US-ASCII Content-Length: 1436 Precedence: bulk Daniel Taupin has released version 4.99 of MusicTeX. As usual this version can be retrieved by anonymous ftp from our ftp-server, too: ftp.gmd.de music/musictex/... As usual I've prepared a "tar.z"-Version of musictex.zip and musicexa.zip. For use in Un*x-systems CR-LF in text-files should be converted to CR. As usual I've prepared smaller ZIP-files which contain only the changed sources. They are in the subdirectory diff-files and named foo.498-499.zip. Normally these files must be renamed to foo.zip to be processed in DOS-systems. ------------- Some of my MusicTeX-sources contain modified MusicTeX-macros (e.g. a writeclef version which writes a bar-number at the beginning of each line). Because of the modification in MusicTeX I had to change such sources by adding \edef\catcodeat{\the\catcode`\@}\catcode`\@=11 in front of the modified definitions and \catcode`\@=catcodeat after them. If you have to do the same don't paste the lines I've (mis?-)typed here; take them e.g. from musictex.tex ------------- Daniel writes: > > Last point: happy new year to all of you, folks. I wish the same and Merry Xmas, too :-) (I know it's a little bit late; but my Xmas-present will be late, too: in the next days I'll put both Mozart Duos for violin & viola (KV 423 and KV 424) onto our ftp-server. Please wait for a separate e-mail). Werner Icking From owner-mutex Thu Jan 13 06:22:51 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA08141; Thu, 13 Jan 94 05:59:01 CST Return-Path: Received: from sun2.nsfnet-relay.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA08095; Thu, 13 Jan 94 05:58:51 CST Via: uk.ac.greenwich; Thu, 13 Jan 1994 11:49:01 +0000 Received: from vogon by odin.greenwich.ac.uk with SMTP (PP) id <17728-0@odin.greenwich.ac.uk>; Thu, 13 Jan 1994 11:48:51 +0000 From: wc0zxr Message-Id: <2610.9401131148@vogon> Subject: Announcing abc2mtex v1.1 To: mutex IRTRAD-L@IRLEARN.UCD.IE, MORRIS@suvm.acs.syr.edu Date: Thu, 13 Jan 1994 11:48:48 +0000 (GMT) X-Mailer: ELM [version 2.4 PL23] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 3601 Precedence: bulk ***************************************************************** ********** Announcing version 1.1 of abc2mtex ********** ***************************************************************** This is a package designed to notate tunes stored in an ascii format (henceforth abc notation). It was designed primarily for folk and traditional tunes of Western European origin (such as Irish, English and Scottish) which can be written on one stave in standard classical notation. However, it should be extendible to many other types of music. As an example the tune Paddy O'Rafferty would be written out as T:Paddy O'Rafferty C:Trad. M:6/8 K:D dff cee|def gfe|dff cee|dfe dBA|dff cee|def gfe|faf gfe|[1 dfe dBA:|[2 dfe dcB|| ~A3 B3|gfe fdB|AFA B2c|dfe dcB|~A3 ~B3|efe efg|faf gfe|[1 dfe dcB:|[2 dfe dBA|| fAA eAA|def gfe|fAA eAA|dfe dBA|fAA eAA|def gfe|faf gfe|dfe dBA:| The tune is then read in by the program and MusicTeX output gen- erated (in a matter of seconds). TeX can then be run on this out- put to "typeset beautiful music". The package is small (about 70 KByte), easy to use and features, amongst other things, the ability to transpose both music and abc notation. It will also create an index of all the tunes you have transcribed. The ability to write tunes in abc notation means that they can be easily and portably stored or transported electronically. This package allows you to typeset them easily too. The package has been written on top of MusicTeX , Daniel Taupin's music typesetting package, itself written on top of TeX, Donald Knuth's typesetting package. To run it you will need TeX (widely available on Unix machines and also available for PCs), MusicTeX (available by ftp from a number of sources such as ftp.wustl.edu in /packages/TeX/macros/musictex) and a C compiler. You can get a copy of the package by anonymous ftp from ftp.maths.tcd.ie in /pub/TeX/abc2mtex or celtic.stanford.edu in /pub/tunes/abc2mtex or by sending an email request to me (C.Walshaw@gre.ac.uk). Chris Walshaw CHANGES BETWEEN V1.1 & V1.0 ^^^^^^^^^^^^^^^^^^^^^^^^^^^ The name of the executable has now been changed from format to abc2mtex and the name of the code changed to abc2mtex.c. NEW FEATURES (see userguide for full details) ^^^^^^^^^^^^ The K: field now accepts mixolydian & dorian modes (e.g. K:AMix, K:EDor), together with K:HP & K:Hp for highland pipes. The new P: field can be used to mark parts inside the tune and the order of playing them in the header. If the M: field is used to change meter and the change is just to adjust the default note length (e.g. 4/4 -> 4/4l) then the change doesn't show up in the printed music. BUG FIXES ^^^^^^^^^ ,G corrected to G, etc. in transpose lists in abc2mtex.c. OTHER CHANGES ^^^^^^^^^^^^^ The MusicTeX macro * is now used to generate extra space in front of accidentals and all macros containing O have been taken out of zmacros.tex. This has halved the size of zmacros.tex and allows the code to cope with any arrangement of accidentals within beams. The z marks which generate rests can be `dotted', i.e. z3, z6 & z12, to generate two rests, one half the length of the other. The z's are also recognised by the code to terminate beams (so that coding such as g3zgz will be treated properly). There are new macros (from John Walsh) in zmacros.tex for 7 & 8 gracenotes & for acb patterns. Notes lengths of 1 and of more than one digit (e.g. 12 or 16) are now possible. From owner-mutex Thu Jan 13 07:22:51 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA09854; Thu, 13 Jan 94 06:41:36 CST Return-Path: Received: from SESQUI.NET by stolaf.edu (4.1/SMI-4.1) id AA09809; Thu, 13 Jan 94 06:41:32 CST Received: from custer.exxon.com ([144.201.5.1]) by SESQUI.NET (AA02009); Thu, 13 Jan 94 06:41:43 CST Received: by custer.exxon.com (4.1/SMI-4.1) id AA14304; Thu, 13 Jan 94 06:44:17 CST Date: Thu, 13 Jan 94 06:44:17 CST From: dew@custer.exxon.com (Dennis Willen) Message-Id: <9401131244.AA14304@custer.exxon.com> To: mutex Subject: Midi to MusicTex conversion? Precedence: bulk Is there software around to convert midi files to MuTex or MusicTex? I vaguely remember the mention of something like this, but I have forgotten where. Thanks. Denny Willen From owner-mutex Thu Jan 13 08:22:52 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA11914; Thu, 13 Jan 94 07:37:26 CST Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA11875; Thu, 13 Jan 94 07:37:18 CST Received: from zsv.gmd.de (zsv) by gmdzi.gmd.de with SMTP id AA09117 (5.65c8/IDA-1.4.4 for ); Thu, 13 Jan 1994 14:35:37 +0100 Received: from sunick.gmd.de by zsv.gmd.de with SMTP id AA16032 (5.65c/IDA-1.4.4); Thu, 13 Jan 1994 14:37:23 +0100 Received: by sunick.gmd.de (5.0/SMI-SVR4) id AA04578; Thu, 13 Jan 1994 14:37:20 --100 Date: Thu, 13 Jan 1994 14:37:20 --100 From: Werner.Icking@gmd.de (Werner Icking) Message-Id: <9401131337.AA04578@sunick.gmd.de> To: mutex Subject: Re: Midi to MusicTex conversion? X-Sun-Charset: US-ASCII Content-Length: 687 Precedence: bulk > Is there software around to convert midi files to MuTex or MusicTex? > I vaguely remember the mention of something like this, but I have > forgotten where. It's midi2tex and you - and all those who have forgotten that such things are on our ftp-server - can get it by anonymous ftp from ftp.gmd.de music/... .../classical Dave Lampson's Guide to classical music CD .../lists Koechel-Verzeichnis (Mozart) Ryom, ... (Vivaldi), ... .../midi2tex aha! .../musictex The MusicTeX (copy) .../mutex musictex predecessor Werner From owner-mutex Thu Jan 13 19:22:51 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA24124; Thu, 13 Jan 94 18:20:38 CST Received: from june.cs.washington.edu by stolaf.edu (4.1/SMI-4.1) id AA24068; Thu, 13 Jan 94 18:20:27 CST Return-Path: Received: from localhost (mackay@localhost) by june.cs.washington.edu (8.6.4/7.1ju+) id QAA00273; Thu, 13 Jan 1994 16:20:19 -0800 Date: Thu, 13 Jan 1994 16:20:19 -0800 From: mackay@cs.washington.edu (Pierre MacKay) Subject: Message-Id: <199401140020.QAA00273@june.cs.washington.edu> To: mutex Cc: mutex@stolaf.edu, tex-euro@DHDURZ1.bitnet.washington.edu In-Reply-To: TAUPIN@rsovax.lps.u-psud.fr's message of 3-JAN-1994 14:30:40 GMT2 <199401031342.FAA16084@june.cs.washington.edu> Precedence: bulk Here is the curious result of my last attempt to get musictex. ftp> cd ../tex 550 file specification syntax error ftp> cd tex 250 "$DISK2:[ANONYMOUS.PUB.TEX]" is current directory ftp> ls 200 PORT Command Accepted. 150 Data Connection Established: NLST %RMS-E-DNF, directory not found 226 Transfer complete 33 bytes received in 0.23 seconds (0.14 Kbytes/s) ftp> cd musictex 250 "$DISK2:[ANONYMOUS.PUB.TEX.MUSICTEX]" is current directory ftp> ls 200 PORT Command Accepted. 150 Data Connection Established: NLST %RMS-E-DNF, directory not found 226 Transfer complete 33 bytes received in 0.19 seconds (0.17 Kbytes/s) ftp> mget mu* mget %RMS-E-DNF, directory not found? Are the directory privileges perhaps too restrictive? Many thanks Pierre MacKay From owner-mutex Fri Jan 14 02:22:51 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA13898; Fri, 14 Jan 94 02:16:48 CST Return-Path: Received: from YingTongDiddleIPo.ee.wits.ac.za by stolaf.edu (4.1/SMI-4.1) id AA13851; Fri, 14 Jan 94 02:16:39 CST Received: by YingTongDiddleIPo.ee.wits.ac.za (Linux Smail3.1.28.1 #14) id m0pKlZU-0003WaC; Fri, 14 Jan 94 10:16 GMT Date: Fri, 14 Jan 1994 10:10:33 +0000 ( ) From: Alan Robert Clark Subject: Re: your mail To: mutex Cc: mutex mailing list In-Reply-To: <199401140020.QAA00273@june.cs.washington.edu> Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Precedence: bulk On Thu, 13 Jan 1994, Pierre MacKay wrote: > Here is the curious result of my last attempt to get musictex. > > Are the directory privileges perhaps too restrictive? Nope -- you are just dealing with a VAX!!!! I remember *ONCE* succeeding in getting it from there, and I think I needed to use the quote command to send the (non-standard) commands to the beast (which you can get to see via the remotehelp comand). Altogether, though, you should be far more successful from ftp.gmd.de:/music/musictex which is updated by Werner microseconds after each release :-) It also places a lot less load on Daniel's site which has a limited baudrate. Alan Robert Clark, Pr Eng Computational Electromagnetics Dept Elec Eng Wits University P.O.Wits ``Bugs are later known as features'' 2050 South Africa Ps 110:11; Ps 37/150 Fax (+27 11)403-1929 clark@YingTongDiddleIPo.ee.wits.ac.za(Pref) Tel (+27 11)716-5404(24hr) or clark@odie.ee.wits.ac.za ***Linux 0.99pl13 - the choice of a GNU generation.*** From owner-mutex Fri Jan 14 03:22:52 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA14606; Fri, 14 Jan 94 02:30:56 CST Return-Path: Received: from gate (gate.esat.kuleuven.ac.be) by stolaf.edu (4.1/SMI-4.1) id AA14561; Fri, 14 Jan 94 02:30:49 CST Received: from degas.esat.kuleuven.ac.be (degas) by gate (5.65c+/IDA/v1.1) id AA29705; Fri, 14 Jan 1994 09:30:41 +0100 Received: from memlinck.esat.kuleuven.ac.be by degas.esat.kuleuven.ac.be (4.1/ESAT-v1.3/SUN-DEC) id AA26011; Fri, 14 Jan 94 09:31:54 +0100 Date: Fri, 14 Jan 94 09:31:54 +0100 From: Peter.Vanroose@esat.kuleuven.ac.be Subject: Message-Id: <9401140831.AA26011@degas.esat.kuleuven.ac.be> To: mutex Cc: mutex@stolaf.edu, tex-euro@DHDURZ1.bitnet.washington.edu Precedence: bulk > Here is the curious result of my last attempt to get musictex. > > > ftp> cd ../tex > 550 file specification syntax error This is VMS: ``..'' has no meaning, use [-], thus: ftp> cd [-.tex] > ftp> cd tex > 250 "$DISK2:[ANONYMOUS.PUB.TEX]" is current directory Unlike Unix, VMS accepts any ``current directory'' specification, even if it does not exist. See it this way: "$DISK2:[ANONYMOUS.PUB.TEX]" is just a string which will be prepended to all subsequent file specifications. > ftp> ls > 200 PORT Command Accepted. > 150 Data Connection Established: NLST > %RMS-E-DNF, directory not found Of course: because the directory "$DISK2:[ANONYMOUS.PUB.TEX]" does not exist. (As you are being told here.) > 226 Transfer complete > 33 bytes received in 0.23 seconds (0.14 Kbytes/s) > ftp> cd musictex > 250 "$DISK2:[ANONYMOUS.PUB.TEX.MUSICTEX]" is current directory > ftp> ls > 200 PORT Command Accepted. > 150 Data Connection Established: NLST > %RMS-E-DNF, directory not found > 226 Transfer complete > 33 bytes received in 0.19 seconds (0.17 Kbytes/s) > ftp> mget mu* > mget %RMS-E-DNF, directory not found? At this point, you could have typed ftp> cd [---.tex] to make the default directory "$DISK2:[ANONYMOUS.TEX]" (I do not know if this one exists.) Success! -- Peter Vanroose Electrotechnical Department, ESAT K.U. Leuven, Belgium. Peter.Vanroose@esat.kuleuven.ac.be From owner-mutex Mon Jan 17 03:22:51 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA26645; Mon, 17 Jan 94 02:24:30 CST Return-Path: Received: from pol90a.polito.it ([130.192.2.38]) by stolaf.edu (4.1/SMI-4.1) id AA26606; Mon, 17 Jan 94 02:24:25 CST Received: from EI3500.CSELT.IT by polito.it (PMDF V4.2-11 #3020) id <01H7SAV3HJPS9KN63L@polito.it>; Mon, 17 Jan 1994 10:24:29 GMT+1 Received: from beatles.cselt.stet.it (163.162.7.240) by EI3500.CSELT.STET.IT; Mon, 17 Jan 94 09:23 GMT +1 Received: by beatles.cselt.stet.it (4.1/SMI-4.1) id AA01135; Mon, 17 Jan 94 09:27:11 +0100 Date: Mon, 17 Jan 1994 09:27:11 +0100 From: Maurizio Codogno Subject: MIDI2MusicTeX on linux? To: mutex Cc: KUYKENS@AMC.UVA.NL Message-Id: <9401170827.AA01135@beatles.cselt.stet.it> X-Envelope-To: mutex@stolaf.edu Content-Transfer-Encoding: 7BIT Precedence: bulk Hi all! I have found a MIDI card MPU-401 compatible for my PC at a decent price. My basic idea is to connect my brother's Yamaha DX-7 (1st series) to the pc and play with this setup. The only trouble is that I'd like to do all of this under Linux Does anybody know whether it's simple to set a system lke MIDI2MusicTeX on such an environment? thanks, .mau. From owner-mutex Mon Jan 17 08:22:52 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA06963; Mon, 17 Jan 94 07:31:56 CST Return-Path: Received: from convex.rob.csata.it by stolaf.edu (4.1/SMI-4.1) id AA06920; Mon, 17 Jan 94 07:31:51 CST Received: by convex.rob.csata.it (5.64/10.0) id AA02761; Mon, 17 Jan 94 11:37:28 +0100 From: deflorio@convex.rob.csata.it (Vincenzo De Florio) Message-Id: <9401171037.AA02761@convex.rob.csata.it> Subject: a MusicTeX file To: mutex Date: Mon, 17 Jan 1994 11:25:57 +0100 (MET) X-Mailer: ELM [version 2.4 PL20] Content-Type: text Content-Length: 321 Precedence: bulk Hi, any people interested in a musictex score for piano which I composed can get it by e-mailing the server netlib@asmit.rob.csata.it specifying send pr.ps from local/muzak send pr4.tex from local/muzak in the body of the message. Please let me know any comment Vincenzo De Florio deflorio@convex.rob.csata.it From owner-mutex Mon Jan 17 09:22:51 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA09961; Mon, 17 Jan 94 08:47:43 CST Return-Path: Received: from zaphod.axion.bt.co.uk ([132.146.5.1]) by stolaf.edu (4.1/SMI-4.1) id AA09911; Mon, 17 Jan 94 08:47:31 CST Received: from bt-sys.bt.co.uk (actually 132.146.196.120) by zaphod.axion.bt.co.uk with SMTP (PP); Mon, 17 Jan 1994 14:46:52 +0000 Received: from harpo.bt-sys.bt.co.uk by bt-sys.bt.co.uk (4.1/SMI-4.1) id AA18132; Mon, 17 Jan 94 14:42:54 GMT Message-Id: <9401171442.AA18132@bt-sys.bt.co.uk> Received: by harpo.bt-sys.bt.co.uk (1.37.109.4/16.2) id AA29226; Mon, 17 Jan 94 14:46:32 GMT Date: Mon, 17 Jan 94 14:46:32 GMT From: Paul McIlroy To: mutex Subject: Setting four quavers with widely spaced pitches. Precedence: bulk A while ago I was trying to set some music using the Ibu macro defined in musicvbm. I was having problems setting groups like cjgc or chb{^g} because the beam was too close to the middle notes if I used the outer two notes to define the beam position. I posted a request for help back in December and Daniel Taupin showed me how to get round my problem using \transpose. I am posting the result here so that others can use the macro if it's any help to them. If you have any suggestions for improvements or simplifications I should be pleased to hear them. Paul McIlroy (pmcilroy@bt-sys.bt.co.uk) ______________________________________________________________________ \input musicnft \input musictex \input musicvbm % For variable beams % \newcount\myna \newcount\mynb \newcount\mync \newcount\mynd % \def\blank#1{}\relax % used by \quad % % Original quad:- % \def\oquadu#1#2#3#4#5% #1 is beam number #2, #3, #4, #5 are notes {\Ibu{#1}{#2}{#5}3\qh{#1}{#2#3#4}\tbu{#1}\qh{#1}{#5}}\relax % \def\oquadl#1#2#3#4#5% #1 beam number #2, #3, #4, #5 notes {\Ibl{#1}{#2}{#5}3\qb{#1}{#2#3#4}\tbl{#1}\qb{#1}{#5}}\relax % % Modified quad:- % \def\quadu#1#2#3#4#5% #1 is beam number #2, #3, #4, #5 are notes {\def\Xna{\blank}\def\Xsh{\blank}\def\Xfl{\blank} % Use \blank to suppress accidentals during getn@i \getn@i{#2}\myna=\n@i\getn@i{#3}\mynb=\n@i \getn@i{#4}\mync=\n@i\getn@i{#5}\mynd=\n@i \absoluteaccidentals% Restore accidentals \multiply\mynb by 3 \multiply\myna by -2 \multiply\mynd by -1 \advance\mynb by \myna \advance\mynb by \mynd \advance\mynb by -3 \divide\mynb by 3\relax % At this point nb=(3*nb-2*na-nd-3)/3 \divide\myna by 2 \multiply\mynd by 2 \multiply\mync by 3 \advance\mync by \myna \advance\mync by \mynd \advance\mync by -3 \divide\mync by 3\relax % At this point nc=(3*nc-2*nd-na-3)/3 \ifnum\mync>\mynb\relax\mynb=\mync\fi \ifnum\mynb<0\relax\mynb=0\fi {\transpose=\mynb\relax \Ibu{#1}{#2}{#5}3}\qh{#1}{#2#3#4}\tbu{#1}\qh{#1}{#5}}\relax % \def\quadl#1#2#3#4#5% #1 is beam number #2, #3, #4, #5 are notes {\def\Xna{\blank}\def\Xsh{\blank}\def\Xfl{\blank} % Use \blank to suppress accidentals during getn@i \getn@i{#2}\myna=\n@i\getn@i{#3}\mynb=\n@i \getn@i{#4}\mync=\n@i\getn@i{#5}\mynd=\n@i \absoluteaccidentals% Restore accidentals \multiply\mynb by 3 \multiply\myna by -2 \multiply\mynd by -1 \advance\mynb by \myna \advance\mynb by \mynd \advance\mynb by 3 \divide\mynb by 3\relax % At this point nb=(3*nb-2*na-nd+3)/3 \divide\myna by 2 \multiply\mynd by 2 \multiply\mync by 3 \advance\mync by \myna \advance\mync by \mynd \advance\mync by 3 \divide\mync by 3\relax % At this point nc=(3*nc-2*nd-na+3)/3 \ifnum\mync<\mynb\relax\mynb=\mync\fi \ifnum\mynb>0\relax\mynb=0\fi {\transpose=\mynb\relax \Ibl{#1}{#2}{#5}3}\qb{#1}{#2#3#4}\tbl{#1}\qb{#1}{#5}}\relax % % A few bars to show how it works. % \def\nbinstruments{1} \global\cleftoksi={{0}{0}{0}{0}}% \generalsignature{0}\relax \leftline{Old quadu:-} \debutextrait \normal \NOtes\oquadu0cjjc\oquadu0jccj\oquadu0cjcj\oquadu0jcjc% \oquadu0cjgc\oquadu0cgjc\enotes \finextrait \bigskip \leftline{New quadu:-} \debutextrait \normal \NOtes\quadu0cjjc\quadu0jccj\quadu0cjcj\quadu0jcjc% \quadu0cjgc\quadu0cgjc\enotes \finextrait \bigskip \leftline{Old quadl:-} \debutextrait \normal \NOtes\oquadl0cjjc\oquadl0jccj\oquadl0cjcj\oquadl0jcjc% \oquadl0jcgj\oquadl0jgcj\enotes \finextrait \bigskip \bigskip \leftline{New quadl:-} \debutextrait \normal \NOtes\quadl0cjjc\quadl0jccj\quadl0cjcj\quadl0jcjc% \quadl0jcgj\quadl0jgcj\enotes \finextrait \bye From owner-mutex Mon Jan 17 12:22:52 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA18698; Mon, 17 Jan 94 11:31:37 CST Return-Path: Received: from hprib.lps.u-psud.fr by stolaf.edu (4.1/SMI-4.1) id AA18658; Mon, 17 Jan 94 11:31:31 CST Message-Id: <9401171731.AA18658@stolaf.edu> Received: from rsovax.lps.u-psud.fr by hprib.lps.u-psud.fr with SMTP (1.37.109.4/16.2) id AA05532; Mon, 17 Jan 94 18:35:29 +0100 Date: 17-JAN-1994 18:33:49 GMT2 From: TAUPIN@rsovax.lps.u-psud.fr Subject: Getting musictex from the source To: mutex Precedence: bulk 1. The source computer is a VAX 2. On VAXes, cd .. or cd something/another is not valid After login;, just saty "cd musictex" By the way: if you get undefined symbols like /\pmediumsize in the index, say \mediumsize is you use NFSS, or ignore it if you use old fashioned LaTeWXX. dt From owner-mutex Wed Jan 19 08:22:51 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA03545; Wed, 19 Jan 94 07:43:58 CST Return-Path: Received: from mailgate.ericsson.se by stolaf.edu (4.1/SMI-4.1) id AA03478; Wed, 19 Jan 94 07:43:28 CST Received: from kk.ericsson.se (kk329.ericsson.se) by mailgate.ericsson.se (4.1/SMI-4.1-MAILGATE1.14) id AA22864; Wed, 19 Jan 94 14:43:25 +0100 Received: from kk382.ericsson.se by kk.ericsson.se (4.1/SMI-3.2) id AA02495; Wed, 19 Jan 94 14:43:23 +0100 From: etxcfl@kk.ericsson.se (ETX-T-RE Liden Fredrik) Received: by kk382.ericsson.se (4.1/client-1.0) id AA02312; Wed, 19 Jan 94 14:43:22 +0100 Date: Wed, 19 Jan 94 14:43:22 +0100 Message-Id: <9401191343.AA02312@kk382.ericsson.se> To: mutex Subject: alto-clef in MusicTeX ? Precedence: bulk Hi all! Is there an alto-clef symbol defined for use in MusicTeX? If so - what's it called? If not - why? Thanks ! Fred (new to MusicTeX - but I already love it!) From owner-mutex Wed Jan 19 09:22:51 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA06195; Wed, 19 Jan 94 08:44:03 CST Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA06144; Wed, 19 Jan 94 08:43:51 CST Received: from zsv.gmd.de (zsv) by gmdzi.gmd.de with SMTP id AA06806 (5.65c8/IDA-1.4.4 for ); Wed, 19 Jan 1994 15:42:02 +0100 Received: from sunick.gmd.de by zsv.gmd.de with SMTP id AA07081 (5.65c/IDA-1.4.4); Wed, 19 Jan 1994 15:43:47 +0100 Received: by sunick.gmd.de (5.0/SMI-SVR4) id AA09437; Wed, 19 Jan 1994 15:43:39 --100 Date: Wed, 19 Jan 1994 15:43:39 --100 From: Werner.Icking@gmd.de (Werner Icking) Message-Id: <9401191443.AA09437@sunick.gmd.de> To: mutex Subject: Re: alto-clef in MusicTeX ? X-Sun-Charset: US-ASCII Content-Length: 375 Precedence: bulk > Is there an alto-clef symbol defined for use in MusicTeX? yes > If so - what's it called? alto clef > If not - why? ? RTFM! Find "alto" in musicdoc.tex; look for "alto clef" in the index \cleftoksi{2000} ... \cleftoksi{5000} > Fred (new to MusicTeX - but I already love it!) Without having read the manual? Must be a great product! Yes, it is a great product. Werner From owner-mutex Wed Jan 19 11:22:52 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA13408; Wed, 19 Jan 94 10:50:34 CST Return-Path: Received: from hprib.lps.u-psud.fr by stolaf.edu (4.1/SMI-4.1) id AA13359; Wed, 19 Jan 94 10:50:27 CST Message-Id: <9401191650.AA13359@stolaf.edu> Received: from rsovax.lps.u-psud.fr by hprib.lps.u-psud.fr with SMTP (1.37.109.4/16.2) id AA21479; Wed, 19 Jan 94 17:53:42 +0100 Date: 19-JAN-1994 17:52:08 GMT2 From: TAUPIN@rsovax.lps.u-psud.fr Subject: Alto clef To: mutex Precedence: bulk Subject: Alto clef. 1. Read the doc 2. In the index, look at the refs to \cleftoks 3. Try \cleftoksi={4444} DT From owner-mutex Thu Jan 20 07:22:51 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA13048; Thu, 20 Jan 94 07:09:01 CST Return-Path: Received: from convex.rob.csata.it by stolaf.edu (4.1/SMI-4.1) id AA13008; Thu, 20 Jan 94 07:08:47 CST Received: by convex.rob.csata.it (5.64/10.0) id AA29651; Thu, 20 Jan 94 14:00:48 +0100 From: deflorio@convex.rob.csata.it (Vincenzo De Florio) Message-Id: <9401201300.AA29651@convex.rob.csata.it> Subject: other MusicTeX (and PostScript) files To: mutex Date: Thu, 20 Jan 1994 13:50:17 +0100 (MET) Cc: deflorio@convex.rob.csata.it (Vincenzo De Florio) X-Mailer: ELM [version 2.4 PL20] Content-Type: text Content-Length: 626 Precedence: bulk Hi, any people interested in a musictex score for guitar which I composed can get it by e-mailing the server netlib@asmit.rob.csata.it specifying send iuvenil.ps from local/muzak and send iuvenil.tex from local/muzak send iuven1.tex from local/muzak send iuven2.tex from local/muzak send iuven3.tex from local/muzak send iuven4.tex from local/muzak in the body of the message. You likewise can fetch the index of available files by specifying send index from local/muzak Please let me know if you like 'em or not, suggestions and such Regards, - Vincenzo De Florio deflorio@convex.rob.csata.it From owner-mutex Sat Jan 22 01:22:51 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA16484; Sat, 22 Jan 94 00:29:34 CST Return-Path: Received: from seas.smu.edu by stolaf.edu (4.1/SMI-4.1) id AA16445; Sat, 22 Jan 94 00:29:30 CST Received: by seas.smu.edu (/\==/\ Smail3.1.28.1 #28.25) id ; Sat, 22 Jan 94 00:29 CST Received: by seas.smu.edu (/\==/\ Smail3.1.28.1 #28.28 7703.0.0.quick_f) id ; Fri, 21 Jan 94 19:46 CST Message-Id: Date: Sat, 22 Jan 94 00:29 CST From: adriano@seas.smu.edu (Adriano de Carvalho) To: mutex Subject: ICSI94 Precedence: bulk Dear reader, Due to the wide spectrum of people that might be interested in the subjects to be discussed during the III International Conference on Systems Integration, we decided to post this call for papers in your mailing list. We encourage you to participate in this event as a paper author. The paper arrival deadline is March 3, 1994. Please forward this message to whoever you think it might be of interest and we appreciate your effort to post it. Thanks, Prof. Fuad Gattaz Sobrinho Conference Chairman ----------------------------------------------------------------- Call for Papers The Third International Conference for Systems Integration Sao Paulo City - Brazil July 30th - August 6th, 1994 ----------------------------------------------------------------- The Integration of Society for the Social, Economical, Scientific and Technological Development. This conference focuses on the integration of technologies, processes and systems, and the development of mechanisms and tools enabling solutions to complex multi-disciplinary problems dealing with agriculture, housing, telecommunications, financing and business, public services, education and software. The conference will provide an international and interdisciplinary forum in which researchers, educators, managers, practitioners and politicians, involved within the production process, can share novel research and development, education, production, trading, management and political experiences. Papers should deal with recent effort in theory, design, implementation, methodology, technics, tools and experiences of integration. Topics to be addressed include, but are not limited to: Technical and Scientific Aspects: - Integration, Modeling, Characterization and Automation of Process and Systems - Reengineering and Simplification of Processes - Computational Environments and Software Factories for Engineerind, Design, Manufacturing and System Development - Rol of Human Engineering in Integration - Experiences within National or Continental Software Projects - The Implication of Systems Integration for Manpower Skills - Quality Control and Certification in Organizational and Process Integration. Social, Political and Economical Aspects: - Experiences in Modeling, Development, Evolution and Integration of Enterprises - Experiences in Management and Identification of Value-Add Chains within Agriculture, Housing, Telecommunications, Financing and Business, Public Services, Education and Software - Public Policies and City Management - Management of Multi-dimensional Integration. Infrastructure Aspects: - Qualified Information Resources - Education and Training - Science and Technology - Enterprise Development. Information and Instructions for Authors: All papers must be in English or Portuguese, typed in double spaced format, and may not exceed 6,000 words. Each submission should provide a cover page containing author(s), affiliation(s), complete address(es), identification of principal author, and telephone number. Also include SIX copies of complete text with a title and abstract. Notice of acceptance will be mailed to the principal author(s) by March 15, 1994. If accepted, the author(s) will prepare the final manuscript, in English, in time for inclusion in the conference proceedings and will present the paper at the conference; otherwise, the author(s) will incur a page charge. Authors of accepted papers must sign a copyright release form. The proceedings will be published by the IEEE Computer Society Press. Send SIX copies of your paper(s) to: Prof. Peter A. Ng IIISis - USA Office - New Jersey Institute of Technology University Heights Newark, NJ 07102 USA For Further Information, Contact: Prof. Peter A. Ng Prof. Fuad Gattaz Sobrinho Fone:(1) (201) 596-3387 OR Phone:(55)(192) 41-4504 Fax: (1)(201) 596-5777 Fax: (55)(192) 41-3098 Email: ng_p@vienna.njit.edu Email: iiisis@ccvax.unicamp.br ------------------------------------------------------------------- >>>>>>>>>> Paper Arrival Deadline: March 3rd, 1994 <<<<<<<<<<<<<<<< ------------------------------------------------------------------- CONFERENCE COMMITTEE Conference Chair Fuad Gattaz Sobrinho IIISis Program Chair Peter A. Ng NJIT Finance & Business Co-Chair Alcir A. Calliari Banco do Brasil Agriculture Co-Chair Ney B. Araujo ABAG European Co-Chair Herbert Weber University of Dortmund Pac!fic Co-Chair Fumihiko Kamijo IPA Middle East Co-Chair Asuman Dogac METU South America Co-Chair Julio C. S. P. Leite PUC/RJ North America Co-Chair Bruce Berra Syracuse University Tutorials Co-Chairs Oscar Ivan Palma Pacheco EMBRAPA Murat M. Tanik SMU Organization Co-Chairs Rita de Cassia A. Marchiore IIISis Carole Poth NJIT Steering Committee Chair Peter A. Ng NJIT Honorary Advisors Raymond T. Yeh C. V. Ramamoorthy Laurence C. Seifert Honorary Conference Chair Irma Rossetto Passoni Sc&Tech, Info. and Comm. Comission of Brazilian Congress. Sponsored by IIISis - International Institute for Systems Integration, BB - Banco do Brasil, TELEBRAS, FINEP, CNPq, FBB, with colaboration of NJIT, SUCESU, EMBRAPA, ABAG, ACM e IEEE Computer Society. Instituto Internacional de Integracao de Sistemas - IIISis - Brazil. From owner-mutex Tue Jan 25 12:22:51 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA24172; Tue, 25 Jan 94 12:06:19 CST Return-Path: Received: from hprib.lps.u-psud.fr by stolaf.edu (4.1/SMI-4.1) id AA24097; Tue, 25 Jan 94 12:05:56 CST Message-Id: <9401251805.AA24097@stolaf.edu> Received: from rsovax.lps.u-psud.fr by hprib.lps.u-psud.fr with SMTP (1.37.109.4/16.2) id AA24133; Tue, 25 Jan 94 19:09:05 +0100 Date: 25-JAN-1994 19:07:43 GMT2 From: TAUPIN@rsovax.lps.u-psud.fr Subject: Musictex 4.991 To: mutex Precedence: bulk New version 4.991 of MusicTeX available at anonymous ftp: rsovax.lps.u-psud.fr = 193.55.39.100 directory [anonymous.musictex] Changes: corrections to \sepbarrules and to repeat features. (Thanks to Stalislav Kneifl from Prague) Daniel Taupin  From owner-mutex Wed Jan 26 06:22:52 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA20462; Wed, 26 Jan 94 05:44:35 CST Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA20415; Wed, 26 Jan 94 05:44:25 CST Received: from zsv.gmd.de (zsv) by gmdzi.gmd.de with SMTP id AA19810 (5.65c8/IDA-1.4.4 for ); Wed, 26 Jan 1994 12:42:45 +0100 Received: from sunick.gmd.de by zsv.gmd.de with SMTP id AA07398 (5.65c/IDA-1.4.4 for ); Wed, 26 Jan 1994 12:44:32 +0100 Received: by sunick.gmd.de (5.0/SMI-SVR4) id AA14958; Wed, 26 Jan 1994 12:44:20 --100 Date: Wed, 26 Jan 1994 12:44:20 --100 From: Werner.Icking@gmd.de (Werner Icking) Message-Id: <9401261144.AA14958@sunick.gmd.de> To: mutex Subject: Bach BWV1001 and a MusicTeX-problem and a solution X-Sun-Charset: US-ASCII Content-Length: 1889 Precedence: bulk I tried to generate beams in a way Bach they wrote. So I used combinations like \ibu0 followed by \nbbl0 or \ibl0 followed by \nbbu0. These didn't work as expected because \nbbl0 and \nbbu0 always adds beams at that side of the existing beams which is defined by the corresponding \ibbx0. Now I found a solution using \off: ----------------------------------------------------schnipp---------------- \input musicnft\input musictex\def\nbinstruments{1} \edef\catcodeat{\the\catcode`\@}\catcode`\@=11 \def\qsK{\off{-1\qn@width}}\relax \def\sK{\off{-1\noteskip}}\relax \def\hsK{\off{-1\hn@width}}\relax \catcode`\@=\catcodeat That's the problem: \generalmeter{\meterC}\signaturegenerale{-1}\debutextrait\relax \Notes\ibbu0{`f}{-4}\qhp0g\enotes\relax \notes\tbbbl0\ITenu0{'d}\qb0{cb}\nbbbl0\qb0c\tten0\tqb0a\enotes\relax \Notes\ibbl0{'d}4\qbp0b\enotes\relax \notes\tbbbu0\qh0{`g}\ITenl0g\qh0{'a}\nbbbu0\qh0c\tten0\tqh0b\enotes\relax \finextrait And that's my solution: \generalmeter{\meterC}\signaturegenerale{-1}\debutextrait\relax \Notes\ibbl0{'f}{-4}\qsK\qhp0{``g}\enotes\relax \notes\tbbbl0\ITenu0{'d}\qb0{cb}\nbbbl0\qb0c\tten0\tqb0a\enotes\relax \Notes\qsK\ibbu0{`d}5\qsk\qbp0{''b}\enotes\relax \notes\tbbbu0\qh0{`g}\ITenl0g\qh0{'a}\nbbbu0\qh0c\tten0\tqh0b\enotes\relax \finextrait \bye ----------------------------------------------------schnapp---------------- As a result of this solution I restarted my work on the Solo Sonatas and Partitas by J.S. Bach (BWV1001-1006) after I finished my work on the two Duos for violin and viola by W.A. Mozart (KV423/KV424). Up to now the first movement of the first sonata is complete. There are two versions; one Urtext and one with my fingering added. I put this - ps-file and tex-inputs - on our ftp-server: ftp.gmd.de music/scores/bach/bwv1001.zip Whatever comments you have, please let me know. Enjoy -- Werner From owner-mutex Wed Jan 26 09:22:52 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA28990; Wed, 26 Jan 94 09:10:59 CST Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA28930; Wed, 26 Jan 94 09:10:45 CST Received: from zsv.gmd.de (zsv) by gmdzi.gmd.de with SMTP id AA05160 (5.65c8/IDA-1.4.4 for ); Wed, 26 Jan 1994 16:08:53 +0100 Received: from sunick.gmd.de by zsv.gmd.de with SMTP id AA21207 (5.65c/IDA-1.4.4 for ); Wed, 26 Jan 1994 16:10:39 +0100 Received: by sunick.gmd.de (5.0/SMI-SVR4) id AA15073; Wed, 26 Jan 1994 16:10:26 --100 Date: Wed, 26 Jan 1994 16:10:26 --100 From: Werner.Icking@gmd.de (Werner Icking) Message-Id: <9401261510.AA15073@sunick.gmd.de> To: mutex Subject: Mozart's Duos for violin and viola (KV423/424) with MusicTeX X-Sun-Charset: US-ASCII Content-Length: 4721 Precedence: bulk Some time ago I announced a score of Mozart's 1st Duo for violin and viola (KV423). Now I've finished the score of the 2nd Duo (KV424) by correcting the last-but-one error :-) (Thanks to some nice people who helped me in proof-playing by finding at least one error - e.g. Maurice Ling, Rainer Staringer, my daughter Ann, ...). In addition I corrected some errors I found in my score of KV423 and revised the additional parts for a 2nd violin (instead of a viola). For more details I append my notes for those who already got KV423 and who can make manual correction - or should fetch it once more. I used MusicTeX and produced some selfcontained postscript files with the score and the parts (and a transposed part for a 2nd violin :-). You can get the files as ZIP-archives by anonymous ftp from ftp.gmd.de [129.26.8.90] music/scores/mozart/kv4234ps.zip (KV423+KV424) kv423-ps.zip kv424-ps.zip Enjoy -- Werner --kv423-readme.prt-------------------------------------------------------------- --Here are the PostScript-files for KV423 - to be printed on A4-size paper (210mm x 297mm) score.ps contains the score in landscape parts.ps contains the parts pages 1 to 10 for the violin part pages 11 to 19 for the viola part pages 21 to 29 for a part for a 2nd violin (octaviated viola) If you have a printer for A3-size paper (420mm x 297mm) parts can be printed doublesided from partsa3.tex. Normally the sheets should be cut at the right side by less than 1.2 cm, binded at the left side and folded at the former middle of the page. The second sheet should be folded in the middle before being binded. So you get three parts: sheet back front sheet Violin |Title|Title| 1 3-3-2 means: 1 |3-1-1|3-1-2||3-1-3| 2 | | +--- page 2 of 2 3-2-1||3-2-2| | +----- 3rd movement of 3-3-1||3-3-2|3-3-3| 3 +------- KV42-3 Viola 3 |blank|blank||Title|Title| 4 4 |3-1-1|3-1-2||3-1-3|3-2-1| 5 5 |3-3-1|3-3-2||3-3-3|blank| 6 This sheet may be cutted to A4 Violin 2 6 |blank|blank||Title|Title| 7 7 |3-1-1|3-1-2||3-1-3|3-2-1| 8 8 |3-3-1|3-3-2||3-3-3|blank| 9 This sheet may be cutted to A4 9 |blank|blank| Enjoy -- Please report any errors to Werner.Icking@gmd.de 7. Nov. 1993 Addendum (15. Sep. 1993): If you want to print on letter-size paper you can try to insert the following lines into the ps-files just in front of the first PostScript commands (/TeXDict ...) %%-----------------------------------------------------------------snipp----- /GMD_realshowpage /showpage load def /GMD_myshowpage { GMD_realshowpage 1.00 0.94 scale 14 49 translate } bind def /showpage { GMD_myshowpage } bind def 1.00 0.94 scale 14 49 translate %%-----------------------------------------------------------------snipp----- Addendum (27. Nov. 1993): 1.00 0.94 scales ("magnifies") the page in horizontal and vertical direction 14 49 moves the page in horizontal and vertical direction by 14 resp. 49 units (of 1/72 inch?). You may need different shifts or factors. I include testpage.ps with two pages of output for testing purpose. Addendum (26. Sep. 1993): I found some errors in the 3rd movement which have been corrected in the current version. violin: bar 80: e #d (was: e d) viola: bar 79: g e #d e a e #d e (was: g d #c d a d #c d) bar 81: e #d (was: e d) bar 149/151, 2nd quarter: chord g b (was: chord g c) The additional part for a second violin has been revised. Addendum (17. Oct. 1993): I beautified some beams and slurs and revised the the octaviation of the part for a second violin. Addendum (07. Nov. 1993): I reorganized the a3-paper output Addendum (28. Nov. 1993): I corrected the violin part 3rd movement bar 170: 2nd quarter: =f d b (was: f d b) 4th quarter: =f e f (was: f e f) ------------------------------------------------------------------------------ Werner Icking Werner.Icking@gmd.de (+49 2241) 14-2443 __o GMD - Gesellschaft fuer Mathematik und Datenverarbeitung mbH _`\<,_ Schloss Birlinghoven, PO-Box 1316, D-53731 Sankt Augustin, Germany (_)/ (_) "Der Dativ ist dem Genitiv sein Tod." ~~~~~~~~~~~ From owner-mutex Fri Jan 28 08:24:53 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA04116; Fri, 28 Jan 94 08:04:15 CST Return-Path: Received: from hprib.lps.u-psud.fr by stolaf.edu (4.1/SMI-4.1) id AA04043; Fri, 28 Jan 94 08:03:59 CST Message-Id: <9401281403.AA04043@stolaf.edu> Received: from rsovax.lps.u-psud.fr by hprib.lps.u-psud.fr with SMTP (1.37.109.4/16.2) id AA21293; Fri, 28 Jan 94 15:07:12 +0100 Date: 28-JAN-1994 15:05:58 GMT2 From: TAUPIN@rsovax.lps.u-psud.fr Subject: MusicTeX 5.00 To: mutex Precedence: bulk Subject: MusicTeX version 5.00 New version 5.00 of MusicTeX available at anonymous ftp: rsovax.lps.u-psud.fr = 193.55.39.100 directory [anonymous.musictex] Changes: musicn*.