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WIMA: Werner Icking Music Archive

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Giovanni Bononcini (1670-1747) biography, HOASM biography, Wikipedia

• Siedi Amarilli   cantata for alto and instrumental ensemble - edited by Jean-Christophe Frisch - with Finale 2004 source file.
• Composizione a quattro voci, che si può cantare ancora al contrario riverso - see Giovanni Maria Bononcini
• Sinfonia (urtext score) , score with b.c. setting
  1. Grave
  2. Presto
  from the oratorio Il Giosuè 1688 - parts for violin 1, violin 2, viola, violoncello and basso continuo (incl. harpsichord b.c. setting) - arranged and edited by Luigi Cataldi - with Abcpp / PMW source files.
• Quando parli Grave cantata for soprano and basso continuo - harpsichord setting of the figured bass by the editor - score without b.c. setting - parts for Soprano, Harpsichord and Basso - urtext edition by Luigi Cataldi - with Abcpp/MusixTex/Shell script source files.
• Sinfonia Decima for 2 Trumpets, Strings and Basso continuo
  1. Adagio, Allegro - parts for Trumpets in C 1-2, Violin 1, Violin 2, Viola, Violoncello, Double bass and Harpsichord
  2. Grave, Vivace - parts for Trumpets in C 1-2, Violin 1, Violin 2, Viola, Violoncello, Double bass and Harpsichord
  3. Adagio, Largo, Allegro, Largo, Allegro - parts for Trumpets in C 1-2, Violin 1, Violin 2, Viola, Violoncello, Double bass and Harpsichord
  Arranged with harpsichord setting of the figured bass by Michel Rondeau - with Finale 2006 source files
• Sinfonia avanti l'Oratorio from the oratory La Maddalena a' piedi di Cristo, 1690 for Trumpet, Strings and Basso continuo - parts for Trumpet in C, Violin 1, Violin 2, Viola, Violoncello, Double bass and Harpsichord - arranged with harpsichord setting of the figured bass by Michel Rondeau - with Finale 2006 source files
• Per la gloria d'adorarvi from the opera Griselda, for solo voice and keyboard instrument - piano reduction score arranged and edited by Srdjan Depolo - with Encore source file.
• Courante for 2 treble recorders - edited by Jürgen Knuth - with Capella source file.

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