* becomes musikn*.* with corrections due to Andreas Egler New features: - MusicTeX now allows scoring of: - percussions - gregorian (plain chant) - Staffs may have 1 to 6 lines, not necessarily 5 - modern clefs may be replaced with other symbols, or with... nothing Daniel Taupin From owner-mutex Fri Jan 28 18:22:51 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA25480; Fri, 28 Jan 94 18:04:58 CST Return-Path: Received: from bochap.iss.nus.sg by stolaf.edu (4.1/SMI-4.1) id AA25432; Fri, 28 Jan 94 18:04:49 CST Received: from civet.iss.nus.sg by bochap.iss.nus.sg (4.1/SMI-4.1) id AA05401; Sat, 29 Jan 94 08:02:42+080 Date: Sat, 29 Jan 94 08:02:42+080 From: smoliar@iss.nus.sg (Stephen Smoliar) Message-Id: <9401290002.AA05401@bochap.iss.nus.sg> Received: by civet.iss.nus.sg (4.1/SMI-4.1) id AA12067; Sat, 29 Jan 94 07:56:57 SST To: mutex Cc: mutex@stolaf.edu In-Reply-To: TAUPIN@rsovax.lps.u-psud.fr's message of 28-JAN-1994 15:05:58 GMT2 <9401281403.AA04043@stolaf.edu> Subject: Which are the new files in MusicTeX 5.00? Precedence: bulk Daniel, My ftp connection to your machine just broke but not before I did some perusing of the musictex directory. The only files which seemed to be newer than January 25 (the date of your last release) which were not music examples were musicdoc.* and musik*.*, which were font files. Is it true that there is no new musictex.tex file? This struck me as a little bit strange, particularly since SOME file much be changed to acknowledge the renamed font files. Also, I would like to make a minor request in the name of those of us who surf directories, rather than just copy everything all the time. Could you create a subdirectory to hold the music examples? That way, a straight directory listing will be less likely to scroll off the screen several times over. (I would also appreciate being TOLD which are the new files, rather than having to search for them myself; but I do not find directory surfing too great a burden!) Steve From owner-mutex Sun Jan 30 17:22:51 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA07203; Sun, 30 Jan 94 16:52:35 CST Return-Path: Received: from bochap (bochap.iss.nus.sg) by stolaf.edu (4.1/SMI-4.1) id AA07164; Sun, 30 Jan 94 16:52:26 CST Received: from civet.iss.nus.sg by bochap (4.1/SMI-4.1) id AA02579; Mon, 31 Jan 94 06:55:57+080 Date: Mon, 31 Jan 94 06:55:57+080 From: smoliar@iss.nus.sg (Stephen Smoliar) Message-Id: <9401302255.AA02579@bochap> Received: by civet.iss.nus.sg (4.1/SMI-4.1) id AA00302; Mon, 31 Jan 94 06:55:48 SST To: mutex In-Reply-To: Dale Gold's message of Mon, 31 Jan 94 09:54:47 PST <9401311754.AA001pf@basso.actrix.gen.nz> Subject: Which are the new files in MusicTeX 5.00? Cc: mutex@stolaf.edu Precedence: bulk > >Hi Stephen, on Jan 29 you wrote: > >> The only files which seemed to be newer than >> January 25 (the date of your last release) which were not music examples >> were musicdoc.* and musik*.*, which were font files. Is it true that there >> is no new musictex.tex file? > >I thought someone else would have jumped in with an answer by now, but I'll >hazard a guess: the font archives were musicpk*.* and I think that musik*.* > ^^ ^ >will contain the new macros. I haven't had a chance to look yet myself. > Dale, Other than the music examples and musicdoc.* files, these are the files I found which had dates more recent than January 25: -rw-r--r-- 1 smoliar 914 Jan 29 08:07 musikd11.mf -rw-r--r-- 1 smoliar 914 Jan 29 08:07 musikd13.mf -rw-r--r-- 1 smoliar 914 Jan 29 08:07 musikd16.mf -rw-r--r-- 1 smoliar 916 Jan 29 08:07 musikd20.mf -rw-r--r-- 1 smoliar 30549 Jan 29 08:08 musikgen.mf -rw-r--r-- 1 smoliar 303 Jan 29 08:08 musikn11.mf -rw-r--r-- 1 smoliar 6144 Jan 29 08:08 musikn11.pk -rw-r--r-- 1 smoliar 1024 Jan 29 08:09 musikn11.tfm -rw-r--r-- 1 smoliar 303 Jan 29 08:10 musikn13.mf -rw-r--r-- 1 smoliar 7168 Jan 29 08:10 musikn13.pk -rw-r--r-- 1 smoliar 1024 Jan 29 08:11 musikn13.tfm -rw-r--r-- 1 smoliar 303 Jan 29 08:11 musikn16.mf -rw-r--r-- 1 smoliar 9216 Jan 29 08:11 musikn16.pk -rw-r--r-- 1 smoliar 1024 Jan 29 08:11 musikn16.tfm -rw-r--r-- 1 smoliar 303 Jan 29 08:12 musikn20.mf -rw-r--r-- 1 smoliar 11776 Jan 29 08:12 musikn20.pk -rw-r--r-- 1 smoliar 1024 Jan 29 08:12 musikn20.tfm I do not think will shall find any new macros in these. I also wonder how these new files would be "visible" without a modification of the files which knew about their old names. (By the way, I am sending a copy of this to the mailing list to give the rest of the world a better document of my experience. The file dates, of course, reflect my own host, rather than those on Daniel's machine.) Stephen W. Smoliar; Institute of Systems Science National University of Singapore; Heng Mui Keng Terrace Kent Ridge, SINGAPORE 0511 Internet: smoliar@iss.nus.sg FAX: +65-473-9897 From owner-mutex Mon Jan 31 04:22:51 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA29091; Mon, 31 Jan 94 04:07:12 CST Return-Path: Received: from venus.isa.cie.uva.es (minerva.isa.cie.uva.es) by stolaf.edu (4.1/SMI-4.1) id AA28969; Mon, 31 Jan 94 04:03:34 CST Message-Id: <9401311003.AA28969@stolaf.edu> Received: by venus.isa.cie.uva.es (1.37.109.4/16.2) id AA22049; Mon, 31 Jan 94 11:04:12 GMT From: Ralph J. Hangleiter Subject: problem with instrument names To: mutex Date: Mon, 31 Jan 94 11:04:11 WET Mailer: Elm [revision: 70.85] Precedence: bulk Hi, I am a new user of MusicTeX and have some questions. They maybe just occur because my experience is more with LaTeX then with plainTeX, but anyway: First problem: When setting the following test-piece, I have the problem that the instrument names overlap with the score (or more precisely with the bar that joins the human voices). The Contraalto es especially bad. What can I do to change that? Second problem: How do I set 2 (3,4) lines of text between staffs? In the praetori-example I have seen something like a catcode-change for @ which is then used for setting text, but that is (in the moment) too much plain TeX for me - so any solution here? By the way, my MusicTeX-Version is 4.99 ----------------- test-piece ----------------------- \input musicnft \input musictex \font\Enorme=cmbx12 scaled \magstep4 \font\Moyen=cmbx12 scaled \magstep1 \vbox{% \centerline{\Enorme Salutaris} \bigskip \rightline{\Moyen Alguien} }% \def\nbinstruments{5} \def\instrumentv{Soprano} \def\instrumentiv{Contraalto} \def\instrumentiii{Tenor} \def\instrumentii{Bajo} \def\instrumenti{B.C.} \nbporteesi=2\relax \cleftoksii={{6}} \cleftoksi={{6}{0}{0}{0}} \generalmeter{\meterfrac 44} \generalsignature{-2} \def\lowersonginstrum{2} \def\uppersonginstrum{5} \def\freqbarno{5} \sepbarrules \debutmorceau \normal \Notes \qu{KHLK}| \qu{abne} | \qu{aede} | \qu{adfg} \midtwotext{bald} |\qu{khlj} | \qu{eaMa} \enotes \barre \Notes \qu{IHLK}| \qu{abne} | \qu{aede} | \qu{opmn}\uptext{this is text} |\qu{khlj}\uptext{texto} | \qu{eaMa} \enotes \barre \Notes \qu{IHLK}| \qu{abne} | \qu{ae} \zmidtwotext {testing} \qu{de} | \qu{mnmn} |\qu{khlj} | \qu{eaMa} \enotes \barre \Notes \qu{IHLK}| \qu{abne} | \qu{aede} | \qu{dfls} |\qu{khlj} | \qu{eaMa} \enotes \barre \Notes \qu{IHLK}| \qu{abne} | \qu{aede} | \qu{opmn}\uptext{this is text} |\qu{khlj}\uptext{texto} | \qu{eaMa} \enotes \barre \Notes \hu{I}\zmidtwotext{Aqu\'i canto el bajo}\temps\hu{H}| \qu{abne} | \qu{aede} | \qu{opmn}\uptext{this is text} |\qu{khlj}\uptext{texto} | \qu{eaMa} \enotes \barre \Notes \qu{IHLK}| \qu{abne} | \qu{aede} | \qu{opmn}\uptext{this is text} |\qu{khlj}\uptext{texto} | \qu{eaMa} \enotes \barre \finmorceau %\end{music} \bye -- Ralph J. Hangleiter R.U. Alfonso VIII., hab. 230,C/ Real de Burgos s/n E-47011 Valladolid, SPAIN Tel.: xx 34 83 42 30 39 ralph@venus.isa.cie.uva.es ralph@hp9000.uva.es ralph@cpd.uva.es (X.400) c08f@alf.zfn.uni-bremen.de From owner-mutex Mon Jan 31 08:41:52 1994 Received: by stolaf.edu (4.1/SMI-4.1) id AA08079; Mon, 31 Jan 94 08:19:18 CST Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA08010; Mon, 31 Jan 94 08:18:17 CST Received: from zsv.gmd.de (zsv) by gmdzi.gmd.de with SMTP id AA29320 (5.65c8/IDA-1.4.4 for ); Mon, 31 Jan 1994 15:16:31 +0100 Received: from sunick.gmd.de by zsv.gmd.de with SMTP id AA21046 (5.65c/IDA-1.4.4); Mon, 31 Jan 1994 15:18:15 +0100 Received: by sunick.gmd.de (5.0/SMI-SVR4) id AA18040; Mon, 31 Jan 1994 15:17:57 --100 Date: Mon, 31 Jan 1994 15:17:57 --100 From: Werner.Icking@gmd.de (Werner Icking) Message-Id: <9401311417.AA18040@sunick.gmd.de> To: mutex Subject: MusicTeX distribution X-Sun-Charset: US-ASCII Content-Length: 1634 Precedence: bulk Hi Steve, > Also, I would like to make a minor request in the name of those of us who surf > directories, rather than just copy everything all the time. Could you create > a subdirectory to hold the music examples? That way, a straight directory > listing will be less likely to scroll off the screen several times over. > (I would also appreciate being TOLD which are the new files, rather than > having to search for them myself; but I do not find directory surfing too > great a burden!) Since a long time I prepare zip-files which contain only the changed parts and I put them onto our anonymous ftp-server. Most of the time I'm able to present the files very shortly after Daniel announces a new-version. You find these file on ftp.gmd.de music/musictex/diff-files/... e.g. musictex.4991-500.zip; on a PC you have to rename the file during ftp-ing them e.g. get musictex.4991-500.zip musictex.500 The complete distribution *is* separated into four pieces if you do not want all parts: musictex.zip MusicTeX musicexa.zip the examples recueill.zip the TeX'ed examples musicpk.zip the fonts For the new version 500 it was not possible for me to generate a diff-file for the pk-files. So you have to fetch: musicpk.zip (which is changed very seldom) from the musictex-directory and musictex.4991-500 from the diff-files-directory. Werner PS: It's nice of you not to copy always all :-) I tell that because I often find in the log of our server that someone fetched *all* zip-files, *all* tar.Z-files (which contain the same) and sometimes the diff-files, too :-( From owner-mutex Mon Jan 31 11:46:27 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id KAA19295 for mutex-distrib; Mon, 31 Jan 1994 10:49:42 -0600 Date: Mon, 31 Jan 1994 10:49:42 -0600 From: owner-mutex Message-Id: <199401311649.KAA19295@nic.stolaf.edu> Apparently-To: mutex-distrib >From owner-mutex Mon Jan 31 10:49:39 1994 Received: from bham.ac.uk (bham.ac.uk [147.188.128.25]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id KAA19253 for ; Mon, 31 Jan 1994 10:49:36 -0600 Via: uk.ac.birmingham.computer-centre.ibm3090; Mon, 31 Jan 1994 15:10:27 +0000 Date: Mon, 31 Jan 94 15:18:14 GMT From: Rimmus T Rim Subject: Help-installing mutex To: mutex Message-ID: <"31_Jan_94_15:18:14_GMT_#3315"@UK.AC.BHAM.IBM3090> Precedence: bulk Hi there, I know that this will be a very basic question but please reply direct t o me to save digest space. I am interested in the possiblility of:- - writing single staff bass clef music (for bass guitar) - writing 2 staff (piano) with lyrics + gutar chords I have access to a SUN workstation with Latex. I have looked at the ftp.stolaf.edu site and have found some mutex and musictex stuff. To begin with I think I only want to use MuTeX i n order to do single staff bass guitar stuff. Which files do I need to download to use MuTex? Which need BINARY and which ASCII transfer? How do I de .Z and .tar the files and install MuTeX? All help gratefully received Tim Sutton From owner-mutex Mon Jan 31 12:43:15 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id MAA25165 for mutex-distrib; Mon, 31 Jan 1994 12:06:11 -0600 Received: from gmdzi.gmd.de (gmdzi.gmd.de [129.26.8.90]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id MAA25103 for ; Mon, 31 Jan 1994 12:05:57 -0600 Received: from zsv.gmd.de (zsv) by gmdzi.gmd.de with SMTP id AA15852 (5.65c8/IDA-1.4.4 for ); Mon, 31 Jan 1994 19:02:36 +0100 Received: from sunick.gmd.de by zsv.gmd.de with SMTP id AA25324 (5.65c/IDA-1.4.4); Mon, 31 Jan 1994 19:04:26 +0100 Received: by sunick.gmd.de (5.0/SMI-SVR4) id AA00358; Mon, 31 Jan 1994 19:04:22 --100 Date: Mon, 31 Jan 1994 19:04:22 --100 From: Werner.Icking@gmd.de (Werner Icking) Message-Id: <9401311804.AA00358@sunick.gmd.de> To: mutex Subject: Re: Mozart's KV423 with MusicTeX - Duo for violin and viola Cc: mutex@stolaf.edu X-Sun-Charset: US-ASCII Content-Length: 1052 Precedence: bulk When I published the first Mozart Duo for violin and viola I had to answer often the questions like: > Why don't you just distribute the TeX code? > why not just post your (music)tex sources so people can make ps/lj > or whatever? > Would you be able to send along ascii of the MusicTeX files that your > postscripts were generated from? I've always hoped users of our MTeX list > would start swapping scores in this format after typing them in.. as one can > theoretically automatically churn out simple renditions via MIDI that way. > Does this mean you are _not_ making the tex files available? > Seems a pity, if so. Ok - here we go: ftp.gmd.e music/scores/mozart/kv423src.zip contains an *excerpt* of the MusicTeX-sources, the SNOBOL-programme to select the parts from the score, my MusicTeX-add-ons, ... It's not the complete source, but so much that one can see how I use MusicTeX, how I write a score with respect to extracting parts, etc. And it's not-well-documented. It was your idea to distribute it, not mine :-) Werner From owner-mutex Tue Feb 1 09:22:53 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id IAA25991 for mutex-distrib; Tue, 1 Feb 1994 08:36:29 -0600 Received: from hprib.lps.u-psud.fr (hprib.lps.u-psud.fr [193.55.39.152]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id IAA25947 for ; Tue, 1 Feb 1994 08:36:19 -0600 From: TAUPIN@rsovax.lps.u-psud.fr Message-Id: <199402011436.IAA25947@nic.stolaf.edu> Received: from rsovax.lps.u-psud.fr by hprib.lps.u-psud.fr with SMTP (1.37.109.4/16.2) id AA20842; Tue, 1 Feb 94 15:39:17 +0100 Date: 1-FEB-1994 15:38:13 GMT2 Subject: MusicTeX version 5.01 available. To: mutex Precedence: bulk Subject: MusicTeX version 5.01 New version 5.01 of MusicTeX available at anonymous ftp: rsovax.lps.u-psud.fr = 193.55.39.100 directory [anonymous.musictex] Changes: - 5.01 pretty piano/organ/keyboard braces due to Andreas Egler - 5.01 additional ornaments due to Andreas Egler - 5.00 musicn*.* becomes musikn*.* with corrections due to Andreas Egler New features: - 5.00 MusicTeX now allows scoring of: - percussions - gregorian (plain chant) - 5.00 Staffs may have 1 to 6 lines, not necessarily 5 - 5.00 modern clefs may be replaced with other symbols, or with... nothing Daniel Taupin From owner-mutex Mon Feb 7 10:22:52 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id JAA02546 for mutex-distrib; Mon, 7 Feb 1994 09:16:14 -0600 Received: from MAILER.MPI-STUTTGART.MPG.DE (mailer.mpi-stuttgart.mpg.de [134.105.8.13]) by nic.stolaf.edu (8.6.5/8.6.5) with ESMTP id JAA02390 for ; Mon, 7 Feb 1994 09:14:09 -0600 From: dworscha@edv.mpi-stuttgart.mpg.de Received: from edv.mpi-stuttgart.mpg.de (wotan.mpi-stuttgart.mpg.de) by MAILER.MPI-STUTTGART.MPG.DE (PMDF V4.2-12 #3968) id <01H8LZ691JY89UM2WZ@MAILER.MPI-STUTTGART.MPG.DE>; Mon, 7 Feb 1994 16:13:38 WET Received: by edv.mpi-stuttgart.mpg.de (5.65/DEC4.3/MPI2.2s) id AA07925; Mon, 7 Feb 1994 16:13:35 +0100 Received: by edvux3.mpi-stuttgart.mpg.de (5.65/DEC-Ultrix4.3/MPI2.2c) id AA22871; Mon, 7 Feb 1994 16:13:31 +0100 Date: Mon, 07 Feb 1994 16:13:31 +0100 Subject: Drums To: mutex Message-id: <9402071513.AA22871@edvux3.mpi-stuttgart.mpg.de> Content-transfer-encoding: 7BIT X-Mts: smtp Precedence: bulk Hi folks, i'm playing drums and when i touch the hi-hat i want the following output: ____ | | | | X X and so on. ---------------------- ---------------------- ---------------------- ---------------------- ---------------------- Is there an easy way to get an 'X' instead of a note. Thank you. Andy From owner-mutex Mon Feb 7 13:22:53 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id MAA26545 for mutex-distrib; Mon, 7 Feb 1994 12:58:45 -0600 Received: from gmdzi.gmd.de (gmdzi.gmd.de [129.26.8.90]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id MAA26503 for ; Mon, 7 Feb 1994 12:58:37 -0600 Received: from zsv.gmd.de (zsv) by gmdzi.gmd.de with SMTP id AA20498 (5.65c8/IDA-1.4.4 for ); Mon, 7 Feb 1994 19:58:44 +0100 Received: from sunick.gmd.de by zsv.gmd.de with SMTP id AA00480 (5.65c/IDA-1.4.4 for ); Mon, 7 Feb 1994 19:58:43 +0100 Received: by sunick.gmd.de (5.0/SMI-SVR4) id AA03042; Mon, 7 Feb 1994 19:58:39 --100 Date: Mon, 7 Feb 1994 19:58:39 --100 From: Werner.Icking@gmd.de (Werner Icking) Message-Id: <9402071858.AA03042@sunick.gmd.de> To: mutex Subject: alignment of staffs X-Sun-Charset: US-ASCII Content-Length: 379 Precedence: bulk 1. I've two pages full with music. I want to aligne both pages such a way, that the last line of each page has the same vertical position. Is there a simple (and not wrong :-) solution? 2. I know that there are variables like \topfacteur or \bottomfacteur. Is there a way to distribute the remaining space on a page equally on all staffs (systems?)? Werner From owner-mutex Tue Feb 8 03:22:52 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id CAA15245 for mutex-distrib; Tue, 8 Feb 1994 02:32:39 -0600 Received: from IBMA.ipp-garching.mpg.de (ibma.ipp-garching.mpg.de [130.183.1.1]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id CAA15207 for ; Tue, 8 Feb 1994 02:32:23 -0600 Message-Id: <199402080832.CAA15207@nic.stolaf.edu> Received: from DGAIPP1S.EARN by IBMA.ipp-garching.mpg.de (IBM VM SMTP V2R1) with BSMTP id 8463; Tue, 08 Feb 94 09:32:49 MET Received: by DGAIPP1S (Mailer R2.08) id 0094; Tue, 08 Feb 94 09:32:48 MET Date: Tue, 08 Feb 94 09:10:12 MET From: Christoph Fuchs Subject: Repeats and Changecontext To: mutex Precedence: bulk I have difficulties using repeats when the context (keys,meters,signs) changes simultaneously. \setleftrightrepeat\changecontext works fine in the middle of a line, but not at a linebreak, whereas \leftrightrepeat or \leftrightrepeat\updatecontext don't work correct neither in the middle of a line (e.g. change of sign is not indicated) nor at a line break (meters are written twice on the new staff). As a quick-and-dirty solution I defined the macro \leftrightrepeatupdate (and similar macros for left or right repeats): \def\leftrightrepeatupdate{\gluebrule\nobreak\discretionary% {\setrightrepeat\newbar\hbox{\writenewclefs\writenewsignatures% \writemeters}}% {\hbox{\portees\writeclefs\everystaff\Writesignatures\l@eftrepeat% \writemeters}}% {\setleftrightrepeat\newbar\hbox{\updatecontext}}\save@all} Is there a better (or easier, or safer) solution to this problem? Christoph +--------------------+------------------------------------------------+ | J. Christoph Fuchs | E-Mail: jcf@ipp-garching.mpg.de | | | Voice: +49 89 3299 1730 | | | Fax: +49 89 3299 2580 | | | Mail: Max-Planck-Institut f. Plasmaphysik| | | D-85748 Garching b. Muenchen | | | Germany | +--------------------+------------------------------------------------+ From owner-mutex Tue Feb 8 08:22:52 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id HAA01171 for mutex-distrib; Tue, 8 Feb 1994 07:54:01 -0600 Received: from hprib.lps.u-psud.fr (hprib.lps.u-psud.fr [193.55.39.152]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id HAA01126 for ; Tue, 8 Feb 1994 07:53:56 -0600 From: TAUPIN@rsovax.lps.u-psud.fr Message-Id: <199402081353.HAA01126@nic.stolaf.edu> Received: from rsovax.lps.u-psud.fr by hprib.lps.u-psud.fr with SMTP (1.37.109.4/16.2) id AA13020; Tue, 8 Feb 94 14:57:17 +0100 Date: 8-FEB-1994 14:56:24 GMT2 Subject: drums To: mutex Precedence: bulk I can implement noteheads with a X instead of a black ellipse. But a question: if the note replaces a half note or a whole note, what does the note head look like ? dt From owner-mutex Tue Feb 8 12:22:52 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id LAA16810 for mutex-distrib; Tue, 8 Feb 1994 11:37:43 -0600 Received: from farofa.ime.usp.br (farofa.ime.usp.br [143.107.45.21]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id LAA16762 for ; Tue, 8 Feb 1994 11:37:28 -0600 From: kon@ime.usp.br Received: from brucutu (brucutu.ime.usp.br) by farofa.ime.usp.br (4.1/1.34) id AA10896; Tue, 8 Feb 94 15:40:41-020 Received: by brucutu (4.1/1.34) id AA29124; Tue, 8 Feb 94 15:40:39-020 Date: Tue, 8 Feb 94 15:40:39-020 Message-Id: <9402081740.AA29124@brucutu> To: mutex Subject: Re: whole note for percussion In-Reply-To: <199402081353.HAA01126@nic.stolaf.edu> References: <199402081353.HAA01126@nic.stolaf.edu> Precedence: bulk TAUPIN@rsovax.lps.u-psud.fr writes: > > I can implement noteheads with a X instead of a black ellipse. > But a question: if the note replaces a half note or a whole note, > what does the note head look like ? It looks like a diamond: /\ \/ Fabio Kon - Computer Science graduate student - Music (percussion) B.A. From owner-mutex Tue Feb 8 13:22:52 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id MAA21643 for mutex-distrib; Tue, 8 Feb 1994 12:27:15 -0600 Received: from ifn.ing.tu-bs.de (ifn.ing.tu-bs.de [134.169.30.1]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id MAA21585 for ; Tue, 8 Feb 1994 12:27:07 -0600 Received: by ifn.ing.tu-bs.de (MX V3.3 VAX) id 16239; Tue, 08 Feb 1994 19:30:30 +0100 Date: Tue, 08 Feb 1994 19:30:24 +0100 From: Eckart Meyer To: mutex Message-ID: <00979C41.698D716D.16239@ifn.ing.tu-bs.de> Subject: Can I do ... Precedence: bulk ... the following (picture instead of words - I don't know what's in english): +--------------------+ +------------------- |1. | |2. <---- Here is it! _____________________________________________________ _____________________________:|______________________ ______________________________|______________________ _____________________________:|______________________ ______________________________|______________________ Thank you. --Eckart ----------------------------------------------------------------------------- Eckart Meyer Address: Schleinitzstr. 23 Inst. f. Nachrichtentechnik 38092 Braunschweig Technical University of Braunschweig Germany Phone: +49 531 391 2454 E-Mail: meyer@ifn.ing.tu-bs.de FAX: +49 531 391 5192 VMSmail: PSI%26245050551130::MEYER (DATEX-P) ----------------------------------------------------------------------------- From owner-mutex Tue Feb 8 14:22:52 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id MAA19151 for mutex-distrib; Tue, 8 Feb 1994 12:02:03 -0600 Received: from vm1.sdi.uam.es (vm1.sdi.uam.es [150.244.9.4]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id MAA19050 for ; Tue, 8 Feb 1994 12:01:36 -0600 Message-Id: <199402081801.MAA19050@nic.stolaf.edu> Received: from vm1.sdi.uam.es by vm1.sdi.uam.es (IBM VM SMTP V2R2) with BSMTP id 0785; Tue, 08 Feb 94 19:01:21 HOE Received: from vm1.sdi.uam.es (EPRFIS) by vm1.sdi.uam.es (Mailer R2.08) with BSMTP id 2565; Tue, 08 Feb 94 19:01:20 HOE Date: Tue, 08 Feb 94 18:45:19 HOE From: Agustin Martin Organization: Native address: Subject: more heads To: mutex Precedence: bulk Replying to: <>From: dworscha@edv.mpi-stuttgart.mpg.de <>Date: Mon, 07 Feb 1994 16:13:31 +0100 <>Subject: Drums <>To: mutex@stolaf.edu <>Message-id: <9402071513.AA22871@edvux3.mpi-stuttgart.mpg.de> <>Content-transfer-encoding: 7BIT <>Precedence: bulk <> <> <>Hi folks, <> <>i'm playing drums and when i touch the hi-hat i want the following <>output: <> <> ____ <> | | <> | | <> X X and so on. <>---------------------- <> <>---------------------- <> <>---------------------- <> <>---------------------- <> <>---------------------- <> <>Is there an easy way to get an 'X' instead of a note. Thank you. <> <>Andy Hi, With respect to the problem with note heads, I am also coding percussion and I had the same problem. I solved it by intercepting the quarter note head definition, substituting this head by other different heads. To make it work the macro moreheads.tex, that you will find below after some examples, has to be input The choose of a x head is made by writing \xhead{\ql{j}\cu{k}..........} for the x head , or \cowbell{...........} for the > symbol for cowbell (not well implemented) \oxhead{............} for a circled x head All the quarter note heads within {....} will be substituted by the selected head. Half note heads and whole note heads are not affected, but similar definitions can be made. However, I think that is not neccesary. Here you are the MOREHEADS.TEX file %******* Changing note heads for specific ***************** %******* instruments ***************** %******* \headcode=1 normal heads ***************** %******* =2 x heads ***************** %******* =3 circled x heads ***************** %******* =4 > heads (cowbell) ***************** % \edef\catcodeat{\the\catcode`\@}\catcode`\@=11 % \def\headcode{1} \def\xhead#1{\def\headcode{2} #1 \def\headcode{1}} \def\oxhead#1{\def\headcode{3} #1 \def\headcode{1}} \def\cowbell#1{\def\headcode{4} #1 \def\headcode{1}} % quarter note heads ********************************************* \def\q@u{\ifcase\headcode% \or\musicnfont\char33\hss% \or\musicnfont\char'65\hss% %\or$\mathrel{\mathop{\circ}\limits{\musicnfont\char'65}}$\hss% \or\raise -\internote\hbox{$\bigcirc$}\kern -0.8em\musicnfont\char'65\hss% \or\raise 3\internote\hbox{\musicnfont\char'37}\hss% \fi}% % \catcode`\@=\catcodeat % %************************************************************************** Has anybody get it in a different way, or for other different heads? Bye, Agustin Martin Domingo Depto. Fisica e Instalaciones ETS Arquitectura Madrid Avda Juan de Herrera, 4 E-28040 Madrid SPAIN Tel. (1) 336 6536 Fax (1) 544 2481 or Departamento de Fisica de Materiales C-IV Universidad Autonoma de Madrid E-28049 MADRID Tel. (1)397 5028 Fax. (1)397 8579 From owner-mutex Tue Feb 8 15:22:53 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id OAA02167 for mutex-distrib; Tue, 8 Feb 1994 14:22:25 -0600 Received: from logicon.com (klee.logicon.com [137.51.101.5]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id OAA02122 for ; Tue, 8 Feb 1994 14:22:15 -0600 Received: from cclink.logicon.com by logicon.com (5.0/SMI-4.2) id AA05314; Tue, 8 Feb 94 12:24:00 PST Received: from cc:Mail by cclink.logicon.com id AA760738953 Tue, 08 Feb 94 12:22:33 PST Date: Tue, 08 Feb 94 12:22:33 PST From: dsimons@cclink.logicon.com (Simons, Don) Encoding: 1036 Text Message-Id: <9401087607.AA760738953@cclink.logicon.com> To: mutex Return-Receipt-To: dsimons@cclink.logicon.com (Simons, Don) Subject: Figured bass content-length: 1019 Precedence: bulk There are several symbols I sorely miss when using MusicTeX to typeset Baroque chamber music scores. They pertain to figured bass. First, the symbols for "sharped 4" (a numeral 4 with a little vertical slash across the horizontal member), and similarly, a "sharped 6" (a numeral 6 with a short diagonal slash across the upper extremity). Is there a way to do these now? If not, could they somehow be added to the character set? I don't know which font I'm using...it's the default font that appears when I just say \zcharnote{..}{..}. The other symbol is a horizontal line (indicating a continuation of the same harmony when the bass note has changed) extending an arbitrary distance to the right from directly below one bass note. I'm sure a TeXpert could make this symbol with a rule of some sort, but I'm not that advanced with the TeX language. Any help would be appreciated. Don Simons (dsimons@logicon.com) From owner-mutex Tue Feb 8 17:22:52 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id QAA16744 for mutex-distrib; Tue, 8 Feb 1994 16:53:51 -0600 Received: from mail.wm.edu (mail.wm.edu [128.239.1.6]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id QAA16688 for ; Tue, 8 Feb 1994 16:53:40 -0600 Received: from charon.wm.edu by mail.wm.edu (AIX 3.2/UCB 5.64/4.03) id AA06825; Tue, 8 Feb 1994 17:07:17 -0500 Received: From COMP1/WORKQUEUE by charon.wm.edu via Charon-4.0A-VROOM with IPX id 100.940208170657.256; 08 Feb 94 17:07:22 +0500 Message-Id: To: mutex From: "Christopher G. Currie" Date: 8 Feb 94 17:06:43 EDT Subject: Re: drums Reply-To: cgcurr@mail.wm.edu Priority: normal X-Mailer: Pegasus Mail v2.3 (R5). Precedence: bulk > I can implement noteheads with a X instead of a black ellipse. > But a question: if the note replaces a half note or a whole note, > what does the note head look like ? I don't think there is a need for half note or whole x's. If you're representing percussive sounds, they won't last for any controlable length of time, so a duration to a drum (or high hat) is meaningless. In that case, a quarter note folled by an eighth note should suffice. ---------------------------------------------------------------------- _____ _____ _____ It's ten o'clock: / / / Christopher Currie do you know where / / __ / cgcurr@mail.wm.edu your process is? /_____ /_____/ /_____ William & Mary From owner-mutex Wed Feb 9 03:22:52 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id CAA22536 for mutex-distrib; Wed, 9 Feb 1994 02:40:27 -0600 Received: from mailimailo.univ-rennes1.fr (mailimailo.cicb.fr [129.20.128.21]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id CAA22490 for ; Wed, 9 Feb 1994 02:40:13 -0600 Received: from matisse.univ-rennes1.fr by mailimailo.univ-rennes1.fr (5.65c8/150391); Wed, 9 Feb 1994 09:42:08 +0100 Message-Id: <199402090842.AA03382@mailimailo.univ-rennes1.fr> To: mutex Cc: mutex@stolaf.edu Subject: Re: Can I do ... In-Reply-To: Tue, 08 Feb 1994 19:30:24 +0100. <00979C41.698D716D.16239@ifn.ing.tu-bs.de> Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit Date: Wed, 09 Feb 1994 09:42:41 +0100 From: "Roger Negaret CRI/Univ. Rennes1" Precedence: bulk > ... the following (picture instead of words - I don't know what's in english) : > > > +--------------------+ +------------------- > |1. | |2. <---- Here is it! > _____________________________________________________ > _____________________________:|______________________ > ______________________________|______________________ > _____________________________:|______________________ > ______________________________|______________________ > > > Thank you. > > --Eckart > I have done this, it works fine, but it's not exactly what you need. It shows up as the folowing: __ __ |1. |2. <---- Here is it! _______|______________________|_______________________ _______|_____________________:|______________________ _______|______________________|______________________ _______|_____________________:|______________________ _______|______________________|______________________ %first/second repeat \def\repeatone{% \gluebrule% \rlap{\vdlthick height 1.6\systemheight width \lthick}% \global\advance\x@skip by \lthick% \raise 1.6\systemheight \rlap{\vrule height 0.6pt depth 0pt width 4mm}% \hskip 0.4\Interligne\raise 1.1\systemheight \rlap{1.}% \global\advance\barno by 1\relax\message{bar \the\barno}% \gluearule}% \def\repeattwo{% \gluebrule% \raise 0.06\systemheight \hbox{\bf\musicnorfont\char 126}% \rlap{\vdlthick height 1.6\systemheight width \lthick}% \global\advance\x@skip by \lthick% \raise 1.6\systemheight \rlap{\vrule height 0.6pt depth 0pt width 4mm}% \hskip 0.4\Interligne\raise 1.1\systemheight \rlap{2.}% \global\advance\barno by 1\relax\message{bar \the\barno}% \gluearule}% --------------------------------------------------------------------------- Roger Ne'garet CRI/CICB universite' de Rennes1 Campus de Beaulieu 35042 Rennes Cedex - France tel : 99 84 71 49 E-mail: Roger.Negaret@univ-rennes1.fr fax : 99 84 71 11 X.400 : G=Roger; S=Negaret; O=univ-rennes1; P=cicb; A=atlas; C=fr; From owner-mutex Wed Feb 9 07:22:52 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id HAA09371 for mutex-distrib; Wed, 9 Feb 1994 07:07:11 -0600 Received: from gmdzi.gmd.de (gmdzi.gmd.de [129.26.8.90]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id HAA09328 for ; Wed, 9 Feb 1994 07:07:03 -0600 Received: from zsv.gmd.de (zsv) by gmdzi.gmd.de with SMTP id AA25315 (5.65c8/IDA-1.4.4 for ); Wed, 9 Feb 1994 14:07:05 +0100 Received: from sunick.gmd.de by zsv.gmd.de with SMTP id AA27976 (5.65c/IDA-1.4.4); Wed, 9 Feb 1994 14:07:03 +0100 Received: by sunick.gmd.de (5.0/SMI-SVR4) id AA04954; Wed, 9 Feb 1994 14:06:57 --100 Date: Wed, 9 Feb 1994 14:06:57 --100 From: Werner.Icking@gmd.de (Werner Icking) Message-Id: <9402091306.AA04954@sunick.gmd.de> To: mutex Subject: Re: Can I do ... X-Sun-Charset: US-ASCII Content-Length: 278 Precedence: bulk > ... the following (picture instead of words - I don't know what's in english): [picture deleted] it showed what is documented in Musicdoc.dvi on pages 30-... in the chapter "2.16 Repeats"; in the special case: \setprimavolta ... \setsecondavolta Hope this hilft -- Werner From owner-mutex Wed Feb 9 08:22:52 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id HAA10769 for mutex-distrib; Wed, 9 Feb 1994 07:30:21 -0600 Received: from mailgate.ericsson.se (mailgate.ericsson.se [130.100.2.2]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id HAA10713 for ; Wed, 9 Feb 1994 07:30:10 -0600 Received: from kk.ericsson.se (kk329.ericsson.se) by mailgate.ericsson.se (4.1/SMI-4.1-MAILGATE1.14) id AA29792; Wed, 9 Feb 94 14:28:47 +0100 Received: from kk382.ericsson.se by kk.ericsson.se (4.1/SMI-3.2) id AA16272; Wed, 9 Feb 94 14:28:45 +0100 From: etxcfl@kk.ericsson.se (ETX-T-RE Liden Fredrik) Received: by kk382.ericsson.se (4.1/client-1.0) id AA23405; Wed, 9 Feb 94 14:28:43 +0100 Date: Wed, 9 Feb 94 14:28:43 +0100 Message-Id: <9402091328.AA23405@kk382.ericsson.se> To: mutex Subject: harmonics and other symbols Precedence: bulk Hi all MusicTeX users! I have been hacking a little to get a symbol for typesetting harmonics and fingered harmonics. The file moreheads.tex below contains such a symbol which is evoced by \harmonic{\qu{i}...}. The other symbols that were presented by Agustin Martin Domingo are there as well. To enable setting of fingered harmonics I have had to create a set of notes in my musictex.tex file. These are \hrh{..} ; \hrw{..} and \hrq{..} --- they shift the notehead a half step to the right (to fit with the \harmonic symbol): \def\hrh#1{\kern 0.5\hd@skip\zh{#1}\kern -0.5\hd@skip} \def\hrw#1{\kern 0.5\wd@skip\zw{#1}\kern -0.5\wd@skip} \def\hrq#1{\kern 0.5\qd@skip\zq{#1}\kern -0.5\qd@skip} If you want to use these you should include them in your musictex.tex file (after checking that there are no conflicting definitions there). Here is the moreheads.tex file: ___________________cut here _______________________________________________ %******* Changing note heads for specific ***************** %******* instruments ***************** %******* \headcode=1 normal heads ***************** %******* =2 x heads ***************** %******* =3 circled x heads ***************** %******* =4 > heads (cowbell) ***************** %******* =5 <> heads (harmonic) ***************** % \edef\catcodeat{\the\catcode`\@}\catcode`\@=11 % \def\headcode{1} \def\xhead#1{\def\headcode{2} #1 \def\headcode{1}} \def\oxhead#1{\def\headcode{3} #1 \def\headcode{1}} \def\cowbell#1{\def\headcode{4} #1 \def\headcode{1}} \def\harmonic#1{\def\headcode{5} #1 \def\headcode{1}} % quarter note heads ********************************************* \def\q@u{\ifcase\headcode% \or\musicnfont\char33\hss% \or\musicnfont\char'65\hss% %\or$\mathrel{\mathop{\circ}\limits{\musicnfont\char'65}}$\hss% \or\raise -\internote\hbox{$\bigcirc$}\kern -0.8em\musicnfont\char'65\hss% \or\raise 3\internote\hbox{\musicnfont\char'37}\hss% \or\raise -0.95\internote\hbox{$\diamond$}\kern -0.475em\raise -0.9\internote\hbox{$\diamond$}\kern -0.475em\raise -0.85\internote\hbox{$\diamond$}\kern -0.475em\raise -0.8\internote\hbox{$\diamond$}\hss% \fi}% % \catcode`\@=\catcodeat % % ___________________cut here _______________________________________________ here is a short file where these symbols have been used (don't try to play it...8^) : ___________________cut here _______________________________________________ \input musicnft \input moreheads \input musictex \input musicvbm \input musictrp \input header \hoffset -1cm \hsize 18cm \def\freqbarno{5} \font\gros=\fonthdg\fonthdge bx12 scaled \magstep3 \def\instrumenti{Viola} \parindent 13mm \musicsize=20 \line{\hfil{\enorme Demo} \hfil {\eightsl by Fred}}\nobreak \cleftoksi={3000}\barno=0 \generalsignature{-1}\relax \generalmeter{\meterfrac{2}{4}}\relax \vskip 1.5cm\debutmorceau \normal \notes\hrq{c}\harmonic{\cu{f}}\hrq{c}\harmonic{\cl{f}}\enotes \barre \notes\hrh{c}\harmonic{\qu{i}}\hrq{c}\xhead{\ql{k}}\hrq{c}\oxhead{\ql{k}}\enotes \barre \notes\hrq{c}\cowbell{\ql{k}} \enotes \end ___________________cut here _______________________________________________ Cheers! Fred From owner-mutex Wed Feb 9 11:22:53 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id LAA02571 for mutex-distrib; Wed, 9 Feb 1994 11:19:40 -0600 Received: from logicon.com (klee.logicon.com [137.51.101.5]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id LAA02516 for ; Wed, 9 Feb 1994 11:19:30 -0600 Received: from cclink.logicon.com by logicon.com (5.0/SMI-4.2) id AA06434; Wed, 9 Feb 94 09:21:14 PST Received: from cc:Mail by cclink.logicon.com id AA760814377 Wed, 09 Feb 94 09:19:37 PST Date: Wed, 09 Feb 94 09:19:37 PST From: dsimons@cclink.logicon.com (Simons, Don) Encoding: 973 Text Message-Id: <9401097608.AA760814377@cclink.logicon.com> To: mutex Subject: RE: drums content-length: 953 Precedence: bulk Christopher G. Currie writes: >> I can implement noteheads with a X instead of a black ellipse. >> But a question: if the note replaces a half note or a whole >>note, what does the note head look like ? > >I don't think there is a need for half note or whole x's. If you're >representing percussive sounds, they won't last for any controllable >length of time, so a duration to a drum (or high hat) is >meaningless. In that case, a quarter note folled by an eighth note >should suffice. Fine, if you the typesetter are also the composer. But if you are transcribing someone else's composition, you shouldn't change what he wrote without consultation and agreement. But all that aside, any cymbal including a high-hat can be either be allowed to ring or stopped, so it seems a duration would have meaning. --Don Simons (dsimons@logicon.com) From owner-mutex Wed Feb 9 12:22:51 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id KAA00888 for mutex-distrib; Wed, 9 Feb 1994 10:59:33 -0600 Received: from irisa.irisa.fr (irisa.irisa.fr [131.254.254.2]) by nic.stolaf.edu (8.6.5/8.6.5) with ESMTP id KAA00832 for ; Wed, 9 Feb 1994 10:59:15 -0600 Received: from rosser.irisa.fr (rosser.irisa.fr [131.254.12.32]) by irisa.irisa.fr (8.6.5/8.6.5) with ESMTP id RAA08960; Wed, 9 Feb 1994 17:58:24 +0100 Message-Id: <199402091658.RAA08960@irisa.irisa.fr> To: mutex Cc: mutex@stolaf.edu Subject: Re: Can I do ... Date: Wed, 09 Feb 1994 17:58:25 +0100 From: Rene Quiniou Precedence: bulk In his mail, dated Wed, 09 Feb 1994 09:42:41 +0100, "Roger Negaret CRI/Univ. Rennes1" wrote: > %first/second repeat > \def\repeatone{% > \gluebrule% > \rlap{\vdlthick height 1.6\systemheight width \lthick}% > \global\advance\x@skip by \lthick% > \raise 1.6\systemheight \rlap{\vrule height 0.6pt depth 0pt w idth 4mm}% > \hskip 0.4\Interligne\raise 1.1\systemheight \rlap{1.}% > \global\advance\barno by 1\relax\message{bar \the\barno}% > \gluearule}% > \def\repeattwo{% > \gluebrule% > \raise 0.06\systemheight \hbox{\bf\musicnorfont\char 126}% > \rlap{\vdlthick height 1.6\systemheight width \lthick}% > \global\advance\x@skip by \lthick% > \raise 1.6\systemheight \rlap{\vrule height 0.6pt depth 0pt w idth 4mm}% > \hskip 0.4\Interligne\raise 1.1\systemheight \rlap{2.}% > \global\advance\barno by 1\relax\message{bar \the\barno}% > \gluearule}% > > Salut Roger! Je vois que tu es un expert en musictex. Aurais-tu par hasard défini un style de tablatures pour accordéon diatonique? J'ai toujours dans l'idée de faire un système d'aide à la création de tablatures pour bouèze qui parte d'une mélodie et te produise d'abord les accords et ensuite les doigtés. Une sortie grâce à musictex ferait le meilleur effet. Mais peut-être as-tu déjà tout ça? René =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= QUINIOU Rene quiniou@irisa.fr INRIA / IRISA Phone : +33 99 84 73 19 Campus Universitaire de Beaulieu Fax : 99 38 38 32 35042 RENNES CEDEX - FRANCE Telex : UNIRISA 950 473F =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= From owner-mutex Wed Feb 9 19:22:52 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id RAA07133 for mutex-distrib; Wed, 9 Feb 1994 17:29:11 -0600 Received: from ifn.ing.tu-bs.de (ifn.ing.tu-bs.de [134.169.30.1]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id RAA07080 for ; Wed, 9 Feb 1994 17:29:01 -0600 Received: by ifn.ing.tu-bs.de (MX V3.3 VAX) id 16819; Thu, 10 Feb 1994 00:32:27 +0100 Date: Thu, 10 Feb 1994 00:32:21 +0100 From: Eckart Meyer To: mutex Message-ID: <00979D34.C2D032AD.16819@ifn.ing.tu-bs.de> Subject: RE: Can I do ... Precedence: bulk O.k, o.k - It's in the manual - of the actual versions. Not in mine, I still had 4.93. Thanks to the many people who responded. I apologize for not using the newest version. Just got the new Version this morning. -- Eckart From owner-mutex Thu Feb 10 06:22:52 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id FAA24747 for mutex-distrib; Thu, 10 Feb 1994 05:43:55 -0600 Received: from hprib.lps.u-psud.fr (hprib.lps.u-psud.fr [193.55.39.152]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id FAA24709 for ; Thu, 10 Feb 1994 05:43:50 -0600 From: TAUPIN@rsovax.lps.u-psud.fr Message-Id: <199402101143.FAA24709@nic.stolaf.edu> Received: from rsovax.lps.u-psud.fr by hprib.lps.u-psud.fr with SMTP (1.37.109.4/16.2) id AA02183; Thu, 10 Feb 94 12:47:18 +0100 Date: 10-FEB-1994 12:46:31 GMT2 Subject: percussions in music tex To: mutex Precedence: bulk I think I can implement percussion music with musictex, but I'm not a percussionist. Therefore I ask to any percussion addicted musician to MAIL me some examples of percission scores. Address: D. Taupin, b\^atiment 510, centre universitaire, F- 91405 ORSAY ... or fax it (enlarged please) to 33.1.69.41.60.86 with my name in \HUGE letters. Thanks. dt From owner-mutex Thu Feb 10 15:22:53 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id OAA02734 for mutex-distrib; Thu, 10 Feb 1994 14:50:59 -0600 Received: from blit386.actrix.gen.nz (blit386.actrix.gen.nz [192.100.53.21]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id OAA02679 for ; Thu, 10 Feb 1994 14:50:47 -0600 Received: from actrix.gen.nz by blit386.actrix.gen.nz id ; Fri, 11 Feb 1994 09:33:26 +1300 Received: by actrix.gen.nz id ; Thu, 10 Feb 1994 22:00:36 GMT Received: by basso.actrix.gen.nz (V1.16/Amiga) id AA01hos; Fri, 11 Feb 94 09:24:31 GMT +1200 Date: Fri, 11 Feb 94 09:24:31 GMT +1200 Message-Id: <9402110924.AA01hor@basso.actrix.gen.nz> In-Reply-To: (from "Christopher G. Currie" ) (at 8 Feb 94 17:06:43 EDT) X-Mailer: //\\miga Electronic Mail (AmiElm 2.253) Organization: New Zealand Symphony Orchestra Reply-To: dgold@basso.actrix.gen.nz From: dgold@basso.actrix.gen.nz (Dale Gold) (Dale Gold) To: mutex Subject: Re: drums Precedence: bulk Hi, Daniel Taupin said: >> I can implement noteheads with a X instead of a black ellipse. >> But a question: if the note replaces a half note or a whole note, >> what does the note head look like ? > On Feb 8 Christopher Currie (cgcurr@mail.wm.edu) wrote: > I don't think there is a need for half note or whole x's. If you're > representing percussive sounds, they won't last for any controlable > length of time, so a duration to a drum (or high hat) is meaningless. > In that case, a quarter note folled by an eighth note should suffice. I disagree. Daniel should not implement percussion notation based on what you or I think, but on whatever is standard for percussionists. - The X-shaped note heads are used mostly in music for drum kits, and longer durations are indicated with diamond-shaped note heads. This style is used occasionally in 'classical' music. - In orchestral music, duration *is* an important issue, and there are long and short cymbal crashes, for instance. In these cases, normal note heads are used, although they may be printed on a single line percussion staff. - X-shaped note heads are used occasionally in contemporary string music to indicate percussive effects, and Diamond-shaped heads have always been standard for notating harmonics, so their inclusion in MusicTeX would be a very good thing. Actually, I've found the diamond character already in the TeX math fonts useful for harmonics. For example, here's an artificial harmonic with a normal note head plus a diamond head: \Notes\zcharnote{g}{$\diamond$}\qu d\enotes Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From owner-mutex Thu Feb 10 23:22:52 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id WAA07639 for mutex-distrib; Thu, 10 Feb 1994 22:24:53 -0600 Received: from kauri.vuw.ac.nz (kauri.vuw.ac.nz [130.195.11.3]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id WAA07589 for ; Thu, 10 Feb 1994 22:24:43 -0600 From: Geoff.Thorpe@vuw.ac.nz Received: from localhost by kauri.vuw.ac.nz with SMTP id AA29665 (5.65c/IDA-1.4.4 for ); Fri, 11 Feb 1994 17:24:46 +1300 Message-Id: <199402110424.AA29665@kauri.vuw.ac.nz> To: mutex Subject: Won't find fonts Date: Fri, 11 Feb 94 17:24:45 +1300 Precedence: bulk Hi, Can someone please point where the following is going wrong. I have downloaded the musictex.zip, musicpk.zip and musicexa.zip files from some server (I forget which), and unzipped all. All lie in a directory I affectionately call /MusicTex. This directory listing is as follows: examples/ musictex/ the directory examples/ contains the unzipped musicexa.zip the directory musictex/ is as follows: a4report.sty howtoget.tex musicgen.mf musictex.tex pk/ beamd20.mf lines.tex musicn11.mf musictex.zip screatim.tex beamn11.mf musicadd.tex musicn11.pk musictrp.sty slurdd16.mf beamn11.pk musicbra.mf musicn11.tfm musictrp.tex slurdd16.tfm beamn11.tfm musicbra.pk musicn13.mf musicvbm.sty slurdu16.mf beamn13.mf musicbra.tfm musicn13.pk musicvbm.tex slurdu16.tfm beamn13.pk musicbrg.mf musicn13.tfm musikd11.mf slurgen.mf beamn13.tfm musicd11.mf musicn16.mf musikd13.mf slurn16.mf beamn16.mf musicd13.mf musicn16.pk musikd16.mf slurn16.pk beamn16.pk musicd16.mf musicn16.tfm musikd20.mf slurn16.tfm beamn16.tfm musicd20.mf musicn20.mf musikgen.mf slurn20.mf beamn20.mf musicdef.mf musicn20.pk musikn11.mf slurn20.pk beamn20.pk musicdoc.aux musicn20.tfm musikn11.pk slurn20.tfm beamn20.tfm musicdoc.bat musicnft.tex musikn11.tfm slurud16.mf beamngen.mf musicdoc.dvi musicpk.zip musikn13.mf slurud16.tfm beamq20.mf musicdoc.idx musicpln.tex musikn13.pk sluruu16.mf beamt20.mf musicdoc.inx musicpos.tex musikn13.tfm sluruu16.tfm beamv20.mf musicdoc.log musicpre.tex musikn16.mf sortindx.exe bigmusic.sty musicdoc.ps musicref.dvi musikn16.pk sortindx.for euromtex.aux musicdoc.tex musicref.log musikn16.tfm euromtex.dvi musicdoc.toc musicref.tex musikn20.mf euromtex.tex musicext.tex musicsty.tex musikn20.pk extras.tex musicg16.mf musictex.sty musikn20.tfm where these files are the unzipped musictex.zip, and the pk/ directory within this, contains the unzipped musicexa.zip files, ie. the pk/ directory listing is: dpi100/ dpi118/ dpi240/ dpi300/ dpi600/ So far so good?? Anyway, I first tried to xdvi musicdoc.dvi from within the MusicTex/musictex directory (I'm using an X-windows terminal) and it read out the following garbage: Can't find font cmbxsl10 at 432 dpi; using 300 dpi instead. Can't find font musikn20; using cmr10 instead at 300 dpi Can't find font musicbra; using cmr10 instead at 300 dpi Can't find font beamn20; using cmr10 instead at 300 dpi Can't find font cmsltt10 at 329 dpi; using 300 dpi instead. Can't find font slurn20; using cmr10 instead at 300 dpi Can't find font cmbxsl10 at 329 dpi; using 300 dpi instead. Can't find font musikn13; using cmr10 instead at 300 dpi Can't find font beamn13; using cmr10 instead at 300 dpi Can't find font musikn16; using cmr10 instead at 300 dpi Then it displayed the document, but all music became riddled with exclaimation marks and brackets and suchlike. I then went to my .envrc file, and made the following adjustments: setenv TEXINPUTS .:/usr/local/lib/tex/inputs:$home/lib/tex/inputs:/usr/local/lib/tex/contrib/inputs:. setenv TEXFONTS .:/usr/local/lib/tex/fonts:/usr/local/lib/tex/contrib/fonts:$home/lib/tex/fonts:. setenv TEXPKS .:/usr/local/lib/tex/fonts:/usr/local/lib/tex/contrib/fonts:$home/lib/tex/fonts:. became: setenv TEXINPUTS .:/usr/local/lib/tex/inputs:$home/lib/tex/inputs:/usr/local/lib/tex/contrib/inputs:~/gthorpe/MusicTex/musictex:. setenv TEXFONTS .:/usr/local/lib/tex/fonts:/usr/local/lib/tex/contrib/fonts:$home/lib/tex/fonts:~/gthorpe/MusicTex/musictex:. setenv TEXPKS .:/usr/local/lib/tex/fonts:/usr/local/lib/tex/contrib/fonts:$home/lib/tex/fonts:~/gthorpe/MusicTex/musictex/pk:. After re-booting, and retrying, I got the same problem. Please help!!!!, Geoff Thorpe From owner-mutex Fri Feb 11 05:22:53 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id EAA06568 for mutex-distrib; Fri, 11 Feb 1994 04:40:17 -0600 Received: from hprib.lps.u-psud.fr (hprib.lps.u-psud.fr [193.55.39.152]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id EAA06478 for ; Fri, 11 Feb 1994 04:40:08 -0600 From: TAUPIN@rsovax.lps.u-psud.fr Message-Id: <199402111040.EAA06478@nic.stolaf.edu> Received: from rsovax.lps.u-psud.fr by hprib.lps.u-psud.fr with SMTP (1.37.109.4/16.2) id AA14105; Fri, 11 Feb 94 11:43:02 +0100 Date: 11-FEB-1994 11:42:12 GMT2 Subject: Font problems with MusicTeX To: mutex Precedence: bulk DO NOT forget to put the pk's in the correct directories, ACCORDING to YOUR personal naming of font directories ! Otherwise, your driver will not find them and replace them with cmr10 scaled anything! D. Taupin From owner-mutex Fri Feb 11 06:22:52 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id EAA03055 for mutex-distrib; Fri, 11 Feb 1994 04:20:45 -0600 Received: from uqcspe.cs.uq.oz.au (uqcspe.cs.uq.oz.au [130.102.192.8]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id EAA03004 for ; Fri, 11 Feb 1994 04:20:38 -0600 Received: from erebus.cs.uq.oz.au by uqcspe.cs.uq.oz.au id ; Fri, 11 Feb 94 16:01:20 +1000 Date: Fri, 11 Feb 1994 16:01:18 +1000 (EST) From: Murray Chapman Subject: Re: Won't find fonts To: mutex Cc: mutex@stolaf.edu In-Reply-To: <199402110424.AA29665@kauri.vuw.ac.nz> Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Precedence: bulk On Fri, 11 Feb 1994 Geoff.Thorpe@vuw.ac.nz wrote: > Can't find font musikn20; using cmr10 instead at 300 dpi > Can't find font musicbra; using cmr10 instead at 300 dpi > Can't find font beamn20; using cmr10 instead at 300 dpi > Can't find font cmsltt10 at 329 dpi; using 300 dpi instead. > Can't find font slurn20; using cmr10 instead at 300 dpi > Can't find font cmbxsl10 at 329 dpi; using 300 dpi instead. > After re-booting, and retrying, I got the same problem. You need to modify the XDVIFONTS environment variable: XDVIFONTS=/usr/local/lib/tex/fonts/tfm:/usr/local/lib/tex/fonts/pk300:/usr/local/lib/tex/fonts/pk120:/usr/local/lib/tex/fonts:/homes/muzzle/Erebus/misc/musictex:/usr/local/lib/tex/fonts/pspk300:/homes/muzzle/Erebus/misc/musictex/dpi300 for example Murray -- Murray Chapman Zheenl Punczna -- -- muzzle@cs.uq.oz.au zhmmyr@pf.hd.bm.nh -- -- University of Queensland Havirefvgl bs Dhrrafynaq -- -- Brisbane, Australia Oevfonar, Nhfgenyvn -- From owner-mutex Fri Feb 11 06:45:19 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id EAA03223 for mutex-distrib; Fri, 11 Feb 1994 04:21:28 -0600 Received: from eo-sun-nmgr (eo-sun-nmgr.ku-eichstaett.de [141.78.4.252]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id EAA03060 for ; Fri, 11 Feb 1994 04:20:49 -0600 Received: from eo-mailgw.ku-eichstaett.de by eo-sun-nmgr (4.1/SMI-4.1) id AA21506; Fri, 11 Feb 94 08:39:41 +0100 Received: From EO-NWFS-1/MAIL-AUSGANG by eo-mailgw.ku-eichstaett.de via Charon-4.0-VROOM with IPX id 100.940211083925.448; 11 Feb 94 08:39:41 -100 Message-Id: From: "MARKUS BUEHL" Organization: Katholische Universitaet Eichstaett To: mutex Date: Fri, 11 Feb 1994 08:39:22 CET Subject: Re: Can I do ... X-Pmrqc: 1 Priority: normal X-Mailer: PMail v3.0 (R1a) Precedence: bulk > ... the following (picture instead of words - I don't know what's in english): > > > +--------------------+ +------------------- > |1. | |2. <---- Here is it! > _____________________________________________________ > _____________________________:|______________________ > ______________________________|______________________ > _____________________________:|______________________ > ______________________________|______________________ > > > Thank you. > > --Eckart Well, generally yes; since V 4.98 (or so) there is a "\setprimavolta"- and a "\setsecondavolta"-macro; they put the lines and numbers atop the music; The only problem: it isn't working exactly the way in your picture. They can only appear together with a real "\barre" (or "\___repeat"), but not in the middle of a bar. It doesn't even work with a "\zbarre". Maybe this is Eckart's problem, if not, it is my problem, because I tried to do so, and the only way was to type the whole bar, which wasn't very satisfying... mgs212@ku-eichstaett.de Markus Buehl Tel.: Germany - (0)841 - 37267 From owner-mutex Fri Feb 11 07:04:21 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id EAA10965 for mutex-distrib; Fri, 11 Feb 1994 04:52:20 -0600 Received: from gate (gate.esat.kuleuven.ac.be [134.58.56.20]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id EAA10927 for ; Fri, 11 Feb 1994 04:52:09 -0600 From: Peter.Vanroose@esat.kuleuven.ac.be Received: from degas.esat.kuleuven.ac.be (degas) by gate (5.65c+/IDA/v1.1) id AA16811; Fri, 11 Feb 1994 09:14:24 +0100 Received: from memlinck.esat.kuleuven.ac.be by degas.esat.kuleuven.ac.be (4.1/ESAT-v1.3/SUN-DEC) id AA08161; Fri, 11 Feb 94 09:15:53 +0100 Date: Fri, 11 Feb 94 09:15:53 +0100 Message-Id: <9402110815.AA08161@degas.esat.kuleuven.ac.be> To: mutex Subject: Re: Won't find fonts Precedence: bulk > setenv TEXINPUTS .:/usr/local/lib/tex/inputs:$home/lib/tex/inputs:/usr/local/lib/tex/contrib/inputs:~/gthorpe/MusicTex/musictex:. > setenv TEXFONTS .:/usr/local/lib/tex/fonts:/usr/local/lib/tex/contrib/fonts:$home/lib/tex/fonts:~/gthorpe/MusicTex/musictex:. > setenv TEXPKS .:/usr/local/lib/tex/fonts:/usr/local/lib/tex/contrib/fonts:$home/lib/tex/fonts:~/gthorpe/MusicTex/musictex/pk:. > This suggests me you are on Unix. Then, font files are normally called beamn11.300pk musicn13.300pk etc. instead of beamn11.pk You can check this by looking for the file cmbxsl10.*pk [which it apparently finds at magnification 300dpi:] > Can't find font cmbxsl10 at 432 dpi; using 300 dpi instead. So, I would suggest you doing the following: mv beamn11.pk beamn11.300pk end so on, and finally moving them to the correct directory/ies; see where the font files such as cmr10.300pk and cmbxsl10.300pk and maybe also cmr10.360pk cmr10.432pk ... are located. Usually, on Unix, you do not need subdirectories > dpi100/ dpi118/ dpi240/ dpi300/ dpi600/ of the pk/ directory, but just one pk/ directory for all .*pk files. By the way, you will probably have to change setenv TEXPKS .:/usr/local/lib/tex/fonts:/usr/local/lib/tex/contrib/fonts:$home/lib/tex/fonts:~/gthorpe/MusicTex/musictex/pk:. to setenv TEXPKS .:/usr/local/lib/tex/fonts:/usr/local/lib/tex/contrib/fonts:$home/lib/tex/fonts:$HOME/gthorpe/MusicTex/musictex/pk:. Hope this helps you out! -- Peter Vanroose Electrotechnical Department, ESAT K.U. Leuven, Belgium. Peter.Vanroose@esat.kuleuven.ac.be From owner-mutex Fri Feb 11 08:22:52 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id GAA14542 for mutex-distrib; Fri, 11 Feb 1994 06:25:23 -0600 Received: from gleep.cs.umass.edu (gleep.cs.umass.edu [128.119.40.121]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id GAA14504 for ; Fri, 11 Feb 1994 06:25:17 -0600 Received: by gleep.cs.umass.edu (5.57/Ultrix3.0-C) id AA00224; Fri, 11 Feb 94 07:25:20 -0500 Date: Fri, 11 Feb 94 07:25:20 -0500 From: barrett@gleep.cs.umass.edu (Daniel Barrett) Message-Id: <9402111225.AA00224@gleep.cs.umass.edu> To: mutex Cc: mutex@stolaf.edu Subject: About unsubscribing! References: <199402110604.WAA06962@netcomsv.netcom.com> Precedence: bulk Don Steiny writes: >unsubscribe Jason L Sturges writes: >Please unsubscribe Yo, FOLKS!! Unsubscribe by writing to mutex-request@stolaf.edu and NOT to mutex@stolaf.edu This info is right in the introductory "subscription" letter for this mailing list. There's no reason to send your "unsubscribe" request to everybody on the "mutex" list. Six of these in 3 days is enough!!! Dan From owner-mutex Fri Feb 11 09:13:41 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id EAA01345 for mutex-distrib; Fri, 11 Feb 1994 04:04:02 -0600 Received: from swan.cl.cam.ac.uk (pp@swan.cl.cam.ac.uk [128.232.0.56]) by nic.stolaf.edu (8.6.5/8.6.5) with ESMTP id EAA01305 for ; Fri, 11 Feb 1994 04:03:52 -0600 From: Robin.Fairbairns@cl.cam.ac.uk Received: from dorceus.cl.cam.ac.uk (user rf (rfc931)) by swan.cl.cam.ac.uk with SMTP (PP-6.5) to cl; Fri, 11 Feb 1994 09:31:09 +0000 To: mutex cc: mutex@stolaf.edu Subject: Re: Won't find fonts In-reply-to: Your message of "Fri, 11 Feb 94 17:24:45 +1300." <199402110424.AA29665@kauri.vuw.ac.nz> Date: Fri, 11 Feb 94 09:30:54 +0000 X-Mts: smtp Message-ID: <"swan.cl.cam.:222700:940211093119"@cl.cam.ac.uk> Precedence: bulk |> [...] |> ie. the pk/ directory listing is: |> |> dpi100/ dpi118/ dpi240/ dpi300/ dpi600/ And the dpi*/ directories all contain .pk files? |> So far so good?? |> |> Anyway, I first tried to xdvi musicdoc.dvi from within the MusicTex/musictex |> directory (I'm using an X-windows terminal) and it read out the following |> garbage: |> |> Can't find font cmbxsl10 at 432 dpi; using 300 dpi instead. |> [...] |> |> Then it displayed the document, but all music became riddled with exclaimation |> marks and brackets and suchlike. I then went to my .envrc file, and made the |> following adjustments: |> |> [...] |> setenv TEXPKS .: /usr/local/lib/tex/fonts: /usr/local/lib/tex/contrib/fonts: $home/lib/tex/fonts:. |> [wrapped for clarity] |> |> became: |> |> [...] |> setenv TEXPKS .: /usr/local/lib/tex/fonts: /usr/local/lib/tex/contrib/fonts: $home/lib/tex/fonts: ~/gthorpe/MusicTex/musictex/pk:. xdvi is failing to find your pk files -- and -- you exhibit a path that doesn't include any directory that has .*pk files in it -- and -- you say you're surprised? hmmm. 1) Look in (say) /usr/local/lib/tex/fonts; the files there will (probably) be of the form xyz.pk; in such names, `xyz' is the name of the font, `nn' is its design size, and `mmm' is `dpi of printer * magnification' (thus 10-point computer modern roman at magstep 1 for a 300 dpi printer is cmr10.360pk) 2) find out the resolution of your printer - say `pres' 3) rename all the pk/dpi`pres'/*.pk files as pk/*.`pres'pk However - Note that there are difficulties here; different installations may set up xdvi with different rules for finding pk files. You may need an extra environment variable XDVIFONTS, which should be the same as your (revised) TEXPKS. Or your endeavour may fail completely, in which case ask the person who installed your TeX and xdvi how _your_ xdvi finds its fonts. Ask again on this list _after_ that, if necessary. R -- Robin (Campaign for Real Radio 3) Fairbairns rf@cl.cam.ac.uk U of Cambridge Computer Lab, Pembroke St, Cambridge CB2 3QG, UK From owner-mutex Fri Feb 11 09:22:54 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id JAA22203 for mutex-distrib; Fri, 11 Feb 1994 09:00:47 -0600 Received: from sachiko.acc.stolaf.edu (cdr@sachiko.acc.stolaf.edu [130.71.136.53]) by nic.stolaf.edu (8.6.5/8.6.5) with ESMTP id JAA22159 for ; Fri, 11 Feb 1994 09:00:43 -0600 Message-Id: <199402111500.JAA22159@nic.stolaf.edu> To: mutex Subject: reminder on how to unsubscribe Date: Fri, 11 Feb 1994 09:00:41 -0600 From: Craig D Rice Precedence: bulk In recent days, there have been a lot of unsubscription requests posted to the mutex list. A reminder: to unsubscribe, send email containing the word "unsubscribe" to "mutex-request@stolaf.edu" Thanks for your attention, Craig -- Craig D. Rice UNIX Systems Specialist/Network Analyst cdr@stolaf.edu Academic Computing Center, St. Olaf College +1 507 646-3631 1510 St. Olaf Avenue +1 507 646-3096 FAX Northfield, MN 55057-1097 USA From owner-mutex Fri Feb 11 09:46:49 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id GAA14038 for mutex-distrib; Fri, 11 Feb 1994 06:08:48 -0600 Received: from vm1.sdi.uam.es (vm1.sdi.uam.es [150.244.9.4]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id GAA13989 for ; Fri, 11 Feb 1994 06:08:31 -0600 Message-Id: <199402111208.GAA13989@nic.stolaf.edu> Received: from vm1.sdi.uam.es by vm1.sdi.uam.es (IBM VM SMTP V2R2) with BSMTP id 2111; Fri, 11 Feb 94 13:08:36 HOE Received: from vm1.sdi.uam.es (EPRFIS) by vm1.sdi.uam.es (Mailer R2.08) with BSMTP id 6449; Fri, 11 Feb 94 13:08:34 HOE Date: Fri, 11 Feb 94 13:06:00 HOE From: Agustin Martin Organization: Native address: Subject: Corrected moreheads To: mutex Precedence: bulk Hi, folks Some days ago I posted to the network a macro to change note heads called MOREHEADS.TEX as an answer to a question in the network. There were some problems of extra white space when using it under beams. I am posting now a corrected version of it which I hope will work well. Some corrections have also been made to the \oxhead for alignement, although it still uses the same circle for both music sizes, and a new head due to Liden Fredrik has been added. There is a problem with my EBCDIC/ASCI filter and it put strange characters instead of the sharp symbol (also called numsign). It usually puts a tilded N, but today it uses a underline character on my screen. I have no idea about what you will receive instead, but anything strange before an 1 is probably a sharp symbol. % % This is the new MOREHEADS.TEX % \edef\catcodeat{\the\catcode`\@}\catcode`\@=11 % Some previous definitions from Liden Fredrik \def\hrh¬1{\kern 0.5\hd@skip\zh{¬1}\kern -0.5\hd@skip} \def\hrw¬1{\kern 0.5\wd@skip\zw{¬1}\kern -0.5\wd@skip} \def\hrq¬1{\kern 0.5\qd@skip\zq{¬1}\kern -0.5\qd@skip} % % and the corrected moreheads.tex by A. Martin % %******* Changing note heads for specific ***************** %******* instruments ***************** %******* \headcode=1 normal heads ***************** %******* =2 x heads ***************** %******* =3 circled x heads ***************** %******* =4 > heads (cowbell) ***************** %******* =5 <> heads (harmonic) ***************** \def\headcode{1} \def\xhead¬1{\def\headcode{2}¬1\def\headcode{1}} \def\oxhead¬1{\def\headcode{3}¬1\def\headcode{1}} \def\cowbell¬1{\def\headcode{4}¬1\def\headcode{1}} \def\harmonic¬1{\def\headcode{5}¬1\def\headcode{1}} % quarter note heads ********************************************* \def\q@u{\ifcase\headcode\relax% \or\musicnfont\char33\hss\relax% \or\musicnfont\char'65\hss\relax% \or\kern -0.2em\raise -\internote\hbox{$\bigcirc$}\kern -0.8em\musicnfont\char'6 5\hss\relax \or\raise 3\internote\hbox{\musicnfont\char'37}\hss% % with a harmonic feature from Linden Fredrik \or\raise -0.95\internote\hbox{$\diamond$}\kern -0.475em\raise% -0.9\internote\hbox{$\diamond$}\kern -0.475em\raise% -0.85\internote\hbox{$\diamond$}\kern -0.475em\raise% -0.8\internote\hbox{$\diamond$}\hss% \fi}% % \catcode`\@=\catcodeat %------------------------------------------------------ I hope this will work fine, Cheers Agustin Martin Domingo Depto. Fisica e Instalaciones ETS Arquitectura Madrid Avda Juan de Herrera, 4 E-28040 Madrid SPAIN Tel. (1) 336 6536 Fax (1) 544 2481 or Departamento de Fisica de Materiales C-IV Universidad Autonoma de Madrid E-28049 MADRID Tel. (1)397 5028 Fax. (1)397 8579 From owner-mutex Sun Feb 13 18:22:53 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id RAA17605 for mutex-distrib; Sun, 13 Feb 1994 17:49:28 -0600 Received: from kauri.vuw.ac.nz (kauri.vuw.ac.nz [130.195.11.3]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id RAA17566 for ; Sun, 13 Feb 1994 17:49:20 -0600 From: Geoff.Thorpe@vuw.ac.nz Received: from localhost by kauri.vuw.ac.nz with SMTP id AA28070 (5.65c/IDA-1.4.4 for ); Mon, 14 Feb 1994 12:49:25 +1300 Message-Id: <199402132349.AA28070@kauri.vuw.ac.nz> To: mutex Subject: XDVI not finding files Date: Mon, 14 Feb 94 12:49:24 +1300 Precedence: bulk Thanks for all the replies and help guys&guyesses. A couple of people independently pointed out the problem that all my pk files were stored as musikn20.pk instead of musikn20.300pk etc. I have done a hell of a lot of renaming files and now everything seems to be running without a hitch. I hope to be fluent in MusicTex very shortly, and will let you know when the masterpieces are ready!!! Thanks again, Geoff Thorpe From owner-mutex Tue Feb 15 02:22:52 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id CAA26863 for mutex-distrib; Tue, 15 Feb 1994 02:03:33 -0600 Received: from convex.rob.csata.it (convex.rob.csata.it [138.66.18.11]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id CAA26824 for ; Tue, 15 Feb 1994 02:03:26 -0600 Received: by convex.rob.csata.it (5.64/10.0) id AA04087; Tue, 15 Feb 94 08:55:30 +0100 From: deflorio@convex.rob.csata.it (Vincenzo De Florio) Message-Id: <9402150755.AA04087@convex.rob.csata.it> Subject: change of address To: mutex Date: Tue, 15 Feb 1994 08:44:59 +0100 (MET) Cc: deflorio@convex.rob.csata.it (Vincenzo De Florio) X-Mailer: ELM [version 2.4 PL20] Content-Type: text Content-Length: 917 Precedence: bulk Hi, some time ago I announced the availability of some MusicTeX and PostScript files in the host asmit.rob.csata.it The mail address for that host has changed: now it is cremisi.rob.csata.it 138.66.27.11 I beg your pardon for problems connecting this host. - Vincenzo --------------------------------------------------------------------- | Vincenzo De Florio Phone: +39 80 8770265 | | School for Advanced Studies in Industrial and Applied Mathematics | | SASIAM Tecnopolis Novus Ortus Fax : +39 80 8770266 | | strada prov. per Casamassima, km.3 | | I-70010 VALENZANO (Ba) | | | | E-Mail: na.DeFlorio@na-net.ornl.gov | --------------------------------------------------------------------- From owner-mutex Tue Feb 15 16:22:56 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id PAA24760 for mutex-distrib; Tue, 15 Feb 1994 15:50:20 -0600 Received: from wuee1.wustl.edu (root@wuee1.wustl.edu [128.252.168.1]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id PAA24721 for ; Tue, 15 Feb 1994 15:50:16 -0600 Received: from atlas.wustl.edu by wuee1.wustl.edu (4.1/SMI-SVR4) id AA17038; Tue, 15 Feb 94 15:53:19 CST Received: by atlas.wustl.edu (4.1/SMI-4.0) id AA01327; Tue, 15 Feb 94 15:52:40 CST Date: Tue, 15 Feb 94 15:52:40 CST From: dgp@atlas (Don Porter) Message-Id: <9402152152.AA01327@atlas.wustl.edu> To: mutex Subject: Send me moreheads, please? Precedence: bulk OK, I scanned the recent talk about getting x heads for percussion, and saw some neat implementations, but I didn't save them. Now I need them, and it's not just a pleasant idea; I want the code! Someone please send it to me. Thanks! Don Porter dgp@atlas.wustl.edu From owner-mutex Wed Feb 16 05:22:53 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id EAA16367 for mutex-distrib; Wed, 16 Feb 1994 04:24:16 -0600 Received: from cc.gazi.edu.tr (CC.GAZI.EDU.TR [144.122.198.2]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id EAA16231 for ; Wed, 16 Feb 1994 04:23:20 -0600 Received: by cc.gazi.edu.tr (AIX 3.2/UCB 5.64/4.03) id AA22052; Wed, 16 Feb 1994 12:24:57 GMT Date: Wed, 16 Feb 1994 12:24:57 GMT From: muh@cc.gazi.edu.tr (Mühendislik) Message-Id: <9402161224.AA22052@cc.gazi.edu.tr> To: mutex Subject: signoff Precedence: bulk please leave our name from this list From owner-mutex Wed Feb 16 10:22:55 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id KAA09554 for mutex-distrib; Wed, 16 Feb 1994 10:06:31 -0600 Received: from mail.wm.edu (mail.wm.edu [128.239.1.6]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id KAA09497 for ; Wed, 16 Feb 1994 10:06:21 -0600 Received: from charon.wm.edu by mail.wm.edu (AIX 3.2/UCB 5.64/4.03) id AA11202; Wed, 16 Feb 1994 10:22:48 -0500 Received: From COMP1/WORKQUEUE by charon.wm.edu via Charon-4.0A-VROOM with IPX id 100.940216102224.448; 16 Feb 94 10:22:44 +0500 Message-Id: To: mutex From: "Know-Nothing Bozo, the Non-Wonder Dog" Date: 16 Feb 94 10:22:02 EDT Subject: Distribution packages Reply-To: cgcurr@mail.wm.edu Priority: normal X-Mailer: Pegasus Mail v2.3 (R5). Precedence: bulk I've just recently downloaded a file called musictex-498.tar.Z, but the server that I downloaded it from had half a dozen other files, some marked musictex, some musicexa, etc. What's the difference, and which one(s) do I really need? ---------------------------------------------------------------------- _____ _____ _____ Time is an illusion; / / / Christopher Currie Lunchtime, doubly so. / / __ / cgcurr@mail.wm.edu --Ford Prefect /_____ /_____/ /_____ (804) 229-3557 From owner-mutex Thu Feb 17 15:22:52 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id OAA29353 for mutex-distrib; Thu, 17 Feb 1994 14:51:45 -0600 Received: from mail.wm.edu (mail.wm.edu [128.239.1.6]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id OAA29282 for ; Thu, 17 Feb 1994 14:51:35 -0600 Received: from charon.wm.edu by mail.wm.edu (AIX 3.2/UCB 5.64/4.03) id AA12230; Thu, 17 Feb 1994 15:31:07 -0500 Received: From COMP1/WORKQUEUE by charon.wm.edu via Charon-4.0A-VROOM with IPX id 100.940217153045.416; 17 Feb 94 15:31:08 +0500 Message-Id: To: mutex From: "Know-Nothing Bozo, the Non-Wonder Dog" Date: 17 Feb 94 15:30:44 EDT Subject: Kudos... Reply-To: cgcurr@mail.wm.edu Priority: normal X-Mailer: Pegasus Mail v2.3 (R5). Precedence: bulk to all who sent me mail about the disrtibution. You we're all very helpful. ::He runs off with a wild look to his eye:: "It works, it works! Hah hah hah hah ........" From owner-mutex Thu Feb 24 14:22:54 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id NAA09191 for mutex-distrib; Thu, 24 Feb 1994 13:26:08 -0600 Received: from mail.wm.edu (mail.wm.edu [128.239.1.6]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id NAA09143 for ; Thu, 24 Feb 1994 13:26:01 -0600 Received: from charon.wm.edu by mail.wm.edu (AIX 3.2/UCB 5.64/4.03) id AA16988; Thu, 24 Feb 1994 14:06:37 -0500 Received: From COMP1/WORKQUEUE by charon.wm.edu via Charon-4.0A-VROOM with IPX id 100.940224140615.416; 24 Feb 94 14:06:37 +0500 Message-Id: To: mutex From: "Know-Nothing Bozo, the Non-Wonder Dog" Date: 24 Feb 94 14:06:02 EDT Subject: Figured bass Reply-To: cgcurr@mail.wm.edu Priority: normal X-Mailer: Pegasus Mail v2.3 (R5). Precedence: bulk Is there a specific way to put figured bass symbols beneath the chords in a staff? Superscript can work fine for just V7 chords, but what about IV64 (IV in 2nd inversion) or augmented or diminished chords? From owner-mutex Thu Feb 24 18:23:43 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id SAA05683 for mutex-distrib; Thu, 24 Feb 1994 18:00:15 -0600 Received: from logicon.com (klee.logicon.com [137.51.101.5]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id SAA05600 for ; Thu, 24 Feb 1994 18:00:01 -0600 Received: from cclink.logicon.com by logicon.com (5.0/SMI-4.2) id AA11723; Thu, 24 Feb 94 16:02:00 PST Received: from cc:Mail by cclink.logicon.com id AA762134416 Thu, 24 Feb 94 16:00:16 PST Date: Thu, 24 Feb 94 16:00:16 PST From: dsimons@cclink.logicon.com (Simons, Don) Encoding: 1712 Text Message-Id: <9401247621.AA762134416@cclink.logicon.com> To: mutex Subject: Figured Bass content-length: 1683 Precedence: bulk "Know-Nothing Bozo, the Non-Wonder Dog" wrote: >Is there a specific way to put figured bass symbols beneath the >chords in a staff? Superscript can work fine for just V7 chords, but >what about IV64 (IV in 2nd inversion) or augmented or diminished >chords? You can use \zcharnote{#1}{#2} to put any text symbol at any vertical position and the current horizontal position, as explained in the manual. BTW, the first argument can be a number (as _not_ explained in the manual), counting the bottom line of the staff as 0. With 20-pt staves, -4 seems to put the default font about the right distance below the bottom line, for a single digit or upper case letter. For another symbol directly below that, try -8. If your composite symbol involves some combination of horizontal and vertical offsets, then getting the horizontal position right could be a bit tricky. Not being a TeXpert, I would experiment with things like \kern or \hphantom. On a related topic, about a month ago I posted a query about the availability of special characters used in continuo-type figured bass, viz. those for sharped 4 and sharped 6, which look like the basic numeral but with a little slash superimposed. There was no response from anyone. I have been making do with "#4" and "#6" (actually using the sharp symbol with \zcharnote) but it sure would be nice to have the real thing. If anyone reading this has any ideas or guidance, I would certainly appreciate it. --Don Simons (dsimons@logicon.com) From owner-mutex Fri Feb 25 12:23:44 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id GAA18008 for mutex-distrib; Fri, 25 Feb 1994 06:31:36 -0600 Received: from pat.uio.no (pat.uio.no [129.240.2.50]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id GAA17769 for ; Fri, 25 Feb 1994 06:27:51 -0600 Received: from ulrik.uio.no by pat.uio.no with local-SMTP (PP) id <07442-0@pat.uio.no>; Fri, 25 Feb 1994 13:26:54 +0100 Received: from by smaug.uio.no ; Fri, 25 Feb 1994 13:26:49 +0100 Date: Fri, 25 Feb 1994 13:26:49 +0100 Message-Id: <9402251226.AAsmaug03404@smaug.uio.no> From: David Perkinson To: mutex Cc: perkinso@math.uio.no Subject: help! Precedence: bulk I have been spending several hours trying to get MusicTeX running. Any advice would be greatly appreciated. I have a macintosh powerbook 170 running the latest version of OzTeX. When I try to tex the file: ----- \input musicnft.tex \input musictex.tex \input musicvbm.tex \end ----- I get the error message: ----- This is TeX, Version 3.141, with extended memory (no format preloaded) **&Plain diagnostic.tex (diagnostic.tex (musicnft.tex Version 5.01 -- February 1st, 1994) (musictex.tex Version 5.01 -- January 31st, 1994 Runaway argument? ! Paragraph ended before \loop was complete. \par \n@loop ...instrument =0\relax \loop \par \ifnum \noinstrument <\nbin... \savemeter ->\n@loop \global \metertoks ={{}{}{}{}}\repeat l.4489 ...ments{\maxinstruments}\savemeter ? x No pages of output. ----- Something seems to be wrong with the musictex.tex file. I have tried various versions of musictex.tex, from various sites, and the only one I can get to work is version 4.4, January '92. This version, however, lacks several features I would like to use. Any advice? Thanks, David Perkinson e-mail: perkinso@math.uio.no From owner-mutex Fri Feb 25 17:23:43 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id IAA26454 for mutex-distrib; Fri, 25 Feb 1994 08:55:01 -0600 Received: from pat.uio.no (pat.uio.no [129.240.2.50]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id IAA26396 for ; Fri, 25 Feb 1994 08:54:41 -0600 Received: from ulrik.uio.no by pat.uio.no with local-SMTP (PP) id <24780-0@pat.uio.no>; Fri, 25 Feb 1994 15:54:29 +0100 Received: from by smaug.uio.no ; Fri, 25 Feb 1994 15:54:27 +0100 Date: Fri, 25 Feb 1994 15:54:27 +0100 Message-Id: <9402251454.AAsmaug05471@smaug.uio.no> From: David Perkinson To: mutex Subject: disregard previous message Precedence: bulk My previous call for help can be disregarded. The problem has been fixed (it must of had to do with my ftp). David From owner-mutex Sat Feb 26 16:23:44 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id PAA19591 for mutex-distrib; Sat, 26 Feb 1994 15:25:44 -0600 Received: from sun2.nsfnet-relay.ac.uk (sun2.nsfnet-relay.ac.uk [128.86.8.45]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id PAA19552 for ; Sat, 26 Feb 1994 15:25:39 -0600 Via: uk.ac.heriot-watt.maths.cara; Sat, 26 Feb 1994 21:25:18 +0000 From: Petr Plechac Date: Sat, 26 Feb 94 21:23:10 GMT Message-Id: <15281.9402262123@cara.ma.hw.ac.uk> Received: from rum.hw.maths by cara.ma.hw.ac.uk; Sat, 26 Feb 94 21:23:10 GMT To: mutex Subject: help Precedence: bulk help From owner-mutex Sun Feb 27 13:23:43 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id NAA08541 for mutex-distrib; Sun, 27 Feb 1994 13:06:00 -0600 Received: from viking.emcmt.edu (VIKING.EMCMT.EDU [192.156.215.11]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id NAA08503 for ; Sun, 27 Feb 1994 13:05:54 -0600 Received: by viking.emcmt.edu (5.57/Ultrix3.0-C) id AA19303; Sun, 27 Feb 94 12:04:40 -0700 Date: Sun, 27 Feb 94 12:04:40 -0700 From: wself@viking.emcmt.edu (Will Self) Message-Id: <9402271904.AA19303@viking.emcmt.edu> To: mutex Subject: Re: help Precedence: bulk Take two aspirin and call me in the morning. From owner-mutex Mon Feb 28 11:23:44 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id LAA24616 for mutex-distrib; Mon, 28 Feb 1994 11:10:54 -0600 Received: from hprib.lps.u-psud.fr (hprib.lps.u-psud.fr [193.55.39.152]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id LAA24567 for ; Mon, 28 Feb 1994 11:10:48 -0600 From: TAUPIN@rsovax.lps.u-psud.fr Message-Id: <199402281710.LAA24567@nic.stolaf.edu> Received: from rsovax.lps.u-psud.fr by hprib.lps.u-psud.fr with SMTP (1.37.109.4/16.2) id AA02386; Mon, 28 Feb 94 18:14:13 +0100 Date: 28-FEB-1994 18:13:52 GMT2 Subject: Bugs corrected in musictex To: mutex Precedence: bulk Version 5.02 available at rsovax.lps.u-psud.fr, ftp anonymous, directory [anonymous.musictex]. Corrected: file musicadd.tex D. Taupin From owner-mutex Sun Mar 6 12:23:43 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id MAA03302 for mutex-distrib; Sun, 6 Mar 1994 12:05:54 -0600 Received: from YANG.EARLHAM.EDU (YANG.EARLHAM.EDU [159.28.1.1]) by nic.stolaf.edu (8.6.5/8.6.5) with ESMTP id MAA03258 for ; Sun, 6 Mar 1994 12:05:49 -0600 Received: from polycarp.math.earlham.edu by EARLHAM.EDU (PMDF V4.2-14 #5) id <01H9NIHKVZ4W90Q78K@EARLHAM.EDU>; Sun, 6 Mar 1994 13:05:43 EST Received: from pipa by polycarp.math.earlham.edu (NX5.67e/NX3.0M) id AA14791; Sun, 6 Mar 94 13:03:48 -0500 Received: by pipa.math.earlham.edu (NX5.67e/NX3.0X) id AA05406; Sun, 6 Mar 94 13:03:45 -0500 Received: by NeXT.Mailer (1.95) Received: by NeXT Mailer (1.95) Date: Sun, 06 Mar 1994 13:03:45 -0500 From: John Fiskio-Lasseter Subject: Automatic handling of accidentals To: mutex@stolaf.edu Cc: johnl@math.earlham.edu Message-id: <9403061803.AA14791@polycarp.math.earlham.edu> Content-transfer-encoding: 7BIT Precedence: bulk Hi. I was pointed to this list by someone on comp.music who thought I might be able to find an answer to my question here. Hope so. Here goes: I am working on a software project that involves translation of MIDI files into MusicTeX-compatible format. What I need to know is this: Is there a way to have MusicTeX automatically remove spurious accidentals from a score? For example, in the key of G, can I get it to remove all of the F-sharps that are not returning from another modification (say, F-natural)? If MusicTeX has this capability, can I suppress it? If MusicTeX cannot do it, have any of you ever tried to write such an algorithm, and if so, would you care to share how you did it? (No, this is not going to be a commercial product. It is a class project, which is due at the end of this week.) See, it makes a tremendous to the "pretty-print" part of our program -- If MusicTeX cannot do this automatically, then I want to implement it in our software. I am worried, however, that if I implement this and MusicTeX also does it by default, the notation of pitch is going to be a mess. Thanks for any help you can give. Slainte, --John +--------------------------------------------------------+ |John Howard Eli Fiskio-Lasseter | |e-mail: johnl@math.earlham.edu | +--------------------------------------------------------+ | "Well...over the butt and around the front. It's | | simply contained and fairly explanatory." | | --Raising Arizona | +--------------------------------------------------------+ From owner-mutex Wed Mar 9 06:23:43 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id FAA23775 for mutex-distrib; Wed, 9 Mar 1994 05:51:15 -0600 Received: from sun2.nsfnet-relay.ac.uk (sun2.nsfnet-relay.ac.uk [128.86.8.45]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id FAA23738 for ; Wed, 9 Mar 1994 05:51:04 -0600 Via: uk.ac.greenwich; Wed, 9 Mar 1994 11:26:31 +0000 Received: from vogon by odin.greenwich.ac.uk with SMTP (PP) id <24251-0@odin.greenwich.ac.uk>; Wed, 9 Mar 1994 11:26:19 +0000 From: wc0zxr Message-Id: <14919.9403091126@vogon> Subject: A program to play tunes in abc format. To: mutex@stolaf.edu.IRTRAD-L@IRLEARN.UCD.IE, MORRIS@suvm.acs.syr.edu Date: Wed, 9 Mar 1994 11:26:17 +0000 (GMT) Reply-To: C.Walshaw@greenwich.ac.uk X-Mailer: ELM [version 2.4 PL23] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 3259 Precedence: bulk Don Ward has asked me to publicise his program playabc which he describes below. He is currently working both in Britain & Germany and you can contact him at don@careful.co.uk or in Germany at ca104@fim.uni-erlangen.de, but he cannot fix anything until he gets back to the UK. Chris Walshaw ================================================================================ Subject: A program to play tunes in abc format. I have been working on a program to play tunes (which are written in the abc format defined by Chris Walshaw's abc2tex package) on the built in speaker of a Sparc workstation. The program is available by ftp from celtic.stanford.edu in the file /pub/tunes/playabc-1.0.tar.Z In case of difficulty, Chris Walshaw has kindly agreed to email the program to people. An extract from the userguide is appended below. Don Ward don@careful.co.uk +44 (0) 21 472 1555 Careful Computing Ltd. Fax +44 (0) 21 608 3004 80 Witherford Way, Birmingham B29 4AS, United Kingdom. ------------------------------ snip snip ------------------------------ PlayABC is a package to play tunes written in abc format on the speaker of a Sparc workstation. abc format is the notation used in the ABC2MTeX program written by Chris Walshaw to typeset music using MusicTeX. Chris summarises his program as follows: ABC2MTeX is a package designed to notate tunes stored in an ascii format or abc notation. It was designed primarily for folk and traditional tunes of Western European origin (such as Irish, English and Scottish) which can be written on one stave in standard classical notation. PlayABC does not need ABC2MTeX to play tunes written in abc format but, to get the full benefit of seeing the dots on the stave as well as hearing them, you will need it as well as MusicTeX (which itself requires TeX). The package consists of two programs playabc and tune. playabc analyses the abc notation and issues a sequence of sound commands to tune, which converts the commands into the sound file format required by the audio device. To play a tune (or series of tunes) in file mytunes, issue the command playabc < mytunes | tune | play The tune program may also be invoked under the name `drone' when it will add a simple drone underneath the tune. eg. playabc < mytunes | drone G | play The playabc program is not dependent on the audio device and should be portable to a variety of machines. The tune program will probably need to be modified for a different machine (although, interestingly, I can play sound files generated by a NeXT machine on a Sparc and vice versa). All of the facilities described in ABC2MTeX version 1.1 are implemented with two exceptions described in the user guide. This means that grace notes, rolls, staccato notes, accidentals, triplets, repeats, first and second time bars are all possible. Extensions to the abc notation give control of tempo and allow the playing of several parts in harmony. The program is intended to be used in a `proofhearing' mode, enabling errors in the tune to be quickly corrected. The sound is adequate for this purpose, but falls short of the standard required for it to be mistaken for a musical instrument. From owner-mutex Sun Mar 13 15:23:43 1994 Return-Path: owner-mutex Received: from localhost (root@localhost) by nic.stolaf.edu (8.6.5/8.6.5) id OAA26135 for mutex-distrib; Sun, 13 Mar 1994 14:54:11 -0600 Received: from sun2.nsfnet-relay.ac.uk (sun2.nsfnet-relay.ac.uk [128.86.8.45]) by nic.stolaf.edu (8.6.5/8.6.5) with SMTP id OAA26097 for ; Sun, 13 Mar 1994 14:54:05 -0600 Via: uk.ac.heriot-watt.maths.cara; Sun, 13 Mar 1994 20:53:48 +0000 From: Petr Plechac Date: Sun, 13 Mar 94 20:50:12 GMT Message-Id: <16047.9403132050@cara.ma.hw.ac.uk> Received: from rum.hw.maths by cara.ma.hw.ac.uk; Sun, 13 Mar 94 20:50:12 GMT To: mutex@stolaf.edu Subject: midi2tex for SUN ? Precedence: bulk Hi I remember there is a preprocessor from the MIDI file to the MusicTeX source. However I found only PC and Atari version. Is there any version of midi2tex for SUN machines ? or another convertor from MIDI to the MusicTeX file ? Petr Plechac (petr@cara.ma.hw.ac.uk) From owner-mutex Mon Mar 21 05:23:44 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.7/8.6.5) id EAA11920 for mutex-distrib; Mon, 21 Mar 1994 04:24:13 -0600 Received: from pol88b.polito.it (pol88b.polito.it [130.192.2.16]) by nic.stolaf.edu (8.6.7/8.6.5) with ESMTP id EAA11874 for ; Mon, 21 Mar 1994 04:24:02 -0600 Received: from beatles.cselt.stet.it by polito.it (PMDF V4.2-11 #3020) id <01HA8F60VQDS94FMZR@polito.it>; Mon, 21 Mar 1994 12:17:31 GMT+1 Received: by beatles.cselt.stet.it (5.0/SMI-SVR4) id AA16800; Mon, 21 Mar 1994 11:17:56 --100 Date: Mon, 21 Mar 1994 11:17:56 +0100 From: mau@beatles.cselt.stet.it (Maurizio Codogno) Subject: Using MusicTeX to write scores To: mutex@stolaf.edu Errors-to: Postmaster@beatles.cselt.stet.it Message-id: <9403211017.AA16800@beatles.cselt.stet.it> X-Envelope-to: mutex@stolaf.edu Content-transfer-encoding: 7BIT X-Sun-Charset: US-ASCII content-length: 696 Precedence: bulk Hi all! Yesterday I decided to start using MusicTeX to write some pop score, and I ran into some problem. Is there a "simple" solution? (I was still using version 4.95, btw, as I had that one at home). - I have both chords above the staff and text below it. Chords are added with something like \zcharnote p{\tensf E} and they look fine, but text (added with &blah) is not centered with respect to the note and has no space between words in consecutive notes. - Which is the best way to leave a little more apart the staffs? - I'd like to have a beam with text under each note. Is it possibile? - And what about having *two* beam sets, one standard and one tiny? thanks to all! .mau. From owner-mutex Tue Mar 22 06:23:43 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.8/8.6.5) id FAA24573 for mutex-distrib; Tue, 22 Mar 1994 05:22:43 -0600 Received: from hprib.lps.u-psud.fr (hprib.lps.u-psud.fr [193.55.39.152]) by nic.stolaf.edu (8.6.8/8.6.5) with SMTP id FAA24530 for ; Tue, 22 Mar 1994 05:22:30 -0600 From: TAUPIN@rsovax.lps.u-psud.fr Message-Id: <199403221122.FAA24530@nic.stolaf.edu> Received: from rsovax.lps.u-psud.fr by hprib.lps.u-psud.fr with SMTP (1.37.109.4/16.2) id AA24262; Tue, 22 Mar 94 12:25:37 +0100 Date: 22-MAR-1994 12:26:11 GMT2 Subject: MusicTeX version 5.02 To: mutex@stolaf.edu Precedence: bulk Subject: MusicTeX version 5.02 New version 5.02 of MusicTeX available at anonymous ftp: rsovax.lps.u-psud.fr = 193.55.39.100 directory [anonymous.musictex] Changes: - 5.02 fonts musikn* changed for one character - 5.01 pretty piano/organ/keyboard braces due to Andreas Egler - 5.01 additional ornaments due to Andreas Egler - 5.00 musicn*.* becomes musikn*.* with corrections due to Andreas Egler New features: - 5.02 specific note heads for percussion scores - 5.00 MusicTeX now allows scoring of gregorian (plain chant) - 5.00 Staffs may have 1 to 6 lines, not necessarily 5 - 5.00 modern clefs may be replaced with other symbols, or with... nothing Daniel Taupin From owner-mutex Tue Mar 22 14:23:44 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.8/8.6.5) id NAA28763 for mutex-distrib; Tue, 22 Mar 1994 13:37:10 -0600 Received: from gmdzi.gmd.de (gmdzi.gmd.de [129.26.8.90]) by nic.stolaf.edu (8.6.8/8.6.5) with SMTP id NAA28707 for ; Tue, 22 Mar 1994 13:36:47 -0600 Received: from zsv.gmd.de (zsv) by gmdzi.gmd.de with SMTP id AA12787 (5.65c8/IDA-1.4.4 for ); Tue, 22 Mar 1994 20:36:50 +0100 Received: from sunick.gmd.de by zsv.gmd.de with SMTP id AA29460 (5.67b8/IDA-1.5); Tue, 22 Mar 1994 20:36:48 +0100 Received: by sunick.gmd.de (5.0/SMI-SVR4) id AA01570; Tue, 22 Mar 1994 20:36:43 --100 Date: Tue, 22 Mar 1994 20:36:43 --100 From: Werner.Icking@gmd.de (Werner Icking) Message-Id: <9403221936.AA01570@sunick.gmd.de> To: mutex@stolaf.edu Subject: Re: MusicTeX version 5.02 X-Sun-Charset: US-ASCII Content-Length: 1228 Precedence: bulk Daniel Taupin announced: > Subject: MusicTeX version 5.02 > New version 5.02 of MusicTeX available at anonymous ftp: > rsovax.lps.u-psud.fr = 193.55.39.100 > directory [anonymous.musictex] Thanks Daniel! And as usual the files are available on ftp.gmd.de /music/musictex/... too. And also the tar-files as: music..-502.tar.Z and also the delta-files in: .../delta-files/musictex.501-502.zip etc. But NOT as usual: Do not wonder if you do not find .tar.Z but .tar.gz instead. We are moving our ftp-server in the next days to another machine; the name remains ftp.gmd.de We've installed new software, so that you do not have to know what .gz means. If you request musictex-502.tar you will get this file although it does not exist on the server. We'll uncompress the file for you on the fly. If you know what g(un)zip is, you should request musictex-502.tar.gz (in binary mode, too), because this file is much smaller. Then you have to use "gunzip" to uncompress the file or "tar -xzf ..." to uncompress and unpack it. Hope this hilft -- Werner PS: You want to test our ftp-server already now? Ok! refer to omega.gmd.de PPS: You cannot access our (new) server? Please drop me an e-mail. From owner-mutex Wed Mar 23 04:23:44 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.8/8.6.5) id DAA00364 for mutex-distrib; Wed, 23 Mar 1994 03:37:24 -0600 Received: from AMCCCA.AMC.UVA.NL (amccca.amc.uva.nl [145.18.202.35]) by nic.stolaf.edu (8.6.8/8.6.5) with ESMTP id DAA00327 for ; Wed, 23 Mar 1994 03:37:17 -0600 From: SETTELS@amc.uva.nl Received: from amc.uva.nl by amc.uva.nl (PMDF V4.2-11 #2498) id <01HAB40O2AFQ00026W@amc.uva.nl>; Wed, 23 Mar 1994 10:37:17 MET Date: Wed, 23 Mar 1994 10:37:17 +0100 (MET) Subject: MIDI2TeX vs. MusicTeX 5.01 problem To: mutex@stolaf.edu Message-id: <01HAB40O2AFS00026W@amc.uva.nl> X-Envelope-to: mutex@stolaf.edu X-VMS-To: STOLAF MIME-version: 1.0 Content-transfer-encoding: 7BIT Precedence: bulk Hello MusicTeX users, MIDI2TeX by default inputs four files in the header. Among them musictex,musictrp, musicadd. This worked fine for MusicTeX version 4.97. However after installing version 5.01 processing stopped after hitting \debutmorceau. I'va been looking at the example file included with 5.01 and found out that the only way to get the file processed was by inserting musicsty in the header and skipping the others (except fro muscitex, of coyrse). I checked the manual of 5.01 but could not find any new info on the header. Can anybody give me a hint what is going on ???? greetings : Hans Kuykens PS. The C-source of MIDI2TeX has been developed and will be released soon. I will spread the message through this discussion group. From owner-mutex Thu Mar 24 10:23:43 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.8/8.6.5) id KAA29139 for mutex-distrib; Thu, 24 Mar 1994 10:07:32 -0600 Received: from fea1 (fea1.swanson.com [192.104.24.51]) by nic.stolaf.edu (8.6.8/8.6.5) with SMTP id KAA29088 for ; Thu, 24 Mar 1994 10:07:21 -0600 Received: from by id AA24331; Thu, 24 Mar 94 11:06:36 EST Received: by (4.1/SMI-4.1) id AA03650; Thu, 24 Mar 94 11:12:32 EST Message-Id: <9403241612.AA03650> From: stevej@swanson.com (Steve Jones) Date: Thu, 24 Mar 1994 11:12:31 -0500 X-Mailer: Mail User's Shell (7.2.5 10/14/92) To: mutex@stolaf.edu Subject: Initial trivial MuTeX attempts Precedence: bulk I have only recently subscribed to this list; it's very quiet isn't it? The reason for this post is that, upon attempting to typeset very simple eighth notes, the 'flag' (what's that thing called anyway?) does not appear unless I combine several such notes with a beam; i.e., my eighth notes (and sixteenth notes, etc...) look just like my quarter notes.. Also, there are instances where beams don't work either. Are there any common difficulties in this regard? Thanks -- /* * * Steve Jones * Tools and Procedures Group - QA Dept. * stevejones@swanson.com * Swanson Analysis Systems, Inc. * Phone: (412) 746-330 * FAX: (412) 746-9494 * */ #include From owner-mutex Thu Mar 24 11:23:44 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.8/8.6.5) id KAA03788 for mutex-distrib; Thu, 24 Mar 1994 10:54:10 -0600 Received: from gmdzi.gmd.de (gmdzi.gmd.de [129.26.8.90]) by nic.stolaf.edu (8.6.8/8.6.5) with SMTP id KAA03736 for ; Thu, 24 Mar 1994 10:53:49 -0600 Received: from zsv.gmd.de (zsv) by gmdzi.gmd.de with SMTP id AA14983 (5.65c8/IDA-1.4.4 for ); Thu, 24 Mar 1994 17:53:12 +0100 Received: from sunick.gmd.de by zsv.gmd.de with SMTP id AA06465 (5.67b8/IDA-1.5); Thu, 24 Mar 1994 17:53:11 +0100 Received: by sunick.gmd.de (5.0/SMI-SVR4) id AA03926; Thu, 24 Mar 1994 17:53:07 --100 Date: Thu, 24 Mar 1994 17:53:07 --100 From: Werner.Icking@gmd.de (Werner Icking) Message-Id: <9403241653.AA03926@sunick.gmd.de> To: mutex@stolaf.edu Subject: Re: Initial trivial MuTeX attempts X-Sun-Charset: US-ASCII Content-Length: 1114 Precedence: bulk > I have only recently subscribed to this list; it's very > quiet isn't it? The reason for this post is that, upon > attempting to typeset very simple eighth notes, the 'flag' > (what's that thing called anyway?) does not appear unless I > combine several such notes with a beam; i.e., my eighth > notes (and sixteenth notes, etc...) look just like my > quarter notes.. Also, there are instances where beams > don't work either. Are there any common difficulties in > this regard No :-) The only difficulty I see is that you ask questions we cannot answer if you do not tell us a little bit more on your input :-( Is it possible that you use \qh... or \qb instead of \cl or \cu \qh and \qb make "beam"-notes independent of 1/8th, 1/16th ... \cl and \cu generate 1/8th with flags (with one flag) \ccl ... 1/16th two flags ... The list is quiet as long as nobody asks a question or makes an announcment. Most people on the list like that. If you have more questions on beams, flags, ...: RTFM or ask the list (after reading Taupin's fine manual). Werner PS: You're welcome :-) From owner-mutex Thu Mar 24 13:23:44 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.8/8.6.5) id MAA12805 for mutex-distrib; Thu, 24 Mar 1994 12:30:08 -0600 Received: from fea1 (fea1.swanson.com [192.104.24.51]) by nic.stolaf.edu (8.6.8/8.6.5) with SMTP id MAA12767 for ; Thu, 24 Mar 1994 12:30:03 -0600 Received: from by id AA24607; Thu, 24 Mar 94 13:29:30 EST Received: by (4.1/SMI-4.1) id AA05367; Thu, 24 Mar 94 13:35:29 EST Message-Id: <9403241835.AA05367> From: stevej@swanson.com (Steve Jones) Date: Thu, 24 Mar 1994 13:35:28 -0500 In-Reply-To: QASET "" (Mar 24, 1:19pm) X-Mailer: Mail User's Shell (7.2.5 10/14/92) To: mutex@stolaf.edu Subject: Re: Initial trivial MuTeX attempts Precedence: bulk On Mar 24, 5:53pm, Werner Icking wrote: } Subject: Re: Initial trivial MuTeX attempts > > I have only recently subscribed to this list; it's very > > quiet isn't it? The reason for this post is that, upon > > attempting to typeset very simple eighth notes, the 'flag' > > (what's that thing called anyway?) does not appear unless I > > combine several such notes with a beam; i.e., my eighth > > notes (and sixteenth notes, etc...) look just like my > > quarter notes.. Also, there are instances where beams > > don't work either. Are there any common difficulties in > > this regard > > No :-) The only difficulty I see is that you ask questions > we cannot answer if you do not tell us a little bit more on > your input :-( > > Is it possible that you use \qh... or \qb instead of \cl or \cu > \qh and \qb make "beam"-notes independent of 1/8th, 1/16th ... > \cl and \cu generate 1/8th with flags (with one flag) > \ccl ... 1/16th two flags > ... > > The list is quiet as long as nobody asks a question or > makes an announcment. Most people on the list like that. > > If you have more questions on beams, flags, ...: RTFM > or ask the list (after reading Taupin's fine manual). > > Werner > > PS: You're welcome :-) }-- End of excerpt from Werner Icking Here is the file I'm trying to process: \beginsong{\vio}{\C}% \meter{4}/{4}% \a{5} \a{4} \a{3} \a{2} \endsong \bye The result I get is that the C and B, with the stems down, look like quarter notes rather than eighth notes as they should. The A and the G, with the upward stems, are correctly represented. Thanks once more for your consideration, s -- /* * * Steve Jones * Tools and Procedures Group - QA Dept. * stevejones@swanson.com * Swanson Analysis Systems, Inc. * Phone: (412) 746-330 * FAX: (412) 746-9494 * */ #include From owner-mutex Mon Mar 28 15:23:43 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.8/8.6.5) id MAA10870 for mutex-distrib; Mon, 28 Mar 1994 12:42:51 -0600 Received: from gmdzi.gmd.de (gmdzi.gmd.de [129.26.8.90]) by nic.stolaf.edu (8.6.8/8.6.5) with SMTP id MAA10796 for ; Mon, 28 Mar 1994 12:42:44 -0600 Received: from zsv.gmd.de (zsv) by gmdzi.gmd.de with SMTP id AA17093 (5.65c8/IDA-1.4.4 for ); Mon, 28 Mar 1994 20:43:09 +0200 Received: from sunick.gmd.de by zsv.gmd.de with SMTP id AA08520 (5.67b8/IDA-1.5 for ); Mon, 28 Mar 1994 20:43:07 +0200 Received: by sunick.gmd.de (5.0/SMI-SVR4) id AA00703; Mon, 28 Mar 1994 20:43:04 --100 Date: Mon, 28 Mar 1994 20:43:04 --100 From: Werner.Icking@gmd.de (Werner Icking) Message-Id: <9403281843.AA00703@sunick.gmd.de> To: mutex@stolaf.edu Subject: Re: alignment of staffs X-Sun-Charset: US-ASCII Content-Length: 782 Precedence: bulk I asked some time ago: > > 1. I've two pages full with music. I want to aligne both pages such a way, > that the last line of each page has the same vertical position. This question has a similar answer as the next: > > 2. I know that there are variables like \topfacteur or \bottomfacteur. Is > there a way to distribute the remaining space on a page equally on all > staffs (systems?)? \def\atnextline{\vfill} works pretty good. The only problem is that each "nextline" resets \atnextline to {}. Therefor it would be great to have an additional \(at)everyline; and some similar "exit" before and after the "eject" forced by "linesinpage >= maxlinesinpage". I know how easy I could do it by myself but maybe it could be a good feature for MusicTeX. > > Werner From owner-mutex Fri Apr 1 16:23:42 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.8/8.6.5) id QAA06991 for mutex-distrib; Fri, 1 Apr 1994 16:08:50 -0600 Received: from hprib.lps.u-psud.fr (hprib.lps.u-psud.fr [193.55.39.152]) by nic.stolaf.edu (8.6.8/8.6.5) with SMTP id QAA06954 for ; Fri, 1 Apr 1994 16:08:44 -0600 From: TAUPIN@rsovax.lps.u-psud.fr Message-Id: <199404012208.QAA06954@nic.stolaf.edu> Received: from rsovax.lps.u-psud.fr by hprib.lps.u-psud.fr with SMTP (1.37.109.4/16.2) id AA23699; Sat, 2 Apr 94 00:12:07 +0200 Date: 2-APR-1994 00:11:45 GMT2 Subject: MusiocTeX version 5.03 aavailable To: mutex@stolaf.edu Precedence: bulk Subject: MusicTeX version 5.03 New version 5.03 of MusicTeX available at anonymous ftp: rsovax.lps.u-psud.fr = 193.55.39.100 directory [anonymous.musictex] Changes: - 5.03 fonts musikn* changed for two characters - 5.01 pretty piano/organ/keyboard braces due to Andreas Egler - 5.01 additional ornaments due to Andreas Egler - 5.00 musicn*.* becomes musikn*.* with corrections due to Andreas Egler New features: - 5.03 more specific note heads for percussion scores and violin harmonics - 5.00 MusicTeX now allows scoring of gregorian (plain chant) - 5.00 Staffs may have 1 to 6 lines, not necessarily 5 - 5.00 modern clefs may be replaced with other symbols, or with... nothing Daniel Taupin From owner-mutex Wed Apr 6 06:23:44 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.8/8.6.5) id FAA10734 for mutex-distrib; Wed, 6 Apr 1994 05:56:45 -0500 Received: from AMCCCA.AMC.UVA.NL (amccca.amc.uva.nl [145.18.202.35]) by nic.stolaf.edu (8.6.8/8.6.5) with ESMTP id FAA10692 for ; Wed, 6 Apr 1994 05:56:38 -0500 From: SETTELS@amc.uva.nl Received: from amc.uva.nl by amc.uva.nl (PMDF V4.2-11 #2498) id <01HAUT7FZN2O000116@amc.uva.nl>; Wed, 6 Apr 1994 12:57:34 MET Date: Wed, 06 Apr 1994 12:57:34 +0100 (MET) Subject: MIDI2TeX V. C1.1 + source uploaded To: mutex@stolaf.edu Message-id: <01HAUT7G0G0I000116@amc.uva.nl> X-Envelope-to: mutex@stolaf.edu X-VMS-To: STOLAF MIME-version: 1.0 Content-transfer-encoding: 7BIT Precedence: bulk Hello MIDI2TeX and MusciTeX users, MIDI2TeX translates MIDI data files into MusicTeX source code. We have uploaded a new version of this pakcage : C 1.1. This version is a port from the original Pascal code to C. The C source of this version is also available and we were able to compile it on several platforms including VAX, HP-UNIX, PC, Mac. We have uploaded executables of this version for the PC and the Mac. For the ST we advice to keep using the older version 1.1 (Pascal). The complete package (PC, Mac and source) is available on ftp site Host ftp.gmd.de Location: /music/musictex/software/midi2tex The file midi2tex.txt contains some general information about the package. I encourage everybody to transfer the package to other ftp sites. If you do, please inform us where you uploaded it and in what directory. Hans Kuykens Ad Verbruggen From owner-mutex Wed Apr 6 07:23:43 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.8/8.6.5) id HAA13916 for mutex-distrib; Wed, 6 Apr 1994 07:00:18 -0500 Received: from relay.cs.ruu.nl (root@infix.cs.ruu.nl [131.211.80.7]) by nic.stolaf.edu (8.6.8/8.6.5) with SMTP id HAA13863 for ; Wed, 6 Apr 1994 07:00:11 -0500 Received: from alchemy.cs.ruu.nl (gnu.cs.ruu.nl) by relay.cs.ruu.nl with SMTP id AA01146 (5.67a/IDA-1.5 for ); Wed, 6 Apr 1994 14:00:12 +0200 Received: by alchemy.cs.ruu.nl id AA29437 (5.67a/IDA-1.5); Wed, 6 Apr 1994 14:00:05 +0200 Date: Wed, 6 Apr 1994 14:00:05 +0200 From: Piet van Oostrum Message-Id: <199404061200.AA29437@alchemy.cs.ruu.nl> To: mutex@stolaf.edu Cc: mutex@stolaf.edu Subject: Re: MIDI2TeX V. C1.1 + source uploaded In-Reply-To: <01HAUT7G0G0I000116@amc.uva.nl> References: <01HAUT7G0G0I000116@amc.uva.nl> Precedence: bulk >>>>> SETTELS@amc.uva.nl (S) writes: S> I encourage everybody to transfer the package to other ftp sites. S> If you do, please inform us where you uploaded it and in what S> directory. I copied it to ftp.cs.ruu.nl:/pub/TEX/MUSIC/midi2tex, where it can also be obtained by mailserver: How to get midi2tex.txt (and similar for the others) from the archive at Dept. of Computer Science, Utrecht University: NOTE: In the following I have assumed your mail address is john@highbrow.edu. Of course you must substitute your own address for this. This should be a valid internet or uucp address. For bitnet users name@host.BITNET usually works. by FTP: (please restrict access to weekends or evening/night (i.e. between about 20.00 and 0900 UTC). ftp ftp.cs.ruu.nl [131.211.80.17] user name: anonymous or ftp password: your own email address (e.g. john@highbrow.edu) Don't forget to set binary mode if the file is a tar/arc/zoo archive, compressed or in any other way contains binary data. get pub/TEX/MUSIC/midi2tex/midi2tex.txt (or first cd to the directory, and then get the local filename part, to avoid "permission denied" on your system) by mail-server: send the following message to mail-server@cs.ruu.nl (or uunet!mcsun!sun4nl!ruuinf!mail-server): begin path john@highbrow.edu (PLEASE SUBSTITUTE *YOUR* ADDRESS) send TEX/MUSIC/midi2tex/midi2tex.txt end NOTE: *** PLEASE USE VALID INTERNET ADDRESSES IF POSSIBLE. DO NOT USE ADDRESSES WITH ! and @ MIXED !!!! BITNETTERS USE USER@HOST.BITNET *** The path command can be deleted if we receive a valid from address in your message. If this is the first time you use our mail server, we suggest you first issue the request: send HELP -- Piet* van Oostrum, Dept of Computer Science, Utrecht University, Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 531806 Uucp: uunet!mcsun!ruuinf!piet Telefax: +31 30 513791 Internet: piet@cs.ruu.nl (*`Pete') -- Piet van Oostrum From owner-mutex Sat Apr 9 13:23:44 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.8/8.6.5) id MAA28287 for mutex-distrib; Sat, 9 Apr 1994 12:37:40 -0500 Received: from comserv.zdv.uni-tuebingen.de (comserv.zdv.uni-tuebingen.de [134.2.2.6]) by nic.stolaf.edu (8.6.8/8.6.5) with SMTP id MAA28242 for ; Sat, 9 Apr 1994 12:37:29 -0500 Received: from student.uni-tuebingen.de (actually studserv.zdv.uni-tuebingen.de) by comserv.zdv.uni-tuebingen.de with SMTP (PP); Sat, 9 Apr 1994 10:29:19 +0200 Received: by student.uni-tuebingen.de (4.1/ZDV-Uni-Tuebingen-1.0) id AA29961; Sat, 9 Apr 94 10:29:05 +0200 From: zxmrd01@student.uni-tuebingen.de (Suamor - Waiting 4U) Message-Id: <9404090829.AA29961@student.uni-tuebingen.de> Subject: Midi2TeX: Amiga Port (V1.1) To: mutex@stolaf.edu Date: Sat, 9 Apr 1994 10:29:04 +0200 (MET DST) X-Mailer: ELM [version 2.4 PL23] Content-Type: text Content-Length: 2593 Precedence: bulk Hi > **************************************************************** > ************** README File for the MIDI2TeX translator ********* > ************** V.1.1 ********* > **************************************************************** > > > This is the first non-test release of MIDI2TeX, a MusicTeX preprocessor. > This software was designed to translate standard type 1 MIDI files > into MusicTeX source code. See the manual for further details about > the function and use. > The manual needs MusicTeX characters. So the platform that you > want to process this file on should have the MusicTeX files installed > (musicn20.tfm, musicn20.pk ...). If TeX complains that it cannot find > the files than delete the note macros at the start of the > manual: (\def\whole{\ .... \def\sixtyfourth{\ ... \end{picture} } ) > and the new font definition : \newfont{\mus}{musicn20\magstep1} > In addition, you should delete these macros in the quantization time > table. I added the refman.sty file to the package which > the manual uses as it is not standard. > > > This version of MIDI2TeX may be copied freely on a non-commercial basis > (see manual for license info). I hope that those of you who will use > this software are kind enough to supply me with some feedback > about your findings in exchange for it. Bugs, wishes, complaints > or more happy messages are welcome at my e-mail address : > > kuykens@amc.uva.nl. > Amiga Port of Midi2TeX V1.1 =========================== This is the Amiga port of Midi2TeX. Actually, I needn't do any changes to the source code :-). I only added a small makefile to simplify the compiling prozess. The compiler I used was SAS/C 6.51. Included in this archive is the full C source code, the original pascal source code and the pc executables, and of course the LaTeX-Docs. I have tested the program with the included example file and had no problems with it, so I hope it will work for you. If you have any questions regarding the amiga port, send a mail to me, all questions concerning the program itself, send to the adress in the read.me-file. I have not converted the PC-ASCII-files to Amiga-ASCII-Files except the manualc.tex-file and the read.me. If you want to do this, use an utility like CrossDos to convert it. My EMAIL Adress: suamor@student.uni-tuebingen.de, Reinhard Katzmann. P.S.: I've uploaded the port to aminet, you should be able to find it there soon! The archive name is Midi2TeX.lha and you can finf it in the directorz mus/midi From owner-mutex Mon Apr 11 04:23:44 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.8/8.6.5) id DAA16751 for mutex-distrib; Mon, 11 Apr 1994 03:43:54 -0500 Received: from AMCCCA.AMC.UVA.NL (amccca.amc.uva.nl [145.18.202.35]) by nic.stolaf.edu (8.6.8/8.6.5) with ESMTP id DAA16714 for ; Mon, 11 Apr 1994 03:43:49 -0500 From: SETTELS@amc.uva.nl Received: from amc.uva.nl by amc.uva.nl (PMDF V4.2-11 #2498) id <01HB1O0U71W00004TD@amc.uva.nl>; Mon, 11 Apr 1994 10:43:47 MET Date: Mon, 11 Apr 1994 10:43:47 +0100 (MET) Subject: MIDI2TeX V C.1.2 uploaded To: mutex@stolaf.edu Message-id: <01HB1O0U7UTU0004TD@amc.uva.nl> X-Envelope-to: mutex@stolaf.edu X-VMS-To: STOLAF MIME-version: 1.0 Content-transfer-encoding: 7BIT Precedence: bulk Hello MIDI2TeX and MusciTeX users, MIDI2TeX translates MIDI data files into MusicTeX source code. We have uploaded a new version of this pakcage : C 1.2. This version is a port from the original Pascal code to C. The C source of this version is also available and we were able to compile it on several platforms including VAX, HP-UNIX, PC, Mac, Amiga. We have uploaded executables of this version for the PC and the Mac. For the ST we advice to keep using the older version 1.1 (Pascal). The complete package (PC, Mac and source) is available on ftp site Host ftp.gmd.de Location: /music/musictex/software/midi2tex The file midi2tex.txt contains some general information about the package. I encourage everybody to transfer the package to other ftp sites. If you do, please inform us where you uploaded it and in what directory. Hans Kuykens Ad Verbruggen From owner-mutex Tue Apr 12 11:23:44 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.8/8.6.5) id KAA13941 for mutex-distrib; Tue, 12 Apr 1994 10:06:13 -0500 Received: from relay2.UU.NET (relay2.UU.NET [192.48.96.7]) by nic.stolaf.edu (8.6.8/8.6.5) with SMTP id KAA13884 for ; Tue, 12 Apr 1994 10:06:04 -0500 Received: from uucp5.uu.net by relay2.UU.NET with SMTP (5.61/UUNET-internet-primary) id AAwlia06917; Tue, 12 Apr 94 11:06:03 -0400 Received: from palomino.UUCP by uucp5.uu.net with UUCP/RMAIL ; Tue, 12 Apr 1994 11:06:03 -0400 Received: by palomino.dii.com (4.1/SMI-4.1) id AA23429; Tue, 12 Apr 94 07:25:28 PDT Date: Tue, 12 Apr 94 07:25:28 PDT From: palomino!edward@uunet.UU.NET (Edward Maros) Message-Id: <9404121425.AA23429@palomino.dii.com> To: mutex@stolaf.edu Subject: [Q] Can one place guitar cords into sheets .... Precedence: bulk I am a newbie to MusicTeX and also to guitar playing. I am currently taking some of the songs that I am using to practice with and trying to create actual music sheets for them since most are words with the cords printed above. Why am I doing this? Simply to get the timing right as I am trying to play the songs. I am hoping to also have the guitar cords printed above so I don't have to refer to my cord book as frequently. Any help? Thanks, ed --- Edward Maros edward@dii.com Member Technical Staff uunet!dii.com!edward Data Integration Voice: (310) 313 9173 11965 Venice Bld. Suite 305 Fax: (310) 313 9151 Los Angeles, CA 90066-3954 From owner-mutex Tue Apr 12 15:23:47 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.8/8.6.5) id OAA19496 for mutex-distrib; Tue, 12 Apr 1994 14:57:57 -0500 Received: from fea1.swanson.com (fea1.swanson.com [192.104.24.51]) by nic.stolaf.edu (8.6.8/8.6.5) with SMTP id OAA19389 for ; Tue, 12 Apr 1994 14:57:02 -0500 Received: from by id AA16520; Tue, 12 Apr 94 15:55:33 EDT Received: by (4.1/SMI-4.1) id AA18403; Tue, 12 Apr 94 16:01:44 EDT Message-Id: <9404122001.AA18403> From: stevej@swanson.com (Steve Jones) Date: Tue, 12 Apr 1994 16:01:44 -0400 In-Reply-To: palomino!edward@uunet.UU.NET (Edward Maros) "[Q] Can one place guitar cords into sheets ...." (Apr 12, 7:25am) X-Mailer: Mail User's Shell (7.2.5 10/14/92) To: mutex@stolaf.edu Subject: Re: [Q] Can one place guitar cords into sheets .... Precedence: bulk On Apr 12, 7:25am, Edward Maros wrote: } Subject: [Q] Can one place guitar cords into sheets .... > > I am a newbie to MusicTeX and also to guitar playing. I am currently taking > some of the songs that I am using to practice with and trying to create > actual music sheets for them since most are words with the cords printed > above. Why am I doing this? Simply to get the timing right as I am trying > to play the songs. I am hoping to also have the guitar cords printed above > so I don't have to refer to my cord book as frequently. Any help? > Thanks, > ed > --- > Edward Maros edward@dii.com > Member Technical Staff uunet!dii.com!edward > Data Integration Voice: (310) 313 9173 > 11965 Venice Bld. Suite 305 Fax: (310) 313 9151 > Los Angeles, CA 90066-3954 }-- End of excerpt from Edward Maros I don't know much about MuTeX or MusicTeX, but on the hardware side, do you have a guitar midi controller? That would seem necessary. With such a guitar you could produce midi files which I assume could be typeset with midi2tex and MusicTeX. I paid about $800 for mine about 5 years ago. I think they should have become less expensive and, hopefully, technically better since then. -- /* * * Steve Jones * Tools and Procedures Group - QA Dept. * stevejones@swanson.com * Swanson Analysis Systems, Inc. * Phone: (412) 746-330 * FAX: (412) 746-9494 * */ #include From owner-mutex Wed Apr 13 03:23:42 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.8/8.6.5) id CAA27040 for mutex-distrib; Wed, 13 Apr 1994 02:55:09 -0500 Received: from hprib.lps.u-psud.fr (hprib.lps.u-psud.fr [193.55.39.152]) by nic.stolaf.edu (8.6.8/8.6.5) with SMTP id CAA26997 for ; Wed, 13 Apr 1994 02:55:04 -0500 From: TAUPIN@rsovax.lps.u-psud.fr Message-Id: <199404130755.CAA26997@nic.stolaf.edu> Received: from rsovax.lps.u-psud.fr by hprib.lps.u-psud.fr with SMTP (1.37.109.4/16.2) id AA13127; Wed, 13 Apr 94 09:58:42 +0200 Date: 13-APR-1994 09:58:49 GMT2 Subject: Musictex 5.03 (little bug) To: mutex@stolaf.edu Precedence: bulk Subject: MusicTeX 5.03 If your computer requires musicbrb as a font, use musicbra instead. To be corrected soon... dt From owner-mutex Mon Apr 18 13:23:44 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.8/8.6.5) id MAA25280 for mutex-distrib; Mon, 18 Apr 1994 12:17:41 -0500 Received: from sun4nl.NL.net (sun4nl.NL.net [193.78.240.1]) by nic.stolaf.edu (8.6.8/8.6.5) with SMTP id MAA25216 for ; Mon, 18 Apr 1994 12:17:30 -0500 Received: from iafnl by sun4nl.NL.net via EUnet id AA02895 (5.65b/CWI-3.3); Mon, 18 Apr 1994 19:17:38 +0200 Received: from fgbbs.iaf.nl by iafnl.iaf.nl with UUCP id AA21645 (5.65c/IDA-1.4.4); Mon, 18 Apr 1994 18:31:48 -0100 Received: by fgbbs.iaf.nl (GIGO 0.98w32) id AA00805; 18 Apr 94 18:30:40 +0100 From: goddijn@fgbbs.iaf.nl (Frans Goddijn) Date: 18 Apr 94 16:11:07 +0100 Subject: -a at compile of musictex file Message-Id: <4e7_9404181830@fgbbs.iaf.nl> Organization: TeX, LaTeX & 4allTeX on FGBBS [31] 85-217041 X-Mail-Agent: GIGO+ sn 13 at fgbbs vsn 0.98w32 To: mutex@stolaf.edu Precedence: bulk Since a few weeks, I am using the 4allTeX fully menu driven emTeX version for DOS & OS/2 users. It has a musicTeX as an optional install package, and this works fine. Here's a suggestion that may help others using the same 4allteX program: I took a latest version of musicTeX from a BBS, unpacked it, and tried to install it in 4allTeX simply by plopping the files to where they seemed to be happy to be (like .MF files in a dir where lots of similar files already were having fun). And it worked! Now, when compiling and trying to print the main manual file from musicTeX, I got a funny DVIPS error, saying "!NO MEMORY". I did not get this with much bigger files from outside musicTeX so I suppose it is the music making DVIPS worry. After consulting another user (Henk de Haan) on this, he came with the sugestion to use the Option-menu and choose the -a option, saving memory at the cost of speed, which went as fine as it went speedy! So this may be a helpful suggestion to others as well. Met hartelijke groet! FG From owner-mutex Fri Apr 22 19:23:43 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.8/8.6.5) id SAA08986 for mutex-distrib; Fri, 22 Apr 1994 18:40:21 -0500 Received: from bochap.iss.nus.sg (bochap.iss.nus.sg [137.132.248.11]) by nic.stolaf.edu (8.6.8/8.6.5) with SMTP id SAA08935 for ; Fri, 22 Apr 1994 18:40:02 -0500 Received: from civet.iss.nus.sg by bochap.iss.nus.sg (4.1/SMI-4.1) id AA27364; Sat, 23 Apr 94 07:45:14+080 Date: Sat, 23 Apr 94 07:45:14+080 From: smoliar@iss.nus.sg (Stephen Smoliar) Message-Id: <9404222345.AA27364@bochap.iss.nus.sg> Received: by civet.iss.nus.sg (4.1/SMI-4.1) id AA08256; Sat, 23 Apr 94 07:45:05 SST To: mutex@stolaf.edu Subject: MIDI2TeX for the Macintosh Cc: ahv@DIMES.TUDelft.NL Precedence: bulk This is a brief report on installing MIDI2TeX on a Macintosh. It turns out that the initial version up-loaded to ftp.gmd.de was defective. Thanks to the patience and persistence of Ad Verbruggen, lots of exchanges of electronic mail, and a little bit of down-and-dirty experimentation, things seems to have been straightened out; and the file at the GMD site now seems ready to fly. I have also sent copies of it to both SUMEX and the University of Michigan, although I do not know if they have been installed at either archive yet. So far I have only gotten as far as printing the manual. Ad told me that, in preparing the manual, I should just proceed through a warning about musicn20. Apparently, the manual was written before the update to MusicTeX which changed the names of the font files; so, being a bit more intolerant of warning messages, I decided to change "musicn20" to "musik20" to see if this had any effect. Ultimately, it did, but only after a couple of more steps which may reveal how long I have been away from MusicTeX. I am hoping that more seasoned users can explain what happened to me. The warning I received from my OzTeX was that it could not find the TFM file "musik201200." Now when I upgraded MusicTeX at the beginning of this month, I installed a new copy of the file musik20.tfm; but none of my TFM files have that "1200" suffix. Taking an "if that's what you want" attitude, I tried renaming musik20.tfm to musik201200.tfm; and this was enough to make OzTeX happy. This, however, was only half the solution. A similar problem arose during viewing and printing, this time in referencing the 300 folder in PK-files. The PK file which the dvi code wanted to see was musik201200 (which sort of makes sense). The one I down-loaded was called "musik20.pk," although the last time I tried to do anything with MusicTeX under OzTeX, I discovered that I had to rename it to "musik20.300pk." In any event renaming this file to "musik201200" enabled me to print out the note heads in the table which was part of the documentation, although the thirty-second and sixty-fourth notes did not fit in their boxes very well. I pass this all on as guidelines to others who plan to print this manual. I have not yet played with MIDI2TeX itself yet. This may be the motivation I need to try working with MusicTeX again. (Since OzTeX allows me to incorporate PICT files, I have done most of my work by inserting screens captured from Finale. I am not so much interested in printing manuscripts as in incorporating music examples in music theory papers.) I certainly look forward to reports from others who try to use this system. Stephen W. Smoliar; Institute of Systems Science National University of Singapore; Heng Mui Keng Terrace Kent Ridge, SINGAPORE 0511 Internet: smoliar@iss.nus.sg FAX: +65-473-9897 From owner-mutex Mon Apr 25 07:23:42 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.8/8.6.5) id GAA22512 for mutex-distrib; Mon, 25 Apr 1994 06:54:02 -0500 Received: from sun2.nsfnet-relay.ac.uk (sun2.nsfnet-relay.ac.uk [128.86.8.45]) by nic.stolaf.edu (8.6.8/8.6.5) with SMTP id GAA22475 for ; Mon, 25 Apr 1994 06:53:56 -0500 Via: uk.ac.heriot-watt.maths.cara; Mon, 25 Apr 1994 12:26:12 +0100 From: Petr Plechac Date: Mon, 25 Apr 94 12:24:57 BST Message-Id: <21381.9404251124@cara.ma.hw.ac.uk> Received: from harris.hw.maths by cara.ma.hw.ac.uk; Mon, 25 Apr 94 12:24:57 BST To: mutex@stolaf.edu Subject: Midi2TeX on SUN, problem Precedence: bulk Hello all, I have tried to compile and run Midi2TeX on Sun platform, however I haven't been able to compile the code successfully so far. The problems I have already resolved: the header file must be added: #include (defines eg. SEEK_SET ) however some other minor changes should be done because of other C libraries than for TC compiler, I guess. So the following question is mainly for authors of the C version, since I am not going to understand the code at all. Here there is an error message from gcc compiler: Music/Midi2TeX 14> gcc -c -DSUN *.c tp_m2t16.c: In function `InitFilePosns': tp_m2t16.c:1319: `fpos_t' undeclared (first use this function) tp_m2t16.c:1319: (Each undeclared identifier is reported only once tp_m2t16.c:1319: for each function it appears in.) tp_m2t16.c:1319: parse error before `OldPos' tp_m2t16.c:1322: `OldPos' undeclared (first use this function) also the function 'fgetpos' doesn't seem to exist. Please could send me some hints how to fix those problems ? thanks Petr Plechac (petr@cara.ma.hw.ac.uk) From owner-mutex Mon Apr 25 08:23:43 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.8/8.6.5) id HAA23955 for mutex-distrib; Mon, 25 Apr 1994 07:24:25 -0500 Received: from sun2.nsfnet-relay.ac.uk (sun2.nsfnet-relay.ac.uk [128.86.8.45]) by nic.stolaf.edu (8.6.8/8.6.5) with SMTP id HAA23913 for ; Mon, 25 Apr 1994 07:24:21 -0500 Via: uk.ac.heriot-watt.maths.cara; Mon, 25 Apr 1994 12:59:29 +0100 From: Petr Plechac Date: Mon, 25 Apr 94 12:58:13 BST Message-Id: <21647.9404251158@cara.ma.hw.ac.uk> Received: from sulasgeir.hw.maths by cara.ma.hw.ac.uk; Mon, 25 Apr 94 12:58:13 BST To: mutex@stolaf.edu Subject: both sided prints from TeX Precedence: bulk Hello all, this question may belong to a general TeX group, but perhaps someone could give me a quick answer. I'd like to print copies, that are double-sided, from a .dvi or .ps file with a single side print. I wouldn't like to make any changes in the original TeX file like incorporate a TeX macro, LaTeX style etc. The standard driver dvips allows printing odd and even pages separately, so it could be a solution, HOWEVER sometimes the text is not centered on the page ...... So the question is: - is there any tool for PostScript printers which could handle that problem ? i.e. which could separate odd and even pages from an input stream of pages and set up a proper offset to get a double-sided print-out ? such that one can simply print odd/even pages then turn pages and print again ? I have only a standard PostScript printer SUN Sparcprinter and I haven't been able to find any ps macros to do that. - it should be user's friendly since I'm an ignorant about Postscript Thanks Petr Plechac (petr@cara.ma.hw.ac.uk) From owner-mutex Mon Apr 25 21:23:43 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.8/8.6.5) id UAA03675 for mutex-distrib; Mon, 25 Apr 1994 20:30:18 -0500 Received: from tama.tas.ntt.jp (root@tama.TAS.NTT.JP [192.68.237.114]) by nic.stolaf.edu (8.6.8/8.6.5) with SMTP id UAA03631 for ; Mon, 25 Apr 1994 20:30:07 -0500 Received: by tama.tas.ntt.jp (4.1/tas-sh-01) with TCP; Tue, 26 Apr 94 10:30:37 JST Received: by nttmail.tas.ntt.jp (4.1/nttmail-01) with TCP; Tue, 26 Apr 94 10:30:41 JST Received: by YECL.ntt.jp (4.1/NTTcs02b) with TCP; Tue, 26 Apr 94 10:30:30 JST Received: by nttvdt.ntt.jp (4.1/NTTcs01b) with TCP; Tue, 26 Apr 94 10:28:41 JST Message-Id: <9404260128.AA10640@nttvdt.ntt.jp> Date: Tue, 26 Apr 94 10:36:39 JST From: shpark@nttvdt.ntt.jp (S.H.Park) To: mutex@stolaf.edu Subject: Re: Midi2TeX on SUN, problem Reply-To: shpark@nttvdt.ntt.jp Precedence: bulk Hello, I've got the same problem when compling midi2tex... I found that there are some "include" files under /usr/local/lib/g++-include in my computer, which contains the information what you want. iostdio.h:#define fgetpos _IO_fgetpos iolibio.h:extern int _IO_fgetpos _PARAMS((_IO_FILE*, _IO_fpos_t*)); iolibio.h:extern int _IO_fsetpos _PARAMS((_IO_FILE*, const _IO_fpos_t *)); But, I am sorry that I could not succeed in installing midi2tex on SUN. The strange thing is that my g++ libirary files do not have several functions midi2tex used. Both of "libg++.a" and "libiostream.a" contain the functions: iofgetpos.o iofsetpos.o So I inserted the following sentences in 'tp_m2t16.c": #define fpos_t long /* #define fgetpos iofgetpos #define fsetpos iofsetpos extern int fgetpos (FILE *, long *); #include #include At below is the error message I got after I maked. gcc -o midi2tex tp_debug.o tp_heap1.o tp_m2tf4.o tp_misc.o tp_decl.o tp_m2t16.o tp_midi.o -I/share/local/lib/g++-include -L/share/local/lib/gcc-lib/sparc-sun-sunos4.1.3/2.5.8/include -lg++ -lm -liostream ld: Undefined symbol _iofsetpos _atexit _iofgetpos collect2: ld returned 2 exit status *** Error code 1 make: Fatal error: Command failed for target `midi2tex' ------- I guess that my gcc is not a full set... I could not find out the function "atexit" from any library files. I hope that these hints help you to fix the problems. Bye. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Seop Hyeong Park NTT in Japan: shpark@nttvdt.ntt.jp (Now I am here.) KT in Korea: seoppark@fruits.kotel.co.kr NTT Human Interface Labs / Yokosuka TEL +81(0)468-59-3382 Visual Media Lab. / Japan FAX +81(0)468-59-2829 After Work Hours: TEL +81(0)468-47-0161 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ From owner-mutex Tue Apr 26 12:23:44 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.8/8.6.5) id LAA29373 for mutex-distrib; Tue, 26 Apr 1994 11:48:40 -0500 Received: from sirius.brunel.ac.uk (root@sirius.brunel.ac.uk [134.83.128.62]) by nic.stolaf.edu (8.6.8/8.6.5) with SMTP id LAA29301 for ; Tue, 26 Apr 1994 11:48:23 -0500 Received: from molnir.brunel.ac.uk by sirius.brunel.ac.uk with SMTP (PP) id <28298-0@sirius.brunel.ac.uk>; Tue, 26 Apr 1994 17:48:16 +0100 From: David Thomas Message-Id: <2771.9404261646@molnir.brunel.ac.uk> Subject: Help understanding spacing needed To: mutex@stolaf.edu Date: Tue, 26 Apr 1994 17:46:40 +0100 (BST) X-Mailer: ELM [version 2.4 PL21] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 1443 Precedence: bulk Can anyone help me get a better understanding of spacing, please ? ================================================================== I'm having a bit of difficulty getting control of the spacing in the examples I have typeset with MusicTex and wonder if anyone can help me understand better the spacing implications of \temps and the other spacing macros and the \barre macro. I can best explain what I don't understand by reference to a couple of examples in the manual: the Mozart in para. 1.2 on page 7 (version 4.98) and the four bars of Cs in para. 2.5.1 on page 15-16. My lack of understanding 1. \temps ------------------------------------ In the 2.5.1 example the \temps seems to be essential to space out the Cs. Without it the notes overlap. Yet in the Mozart the 3 \temps seem to do nothing and I get the same output if I remove them. When I added \temps in my own examples (on the beat, between \notes...\enotes pairs) to try and add extra space between some beamed groupings that were too close nothing changed. Why is this ? My lack of understanding 2. \barre ----------------------------------- The barlines in the C notes example (2.5.1) have more space after them than before them. Can this spacing be equalised ? The Mozart looks better in this respect. I can't see anything special about the coding to explain this. Thanks David Thomas Brunel University Uxbridge Middlesex UB8 3PH david.thomas@brunel.ac.uk From owner-mutex Wed May 4 04:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id DAA01821 for mutex-distrib; Wed, 4 May 1994 03:56:14 -0500 Received: from optica.tn.tudelft.nl (optica.tn.tudelft.nl [130.161.188.216]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id DAA01778 for ; Wed, 4 May 1994 03:56:07 -0500 Received: from [130.161.188.247] (macop3.tn.tudelft.nl) by optica.tn.tudelft.nl (4.1/HB-1.13) id AA20874; Wed, 4 May 94 10:56:26 +0200 Date: Wed, 4 May 94 10:56:25 +0200 Message-Id: <9405040856.AA20874@optica.tn.tudelft.nl> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" To: mutex@stolaf.edu From: brug@optica.tn.tudelft.nl (Dr. Hedser van Brug) Subject: mutex output Precedence: bulk Hi MuTeXers, I just obtained MuTeX and created all the .tfm and .pk files needed (from the .mf files) using MacMetafont. The problem is that in the output from the demo file each note (actually all symbols) are shown with a box around them. What did I do wrong? Things you might need to know: I am working on a Macintosh using OzTeX. Thanks in advance, Hedser van Brug ================================================================================ Hedser van Brug Delft University of Technology Dept. of Applied Physics, Optics Research Group Lorentzweg 1, 2628 CJ Delft, the Netherlands e-mail: brug@optica.tn.tudelft.nl fax: +31-15-788105 tel: +31-15-784288 From owner-mutex Thu May 5 05:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id EAA05151 for mutex-distrib; Thu, 5 May 1994 04:47:25 -0500 Received: from sun2.nsfnet-relay.ac.uk (sun2.nsfnet-relay.ac.uk [128.86.8.45]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id EAA05007 for ; Thu, 5 May 1994 04:44:51 -0500 Via: uk.ac.greenwich; Thu, 5 May 1994 10:43:17 +0100 Received: from vogon by odin.greenwich.ac.uk with SMTP (PP) id <07731-0@odin.greenwich.ac.uk>; Thu, 5 May 1994 10:43:05 +0100 From: wc0zxr Message-Id: <8327.9405050943@vogon> Subject: FREE MUSIC NOTATION SOFTWARE: announcing abc2mtex v1.2 To: mutex@stolaf.edu.IRTRAD-L@IRLEARN.UCD.IE, MORRIS@suvm.acs.syr.edu Date: Thu, 5 May 1994 10:43:02 +0100 (BST) Reply-To: C.Walshaw@greenwich.ac.uk X-Mailer: ELM [version 2.4 PL23] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 4397 Precedence: bulk ***************************************************************** ********** Announcing version 1.2 of abc2mtex ********** ***************************************************************** This is a package designed to notate tunes stored in an ascii format (henceforth abc notation). It was designed primarily for folk and traditional tunes of Western European origin (such as Irish, English and Scottish) which can be written on one stave in standard classical notation. However, it should be extendible to many other types of music. As an example the tune Paddy O'Rafferty would be written out as T:Paddy O'Rafferty C:Trad. M:6/8 K:D dff cee|def gfe|dff cee|dfe dBA|dff cee|def gfe|faf gfe|[1 dfe dBA:|[2 dfe dcB|| ~A3 B3|gfe fdB|AFA B2c|dfe dcB|~A3 ~B3|efe efg|faf gfe|[1 dfe dcB:|[2 dfe dBA|| fAA eAA|def gfe|fAA eAA|dfe dBA|fAA eAA|def gfe|faf gfe|dfe dBA:| The tune is then read in by the program and MusicTeX output gen- erated (in a matter of seconds). TeX can then be run on this out- put to "typeset beautiful music". The package is small (about 150 KByte), easy to use and features, amongst other things, the ability to transpose both music and abc notation. It will also create an index of all the tunes you have transcribed and includes a powerful search facility. The ability to write tunes in abc notation means that they can be easily and portably stored or transported electronically. This package allows you to typeset them easily too. The package has been written on top of MusicTeX , Daniel Taupin's music typesetting package, itself written on top of TeX, Donald Knuth's typesetting package. To run it you will need TeX (widely available on Unix machines and also available for PCs), MusicTeX (available by ftp from a number of sources such as ftp.wustl.edu in /packages/TeX/macros/musictex) and a C compiler. You can get a copy of the package by anonymous ftp from: celtic.stanford.edu in /pub/tunes/abc2mtex1.2 or ftp.gmd.de in /music/musictex/software/abc2mtex1.2.tar.gz or ftp.maths.tcd.ie in /pub/TeX/abc2mtex or by sending an email request to me (C.Walshaw@gre.ac.uk). Chris Walshaw CHANGES BETWEEN V1.2 & V1.1 ^^^^^^^^^^^^^^^^^^^^^^^^^^^ NEW FEATURES (see userguide for full details) ^^^^^^^^^^^^ A brand new all-singing, all-dancing search facility to look through your database and find your favourite tunes. Plus new fa- cilities to allow the indexing of the tunes in any way the user chooses. A new document index.tex deals with these topics. Improved error handling. There is now limited support for chords of two, three or four notes on a single stem, although not within a beam. New section in the userguide on customising the output, together with an example file. Introduction of the L: field to change the default note length. This supercedes the use of the s & l meter modifiers (e.g. M:4/4l) although these features will still be supported. Any meter can now be used. The default meter is no longer required at top of file (M:C is default). Also the default meter can be changed anywhere in the tune file (between two tunes). Introduction of default O: and R: fields into tune files (which work the same way as the default meter). Introduction of the H: field to put in multi-line stories/anecdotes. Documentation of the A: (area/region) and W: (words/lyrics) fields (which existed before but somehow got left out of the manual). Introduction of the B: (book/bibliography), D: (discography) and G: (group) fields for archiving. The T: field can now appear inside a tune to allow for naming of parts, such as in Breton suites. Additional notation for first & second repeats - |1 & |2. This will run alongside the existing [1 & [2. Ties within bars now supported. Input files can now be specified on the command line, e.g. abc2mtex x XE:1-3,7,9- XIJ:-10 If an input file has the extension .abc this does not need to be explicitly typed in. BUG FIXES ^^^^^^^^^ Due to some changes in MusicTeX, abc2mtex v1.1 & v1.0 are incom- patible with MusicTeX v4.99 onwards. This bug has been fixed for abc2mtex v1.2 . Bug in eval_beam fixed (uninitialised variable "median"). OTHER CHANGES ^^^^^^^^^^^^^ Default note length for 5/4 changed to quaver (1/8th note). New meters 2/2 & 5/8. From owner-mutex Thu May 5 06:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id EAA04995 for mutex-distrib; Thu, 5 May 1994 04:44:06 -0500 Received: from sun2.nsfnet-relay.ac.uk (sun2.nsfnet-relay.ac.uk [128.86.8.45]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id EAA04955 for ; Thu, 5 May 1994 04:43:56 -0500 Via: uk.ac.greenwich; Thu, 5 May 1994 10:43:37 +0100 Received: from vogon by odin.greenwich.ac.uk with SMTP (PP) id <07734-0@odin.greenwich.ac.uk>; Thu, 5 May 1994 10:43:10 +0100 From: wc0zxr Message-Id: <8337.9405050943@vogon> Subject: FREE MUSIC NOTATION SOFTWARE: announcing abc2mtex v1.2 To: mutex@stolaf.edu.IRTRAD-L@IRLEARN.UCD.IE, MORRIS@suvm.acs.syr.edu Date: Thu, 5 May 1994 10:43:06 +0100 (BST) Reply-To: C.Walshaw@greenwich.ac.uk X-Mailer: ELM [version 2.4 PL23] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 4397 Precedence: bulk ***************************************************************** ********** Announcing version 1.2 of abc2mtex ********** ***************************************************************** This is a package designed to notate tunes stored in an ascii format (henceforth abc notation). It was designed primarily for folk and traditional tunes of Western European origin (such as Irish, English and Scottish) which can be written on one stave in standard classical notation. However, it should be extendible to many other types of music. As an example the tune Paddy O'Rafferty would be written out as T:Paddy O'Rafferty C:Trad. M:6/8 K:D dff cee|def gfe|dff cee|dfe dBA|dff cee|def gfe|faf gfe|[1 dfe dBA:|[2 dfe dcB|| ~A3 B3|gfe fdB|AFA B2c|dfe dcB|~A3 ~B3|efe efg|faf gfe|[1 dfe dcB:|[2 dfe dBA|| fAA eAA|def gfe|fAA eAA|dfe dBA|fAA eAA|def gfe|faf gfe|dfe dBA:| The tune is then read in by the program and MusicTeX output gen- erated (in a matter of seconds). TeX can then be run on this out- put to "typeset beautiful music". The package is small (about 150 KByte), easy to use and features, amongst other things, the ability to transpose both music and abc notation. It will also create an index of all the tunes you have transcribed and includes a powerful search facility. The ability to write tunes in abc notation means that they can be easily and portably stored or transported electronically. This package allows you to typeset them easily too. The package has been written on top of MusicTeX , Daniel Taupin's music typesetting package, itself written on top of TeX, Donald Knuth's typesetting package. To run it you will need TeX (widely available on Unix machines and also available for PCs), MusicTeX (available by ftp from a number of sources such as ftp.wustl.edu in /packages/TeX/macros/musictex) and a C compiler. You can get a copy of the package by anonymous ftp from: celtic.stanford.edu in /pub/tunes/abc2mtex1.2 or ftp.gmd.de in /music/musictex/software/abc2mtex1.2.tar.gz or ftp.maths.tcd.ie in /pub/TeX/abc2mtex or by sending an email request to me (C.Walshaw@gre.ac.uk). Chris Walshaw CHANGES BETWEEN V1.2 & V1.1 ^^^^^^^^^^^^^^^^^^^^^^^^^^^ NEW FEATURES (see userguide for full details) ^^^^^^^^^^^^ A brand new all-singing, all-dancing search facility to look through your database and find your favourite tunes. Plus new fa- cilities to allow the indexing of the tunes in any way the user chooses. A new document index.tex deals with these topics. Improved error handling. There is now limited support for chords of two, three or four notes on a single stem, although not within a beam. New section in the userguide on customising the output, together with an example file. Introduction of the L: field to change the default note length. This supercedes the use of the s & l meter modifiers (e.g. M:4/4l) although these features will still be supported. Any meter can now be used. The default meter is no longer required at top of file (M:C is default). Also the default meter can be changed anywhere in the tune file (between two tunes). Introduction of default O: and R: fields into tune files (which work the same way as the default meter). Introduction of the H: field to put in multi-line stories/anecdotes. Documentation of the A: (area/region) and W: (words/lyrics) fields (which existed before but somehow got left out of the manual). Introduction of the B: (book/bibliography), D: (discography) and G: (group) fields for archiving. The T: field can now appear inside a tune to allow for naming of parts, such as in Breton suites. Additional notation for first & second repeats - |1 & |2. This will run alongside the existing [1 & [2. Ties within bars now supported. Input files can now be specified on the command line, e.g. abc2mtex x XE:1-3,7,9- XIJ:-10 If an input file has the extension .abc this does not need to be explicitly typed in. BUG FIXES ^^^^^^^^^ Due to some changes in MusicTeX, abc2mtex v1.1 & v1.0 are incom- patible with MusicTeX v4.99 onwards. This bug has been fixed for abc2mtex v1.2 . Bug in eval_beam fixed (uninitialised variable "median"). OTHER CHANGES ^^^^^^^^^^^^^ Default note length for 5/4 changed to quaver (1/8th note). New meters 2/2 & 5/8. From owner-mutex Fri May 6 01:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id AAA26092 for mutex-distrib; Fri, 6 May 1994 00:38:46 -0500 Received: from kirk.fmi.uni-passau.de (kirk.fmi.uni-passau.de [132.231.1.20]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id AAA26055 for ; Fri, 6 May 1994 00:38:42 -0500 Received: from sidonius.fmi.uni-passau.de by kirk.fmi.uni-passau.de with SMTP id AA10574 (5.65c/IDA-1.4.4 for ); Fri, 6 May 1994 07:38:44 +0200 From: "Frank'OSWL'Heyder" Message-Id: <199405060538.AA10574@kirk.fmi.uni-passau.de> Subject: Misplaced alignment tab character To: mutex@stolaf.edu Date: Fri, 6 May 1994 07:38:43 +0200 (MET DST) X-Face: "w*qupod3S((F01C&IGGHRDINJ]FO@+^r]sL!{c/}dt1NV|{pTks;@O!@~#b7}lDdh!vO&_ 4Ka]SE/Z2BZ4xo&W^fnpcE)WO^yvXc1o45nRtP~#)Pz{kd2+S;+lDCNtU;6I%L,Qwy'{{>jUl:.`(. tX+=fbuYyNM[ffj\\([usJdoe8-J%DBK3;X0sV!5i|\YMzMZ-}Z**?_-XuhN X-Mailer: ELM [version 2.4 PL22] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 1904 Precedence: bulk -----BEGIN PGP SIGNED MESSAGE----- Hi! I'm using MusicTeX 5.02 since Monday and I tried to set some choir-scores, but I failed to get the "tenor clef" example in section 2.17.4 of the documentation working. Here is the source I tried: \input musicnft \input musictex \def\nbinstruments{4} \generalmeter{\meterfrac{4}{4}} \generalsignature{1} \cleftoksi={6000} \cleftoksii={0000} \cleftoksiii={0000} \cleftoksiv={0000} \font\eightfig=cmr8 \normal \def\everystaff{\notes&\zcharnote{-6}{\eightfig \kern -1.4\Interligne 8}&\zcharnote{-6}{\eightfig \kern -1.4\Interligne 8}\enotes} \debutmorceau \notes \hl A&\hl a&\hl a&\hl a \enotes \bye and this is what I got: SANDY:/mnt/home/heyder/tex 504 > tex test.tex This is TeX, C Version 3.141 (test.tex (/usr/TeX/lib/tex/macros/musicnft.tex Version 5.02 -- March 20th, 1994) (/usr/TeX/lib/tex/macros/musictex.tex Version 5.02 -- March 20th, 1994) ! Misplaced alignment tab character &. \everystaff ->\notes & \zcharnote {-6}{\eightfig \kern -1.4\Interligne 8}&\zc... \piece@beginb ->\writeclefs \everystaff \writesignatures \writemeters \save@... \debutmorceau ...emaxskip minus .5pt\piece@beginb \setnormalhyphen l.15 \debutmorceau ? Has anyone a clue ? Thanks in advance, Frank - -- Frank 'OSWL' Heyder Universitdt Passau Lehrstuhl f|r Theoretische Informatik, Prof. Dr. Franz J. Brandenburg E-Mail: heyder@fmi.uni-passau.de WWW:http://www.uni-passau.de/~heyder -----BEGIN PGP SIGNATURE----- Version: 2.3a iQCVAgUBLcnX2vm/G/iKtLNtAQHHjAQAwal34nRlnBMa82nxk+R/g4qL59o9eqsT TD8H5ZfW7SWfd0yRDO6arujSSDCbaaOjWubCqllq2wSJY3Jo0IeblphzlaQMp2QN v/BpsZ/BlLpG2xCCnd77NBbRkw4gKfJpkOY/vY1REr372bKJL3B5Ozj/mWj3xtXi m6bKHPdnD90= =+sYu -----END PGP SIGNATURE----- From owner-mutex Sat May 14 15:23:52 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id PAA20609 for mutex-distrib; Sat, 14 May 1994 15:13:51 -0500 Received: from sun4nl.NL.net (sun4nl.NL.net [193.78.240.1]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id PAA20572 for ; Sat, 14 May 1994 15:13:46 -0500 Received: from iafnl by sun4nl.NL.net via EUnet id AA02713 (5.65b/CWI-3.3); Sat, 14 May 1994 22:13:51 +0200 Received: from fgbbs.iaf.nl by iafnl.iaf.nl with UUCP id AA29438 (5.65c/IDA-1.4.4); Sat, 14 May 1994 20:33:11 +0200 Received: by fgbbs.iaf.nl (GIGO 0.98w32) id AA00987; 14 May 94 20:29:45 +0100 From: goddijn@fgbbs.iaf.nl (Frans Goddijn) Date: 14 May 94 20:20:05 +0100 Subject: midi to TeX with 4allTeX... it works! Message-Id: <196_9405142029@fgbbs.iaf.nl> Organization: TeX, LaTeX & 4allTeX on FGBBS [31] 85-217041 X-Mail-Agent: GIGO+ sn 13 at fgbbs vsn 0.98w32 To: mutex@stolaf.edu Precedence: bulk Yesterday, I managed to get a first success in creating some home made musicTeX print! I have three files together which explain what I did and how I did it and what problems I had. I put them in an uuencoded .arj file. Would anyone mind if I sent it to this list as message text body? here's the infotext in the .uue file: 14 may 1994 These three files are: fgidiot.mid the midi file punched in at the PC keyboard using a `sequencer' fgidiot.tex the musicTeX file created by midi2tex.exe from fgidiot.mid fgidiot.ps the postscript file after compilation through TeX The purpose was to try if I could type in a midi file, listen to parts of it during the typing, then convert this to a typeset music notation page. I am learning to play the clarinet, I think most music examples in music-learning books are utterly boring and I want to do something creative with my SoundBlaster hardware instead of just playing tons of ready made midi files and watch the staffs and piano roll graphs in bafflement. This, and my fondness for the great composer Frank Zappa led to these first files, which are probably full of clumsiness. The midi file could sound much better, but I want to waste little time at punching in info that may pose problems for midi2tex.exe, which is a neat little utility with not many capacities. What I should have done but forgot to do every time I worked on this first file, is after loading the file to make sure I had the tone pitch two notches down, so as to make sure the G sounds the same on the PC as the G on my B-flat clarinet. I think I neglected this and therefore I had to do some less elegant up-transposing (of three nothes... strange, hope to be more orderly next time...) in the editing of the .tex file. In the .tex file I commented out these lines: %\input musicadd %\input musictrp which were put there by midi2tex, but which prevent proper compilation on my system. I use 4allteX, a Public Domain typesetter program with a deluxe shell menu built around it. Frans Goddijn goddijn@fgbbs.iaf.nl From owner-mutex Thu May 19 10:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id KAA23654 for mutex-distrib; Thu, 19 May 1994 10:11:53 -0500 Received: from db1.cc.rochester.edu (db1.cc.rochester.edu [128.151.233.1]) by nic.stolaf.edu (8.6.9/8.6.5) with ESMTP id KAA23617 for ; Thu, 19 May 1994 10:11:49 -0500 Received: from DBV by DBV (PMDF V4.2-14 #4191) id <01HCIRIDVJBK8ZDY6K@DBV>; Thu, 19 May 1994 11:10:59 EST Date: Thu, 19 May 1994 11:10:59 -0500 (EST) From: Glenn Corson Subject: Musictex Font Problem To: mutex@stolaf.edu Message-id: <01HCIRIDWVJM8ZDY6K@DBV> X-Envelope-to: mutex@stolaf.EDU X-VMS-To: IN%"mutex@stolaf.edu" X-VMS-Cc: GLEC1 MIME-version: 1.0 Content-transfer-encoding: 7BIT Precedence: bulk Greetings! I've recently installed Musictex on our Vax cluster. It seems to be working well (after the usual amount of horsing around) except for the musicbra font. I needed to run all the .pk files through a metafont utility for uniformity with the other fonts in our installation. They all translated well, except for musicbra. All the other fonts ended up with a filename like musikn20.300pk, but musicbra translated to musicbra.100pk for some reason and won't work with our print driver (is this a screen font?). I've tried a few tricks and keep coming up with the same results. Where braces should appear I get either 'fi' or '-', the rest of the notation is just fine. Any thoughts? Please send mail, I'm not subscribed to the group (yet). Thanks for any and all suggestions. Glenn Corson Computing Center University of Rochester From owner-mutex Mon May 23 21:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id UAA21413 for mutex-distrib; Mon, 23 May 1994 20:32:52 -0500 Received: from gw1.att.com (gw1.att.com [192.20.239.133]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id UAA21370 for ; Mon, 23 May 1994 20:32:49 -0500 Received: from scratchy.jazz.att.com. by ig2.att.att.com id AA00274; Mon, 23 May 94 21:32:17 EDT Received: from cnvnja.jazz.att.com by scratchy.jazz.att.com with SMTP (1.37.109.10G/15.6) id AA047013175; Mon, 23 May 1994 21:32:55 -0400 Posted-Date: Mon, 23 May 1994 21:32:55 -0400 Received-Date: Mon, 23 May 1994 21:32:55 -0400 Received: by cnvnja.jazz.att.com (4.1/SMI-4.1) id AA22909; Mon, 23 May 94 21:32:49 EDT Date: Mon, 23 May 94 21:32:49 EDT From: gls@cnvnja.jazz.att.com (G. L. Sicherman) Message-Id: <9405240132.AA22909@cnvnja.jazz.att.com> To: mutex@stolaf.edu Subject: musicbra Precedence: bulk Why don't I just send you a copy of the pk file? Shall I uuencode it? I don't think I can mail you the binary data. --Col. George Sicherman gls@hrcms.att.com From owner-mutex Tue May 24 12:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id MAA00751 for mutex-distrib; Tue, 24 May 1994 12:18:00 -0500 Received: from sun4nl.NL.net (sun4nl.NL.net [193.78.240.1]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id MAA00700 for ; Tue, 24 May 1994 12:17:42 -0500 Received: from iafnl by sun4nl.NL.net via EUnet id AA25440 (5.65b/CWI-3.3); Tue, 24 May 1994 19:17:38 +0200 Received: from fgbbs.iaf.nl by iafnl.iaf.nl with UUCP id AA13841 (5.65c/IDA-1.4.4); Tue, 24 May 1994 18:35:48 +0200 Received: by fgbbs.iaf.nl (GIGO 0.98w32) id AA01089; 24 May 94 18:30:24 +0100 From: goddijn@fgbbs.iaf.nl (Frans Goddijn) Date: 24 May 94 12:36:03 +0100 Subject: barre numero un est deux Message-Id: <66e_9405241830@fgbbs.iaf.nl> Organization: TeX, LaTeX & 4allTeX on FGBBS [31] 85-217041 X-Mail-Agent: GIGO+ sn 13 at fgbbs vsn 0.98w32 To: mutex@stolaf.edu Precedence: bulk I am having GREAT fun with MusicTeX, since I got the combination with a MIDI sequencer and Hans Kuykens' MIDI2TEX.EXE rigged up. Now there are some minor problems I encounter, partly as a result of the manuals for these things being written for the more intelligent human being. Fort instance, a reference is made to the numbering of barres with no _example_ of how a stupid person like me can safely pull it off. I get my music scores with barre number one empty. Did I cause this error telling my sequencer wrong, or telling midi2tex wrong, or did I do somethjing to musicTeX to get the first barre numbered two? An example: %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % MIDI2TeX C-version V 1.1 translation % of MIDI file : % idiotcla.mid % % Written by Hans Kuykens, Ad Verbruggen %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \input musicnft \input musictex %\input musicadd (% needed in my current version, else hangs) \input musictrp \normal \hsize 160mm \vsize 260mm % needed, else too much empty space on bottom % and rest of score next page, now pagenumber % is too low off the page. \musicsize=20 \elemskip=10pt% \def\nbinstruments{1} \generalsignature{0}\relax \def\thename{Idiot Bastard Son} % title \centerline{\enorme FRANK ZAPPA} % composer \medskip\centerline{\moyen \thename} \rightline{translation for CLARINET by MIDI2TeX from a midi file sequenced by Frans Goddijn } \rightline{midi2tex created by H.J.P. Kuykens} \def\date{\number\day -\number\month -\number\year} \headline={\ifnum\pageno>1 \otherpage \else\frontpage\fi} \def\frontpage{\hfil \tenrm\date} \def\otherpage{\tenrm \thename \hfil \tenrm\date} % %\def\barno{0} seems not to be the way to prevent the first bar % to be wrongly numbered 2 %\autolines{4}{7}{12} gets more on page but deletes vertical lines %\musicsize=16 % \transpose=1 \generalmeter{\meterfrac{3}{4}}% \relativeaccidentals \debutmorceau %measure 1 \signaturegenerale{0}\changecontext% \NOtes\qu h\enotes\relax \temps\NOtes\qu h\enotes\relax \temps\NOtes\qu h\enotes\relax %measure 2 \barre \NOtes\qu g\enotes\relax \temps\NOtes\hl j\enotes\relax %measure 3 \barre \NOtes\qu g\enotes\relax \temps\NOtes\hu h\enotes\relax %measure 4 \barre \NOtes\qu {^f}\enotes\relax \temps\NOtes\qu h\enotes\relax \temps\NOtes\qu g\enotes\relax %measure 5 \barre \NOtes\qu e\enotes\relax \temps\NOtes\qu g\enotes\relax \temps\NOtes\qu {^f}\enotes\relax %measure 6 \alaligne \NOtes\qu d\enotes\relax \temps\NOtes\qu {^f}\enotes\relax \temps\NOtes\qu e\enotes\relax %measure 7 \barre \NOtes\qu c\enotes\relax \temps\NOtes\itenu0a\hu a\enotes\relax %measure 8 \barre \NOtes\tten0\hup a\enotes\relax %measure 9 \barre \NOtes\qu {^f}\enotes\relax \temps\NOtes\qu h\enotes\relax \temps\NOtes\qu g\enotes\relax %measure 10 \barre \NOtes\qu e\enotes\relax \temps\NOtes\qu g\enotes\relax \temps\NOtes\qu {^f}\enotes\relax %measure 11 \barre \NOtes\qu d\enotes\relax \temps\NOtes\qu {^f}\enotes\relax \temps\NOtes\qu e\enotes\relax %measure 12 \barre \NOtes\qu c\enotes\relax \temps\NOtes\itenu0a\hu a\enotes\relax %measure 13 \alaligne \NOtes\tten0\hup a\enotes\relax %measure 14 \barre \NOtes\qu h\enotes\relax \temps\NOtes\qu h\enotes\relax \temps\NOtes\qu h\enotes\relax %measure 15 \barre \NOtes\qu g\enotes\relax \temps\NOtes\hl j\enotes\relax %measure 16 \barre \NOtes\qu g\enotes\relax \temps\NOtes\hu h\enotes\relax %measure 17 \barre \NOtes\qu {^f}\enotes\relax \temps\NOtes\qu h\enotes\relax \temps\NOtes\qu g\enotes\relax %measure 18 \barre \NOtes\qu e\enotes\relax \temps\NOtes\qu g\enotes\relax \temps\NOtes\qu {^f}\enotes\relax %measure 19 \barre \NOtes\qu d\enotes\relax \temps\NOtes\qu {^f}\enotes\relax \temps\NOtes\qu e\enotes\relax %measure 20 \alaligne \NOtes\qu c\enotes\relax \temps\NOtes\itenu0a\hu a\enotes\relax %measure 21 \barre \NOtes\tten0\hup a\enotes\relax %measure 22 \barre \NOtes\qu {^f}\enotes\relax \temps\NOtes\qu h\enotes\relax \temps\NOtes\qu g\enotes\relax %measure 23 \barre \NOtes\qu e\enotes\relax \temps\NOtes\qu g\enotes\relax \temps\NOtes\qu {^f}\enotes\relax %measure 24 \barre \NOtes\qu d\enotes\relax \temps\NOtes\qu {^f}\enotes\relax \temps\NOtes\qu e\enotes\relax %measure 25 \barre \NOtes\qu c\enotes\relax \temps\NOtes\itenu0a\hu a\enotes\relax %measure 26 \barre \NOtes\tten0\hup a\enotes\relax %measure 27 \alaligne \NOtes\qu h\enotes\relax \temps\NOtes\qu h\enotes\relax \temps\NOtes\qu h\enotes\relax %measure 28 \barre \NOtes\qu g\enotes\relax \temps\NOtes\itenu0j\hl j\enotes\relax %measure 29 \barre \NOtes\tten0\ql j\enotes\relax \temps\NOtes\qu g\enotes\relax \temps\NOtes\qu e\enotes\relax %measure 30 \barre \NOtes\ql k\enotes\relax \temps\NOtes\qu h\enotes\relax \temps\NOtes\qu d\enotes\relax %measure 31 \barre \NOtes\qu e\enotes\relax \temps\NOtes\qu g\enotes\relax \temps\NOtes\qu e\enotes\relax %measure 32 \barre \NOtes\ql l\enotes\relax \temps\NOtes\ql i\enotes\relax \temps\NOtes\qu d\enotes\relax %measure 33 \alaligne \NOtes\qu e\enotes\relax \temps\NOtes\itenu0b\hu b\enotes\relax %measure 34 \barre \NOtes\tten0\itenu1b\hup b\enotes\relax %measure 35 \barre \NOtes\tten1\qu b\enotes\relax \temps\NOtes\qu {^M}\enotes\relax \temps\NOtes\qu {^c}\enotes\relax %measure 36 \barre \NOtes\qu d\enotes\relax \temps\NOtes\qu e\enotes\relax \temps\NOtes\qu {^c}\enotes\relax %measure 37 \barre \NOtes\qu d\enotes\relax \temps\NOtes\itenu1{_b}\hu {_b}\enotes\relax %measure 38 \barre \NOtes\tten1\hu {_b}\enotes\relax \temps\NOtes\qu a\enotes\relax %measure 39 \barre \NOtes\qu {_b}\enotes\relax \temps\NOtes\qu c\enotes\relax \temps\NOtes\qu a\enotes\relax %measure 40 \alaligne \NOtes\qu {_b}\enotes\relax \temps\NOtes\itenu1{^M}\hu {^M}\enotes\relax %measure 41 \barre \NOtes\tten1\qu {^M}\enotes\relax \temps\NOtes\qu M\enotes\relax \temps\NOtes\qu N\enotes\relax %measure 42 \barre \NOtes\qu {_a}\enotes\relax \temps\NOtes\itenu1{=a}\hu {=a}\enotes\relax %measure 43 \barre \NOtes\tten1\qu a\enotes\relax \NOtes\ibu0N{0}\qh0{^M}\qh0N\enotes\relax \NOtes\qh0L\tbu0\qh0M\enotes\relax %measure 44 \barre \NOtes\ibu0L{0}\qh0K\qh0L\enotes\relax \NOtes\qh0J\tbu0\qh0K\enotes\relax \temps\NOtes\qu H\enotes\relax %measure 45 \alaligne \NOtes\ibu0N{0}\qh0{^M}\qs \tbbu0\tbu0\qh0N\enotes\relax \temps\NOtes\qu a\enotes\relax \temps\NOtes\qu a\enotes\relax %measure 46 \barre \NOtes\qu N\enotes\relax \temps\NOtes\hu c\enotes\relax %measure 47 \barre \NOtes\qu N\enotes\relax \temps\NOtes\itenu1a\hu a\enotes\relax %measure 48 \barre \NOtes\tten1\qu a\enotes\relax \temps\NOtes\qu h\enotes\relax \temps\NOtes\qu g\enotes\relax %measure 49 \barre \NOtes\qu e\enotes\relax \temps\NOtes\qu g\enotes\relax \temps\NOtes\qu {^f}\enotes\relax %measure 50 \barre \NOtes\qu d\enotes\relax \temps\NOtes\qu {^f}\enotes\relax \temps\NOtes\qu e\enotes\relax %measure 51 \alaligne \NOtes\qu c\enotes\relax \temps\NOtes\hu h\enotes\relax %measure 52 \barre \NOtes\ql i\enotes\relax \temps\NOtes\hl j\enotes\relax %measure 53 \barre \NOtes\ql i\enotes\relax \temps\NOtes\hl k\enotes\relax %measure 54 \barre \NOtes\ibl0i{0}\qb0j\qs \tbbl0\tbl0\qb0i\enotes\relax \temps\NOtes\hu h\enotes\relax %measure 55 \barre \NOtes\ql i\enotes\relax \temps\NOtes\ql j\enotes\relax \temps\NOtes\qu g\enotes\relax %measure 56 \barre \NOtes\ql i\enotes\relax \temps\NOtes\hu h\enotes\relax %measure 57 \barre \NOtes\qu {^f}\enotes\relax \temps\NOtes\qu h\enotes\relax \temps\NOtes\qu g\enotes\relax %measure 58 \alaligne \NOtes\qu e\enotes\relax \temps\NOtes\qu g\enotes\relax \temps\NOtes\qu {^f}\enotes\relax %measure 59 \barre \NOtes\hu d\enotes\relax \temps\NOtes\qu g\enotes\relax %measure 60 \barre \NOtes\qu h\enotes\relax \temps\NOtes\hu e\enotes\relax %measure 61 \barre \NOtes\qu {^f}\enotes\relax \temps\NOtes\qu g\enotes\relax \temps\NOtes\qu f\enotes\relax %measure 62 \barre \NOtes\hu d\enotes\relax \temps\NOtes\qu g\enotes\relax %measure 63 \barre \NOtes\qu h\enotes\relax \temps\NOtes\hu e\enotes\relax %measure 64 \barre \NOtes\qu {^f}\enotes\relax \temps\NOtes\qu g\enotes\relax \temps\NOtes\qu f\enotes\relax %measure 65 %\alaligne \NOtes\itenu1d\hup d\enotes\relax %measure 66 \barre \NOtes\tten1\hu d\enotes\relax \temps\NOtes\itenu2h\qu h\enotes\relax %measure 67 \barre \NOtes\tten2\cu h\qup h\enotes\relax \temps\NOtes\itenu1h\qu h\enotes\relax %measure 68 \barre \NOtes\tten1\cu h\qup g\enotes\relax \temps\NOtes\itenu2j\ql j\enotes\relax %measure 69 \barre \NOtes\tten2\itenu1j\hlp j\enotes\relax %measure 70 \barre \NOtes\tten1\hlp j\enotes\relax \finmorceau \bye That's it. Any suggestions? Met hartelijke groet! FG From owner-mutex Tue May 24 13:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id NAA03704 for mutex-distrib; Tue, 24 May 1994 13:15:20 -0500 Received: from gmdzi.gmd.de (gmdzi.gmd.de [129.26.8.90]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id NAA03663 for ; Tue, 24 May 1994 13:15:09 -0500 Received: from zsv.gmd.de (zsv) by gmdzi.gmd.de with SMTP id AA14434 (5.65c8/IDA-1.4.4 for ); Tue, 24 May 1994 20:14:50 +0200 Received: from sunick.gmd.de by zsv.gmd.de with SMTP id AA19487 (5.65c/IDA-1.4.4); Tue, 24 May 1994 20:14:49 +0200 Received: by sunick.gmd.de (5.0/SMI-SVR4) id AA27932; Tue, 24 May 1994 20:14:17 --100 Date: Tue, 24 May 1994 20:14:17 --100 From: Werner.Icking@gmd.de (Werner Icking) Message-Id: <9405241814.AA27932@sunick.gmd.de> To: mutex@stolaf.edu Subject: Re: barre numero un est deux X-Sun-Charset: US-ASCII Content-Length: 613 Precedence: bulk > I get my music scores with barre number one empty. Did I cause this error > telling my sequencer wrong, or telling midi2tex wrong, or did I do somethjing > to musicTeX to get the first barre numbered two? > > An example: [...] > %measure 1 > \signaturegenerale{0}\changecontext% ^^^^^^^^^^^^^^ > \NOtes\qu h\enotes\relax > \temps\NOtes\qu h\enotes\relax > \temps\NOtes\qu h\enotes\relax > %measure 2 > \barre > \NOtes\qu g\enotes\relax > [...] \changecontext terminates the 1st empty bar numbered 1 andd creates a barline which does not correspond to regular typesetting notes. Werner From owner-mutex Tue May 24 20:23:52 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id TAA21864 for mutex-distrib; Tue, 24 May 1994 19:32:56 -0500 Received: from uxa.cso.uiuc.edu (nigel@uxa.cso.uiuc.edu [128.174.5.60]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id TAA21827 for ; Tue, 24 May 1994 19:32:53 -0500 Received: by uxa.cso.uiuc.edu id AA16511 (5.67b/IDA-1.5 for mutex@stolaf.edu); Tue, 24 May 1994 19:29:52 -0500 Date: Tue, 24 May 1994 19:29:52 -0500 From: stewart james Message-Id: <199405250029.AA16511@uxa.cso.uiuc.edu> To: mutex@stolaf.edu Subject: Re: musicbra Precedence: bulk OK, we can try that or you could put the file where I could ftp it. From owner-mutex Wed May 25 13:23:54 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id MAA05143 for mutex-distrib; Wed, 25 May 1994 12:19:45 -0500 Received: from sun4nl.NL.net (sun4nl.NL.net [193.78.240.1]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id MAA05096 for ; Wed, 25 May 1994 12:19:40 -0500 Received: from iafnl by sun4nl.NL.net via EUnet id AA04401 (5.65b/CWI-3.3); Wed, 25 May 1994 19:19:30 +0200 Received: from fgbbs.iaf.nl by iafnl.iaf.nl with UUCP id AA20782 (5.65c/IDA-1.4.4); Wed, 25 May 1994 18:42:16 +0200 Received: by fgbbs.iaf.nl (GIGO 0.98w32) id AA01094; 25 May 94 18:30:37 +0100 From: goddijn@fgbbs.iaf.nl (Frans Goddijn) Date: 25 May 94 09:50:03 +0100 Subject: Re: barre numero un est deux Message-Id: <6e2_9405251830@fgbbs.iaf.nl> Organization: TeX, LaTeX & 4allTeX on FGBBS [31] 85-217041 X-Mail-Agent: GIGO+ sn 13 at fgbbs vsn 0.98w32 To: mutex@stolaf.edu Precedence: bulk said Werner Icking to All: WI> \changecontext terminates the 1st empty bar numbered 1 andd WI> creates a barline which does not correspond to regular WI> typesetting notes. Thanks! I guess I told something wrong to midi2tex.exe causing it to write that code there, then. Met hartelijke groet! FG From owner-mutex Sat May 28 10:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id JAA09826 for mutex-distrib; Sat, 28 May 1994 09:41:35 -0500 Received: from REG.TRIUMF.CA (reg.Triumf.CA [142.90.100.2]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id JAA09789 for ; Sat, 28 May 1994 09:41:31 -0500 From: dsmith@erich.triumf.ca Received: by erich.triumf.ca (MX V4.0-1 VAX) id 4; Sat, 28 May 1994 07:40:19 PST Date: Sat, 28 May 1994 07:40:19 PST To: mutex@stolaf.edu Message-ID: <0097F185.460F744A.4@erich.triumf.ca> Subject: Use of Musictex on Macintosh machines. Precedence: bulk Hello- I was wondering if anyone out there has tried to do this, run musictex on a machintosh machine. I can run Tex, LaTex, and input macros and styles but the problem comes with the fonts. I can't get the program to read the TFM files. I don't know enough about how these files are set up to make them readable my the mac. I actually don't know anything about how the mac font files are set up, so I can't translate them. Does anyone out there know about the mac fonts and the use of the musictex fonts to make use of them? Douglas Smith Dsmith@erich.triumf.ca From owner-mutex Mon May 30 04:23:56 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id DAA21581 for mutex-distrib; Mon, 30 May 1994 03:38:09 -0500 Received: from gmdzi.gmd.de (gmdzi.gmd.de [129.26.8.90]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id DAA21544 for ; Mon, 30 May 1994 03:38:01 -0500 Received: from zsv.gmd.de (zsv) by gmdzi.gmd.de with SMTP id AA11277 (5.65c8/IDA-1.4.4 for ); Mon, 30 May 1994 10:37:53 +0200 Received: from sunick.gmd.de by zsv.gmd.de with SMTP id AA07430 (5.65c/IDA-1.4.4); Mon, 30 May 1994 10:37:50 +0200 Received: by sunick.gmd.de (5.0/SMI-SVR4) id AA00364; Mon, 30 May 1994 10:37:49 --100 Date: Mon, 30 May 1994 10:37:49 --100 From: Werner.Icking@gmd.de (Werner Icking) Message-Id: <9405300837.AA00364@sunick.gmd.de> To: mutex@stolaf.edu Subject: Re: Use of Musictex on Macintosh machines. X-Sun-Charset: US-ASCII Content-Length: 1144 Precedence: bulk > I was wondering if anyone out there has tried to do this, run musictex on > a machintosh machine. I can run Tex, LaTex, and input macros and styles > but the problem comes with the fonts. I can't get the program to read the > TFM files. I don't know enough about how these files are set up to make > them readable my the mac. I actually don't know anything about how the > mac font files are set up, so I can't translate them. > > Does anyone out there know about the mac fonts and the use of the musictex > fonts to make use of them? I had no servere problems with OzTeX. The pk-files for 300 dpi had to be renamed from "xyz.pk" to "xyz" and put into a folder named "300". The tfm-files kept their names and had to be put into a separate folder like the tfm-s for LaTeX etc. Some config files had to be changed to reflect this new status; eg. a list of folders with tfm-files had to be extended by the name of the new folder. If you do not run OzTeX have a look where your TeX stores TFM-files and PK-Files. If you do not find such files look for a programme or function to import such files to your TeX. Hope this hilft -- Werner From owner-mutex Wed Jun 1 06:23:54 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id FAA12356 for mutex-distrib; Wed, 1 Jun 1994 05:19:50 -0500 Received: from zephyr.cs.vu.nl (mmdf@zephyr.cs.vu.nl [130.37.16.3]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id FAA12313 for ; Wed, 1 Jun 1994 05:19:41 -0500 Received: from galjas.cs.vu.nl by zephyr.cs.vu.nl id aa13146; 1 Jun 94 12:19 MET DST Received: from localhost by galjas.cs.vu.nl id aa16612; 1 Jun 94 12:19 MET DST To: mutex@stolaf.edu Subject: Midi2Tex on sun Date: Wed, 01 Jun 94 12:19:27 +0200 From: Menno van Zaanen Message-ID: <9406011219.aa16612@galjas.cs.vu.nl> Precedence: bulk Hi, I was wondering, does someone have a running version of midi2tex ? I've tried to compile it, but it didn't work, when I replaced all the (for my compiler) nonexisting calls, the program started, but when I tried it with a midi-file, I got a segmentation fault. So, where can I get a working version, or how do I get it working. ---------------------------------------------------------------------------- Menno van Zaanen mmzaanen@cs.vu.nl tweeq@dds.hacktic.nl ---------------------------------------------------------------------------- Once you eliminate the impossible, what remains is the solution, no matter improbable it may seem. From owner-mutex Mon Jun 6 21:23:52 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id UAA15683 for mutex-distrib; Mon, 6 Jun 1994 20:56:10 -0500 Received: from adeskgate.autodesk.com (adeskgate.autodesk.com [198.93.152.11]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id UAA15646 for ; Mon, 6 Jun 1994 20:56:05 -0500 From: akim@autodesk.com Received: from autodesk.autodesk.com by adeskgate.autodesk.com with smtp (Smail3.1.28.1 #1) id m0qAqNK-0000pIC; Mon, 6 Jun 94 18:54 PDT Received: from unix2cc.autodesk.com by autodesk.autodesk.com (8.6.8/4.4BSD) with ESMTP id SAA04343; Mon, 6 Jun 1994 18:55:11 -0700 Received: from smtpcc.autodesk.com by unix2cc.autodesk.com (8.6.8/SMI-5.3) with SMTP id SAA24699; Mon, 6 Jun 1994 18:55:09 -0700 Received: from cc:Mail by smtpcc.autodesk.com id AA770953126 Mon, 06 Jun 94 18:38:46 PST Date: Mon, 06 Jun 94 18:38:46 PST Message-Id: <9405067709.AA770953126@smtpcc.autodesk.com> To: mutex@stolaf.edu Cc: akim@smtpcc.autodesk.com Subject: mbox Precedence: bulk Is there anyone out there saving all the mails about mutex/musictex? I used to do that a year ago and I lost that mbox(mail box file). I would really appreciate if someone send me your mbox for me since I am trying to learn mutex again. My goal is trying to print scores with English lyrics then with Korean lyrics after sucessfully finding and installing the Korean font which I heard that I can get from Kaist Korea. Thanks in advance Andrew Kim From owner-mutex Wed Jun 15 20:23:52 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id TAA02999 for mutex-distrib; Wed, 15 Jun 1994 19:44:08 -0500 Received: from ellingtn.ftc.scs.ag.gov (ellingtn.ftc.scs.ag.gov [162.79.105.148]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id TAA02954 for ; Wed, 15 Jun 1994 19:44:04 -0500 Received: by ellingtn.ftc.scs.ag.gov with tcp (4.1/ftc-1.3) id AA03115; Thu, 16 Jun 94 00:43:26 GMT Message-Id: <9406160043.AA03115@ellingtn.ftc.scs.ag.gov> Subject: REQUEST: makefile or Bourne/C shell script for build MusicTeX To: mutex@stolaf.edu Date: Wed, 15 Jun 1994 18:43:24 -0600 (MDT) From: "Richard Ryan" X-Mailer: ELM [version 2.4 PL23] Content-Type: text Content-Length: 134 Precedence: bulk Hello, Is there a makefile or Bourne/C shell script for building MusicTeX from the tarred up distribution? Thank you, Ricard Ryan. From owner-mutex Thu Jun 16 06:23:52 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id GAA24409 for mutex-distrib; Thu, 16 Jun 1994 06:21:06 -0500 Received: from banon.daimi.aau.dk (banon.daimi.aau.dk [130.225.18.189]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id GAA24370 for ; Thu, 16 Jun 1994 06:21:02 -0500 Received: by banon.daimi.aau.dk id AA17742 (5.65c8/IDA-1.4.4 for mutex@stolaf.edu); Thu, 16 Jun 1994 13:20:58 +0200 Date: Thu, 16 Jun 1994 13:20:58 +0200 From: Jens Cornelius Olsen Message-Id: <199406161120.AA17742@banon.daimi.aau.dk> To: mutex@stolaf.edu Subject: Problems with chords. Precedence: bulk Hi out there. This is my first mail to this list and since I am a novice both to MusicTex and abc2mtex AND to setting music at all I may ask silly questions, but here we go: - Chords like +F6F6+ is okay but +F8F8+ is not. Why ? TeX says Undefined control sequence. \notes\ZuApp {f}{h}\Zutie ... - I want chords within a beam. Why is this impossible (according to the userguide of abc2mtex) ? Any help appreciated. --Jens. From owner-mutex Thu Jun 16 08:23:52 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id IAA28494 for mutex-distrib; Thu, 16 Jun 1994 08:11:42 -0500 Received: from gw1.att.com (gw1.att.com [192.20.239.133]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id IAA28455 for ; Thu, 16 Jun 1994 08:11:36 -0500 Received: from emsr1.emsr.att.com by ig1.att.att.com id AA25444; Thu, 16 Jun 94 09:11:03 EDT Received: from scratchy.jazz.att.com. by emsr1.emsr.att.com (4.1/EMS main.cf 1.33 7/21/93 (SMI-4.1/SVR4)) id AA06767; Thu, 16 Jun 94 09:11:58 EDT Received: from cnvnja.jazz.att.com by scratchy.jazz.att.com with SMTP (1.37.109.10G/15.6) id AA195742288; Thu, 16 Jun 1994 09:11:28 -0400 Posted-Date: Thu, 16 Jun 1994 09:11:28 -0400 Received-Date: Thu, 16 Jun 1994 09:11:28 -0400 Received: by cnvnja.jazz.att.com (4.1/SMI-4.1) id AA23073; Thu, 16 Jun 94 09:11:06 EDT Date: Thu, 16 Jun 94 09:11:06 EDT From: gls@cnvnja.jazz.att.com (G. L. Sicherman) Message-Id: <9406161311.AA23073@cnvnja.jazz.att.com> To: mutex@stolaf.edu Subject: makefile? Precedence: bulk Subject: REQUEST: makefile or Bourne/C shell script for build MusicTeX Date: Wed, 15 Jun 1994 18:43:24 -0600 (MDT) From: "Richard Ryan" Is there a makefile or Bourne/C shell script for building MusicTeX from the tarred up distribution? I don't think so. The TeX files can be used just as they are, in whatever directory your $TEXPATH points to, or in your current directory. As for the metafonts, with any luck you'll have a dvi translator that compiles them for you. If not, all that needs to be done is to run "mf" with the proper parameters, then gftopk to interpret and pack the font. Write if you hit a snag. Col. G. L. Sicherman gls@hrcms.ATT.COM From owner-mutex Thu Jun 16 09:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id IAA00566 for mutex-distrib; Thu, 16 Jun 1994 08:55:58 -0500 Received: from sun2.nsfnet-relay.ac.uk (sun2.nsfnet-relay.ac.uk [128.86.8.45]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id IAA00529 for ; Thu, 16 Jun 1994 08:55:53 -0500 Via: uk.ac.greenwich; Thu, 16 Jun 1994 14:41:52 +0100 Received: from deepthought by odin.greenwich.ac.uk with SMTP (PP) id <08439-0@odin.greenwich.ac.uk>; Thu, 16 Jun 1994 14:41:44 +0100 From: wc0zxr Message-Id: <3096.9406161340@deepthought> Subject: Re: Problems with chords. To: mutex@stolaf.edu Date: Thu, 16 Jun 1994 14:40:56 +0100 (BST) Cc: C.Walshaw@greenwich.ac.uk () () In-Reply-To: <199406161120.AA17742@banon.daimi.aau.dk> from "Jens Cornelius Olsen" at Jun 16, 94 01:20:58 pm X-Mailer: ELM [version 2.4 PL23] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 1352 Precedence: bulk > > > Hi out there. This is my first mail to this list and since I am a novice > both to MusicTex and abc2mtex AND to setting music at all I may ask silly > questions, but here we go: > > - Chords like +F6F6+ is okay but +F8F8+ is not. Why ? TeX says > Undefined control sequence. > \notes\ZuApp > {f}{h}\Zutie ... Sorry I hadn't defined the macro for this. You should add the following lines to zmacros.tex \def\ZuApp#1#2{\zw{#1}\wh{#2}}% \def\ZlApp#1#2{\zw{#1}\wh{#2}}% > - I want chords within a beam. Why is this impossible (according to the > userguide of abc2mtex) ? > It isn't impossible - again I just haven't defined the macros (basically because there are too many possibilities). You could write your own, e.g. \def\ZlAbbAbb#1#2#3#4{\Ibl0{#1}{#3}1\zq{#1}\qb0{#2}\zq{#3}\tqb0{#4}}% \def\ZuAbbAbb#1#2#3#4{\Ibu0{#1}{#3}1\zq{#1}\qh0{#2}\zq{#3}\tqh0{#4}}% for two chords of eighth notes in a beam and I can supply a little modification to the program to make it work. Eventually I intend to change the code so that the zmacros won't be necessary and then this should work fine. But don't hold your breath ... Chris Walshaw Chris Walshaw, email: C.Walshaw@gre.ac.uk School of Maths, Stats and Computing, Tel: 081-316 8746 The University of Greenwich. FAX: 081-316 8665 From owner-mutex Thu Jun 16 10:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id JAA02623 for mutex-distrib; Thu, 16 Jun 1994 09:31:56 -0500 Received: from efixdb.efi.sintef.no (efixdb.efi.sintef.no [129.241.25.116]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id JAA02579 for ; Thu, 16 Jun 1994 09:31:44 -0500 Received: by efixdb.efi.sintef.no id AA04065 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Thu, 16 Jun 1994 16:31:20 +0200 Date: Thu, 16 Jun 1994 16:31:20 +0200 From: Bjorn F Langoren Message-Id: <199406161431.AA04065@efixdb.efi.sintef.no> To: mutex@stolaf.edu Cc: mutex@stolaf.edu, akim@smtpcc.autodesk.com In-Reply-To: <9405067709.AA770953126@smtpcc.autodesk.com> (akim@autodesk.com) Subject: Re: mbox Precedence: bulk > Is there anyone out there saving all the mails about > mutex/musictex? I have about 150 musictex messages (about 350 Kbytes) stored here. They are saved in Emacs BABYL format. The oldest one is from November 1993. If you haven't had any other response, I can mail them to you. ( I probably will need to split and uuencode them first) If I don't hear anything from you, I'll assume you have gotten the stuff elsewhere. --- bfl@efi.sintef.no From owner-mutex Fri Jun 17 06:23:52 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id FAA24134 for mutex-distrib; Fri, 17 Jun 1994 05:33:30 -0500 Received: from sun2.nsfnet-relay.ac.uk (sun2.nsfnet-relay.ac.uk [128.86.8.45]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id FAA23935 for ; Fri, 17 Jun 1994 05:29:42 -0500 Via: uk.ac.greenwich; Fri, 17 Jun 1994 11:29:18 +0100 Received: from deepthought by odin.greenwich.ac.uk with SMTP (PP) id <23670-0@odin.greenwich.ac.uk>; Fri, 17 Jun 1994 11:22:54 +0100 From: wc0zxr Message-Id: <6462.9406171022@deepthought> Subject: Re: problems with changesignature To: mutex@stolaf.edu Date: Fri, 17 Jun 1994 11:22:53 +0100 (BST) Cc: C.Walshaw@greenwich.ac.uk () () Reply-To: C.Walshaw@greenwich.ac.uk X-Mailer: ELM [version 2.4 PL23] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 46 Precedence: bulk P.S. I am using MusicTeX 5.03 Chris Walshaw From owner-mutex Fri Jun 17 07:23:52 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id FAA23976 for mutex-distrib; Fri, 17 Jun 1994 05:29:45 -0500 Received: from sun2.nsfnet-relay.ac.uk (sun2.nsfnet-relay.ac.uk [128.86.8.45]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id FAA23931 for ; Fri, 17 Jun 1994 05:29:29 -0500 Via: uk.ac.greenwich; Fri, 17 Jun 1994 11:29:16 +0100 Received: from deepthought by odin.greenwich.ac.uk with SMTP (PP) id <23659-0@odin.greenwich.ac.uk>; Fri, 17 Jun 1994 11:21:58 +0100 From: wc0zxr Message-Id: <6448.9406171021@deepthought> Subject: problems with changesignature To: mutex@stolaf.edu Date: Fri, 17 Jun 1994 11:21:55 +0100 (BST) Cc: C.Walshaw@greenwich.ac.uk () () Reply-To: C.Walshaw@greenwich.ac.uk X-Mailer: ELM [version 2.4 PL23] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 1099 Precedence: bulk Can somone tell me why the second change of signature doesn't show up in the following example ... am I doing something wrong? I have another example, much more compilcated, where it doesn't show up after a couple of lines of output, but this is the simplest one I could find. Chris Walshaw -----------------------8<--cut here--8<----------------------------- \input musicnft \input musictex \input musicvbm \input musictrp \def\nbinstruments{1}\relax \generalsignature{3}\relax \generalmeter{\meterfrac{4}{4}}\relax \normal\relax \debutmorceau\relax \notes\wh h\enotes\relax \leftrepeat\relax \generalsignature{2}\relax \changesignature\relax \notes\wh h\enotes\relax \barre\relax \generalsignature{3}\relax \changesignature\relax \notes\wh h\enotes\relax \rightrepeat\relax \generalsignature{3}\relax \generalmeter{\meterfrac{4}{4}}\relax \normal\relax \debutmorceau\relax \notes\wh h\enotes\relax \leftrepeat\relax \generalsignature{2}\relax \changesignature\relax \notes\wh h\enotes\relax \generalsignature{3}\relax \changecontext\relax \notes\wh h\enotes\relax \rightrepeat\relax \end From owner-mutex Fri Jun 17 09:23:52 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id IAA02774 for mutex-distrib; Fri, 17 Jun 1994 08:33:11 -0500 Received: from gw1.att.com (gw1.att.com [192.20.239.133]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id IAA02737 for ; Fri, 17 Jun 1994 08:33:08 -0500 Received: from emsr1.emsr.att.com by ig1.att.att.com id AA27177; Fri, 17 Jun 94 09:32:44 EDT Received: from scratchy.jazz.att.com. by emsr1.emsr.att.com (4.1/EMS main.cf 1.33 7/21/93 (SMI-4.1/SVR4)) id AA01085; Fri, 17 Jun 94 09:33:41 EDT Received: from cnvnja.jazz.att.com by scratchy.jazz.att.com with SMTP (1.37.109.10G/15.6) id AA136359991; Fri, 17 Jun 1994 09:33:11 -0400 Posted-Date: Fri, 17 Jun 1994 09:33:11 -0400 Received-Date: Fri, 17 Jun 1994 09:33:11 -0400 Received: by cnvnja.jazz.att.com (4.1/SMI-4.1) id AA03307; Fri, 17 Jun 94 09:32:42 EDT Date: Fri, 17 Jun 94 09:32:42 EDT From: gls@cnvnja.jazz.att.com (G. L. Sicherman) Message-Id: <9406171332.AA03307@cnvnja.jazz.att.com> To: mutex@stolaf.edu Subject: changesignature Precedence: bulk From: wc0zxr Subject: problems with changesignature To: mutex@stolaf.edu Date: Fri, 17 Jun 1994 11:21:55 +0100 (BST) Can somone tell me why the second change of signature doesn't show up in the following example ... am I doing something wrong? I can reproduce the error. Looks like a bug! The manual says to use \changecontext rather than \changesignature after a bar, but that makes it worse--two bars appear in place of one. Sorry, I don't have a bugfix or a workaround. --Col. George Sicherman gls@hrcms.ATT.COM From owner-mutex Sun Jun 19 22:23:52 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id VAA18919 for mutex-distrib; Sun, 19 Jun 1994 21:45:01 -0500 Received: from tama.tas.ntt.jp (root@tama.TAS.NTT.JP [192.68.237.114]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id VAA18880 for ; Sun, 19 Jun 1994 21:44:43 -0500 Received: by tama.tas.ntt.jp (4.1/tas-sh-01) with TCP; Mon, 20 Jun 94 11:45:00 JST Received: by nttmail.tas.ntt.jp (4.1/nttmail-01) with TCP; Mon, 20 Jun 94 11:45:37 JST Received: by YECL.ntt.jp (4.1/NTTcs02b) with TCP; Mon, 20 Jun 94 11:44:36 JST Received: by nttvdt.ntt.jp (4.1/NTTcs01b) with TCP; Mon, 20 Jun 94 11:43:31 JST Message-Id: <9406200243.AA19614@nttvdt.ntt.jp> Date: Mon, 20 Jun 94 11:51:10 JST From: shpark@nttvdt.ntt.jp (S.H.Park) To: mutex@stolaf.edu Subject: Re: problems with changesignature Reply-To: shpark@nttvdt.ntt.jp Precedence: bulk Though I am a novice in musictex, I also think that is's a bug ! > \input musicnft > \input musictex > \input musicvbm > \input musictrp > > \def\nbinstruments{1}\relax > \generalsignature{3}\relax > \generalmeter{\meterfrac{4}{4}}\relax > \normal\relax > \debutmorceau\relax > \notes\wh h\enotes\relax > \leftrepeat\relax > \generalsignature{2}\relax > \changesignature\relax > \notes\wh h\enotes\relax > \barre\relax > \generalsignature{3}\relax % If you change the number *3* into % another number except 3, it will show up. > \changesignature\relax > \notes\wh h\enotes\relax > \rightrepeat\relax > \end > I just tried to comiple the above source codes with modified 'musictex.tex' file, of which the modified lines are at below. Before modification: \def\writesigni{\selectinstr\def\o@test{999}\w@ritenewsigni}% \def\writenewsigni{\selectinstr\def\o@test{\o@sign}\w@ritenewsigni}% \def\w@ritenewsigni{{\p@loop \n@portee \ifnum\o@test=\sign\relax\else \edef\get@ref{\noexpand\get@refs\the\cleftoks{}{}{}{}}% \setbox\toks@box=\hbox{\kern 0.4\Internote\get@ref\compnwsign \kern 0.4\Internote}% \ifdim\sign@skip<\wd\toks@box \global\sign@skip=\wd\toks@box\fi \raise\altportee\rlap{\box\toks@box}% \fi \repeat}% }% After modification: \def\writesigni{\selectinstr\def\o@test{999}\w@ritenewsigni}% \def\writenewsigni{\selectinstr\def\o@test{\o@sign}\w@ritenewsigni}% \def\w@ritenewsigni{{\p@loop \n@portee % \ifnum\o@test=\sign\relax\else %!!!!! Comment mark is inserted !!!! \edef\get@ref{\noexpand\get@refs\the\cleftoks{}{}{}{}}% \setbox\toks@box=\hbox{\kern 0.4\Internote\get@ref\compnwsign \kern 0.4\Internote}% \ifdim\sign@skip<\wd\toks@box \global\sign@skip=\wd\toks@box\fi \raise\altportee\rlap{\box\toks@box}% % \fi %!!!!! Comment mark is inserted !!!! \repeat}% }% What I have done is only to delete two lines with comment marks !!! Then the sencond \changesignature will work well. But I am afraid this will cause another error. I hope this will be answered by other real experts in musictex or the author. I hope this helps. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Seop Hyeong Park NTT in Japan: (Now I am here) shpark@nttvdt.ntt.jp KT(Korea Telecom) in Korea: seoppark@fruits.kotel.co.kr NTT Human Interface Labs TEL +81(0)468-59-3382 Visual Media Lab., Yokosuka Japan FAX +81(0)468-59-2829 After Work Hours: TEL +81(0)468-47-0161 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ From owner-mutex Mon Jun 20 05:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id EAA01672 for mutex-distrib; Mon, 20 Jun 1994 04:32:22 -0500 Received: from karhu.Helsinki.FI (vanhala@karhu.Helsinki.FI [128.214.4.13]) by nic.stolaf.edu (8.6.9/8.6.5) with ESMTP id EAA01629 for ; Mon, 20 Jun 1994 04:32:18 -0500 Received: (vanhala@localhost) by karhu.Helsinki.FI (8.6.9/8.6.5) id MAA17538 for mutex@stolaf.edu; Mon, 20 Jun 1994 12:32:42 +0300 From: Tomas Valter Vanhala Message-Id: <199406200932.MAA17538@karhu.Helsinki.FI> Subject: FAQ enhancements To: mutex@stolaf.edu Date: Mon, 20 Jun 1994 12:32:42 +0300 (EETDST) X-Mailer: ELM [version 2.4 PL23] MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit Content-Length: 1396 Precedence: bulk Regarding the FAQ for MusicTeX and MuTeX dated 930127: The TeX archive at ymir.claremont.edu no longer exists, so please remove the lines ymir.claremont.edu [anonymous.tex.music.mtex] ymir.claremont.edu [anonymous.tex.music.musictex]. from the answer to question 02. The ftp site for the most up to date version of musictex is no longer rsovax.ups.circe.fr directory [anonymous.musictex] It is now rsovax.lps.u-psud.fr (193.55.39.100) in the directory [anonymous.musictex] It might also be a good idea to add the following info about the CTAN archives: A good place to get the MuTeX or MusicTeX package is one of the CTAN archives. CTAN is an acronym for Comprehensive TeX Archive Network. Participating hosts in the CTAN and their root CTAN directories include: ftp.shsu.edu [192.92.115.10] /tex-archive ftp.tex.ac.uk [134.151.44.19] /tex-archive ftp.dante.de [128.69.1.12] /tex-archive Files uploaded to any of the participating hosts are automatically copied to the other CTAN archives, so the contents of all the CTAN archives are the same. In order to reduce network load, it is recommended that you use the CTAN host which is located in the closest proximity to your site. Add to the MuTeX site listing: CTAN /tex-archive/macros/mtex and to the MusicTeX site listing: CTAN /tex-archive/macros/musictex From owner-mutex Tue Jun 21 02:23:52 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id CAA11254 for mutex-distrib; Tue, 21 Jun 1994 02:08:05 -0500 Received: from lassie.eunet.fi (lassie.eunet.fi [192.26.119.7]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id CAA11217 for ; Tue, 21 Jun 1994 02:07:58 -0500 Received: from marathon.tekla.fi by lassie.eunet.fi with SMTP id AA08583 (5.67a/IDA-1.5 for ); Tue, 21 Jun 1994 10:08:36 +0300 Received: by marathon.tekla.fi (5.57/20-jun-90) id AA29827; Tue, 21 Jun 94 10:12:26 +0300 Received: by xelnet.tekla.fi (5.57/20-jun-90) id AA17565; Tue, 21 Jun 94 10:12:24 +0300 Date: Tue, 21 Jun 94 10:12:24 +0300 From: teklara@tekla.fi (Perttu Raivio) Message-Id: <9406210712.AA17565@xelnet.tekla.fi> To: mutex@stolaf.edu Subject: Polyrythms in MusicTeX Precedence: bulk Is it possible to write polyrythms with brackets in MusicTeX? This would make it easier to visualize more complicated rhythms, like the following examples. In the latter example the "d" is a half note. |--- 3 --| | | _____________ |---|---| | | | | | | | | | =| =| =| =| |--------- 2 : 3 d ---------------| | | |--- 3 --| |------ 5 ------| | | | | _________ _________________ | | | | | | | | | | | | | | | | =| =| =| =| =| =| =| =| Actually what would help would be a method to write arbitary length brackets with the specified text somewhere in the middle of the bracket. Perttu From owner-mutex Tue Jun 21 04:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id DAA14222 for mutex-distrib; Tue, 21 Jun 1994 03:58:49 -0500 Received: from gmdzi.gmd.de (gmdzi.gmd.de [129.26.8.90]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id DAA14179 for ; Tue, 21 Jun 1994 03:58:41 -0500 Received: from zsv.gmd.de (zsv) by gmdzi.gmd.de with SMTP id AA12416 (5.65c8/IDA-1.4.4 for ); Tue, 21 Jun 1994 10:58:27 +0200 Received: from sunick.gmd.de by zsv.gmd.de with SMTP id AA15719 (5.65c/IDA-1.4.4); Tue, 21 Jun 1994 10:58:24 +0200 Received: by sunick.gmd.de (5.0/SMI-SVR4) id AA10875; Tue, 21 Jun 1994 10:58:14 --100 Date: Tue, 21 Jun 1994 10:58:14 --100 From: Werner.Icking@gmd.de (Werner Icking) Message-Id: <9406210858.AA10875@sunick.gmd.de> To: mutex@stolaf.edu Subject: Re: Polyrythms in MusicTeX X-Sun-Charset: US-ASCII Content-Length: 607 Precedence: bulk > Is it possible to write polyrythms with brackets in MusicTeX? Yes, it is. Have a look at the docs e.g. chapter 2.21 (rtfm :-) Another help may be the following example from my "fundus": \def\nbinstruments{1}\relax \debutextrait\transpose=7\relax \Notes\xtuplet3e\ibl0c0\qb0{cc}\tbl0\qb0c\enotes\relax \Notes\xtuplet7e\ibl0c0\qb0{cccccc}\tbl0\qb0c\enotes\relax \Notes\ibl0c0\qb0{cccccc}\tbl0\qb0c\xtuplet7e\enotes\relax \transpose=0\Notes\ibl0j0\triolet M\qb0{jk}\tbl0\qb0j\enotes \finextrait \bye The macros triolet, xtuplet, ... show how such problems may be solved. Werner From owner-mutex Tue Jun 21 07:23:52 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id HAA23003 for mutex-distrib; Tue, 21 Jun 1994 07:21:41 -0500 Received: from hprib.lps.u-psud.fr (hprib.lps.u-psud.fr [193.55.39.152]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id HAA22960 for ; Tue, 21 Jun 1994 07:21:36 -0500 From: TAUPIN@rsovax.lps.u-psud.fr Message-Id: <199406211221.HAA22960@nic.stolaf.edu> Received: from rsovax.lps.u-psud.fr by hprib.lps.u-psud.fr with SMTP (1.37.109.4/16.2) id AA26280; Tue, 21 Jun 94 14:25:42 +0200 Date: 21-JUN-1994 14:27:40 GMT2 Subject: Problems of signature in MusicTeX To: mutex@stolaf.edu Precedence: bulk Subject: MusicTeX problems in \changesignature There was a bug whose correction is: \def\changesignature{\n@skmb\termskip\nobreak\zglu\nobreak \skip@b\writenewsignatures\savesignature}% .............................^^^^^^^^^^^^^^ D. Taupin From owner-mutex Tue Jun 21 09:23:52 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id IAA26446 for mutex-distrib; Tue, 21 Jun 1994 08:37:42 -0500 Received: from hprib.lps.u-psud.fr (hprib.lps.u-psud.fr [193.55.39.152]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id IAA26374 for ; Tue, 21 Jun 1994 08:37:32 -0500 From: TAUPIN@rsovax.lps.u-psud.fr Message-Id: <199406211337.IAA26374@nic.stolaf.edu> Received: from rsovax.lps.u-psud.fr by hprib.lps.u-psud.fr with SMTP (1.37.109.4/16.2) id AA27649; Tue, 21 Jun 94 15:41:38 +0200 Date: 21-JUN-1994 15:43:22 GMT2 Subject: MusicTeX 5.04 To: mutex@stolaf.edu Precedence: bulk Subject: MusicTeX version 5.04 New version 5.04 of MusicTeX available at anonymous ftp: rsovax.lps.u-psud.fr = 193.55.39.100 directory [anonymous.musictex] Changes: - 5.04 bug corrected in \changesignature; doc upgraded - 5.03 fonts musikn* changed for two characters New features: - 5.03 more specific note heads for percussion scores and violin harmonics Daniel Taupin From owner-mutex Wed Jun 22 08:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id HAA00256 for mutex-distrib; Wed, 22 Jun 1994 07:39:20 -0500 Received: from gmdzi.gmd.de (gmdzi.gmd.de [129.26.8.90]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id HAA00207 for ; Wed, 22 Jun 1994 07:39:14 -0500 Received: from zsv.gmd.de (zsv) by gmdzi.gmd.de with SMTP id AA24354 (5.65c8/IDA-1.4.4 for ); Wed, 22 Jun 1994 14:39:06 +0200 Received: from sunick.gmd.de by zsv.gmd.de with SMTP id AA17698 (5.67b8/IDA-1.5 for ); Wed, 22 Jun 1994 14:39:03 +0200 Received: by sunick.gmd.de (5.0/SMI-SVR4) id AA12054; Wed, 22 Jun 1994 14:38:52 --100 Date: Wed, 22 Jun 1994 14:38:52 --100 From: Werner.Icking@gmd.de (Werner Icking) Message-Id: <9406221238.AA12054@sunick.gmd.de> To: mutex@stolaf.edu Subject: MusicTeX 5.04 et. al. on ftp.gmd.de X-Sun-Charset: US-ASCII Content-Length: 856 Precedence: bulk > From: TAUPIN@rsovax.lps.u-psud.fr > Date: 21-JUN-1994 15:43:22 GMT2 > > New version 5.04 of MusicTeX available [...] Ok folks, ftp.gmd.de has been updated, too. I.e. tar-files have been generated in music/musictex/ and zip-files stored into music/musictex/diff-files which contain the modified files. You should get these files if you have already Version 5.03 and if you are able to tex musicdoc.tex to generate the slightly modified documentation. The new ftp-server on ftp.gmd.de is able to uncompress the .gz files for you. That's done if you request musictex-504.tar instead of musictex-504.tar.gz musikpk.zip has not been modified; therefor there is no new musicpk-archive. There are some new files on ftp.gmd.de /music/... e.g. a Naxos-CD-catalog, a string-quartet-list bei Heimeran, a Piano-Trio by Jeff Harrington, ... Enjoy - Werner From owner-mutex Thu Jun 23 01:23:52 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id AAA21172 for mutex-distrib; Thu, 23 Jun 1994 00:42:03 -0500 Received: from milou.eunet.fi (milou.eunet.fi [192.26.119.8]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id AAA21124 for ; Thu, 23 Jun 1994 00:41:54 -0500 Received: from marathon.tekla.fi by milou.eunet.fi with SMTP id AA00650 (5.67a/IDA-1.5 for ); Thu, 23 Jun 1994 08:41:43 +0300 Received: by marathon.tekla.fi (5.57/20-jun-90) id AA13612; Thu, 23 Jun 94 08:46:05 +0300 Received: by xelnet.tekla.fi (5.57/20-jun-90) id AA12333; Thu, 23 Jun 94 08:46:03 +0300 Date: Thu, 23 Jun 94 08:46:03 +0300 From: teklara@tekla.fi (Perttu Raivio) Message-Id: <9406230546.AA12333@xelnet.tekla.fi> To: mutex@stolaf.edu Subject: Re: Polyrythms in MusicTeX In-Reply-To: <9406210858.AA10875@sunick.gmd.de> References: <9406210858.AA10875@sunick.gmd.de> Precedence: bulk >>>> Ac dixit "Werner" == Werner Icking: Werner> Werner> The macros triolet, xtuplet, ... show how such problems may be solved. In principle, yes, but these don't add brackets over the tuplet and the bracket macros in musicext.tex add continuous brackets. What I want are brackets with text in the middle of them. Perttu From owner-mutex Mon Jun 27 13:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id NAA26698 for mutex-distrib; Mon, 27 Jun 1994 13:14:49 -0500 Received: from sachiko.acc.stolaf.edu (sachiko.acc.stolaf.edu [130.71.136.53]) by nic.stolaf.edu (8.6.9/8.6.5) with ESMTP id NAA26655; Mon, 27 Jun 1994 13:14:45 -0500 Message-Id: <199406271814.NAA26655@nic.stolaf.edu> To: mutex@stolaf.edu Cc: mutex Subject: Re: mbox In-reply-to: Your message of Thu, 16 Jun 1994 16:31:20 +0200. <199406161431.AA04065@efixdb.efi.sintef.no> Date: Mon, 27 Jun 1994 13:14:43 -0500 From: Craig D Rice Precedence: bulk > > Is there anyone out there saving all the mails about > > mutex/musictex? 03 Where are the archives of the MuTeX mailing list? Archives for the MuTeX mailing list are available via anonymous FTP from: ftp.stolaf.edu:/pub/mutex/archive They are also available via Gopher (gopher.stolaf.edu/Internet Resources/St. Olaf Sponsored Mailing Lists) Craig -- Craig D. Rice UNIX Systems Specialist cdr@stolaf.edu Academic Computing Center, St. Olaf College +1 507 646-3631 1510 St. Olaf Avenue +1 507 646-3096 FAX Northfield, MN 55057-1097 USA From owner-mutex Wed Jun 29 11:23:54 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id KAA20161 for mutex-distrib; Wed, 29 Jun 1994 10:36:10 -0500 Received: from rugth4.th.rug.nl (rugth4.th.rug.nl [129.125.13.5]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id KAA20117 for ; Wed, 29 Jun 1994 10:36:02 -0500 Received: by rugth4.th.rug.nl (5.57/Ultrix3.0-C) id AA08295; Wed, 29 Jun 94 17:35:07 +0200 Date: Wed, 29 Jun 94 17:35:07 +0200 From: nijhof@th.rug.nl (Jeroen Nijhof) Message-Id: <9406291535.AA08295@rugth4.th.rug.nl> To: mutex@stolaf.edu Subject: FAQ Q.15: would abc2mtex qualify? Precedence: bulk Question 15 of the FAQ is: Are there any user interfaces to MusicTeX? I'd say Chris Walshaw's abc2mtex (available from celtic.stanford.edu:/pub/tunes/abc2mtex1.2) would qualify as such. (By the way, when compiling abc2mtex on an Atari ST with gcc, I had to use fixstk to to get abc2mtex.ttp running) Yours, Jeroen Nijhof From owner-mutex Fri Jul 1 12:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id LAA25362 for mutex-distrib; Fri, 1 Jul 1994 11:47:53 -0500 Received: from ntp1.NL.net (ntp1.NL.net [193.78.240.14]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id LAA25325 for ; Fri, 1 Jul 1994 11:47:48 -0500 Received: by ntp1.NL.net (Smail3.1.28.1 #1) id m0qJlke-00003fC; Fri, 1 Jul 94 18:47 MET DST Message-Id: Date: Fri, 1 Jul 94 18:47 MET DST From: jv@NL.net (Johan Vromans) To: mutex@stolaf.edu Cc: mutex@stolaf.edu Subject: Re: FAQ Q.15: would abc2mtex qualify? References: <9406291535.AA08295@rugth4.th.rug.nl> Reply-To: Johan.Vromans@NL.net X-Organization: NLnet - the Internet in the Netherlands X-Address: Kruislaan 419, 1098 VA Amsterdam, The Netherlands X-Phone: +31 20 6639366 Fax: +31 20 6655311 X-Mailer: GNU Emacs 19.25.1 with VM 5.71 (beta) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Precedence: bulk [Quoting Jeroen Nijhof, on June 29 1994, 17:35, in "FAQ Q.15: would abc2"] > > Question 15 of the FAQ is: Are there any user interfaces to MusicTeX? > I'd say Chris Walshaw's abc2mtex > (available from celtic.stanford.edu:/pub/tunes/abc2mtex1.2) > would qualify as such. I have a program to generate musictex from ascii notated music. Simple scores (one voice with chords and text). I haven't been able to turn it into a good package, but it works and may be of use. ftp: ftp.nl.net:/pub/users/jv/mcom.tar.Z ------------------------------------------------------------------------------ Johan Vromans jv@nl.net Johan.Vromans@NL.net NLnet, the Internet in the Netherlands Phone: +31 20 6639366 Kruislaan 413, 1098 SJ Amsterdam, The Netherlands Fax: +31 20 6655311 http://www.nl.net/~jv http://www.nl.net ------------------------ "Arms are made for hugging" ------------------------- From owner-mutex Wed Jul 20 11:23:52 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id LAA22192 for mutex-distrib; Wed, 20 Jul 1994 11:06:15 -0500 Received: from relay1.UU.NET (relay1.UU.NET [192.48.96.5]) by nic.stolaf.edu (8.6.9/8.6.5) with ESMTP id LAA22147 for ; Wed, 20 Jul 1994 11:06:06 -0500 Received: from uucp5.UU.NET by relay1.UU.NET with SMTP id QQwzjs17714; Wed, 20 Jul 1994 12:05:58 -0400 Received: from palomino.UUCP by uucp5.UU.NET with UUCP/RMAIL ; Wed, 20 Jul 1994 12:06:05 -0400 Received: by palomino.dii.com (4.1/SMI-4.1) id AA23429; Wed, 20 Jul 94 08:26:00 PDT Date: Wed, 20 Jul 94 08:26:00 PDT From: palomino!edward@uunet.UU.NET (Edward Maros) Message-Id: <9407201526.AA23429@palomino.dii.com> To: mutex@stolaf.edu Subject: Please help Precedence: bulk Currently I am using songbook.sty to format some music. The individual for whom I am doing the work has requested several alterations which I have been able to do. Some of the alterations I have not been able to figure out and thought maybe someone here could help. 1. Double space between words. 2. All caps (Could type it this way but hoping not too). 3. Use helvitica(sp?) font. Number 2 could be trivial if I had a helvitica font definition in which I could map all the lower case letters to upper case. Thanks for all help. Ed --- Edward Maros edward@dii.com Member Technical Staff uunet!dii.com!edward Data Integration Voice: (310) 313 9173 11965 Venice Bld. Suite 305 Fax: (310) 313 9151 Los Angeles, CA 90066-3954 From owner-mutex Wed Jul 27 09:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id JAA28364 for mutex-distrib; Wed, 27 Jul 1994 09:07:33 -0500 Received: from bnr.ca (x400gate.bnr.ca [192.58.194.73]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id JAA28321 for ; Wed, 27 Jul 1994 09:07:26 -0500 X400-Received: by mta bnr.ca in /PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/; Relayed; Wed, 27 Jul 1994 10:06:23 -0400 X400-Received: by /PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/; Relayed; Wed, 27 Jul 1994 10:05:39 -0400 X400-Received: by /PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/; Relayed; Wed, 27 Jul 1994 10:04:00 -0400 Date: Wed, 27 Jul 1994 10:04:00 -0400 X400-Originator: /dd.id=1745611/g=christopher/i=cj/s=rath/@bnr.ca X400-MTS-Identifier: [/PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/;bcars735.b.986:27.06.94.14.05.39] X400-Content-Type: P2-1984 (2) Content-Identifier: re:Please help From: "christopher (c.j.) rath" Sender: "christopher (c.j.) rath" Message-ID: <"8001 Wed Jul 27 10:05:50 1994"@bnr.ca> To: mutex@stolaf.edu Cc: mutex@stolaf.edu Subject: re:Please help Precedence: bulk In message "Please help", 'palomino!edward@uunet.UU.net' writes: >Currently I am using songbook.sty to format some music. The individual >for whom I am doing the work has requested several alterations which >I have been able to do. Some of the alterations I have not been able >to figure out and thought maybe someone here could help. > > 1. Double space between words. This is a general LaTeX problem. If you can solve it for LaTeX then that solution should work for the SongBook style as well. > 2. All caps (Could type it this way but hoping not too). See the note on #1. > 3. Use helvitica(sp?) font. This can be done by re-defining the fonts. See the overhead.sty file in the SongBook version 2.3 package for an example of what you have to do. In overhead.sty I re-define most of the fonts to use TeX's sans serif font. If you're not using version 2.3 of the songbook style then I can send it to you. > >Number 2 could be trivial if I had a helvitica font definition in which >I could map all the lower case letters to upper case. Thanks for all help. I don't have answers for either #1 or #2. I suggest that you post to comp.text.tex asking these questions as general LaTeX questions. The answers you receive should work with the SongBook style. Christopher === Christopher Rath ===== crath@bnr.ca ===== (613) 765-3141 === Bell-Northern Research | Box 3511, Station `C' | ``Hydrogen is a colourless, odourless Ottawa, ON K1Y 4H7 | gas which, given enough time, turns FAX: (613) 763-4101 | into people.'' --- Henry Hiebert From owner-mutex Wed Aug 17 20:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id UAA13297 for mutex-distrib; Wed, 17 Aug 1994 20:11:10 -0500 Received: from Erich.Triumf.CA ([142.90.100.1]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id UAA13259 for ; Wed, 17 Aug 1994 20:11:04 -0500 From: dsmith@erich.triumf.ca Received: by erich.triumf.ca (MX V4.0-1 VAX) id 17; Wed, 17 Aug 1994 18:11:00 PST Date: Wed, 17 Aug 1994 18:10:58 PST To: mutex@stolaf.edu Message-ID: <00983183.CB8CE182.17@erich.triumf.ca> Subject: Use of Metafont for Mutex Precedence: bulk Hello, I have Metafont 066, for the Mac. I am using it to create font files for Textures on the Mac for MusicTex. The instructions in both MusicTex and Metafont tell me that this should work, but there is a problem. Metafont runs out of memory on the musikgen.mf file, and on other *gen.mf files. I allocate five Meg worth of memory to the program, but it still doesn't work. The program crashes at 1 Meg memory used. Is there a way to tell Metafont to use more memory? I have lots of memory of the machine that I am using, so this is not a problem. Is there a newer version of Metafont which will work better? Douglas Smith From owner-mutex Thu Aug 18 11:23:58 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id LAA20433 for mutex-distrib; Thu, 18 Aug 1994 11:14:17 -0500 Received: from tsunami.dt.navy.mil (tsunami.dt.navy.mil [130.46.12.37]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id LAA20395 for ; Thu, 18 Aug 1994 11:14:11 -0500 Received: by tsunami.dt.navy.mil (911016.SGI/911001.SGI) for mutex@stolaf.edu id AA07906; Thu, 18 Aug 94 12:14:08 -0400 Date: Thu, 18 Aug 94 12:14:08 -0400 From: dane@tsunami.dt.navy.mil (Dane Hendrix) Message-Id: <9408181614.AA07906@tsunami.dt.navy.mil> To: mutex@stolaf.edu Subject: Interportee question Precedence: bulk I am a beginer with MusicTeX and a novice with TeX so this is probably a very simple question: I am trying to use \Interportee to increase the distance between staffs. What is the exact syntax for changing this dimension and where should the change be placed in the .tex file? Thanks, Dane Dane Hendrix, Code 542 | email: hendrix@dt.navy.mil David Taylor Model Basin | or hendrix@nas.nasa.gov Carderock Division Headquarters | or just reply Naval Surface Warfare Center | phone: (301)227-1340 Bethesda, MD 20084-5000 | FAX: (301)227-4589 From owner-mutex Mon Aug 22 13:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id MAA15265 for mutex-distrib; Mon, 22 Aug 1994 12:27:27 -0500 Received: from gmdzi.gmd.de (gmdzi.gmd.de [129.26.8.90]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id MAA15209 for ; Mon, 22 Aug 1994 12:27:07 -0500 Received: from zsv.gmd.de (zsv) by gmdzi.gmd.de with SMTP id AA10406 (5.65c8/IDA-1.4.4 for ); Mon, 22 Aug 1994 19:26:43 +0200 Received: from sunick.gmd.de by zsv.gmd.de with SMTP id AA22702 (5.67b8/IDA-1.5 for ); Mon, 22 Aug 1994 19:26:40 +0200 Received: by sunick.gmd.de (5.0/SMI-SVR4) id AA11784; Mon, 22 Aug 1994 19:25:45 --100 Date: Mon, 22 Aug 1994 19:25:45 --100 From: Werner.Icking@gmd.de (Werner Icking) Message-Id: <9408221725.AA11784@sunick.gmd.de> To: mutex@stolaf.edu Subject: BWV1001 Sei solo a Violino ... -- Score available by ftp X-Sun-Charset: US-ASCII Content-Length: 1837 Precedence: bulk The following I announced in rec.music.classical.performing,rec.music.classical The list of my music-editions has been increased by one item. I've finished the first of the six sonatas and partitas for violin solo by J.S. Bach "Sei solo a Violino senza Basso accompagnato. Libro primo da Joh. Seb. Bach ao. 1720". My edition contains a printed version which is as close as possible to the autograph (incl. errors, linebreaking, moved G-clef in the 2nd movement, ...), and a "normalized" version ready for playing. Imho this edition is of interest not only for advanced violin players but for those of you too, who are able to read music while listening to this great music. You may access the files either by anonymous ftp directly: ftp.gmd.de music/scores/bach/... or by WWW: ftp://ftp.gmd.de/music/... The directory contains the 2nd page of Bach's autograph as GIF (bwv1001.gif) so that you may compare my edition and the ori- ginal handwriting of Bach. bwv1001.ps.gz contains the compressed postscript file; our ftp- server is so kind to un-compress the file for you if you request "bwv1001.ps" instead of "bwv1001.ps.gz" bwv1001.zip contains the MusicTeX-source of the first movement for all those of you who are interested MusicTeX for typesetting music. readme tells a little bit more about the files in the directory and in the Zip-archive *and* how the postscript-file may be printed on letter-size paper. Enjoy -- Werner PS: I've to thank etxcfl@kk.ericsson.se (ETX-T-RE Liden Fredrik) and Jay Hosler - and may be some others - for their help during proof-reading and -playing and Daniel Taupin for his wonderful MusicTeX (which steals so much of my time :-) From owner-mutex Wed Aug 24 05:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id EAA07458 for mutex-distrib; Wed, 24 Aug 1994 04:36:53 -0500 Received: from hprib.lps.u-psud.fr (hprib.lps.u-psud.fr [193.55.39.152]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id EAA07421 for ; Wed, 24 Aug 1994 04:36:40 -0500 From: TAUPIN@rsovax.lps.u-psud.fr Message-Id: <199408240936.EAA07421@nic.stolaf.edu> Received: from rsovax.lps.u-psud.fr by hprib.lps.u-psud.fr with SMTP (1.37.109.4/16.2) id AA10842; Wed, 24 Aug 94 11:40:05 +0200 Date: 24-AUG-1994 11:41:30 GMT2 Subject: MusicTeX distrib updated To: mutex@stolaf.edu Precedence: bulk Subject: MusicTeX distrib updated 1. Noting new in the core, still version 5.03 2. The doc has been reviewed, using makeindex rather than a local sorting 3. tfm, pk, examples, mf are in separate directories 4. The doc (musicdoc) has been checked to work with latex2e --> CTAN managers, please update. D. Taupin From owner-mutex Wed Sep 7 11:23:54 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id KAA13190 for mutex-distrib; Wed, 7 Sep 1994 10:51:49 -0500 Received: from ftp.sztaki.hu (ftp.sztaki.hu [192.84.225.2]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id KAA13142 for ; Wed, 7 Sep 1994 10:51:33 -0500 Received: by ftp.sztaki.hu (5.61++/SZTAKI-FTP-1.0) id AA06793; Wed, 7 Sep 94 17:48:29 +0200 Date: Wed, 7 Sep 94 17:48:29 +0200 From: Tamas Maray Message-Id: <9409071548.AA06793@ftp.sztaki.hu> To: mutex@stolaf.edu Subject: nbinstruments X-Charset: US X-Char-Esc: 0 Precedence: bulk Hello MusicTeX experts, Is there any way with MusicTeX to have more than 9 instruments at the same time? I would like to typeset 6 voice choral works, each voice with text. That means 12 instruments. I tried to modify musicadd.tex but without success. Thanks for your suggestions, Tamas MARAY Technical University of Budapest From owner-mutex Mon Sep 12 08:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id IAA03923 for mutex-distrib; Mon, 12 Sep 1994 08:09:06 -0500 Received: from pol88b.polito.it (pol88b.polito.it [130.192.2.16]) by nic.stolaf.edu (8.6.9/8.6.5) with ESMTP id IAA03871 for ; Mon, 12 Sep 1994 08:08:59 -0500 Received: from beatles (beatles.cselt.stet.it) by polito.it (PMDF V4.2-15 #3020) id <01HH11HINRDC9S3PT8@polito.it>; Mon, 12 Sep 1994 14:50:00 GMT+1 Received: by beatles (5.0/SMI-SVR4) id AA24764; Mon, 12 Sep 1994 14:51:24 --100 Date: Mon, 12 Sep 1994 14:51:24 +0100 From: mau@beatles.cselt.stet.it (Maurizio Codogno) Subject: centering text in MusicTeX To: mutex@stolaf.edu Errors-to: Postmaster@beatles.cselt.stet.it Message-id: <9409121251.AA24764@beatles> X-Envelope-to: mutex@stolaf.edu Content-transfer-encoding: 7BIT X-Sun-Charset: US-ASCII content-length: 568 Precedence: bulk I'd like to write a pop song with MusicTeX, and I have problems in writing chords names (above the staff) and lyrics (below it). For the former, I just defined \def\Chord#1{\zcharnote p{\tensf #1}} and the result is rather fine. Text is however more difficult, because the alternatives I have (\charnote, \zcharnote and \lcharnote) justifies either to left or to right, but not centered. Given that I don't mind to have to move by hand notes to avoid clashes between text, which is the best way in TeX to create a \hbox to 0pt whose text is centered? ciao, .mau. From owner-mutex Mon Sep 12 10:23:55 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id KAA12511 for mutex-distrib; Mon, 12 Sep 1994 10:00:57 -0500 Received: from gw1.att.com (gw1.att.com [192.20.239.133]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id KAA12464 for ; Mon, 12 Sep 1994 10:00:52 -0500 Received: from scratchy.jazz.att.com. by ig2.att.att.com id AA29285; Mon, 12 Sep 94 10:59:40 EDT Received: from cnvnja.jazz.att.com by scratchy.jazz.att.com with SMTP (1.37.109.10G/15.6) id AA150032015; Mon, 12 Sep 1994 11:00:15 -0400 Posted-Date: Mon, 12 Sep 1994 11:00:15 -0400 Received-Date: Mon, 12 Sep 1994 11:00:15 -0400 Received: by cnvnja.jazz.att.com (4.1/SMI-4.1) id AA02146; Mon, 12 Sep 94 11:00:12 EDT Date: Mon, 12 Sep 94 11:00:12 EDT From: gls@cnvnja.jazz.att.com (G. L. Sicherman) Message-Id: <9409121500.AA02146@cnvnja.jazz.att.com> To: mutex@stolaf.edu Subject: Re: lyrics Precedence: bulk You just write the lyrics as a second instrument with no staff. If you have more than one stanza, you can use a little vbox macro to set the words for each note vertically by stanza. I'll mail you an example with chords, single-line lyrics, and double-line lyrics. --Col. G. L. Sicherman gls@hrcms.att.com From owner-mutex Mon Sep 12 11:26:31 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id LAA21234 for mutex-distrib; Mon, 12 Sep 1994 11:20:32 -0500 Received: from ursa.cns.umist.ac.uk (ursa.cns.umist.ac.uk [130.88.210.1]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id LAA21180 for ; Mon, 12 Sep 1994 11:20:21 -0500 Received: from fs4.in.umist.ac.uk by ursa.cns.umist.ac.uk with SMTP (PP); Mon, 12 Sep 1994 17:20:09 +0100 Received: from UMIST-IN-FS4/MAILQUEUE by fs4.in.umist.ac.uk (Mercury 1.12); Mon, 12 Sep 94 17:18:25 GMT Received: from MAILQUEUE by UMIST-IN-FS4 (Mercury 1.12); Mon, 12 Sep 94 17:18:02 GMT From: Bernard Treves Brown Organization: DIAS, UMIST To: mutex@stolaf.edu Date: Mon, 12 Sep 1994 17:17:59 GMT Subject: Re: centering text in MusicTeX Priority: normal X-mailer: Pegasus Mail/Windows (v1.11a) Message-ID: <10796700420@fs4.in.umist.ac.uk> Precedence: bulk Maurizio, Re. your question. > I'd like to write a pop song with MusicTeX, and I have problems in writing > chords names (above the staff) and lyrics (below it). For the former, I > just defined > > \def\Chord#1{\zcharnote p{\tensf #1}} > > and the result is rather fine. Text is however more difficult, because the > alternatives I have (\charnote, \zcharnote and \lcharnote) justifies either > to left or to right, but not centered. This is not the only problem. You also have to worry about bar lines and text running across bar lines. > Given that I don't mind to have to move by hand notes to avoid clashes between > text, which is the best way in TeX to create a \hbox to 0pt whose text is > centered? If you want to go this route, then something akin to the definition of \llap and \rlap will do. (TeXBook p.82) I think the following will do the job (but I have not tried it) \def\lyric#1{\hbox to 0pt{\hss#1\hss}} Otherwise, my approach appears at the foot of this note. Jim Service submitted a similar approach to the group in January of this year, which you should be able to find in the list archive. Best Wishes, Bernard -------- Start of TeX code. \newbox\lyricbox \newdimen\lyriclen \newdimen\oldlyriclen \oldlyriclen=0pt% \newif\ifhyphen \hyphenfalse \def\lyric#1#2{\setbox\lyricbox=\hbox{#1}% \lyriclen=\wd\lyricbox \divide\lyriclen by 2% \advance\lyriclen by -3pt% \ifhyphen \advance\oldlyriclen by 6pt% \zmidtwotext{\kern\oldlyriclen \advance\oldlyriclen by -\lyriclen \advance\oldlyriclen by -6pt% \hbox to-\oldlyriclen{\hfil {-}\hfil\box\lyricbox}}% \else \zmidtwotext{\kern-\lyriclen\box\lyricbox}% \fi \global\oldlyriclen=\lyriclen \global\advance\oldlyriclen by -\noteskip % This must be done here, in case \noteskip changes before the next part % of the word. \if#2-% \global\hyphentrue \else \global\hyphenfalse \fi} % % Here \barre must be redefined to clear any lyric hyphen before % giving a % bar line % \let\a=\barre \def\barre{\ifhyphen\notes\zmidtwotext{-}\enotes\hyphenfalse\fi\a} Bernard J. Treves Brown Department of Instrumentation and Analytical Science, UMIST, P.O. Box 88, Manchester. M60 1QD UK Email: MCNBJTB@FS4.IN.UMIST.AC.UK Tel: 061-200 4899 (Outside UK +44 61 200 4899) Fax: 061-200 4911 (Outside UK +44 61 200 4911) From owner-mutex Mon Sep 12 13:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id MAA27442 for mutex-distrib; Mon, 12 Sep 1994 12:19:06 -0500 Received: from bham.ac.uk (bham.ac.uk [147.188.128.25]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id MAA27383 for ; Mon, 12 Sep 1994 12:18:51 -0500 Received: from sun1.bham.ac.uk by bham.ac.uk with SMTP (PP) id <13205-0@bham.ac.uk>; Mon, 12 Sep 1994 18:18:36 +0100 Received: by sun1.bham.ac.uk (5.0/SMI-SVR4) id AA25764; Mon, 12 Sep 1994 18:18:05 +0000 From: Mr CD Reed Message-Id: <9409121718.AA25764@sun1.bham.ac.uk> Subject: getting started To: mutex@stolaf.edu Date: Mon, 12 Sep 1994 18:18:04 +0100 (BST) X-Mailer: ELM [version 2.4 PL21] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 960 Precedence: bulk This is probably somewhere in the documentation, but unfortunately, I can't find it, or if I have, I don;t understand it. I got MusicTeX from ftp.gmd.de and have every file that came with it in a separate directory on a Sun. Now what do I do? I'm new to SunOS (unix), and very new to TeX and MusicTeX. How do I actually get started. The sun already has TeX and LaTeX, if that helps. -- +--------------------------------------------------------------------+ | Colin D. Reed Telephone:(UK)-021-414 4437 | | Birmingham Polymer Group Fax:(UK)-021-414 4403 | | School of Chemistry E-mail:reedcd@sun1.bham.ac.uk | | The University of Birmingham :C.D.Reed@bham.ac.uk | | PO Box 363 Phone (Evening):(UK)-021-454 5729 | | Birmingham B15 2TT UK | +--------------------------------------------------------------------+ From owner-mutex Mon Sep 12 14:23:54 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id OAA09214 for mutex-distrib; Mon, 12 Sep 1994 14:15:37 -0500 Received: from condor.CC.UMontreal.CA (condor.CC.UMontreal.CA [132.204.2.103]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id OAA09172 for ; Mon, 12 Sep 1994 14:15:30 -0500 From: richer@CERCA.UMontreal.CA Received: from balzac.CERCA.UMontreal.CA by condor.CC.UMontreal.CA with SMTP id AA15256 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Mon, 12 Sep 1994 15:14:36 -0400 Received: from sand.CERCA.UMontreal.CA by balzac.CERCA.UMontreal.CA (8.6.9/5.17) id PAA28427; Mon, 12 Sep 1994 15:16:14 -0400 Received: by sand.CERCA.UMontreal.CA (8.6.9/5.17) id PAA26880; Mon, 12 Sep 1994 15:16:12 -0400 Date: Mon, 12 Sep 1994 15:16:12 -0400 Message-Id: <199409121916.PAA26880@sand.CERCA.UMontreal.CA> To: mutex@stolaf.edu Subject: Typesetting musicdoc in 8.5x11 from scratch Precedence: bulk Dear MusicTeX community, I am having trouble typesetting musicdoc from scratch: I can't get it to generate a proper index table. I wanted to generate it without the A4 option, so I deleted all the auxilliary files (.idx, .aux, .toc, etc..), and tried to redo it from musicdoc.tex alone. I used LaTeX 2.09, and makeindex version 2.11 in the usual way. The source file seems to require using makeindex with special options or with some unspecified style file. The .idx file generated by the first LaTeX run contains lines like \indexentry{zq=\tty \bslash zq}{6} where I expected the more standard form \indexentry{zq@{\tty \bslash zq}}{6} Then 'makeindex musicdoc' turns this into \begin{theindex} \item *, 27 \item \, 65 \item \&, 65 \indexspace \item a4wide, 65 \item absoluteaccidentals=\tty \bslash absoluteaccidentals, 30 \item active=\tty \bslash active, 9 \item acute accent, 29 From owner-mutex Mon Sep 12 15:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id NAA06381 for mutex-distrib; Mon, 12 Sep 1994 13:49:07 -0500 Received: from gmdzi.gmd.de (gmdzi.gmd.de [129.26.8.90]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id NAA06318 for ; Mon, 12 Sep 1994 13:48:54 -0500 Received: from zsv.gmd.de (zsv) by gmdzi.gmd.de with SMTP id AA10375 (5.65c8/IDA-1.4.4 for ); Mon, 12 Sep 1994 20:47:31 +0200 Received: from sunick.gmd.de by zsv.gmd.de with SMTP id AA23521 (5.67b8/IDA-1.5); Mon, 12 Sep 1994 20:47:29 +0200 Received: by sunick.gmd.de (5.0/SMI-SVR4) id AA27169; Mon, 12 Sep 1994 20:46:16 --100 Date: Mon, 12 Sep 1994 20:46:16 --100 From: Werner.Icking@gmd.de (Werner Icking) Message-Id: <9409121846.AA27169@sunick.gmd.de> To: mutex@stolaf.edu Subject: Re: getting started X-Sun-Charset: US-ASCII Content-Length: 1038 Precedence: bulk > what do I do? I'm new to SunOS (unix), and very new to TeX and MusicTeX. ^^^^^ that's hard! > How do I actually get started. The sun already has TeX and LaTeX, if that > helps. That helps a lot! You got either musictex.zip oder musictex....tar.z Put all pk-files into a seperate directory; into that directory where your TeX-installation expects PK-files for 300dpi resolution printers. If you may not put them into that directory create a directory for that purpose and set an appropriate environment variable. It's possible that you have to rename the files from xyz.pk to xyz.300pk. Have a look at something like .../tex/lib/texmf/fonts/pk ... how these files must be named. When this has been done your dviview, xdvi, ... should be able to print musicdoc.dvi. It may be easier for you to look at musicdoc.ps. Similar things - except renaming - should be done for the files ending with .tfm, .mf, (.tex, .sty) Are there more files :-( ? Hope this hilft -- Werner From owner-mutex Mon Sep 12 16:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id MAA29301 for mutex-distrib; Mon, 12 Sep 1994 12:45:52 -0500 Received: from sparc.SanDiegoCA.NCR.COM ([153.64.253.2]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id MAA29240 for ; Mon, 12 Sep 1994 12:45:37 -0500 Received: from sv303.SanDiegoCA.ncr.com by sparc.SanDiegoCA.NCR.COM (4.1/SMI-4.1) id AA23100; Mon, 12 Sep 94 10:44:03 PDT Received: from ws315.SanDiegoCA.ncr.com by sv303.SanDiegoCA.ncr.com (4.1/SMI-4.1) id AA14237; Mon, 12 Sep 94 10:44:01 PDT Date: Mon, 12 Sep 94 10:44:00 PDT From: Barry Gold Message-Id: <9409121744.AA14237@sv303.SanDiegoCA.ncr.com> To: mutex@stolaf.edu Subject: trouble with font metric file Precedence: bulk I'm trying to set a song (one lead line, with chords above and lyrics below the staff), but TeX can't seem to find my metric file (I carefully regenerated all my font metrics using mf, =and= set TEXFONTS to $CWD, where my musictex TFM files are located). Can anyone suggest what I'm doing wrong? Here's the start of my input: ------------------------------------------------------------- % musictex input % Enterprise, w&m Joe Ellis \input musicnft \input musictex \begin{music} % music layout parameters \parindent 1cm \musicsize=20 % 16 is also possible % setup for chords + notes + lyrics % chords ("instrument 1/i") and lyrics ("instrument 3/iii") have % no staff (portee, in French). \def\nbinstruments{3} \nbporteesi=0% \nbporteesiii=0% ----------------------------------------------------------------------- and here's the output from TeX: ----------------------------------------------------------------------- This is TeX, C Version 3.14t3 (format=plain 93.2.2) 31 AUG 1994 16:32 **enterprise (enterprise.tex (musicnft.tex Version 5.01 -- February 1st, 1994 ! Font \cmmi=cmmi10 scaled 1200 not loadable: Metric (TFM) file not found. \relax l.12 \font\cmmi=cmmi10 scaled \magstep1 ? X No pages of output. ----------------------------------------------------------------------- From owner-mutex Tue Sep 13 03:23:52 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id DAA07177 for mutex-distrib; Tue, 13 Sep 1994 03:00:20 -0500 Received: from rugth4.th.rug.nl (rugth4.th.rug.nl [129.125.13.5]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id DAA07058 for ; Tue, 13 Sep 1994 03:00:03 -0500 Received: by rugth4.th.rug.nl (5.57/Ultrix3.0-C) id AA27939; Tue, 13 Sep 94 09:58:21 +0200 Date: Tue, 13 Sep 94 09:58:21 +0200 From: nijhof@th.rug.nl (Jeroen Nijhof) Message-Id: <9409130758.AA27939@rugth4.th.rug.nl> To: mutex@stolaf.edu Cc: mutex@stolaf.edu In-Reply-To: <9409121744.AA14237@sv303.SanDiegoCA.ncr.com> (message from Barry Gold on Mon, 12 Sep 94 10:44:00 PDT) Subject: Re: trouble with font metric file Precedence: bulk > I'm trying to set a song (one lead line, with chords above and lyrics > below the staff), but TeX can't seem to find my metric file (I > carefully regenerated all my font metrics using mf, =and= set TEXFONTS > to $CWD, where my musictex TFM files are located). Can anyone > suggest what I'm doing wrong? > > This is TeX, C Version 3.14t3 (format=plain 93.2.2) 31 AUG 1994 16:32 > **enterprise > (enterprise.tex (musicnft.tex Version 5.01 -- February 1st, 1994 > ! Font \cmmi=cmmi10 scaled 1200 not loadable: Metric (TFM) file not found. > > \relax > l.12 \font\cmmi=cmmi10 scaled \magstep1 cmmi10 is a standard TeX font, which can be found in a standard directory. So you must _append_ the current directory to TEXFONTS, in stead of replacing TEXFONTS by the current directory. You might try not to do anything to TEXFONTS first, since usually the current directory is part of the standard TEXFONTS. Yours, Jeroen Nijhof From owner-mutex Tue Sep 13 04:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id EAA09908 for mutex-distrib; Tue, 13 Sep 1994 04:02:49 -0500 Received: from chenas.inria.fr (chenas.inria.fr [192.134.192.136]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id EAA09867 for ; Tue, 13 Sep 1994 04:02:44 -0500 Received: from vulcain.marben.fr by chenas.inria.fr (5.65c8d/92.02.29) via Fnet-EUnet id AA03880; Tue, 13 Sep 1994 11:02:20 +0200 (MET) Received: by vulcain.marben.fr, Tue, 13 Sep 94 11:06:26 +0100 Received: from [192.93.113.13] (lemac) by tlse.marben.fr (4.1/SMI-4.1) id AA29507; Tue, 13 Sep 94 11:01:48 +0200 Message-Id: <9409130901.AA29507@tlse.marben.fr> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Tue, 13 Sep 1994 11:04:47 +0100 To: mutex@stolaf.edu From: GERARD@sundae.tlse.marben.fr (Gerard Mittaux-Biron) Subject: Before getting started... Precedence: bulk I am a very, very new comer in Mutex world. The only things I know, came from mail. So my (first) questions are: - What is it and what does it do ? - How and where could I get it ? - What do I need to make it work ? From owner-mutex Tue Sep 13 05:23:52 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id FAA13329 for mutex-distrib; Tue, 13 Sep 1994 05:22:59 -0500 Received: from gmdzi.gmd.de (gmdzi.gmd.de [129.26.8.90]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id FAA13292 for ; Tue, 13 Sep 1994 05:22:53 -0500 Received: from zsv.gmd.de (zsv) by gmdzi.gmd.de with SMTP id AA20057 (5.65c8/IDA-1.4.4 for ); Tue, 13 Sep 1994 12:22:49 +0200 Received: from sunick.gmd.de by zsv.gmd.de with SMTP id AA29222 (5.67b8/IDA-1.5); Tue, 13 Sep 1994 12:22:47 +0200 Received: by sunick.gmd.de (5.0/SMI-SVR4) id AA27577; Tue, 13 Sep 1994 12:21:35 --100 Date: Tue, 13 Sep 1994 12:21:35 --100 From: Werner.Icking@gmd.de (Werner Icking) Message-Id: <9409131021.AA27577@sunick.gmd.de> To: mutex@stolaf.edu Subject: Re: Before getting started... X-Sun-Charset: US-ASCII Content-Length: 877 Precedence: bulk > I am a very, very new comer in Mutex world. > The only things I know, came from mail. The (zeroth) answer is: forget MuTeX; think about MusicTeX it's successor > So my (first) questions are: > - What is it and what does it do ? It's a TeX add-on and may be used to typeset music -- if you do have some TeX-knowlegde and in typesetting music. > - How and where could I get it ? one of the servers you may use to get it by anonyous ftp is: ftp.gmd.de music/musictex/... There is an out-of-date FAQ > - What do I need to make it work ? Adapt it to your TeX-installation; feed it with your MusicTeX-input and drop the results to ftp.gmd.de music/scores/mittaux-biron/... :-) (if the copyright-rules allow it to do so). On ftp.gmd.de you can find some tools which may help you to generate MusicTeX input, too. Hope this hilft -- Werner > > From owner-mutex Tue Sep 13 06:23:52 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id EAA11925 for mutex-distrib; Tue, 13 Sep 1994 04:40:05 -0500 Received: from swan.cl.cam.ac.uk (pp@swan.cl.cam.ac.uk [128.232.0.56]) by nic.stolaf.edu (8.6.9/8.6.5) with ESMTP id EAA11866 for ; Tue, 13 Sep 1994 04:39:49 -0500 Received: from dorceus.cl.cam.ac.uk (user rf (rfc931)) by swan.cl.cam.ac.uk with SMTP (PP-6.5) to cl; Tue, 13 Sep 1994 09:38:25 +0100 To: mutex@stolaf.edu cc: mutex@stolaf.edu Subject: Re: trouble with font metric file In-reply-to: Your message of "Mon, 12 Sep 1994 10:44:00 PDT." <9409121744.AA14237@sv303.SanDiegoCA.ncr.com> Date: Tue, 13 Sep 1994 09:38:12 +0100 From: Robin Fairbairns Message-ID: <"swan.cl.cam.:038350:940913083850"@cl.cam.ac.uk> Precedence: bulk Barry Gold writes: > I'm trying to set a song (one lead line, with chords above and lyrics > below the staff), but TeX can't seem to find my metric file (I > carefully regenerated all my font metrics using mf, =and= set TEXFONTS > to $CWD, where my musictex TFM files are located). Can anyone > suggest what I'm doing wrong? TEXFONTS (if it's set) is the path to find *all* font metrics. TeX, of course, has a built-in value for it, which will include (inter alia) the metrics for cmmi10 (TeX maths italic). Even though *you* may not make any use of cmmi10 in your score, the nature of the `plain' macro package that MusicTeX is built on requires cmmi10. If you're using a current version of TeX, simply setting TEXFONTS to $CWD: will be enough (the trailing colon says "use what you have built in, now"). Give that a try. Otherwise, you need to learn from your sysadmin what the built-in value is, and set TEXFONTS to $CMD: -- Robin (Campaign for the Third Programme) Fairbairns rf@cl.cam.ac.uk U of Cambridge Computer Lab, Pembroke St, Cambridge CB2 3QG, UK Private page: http://www.cl.cam.ac.uk/users/rf/robin.html From owner-mutex Tue Sep 13 07:23:52 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id HAA18344 for mutex-distrib; Tue, 13 Sep 1994 07:05:30 -0500 Received: from unios.rz.Uni-Osnabrueck.DE (unios.rz.Uni-Osnabrueck.DE [131.173.17.7]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id HAA18303 for ; Tue, 13 Sep 1994 07:05:22 -0500 Received: from echnaton ([131.173.30.5]) by unios.rz.Uni-Osnabrueck.DE with SMTP id <189458>; Tue, 13 Sep 1994 14:05:07 +0200 Received: by echnaton (4.1/2.01) id AA13931; Tue, 13 Sep 94 14:04:16 +0200 Date: Tue, 13 Sep 1994 14:04:16 +0200 Message-Id: <9409131204.AA13931@echnaton> To: mutex@stolaf.edu From: dmelcher@echnaton.usf.Uni-Osnabrueck.DE Subject: Re: Some basic questions about typesetting musical scores Precedence: bulk Hello everybody, I am new at this mailing list. I've read Taupin's musicdoc manual and installed the package and the demos. The high quality of the demo scores is really impressive. Does anybody know how musical scores are `normally' formatted? Is it made by hand or are there sophisticated programs and if, what kind of programs? How much time do I have to consider to learn musictex (as a LaTeX but *not* TeX user) and how much time does an experiemced musictex-user need for typesetting one (averge complicated page) of a musical piece? Bye, Dirk From owner-mutex Tue Sep 13 09:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id JAA26874 for mutex-distrib; Tue, 13 Sep 1994 09:17:52 -0500 Received: from chenas.inria.fr (chenas.inria.fr [192.134.192.136]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id JAA26815 for ; Tue, 13 Sep 1994 09:17:26 -0500 Received: from vulcain.marben.fr by chenas.inria.fr (5.65c8d/92.02.29) via Fnet-EUnet id AA16538; Tue, 13 Sep 1994 16:16:13 +0200 (MET) Received: by vulcain.marben.fr, Tue, 13 Sep 94 16:19:33 +0100 Received: from [192.93.113.13] (lemac) by tlse.marben.fr (4.1/SMI-4.1) id AA01586; Tue, 13 Sep 94 16:14:54 +0200 Message-Id: <9409131414.AA01586@tlse.marben.fr> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Date: Tue, 13 Sep 1994 16:17:53 +0100 To: mutex@stolaf.edu From: GERARD@sundae.tlse.marben.fr (Gerard Mittaux-Biron) Subject: MusicTex porting Precedence: bulk Is there any port of MusicTex on other OS than Unix ? On MacOS, for instance. From owner-mutex Tue Sep 13 11:23:54 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id LAA08835 for mutex-distrib; Tue, 13 Sep 1994 11:00:09 -0500 Received: from gmdzi.gmd.de (gmdzi.gmd.de [129.26.8.90]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id LAA08768 for ; Tue, 13 Sep 1994 11:00:01 -0500 Received: from zsv.gmd.de (zsv) by gmdzi.gmd.de with SMTP id AA10167 (5.65c8/IDA-1.4.4 for ); Tue, 13 Sep 1994 17:59:50 +0200 Received: from sunick.gmd.de by zsv.gmd.de with SMTP id AA04893 (5.67b8/IDA-1.5); Tue, 13 Sep 1994 17:59:48 +0200 Received: by sunick.gmd.de (5.0/SMI-SVR4) id AA27736; Tue, 13 Sep 1994 17:58:35 --100 Date: Tue, 13 Sep 1994 17:58:35 --100 From: Werner.Icking@gmd.de (Werner Icking) Message-Id: <9409131558.AA27736@sunick.gmd.de> To: mutex@stolaf.edu Subject: Re: MusicTex porting X-Sun-Charset: US-ASCII Content-Length: 266 Precedence: bulk > Is there any port of MusicTex on other OS than Unix ? On MacOS, for > instance. MusiCTeX is a TeX-macro package. It's mainly source. So all you need is a complete TeX installation. Nothing to port. On a Mac you may use OzTeX as MusicTeX's base. Werner From owner-mutex Tue Sep 13 12:23:52 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id KAA06314 for mutex-distrib; Tue, 13 Sep 1994 10:33:42 -0500 Received: from aun.uninett.no (aun.uninett.no [129.241.1.99]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id KAA06246 for ; Tue, 13 Sep 1994 10:33:28 -0500 From: Sarunas.Jampolskis@IF.KTU.lt X400-Received: by mta aun.uninett.no in /PRMD=uninett/ADMD= /C=no/; Relayed; Tue, 13 Sep 1994 17:32:33 +0200 X400-Received: by /PRMD=LITNET/ADMD=LITPAK/C=LT/; Relayed; Tue, 13 Sep 1994 18:28:18 +0200 Date: Tue, 13 Sep 1994 18:28:18 +0200 X400-Originator: Sarunas.Jampolskis@IF.KTU.lt X400-Recipients: mutex@stolaf.edu X400-MTS-Identifier: [/PRMD=LITNET/ADMD=LITPAK/C=LT/;5FC0B OSCAR] X400-Content-Type: P2-1984 (2) Content-Identifier: 5FC0A Message-ID: <5FC0A*/G=Sarunas/S=Jampolskis/OU=IF/O=KTU/PRMD=LITNET/ADMD=LITPAK/C=LT/@MHS> To: mutex@stolaf.edu Precedence: bulk Hello ! Please remove me from your MuTex list. I don't intrested in this any more! Sorry... and thanks. , _ Sarunas and Rimgaudas P. S. If you want any information about Lithuania, please send us a message! From owner-mutex Tue Sep 13 14:23:56 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id NAA26439 for mutex-distrib; Tue, 13 Sep 1994 13:59:35 -0500 Received: from uni-kl.de (mmdf@stepsun.uni-kl.de [131.246.136.50]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id NAA26391 for ; Tue, 13 Sep 1994 13:59:28 -0500 Received: from pizza.unix-ag.uni-kl.de by stepsun.uni-kl.de id aa02621; 13 Sep 94 20:55 MET DST Received: by pizza.unix-ag.uni-kl.de (5.0/SMI-SVR4) id AA19880; Tue, 13 Sep 94 20:54:57 +0200 From: Klaus Knopper Message-Id: <9409131854.AA19880@pizza.unix-ag.uni-kl.de> Subject: Who would like typeset pieces? To: mutex@stolaf.edu Date: Tue, 13 Sep 1994 20:54:56 +0200 (MET DST) X-Mailer: ELM [version 2.4 PL23] Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit Content-Length: 498 Precedence: bulk Hi, all! I'm composing for 10 years now, and started to typeset some of my pieces with MusicTeX from Version 3.x. Composing in a more or less contemporary style just for myself i'm curious if someone would be interested in the postscripted versions of my pieces for Piano and Organ. Two of them were already published in Ken Rich's ZUM experimental Music Magazine. Can someone please tell me where to put them, or if there is even interest? Greets -Klaus Knopper (knopper@unix-ag.uni-kl.de) From owner-mutex Wed Sep 14 04:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id EAA06821 for mutex-distrib; Wed, 14 Sep 1994 04:00:43 -0500 Received: from gmdzi.gmd.de (gmdzi.gmd.de [129.26.8.90]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id EAA06730 for ; Wed, 14 Sep 1994 04:00:36 -0500 Received: from zsv.gmd.de (zsv) by gmdzi.gmd.de with SMTP id AA13173 (5.65c8/IDA-1.4.4 for ); Wed, 14 Sep 1994 11:00:31 +0200 Received: from sunick.gmd.de by zsv.gmd.de with SMTP id AA07437 (5.67b8/IDA-1.5); Wed, 14 Sep 1994 11:00:29 +0200 Received: by sunick.gmd.de (5.0/SMI-SVR4) id AA28129; Wed, 14 Sep 1994 10:59:16 --100 Date: Wed, 14 Sep 1994 10:59:16 --100 From: Werner.Icking@gmd.de (Werner Icking) Message-Id: <9409140859.AA28129@sunick.gmd.de> To: mutex@stolaf.edu Subject: Re: Some basic questions about typesetting musical scores X-Sun-Charset: US-ASCII Content-Length: 1489 Precedence: bulk > I am new at this mailing list. I've read Taupin's musicdoc manual Why did you do *that*? Most people don't :-( > and installed the package and the demos. The high quality of the demo > scores is really impressive. > > Does anybody know how musical scores are `normally' formatted? Is it > made by hand or are there sophisticated programs and if, what kind of > programs? The answer to the 1st question is "yes"; someone knows. The answer to the 2nd question is "yes" or "42" - whatever fits better. > How much time do I have to consider to learn musictex (as a LaTeX but > *not* TeX user) and how much time does an experiemced musictex-user > need for typesetting one (averge complicated page) of a musical piece? "My" Mozart (Duo for violin an viola, KV 423)(*) needed 15 to 20 minutes per bar, from deciphering Mozarts hand-writing up to the last minimal changes to make it look well on A3-paper. I could do KV424 much quicker. My last MusicTeX-opus (Psalm100 by Schuetz) was ready for playing after approx. 12 hours for 75 bars string-orchestra partitura with four voices plus the 300 bars for the parts. may be that I invested some more hours for the final make-up. With some experience simple one page pieces can be ready in less than an hour. But I key in the music directly as TeX-source and you may use other techniques like abc2mtex, midi2tex, ... (*) Your milage may vary -- Werner (*) all available on ftp.gmd.de music/... From owner-mutex Wed Sep 14 05:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id DAA05531 for mutex-distrib; Wed, 14 Sep 1994 03:31:39 -0500 Received: from gmdzi.gmd.de (gmdzi.gmd.de [129.26.8.90]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id DAA05494 for ; Wed, 14 Sep 1994 03:31:33 -0500 Received: from zsv.gmd.de (zsv) by gmdzi.gmd.de with SMTP id AA11714 (5.65c8/IDA-1.4.4 for ); Wed, 14 Sep 1994 10:31:27 +0200 Received: from sunick.gmd.de by zsv.gmd.de with SMTP id AA06534 (5.67b8/IDA-1.5); Wed, 14 Sep 1994 10:31:26 +0200 Received: by sunick.gmd.de (5.0/SMI-SVR4) id AA28121; Wed, 14 Sep 1994 10:30:13 --100 Date: Wed, 14 Sep 1994 10:30:13 --100 From: Werner.Icking@gmd.de (Werner Icking) Message-Id: <9409140830.AA28121@sunick.gmd.de> To: mutex@stolaf.edu Subject: Re: Who would like typeset pieces? X-Sun-Charset: ISO-8859-1 Content-Length: 1130 Precedence: bulk > Hi, all! Hallo Klaus, alleine. > > Can someone please tell me where to put them, or if there is even interest? I can. Upload your masterpieces to ftp.gmd.de incoming/music *and* drop me an e-mail. It may show up soon in music/scores/knopper (in the middle between harrington and mozart :-) Und ich schreibe mir seit langem die Finger wund, dass unser ftp-server solche Sachen meistens gerne nimmt. Schau mal auf ftp.gmd.de music/scores/... ob Du da hingehoerst. Wenn ja upload nach ftp.gmd.de incoming/music *und*U:eine e-mail an mich oder per E-mail schicken oder ... Ich habe bis jetzt noch nichts gekriegt, was ich nicht geknackt gekriegt habe. Eine kleine Beschreibung, was es ist (wie in music/scores/harrington) kann nicht schaden. Ein Problem gibt's immer wieder: wenn moeglich sollte das Zeug (... Entschuldigung ...) auch auf letter zu drucken sein; sonst s. music/scores/bach/bwv1001... Ansonsten schreibst Du etwas von MusicTeX 3.x? Wenn es das mal gegeben hat, ist es "outest-of-datest"; 5.04 ist seit langem aktuell und natuerlich auf ftp.gmd.de music/musictex/... Hope this hilft -- Werner From owner-mutex Wed Sep 14 06:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id GAA11981 for mutex-distrib; Wed, 14 Sep 1994 06:06:26 -0500 Received: from sun2.nsfnet-relay.ac.uk (sun2.nsfnet-relay.ac.uk [128.86.8.45]) by nic.stolaf.edu (8.6.9/8.6.5) with SMTP id GAA11944 for ; Wed, 14 Sep 1994 06:06:22 -0500 From: C.Walshaw@greenwich.ac.uk Via: uk.ac.greenwich; Wed, 14 Sep 1994 12:06:16 +0100 Received: from vogon by odin.greenwich.ac.uk with SMTP (PP) id <22267-0@odin.greenwich.ac.uk>; Wed, 14 Sep 1994 12:05:51 +0100 Message-Id: <12940.9409141105@vogon> Subject: Re: Some basic questions about typesetting musical scores To: mutex@stolaf.edu Date: Wed, 14 Sep 1994 12:05:51 +0100 (BST) Reply-To: C.Walshaw@greenwich.ac.uk In-Reply-To: <9409140859.AA28129@sunick.gmd.de> from "Werner Icking" at Sep 14, 94 10:59:16 am X-Mailer: ELM [version 2.4 PL23] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 1673 Precedence: bulk > > > How much time do I have to consider to learn musictex (as a LaTeX but > > *not* TeX user) and how much time does an experiemced musictex-user > > need for typesetting one (averge complicated page) of a musical piece? > > "My" Mozart (Duo for violin an viola, KV 423)(*) needed 15 to 20 minutes > per bar, from deciphering Mozarts hand-writing up to the last minimal > changes to make it look well on A3-paper. I could do KV424 much quicker. > My last MusicTeX-opus (Psalm100 by Schuetz) was ready for playing after > approx. 12 hours for 75 bars string-orchestra partitura with four > voices plus the 300 bars for the parts. may be that I invested some > more hours for the final make-up. > > With some experience simple one page pieces can be ready in less than an > hour. > > But I key in the music directly as TeX-source and you may use other > techniques like abc2mtex, midi2tex, ... (*) Just a quick note about abc2mtex: It is designed to handle folk/traditional music and as such can only do single stave notation ... but it only takes about 10 minutes to typeset one 32 bar tune. Currently it's not much use to yer average musictex-er because it has its own set of macros. However, I can reveal that abc2mtex 1.3 (which I expect to be ready around the beginning of November) will output *raw* musictex (using the \Ib... macros) - so you should be able to do most of the formatting in abc and just edit the resulting musictex file. You can find it by anonymous ftp to celtic.stanford.edu in /pub/tunes/abc2mtex1.2 or if you've got a WWW browser look at http://celtic.stanford.edu/pub/tunes/abc2mtex1.2/INTRO.html Chris Walshaw C.Walshaw@gre.ac.uk From owner-mutex Wed Sep 14 07:23:53 1994 Return-Path: owner-mutex Received: (root@localhost) by nic.stolaf.edu (8.6.9/8.6.5) id GAA14997 for mutex-distrib; Wed, 14 Sep 1994 06:54:25 -0500 Received: from pol88b.polito.it (pol88b.polito.it [130.192.2.16]) by nic.stolaf.e